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Stiiv releases Every Ghetto Every city EP

Years after walking in the shoes of Rusape genius Dambudzo Marechera in his album Letter to Samantha, Chitungwiza based rapper Stiiv takes the urban story from the street to the mic. He addresses societal issues like depression, drug abuse, religion and economics in new offering Every Ghetto every city. The 4 track Extended Play was recorded by Shingirai Tsiga (Doppl3r), the Production, mixing and mastering by Hitlab’s Rayo Beats.

  1. 1. Rugare
    Top notch production sees the rapper talk about soldiering on as you face the difficulties of what this life may come with. “Rugare tange nhamo” is a shona proverb that speaks about how this life can become a polar opposite in an instant. Deep within the land of imagination the scene is setup with a hospitalized mother, unemployed father, family overwhelmed with bills and an ever distant family. Stiiv talks about these relatable struggles in the Zimbabwean scene a time when economics doesn’t seem to help or reach a hand to the ghetto and struggles pile up each and every day above ground. Giving up isn’t an option and he talks about how he’ll make it work and try to see life in all this.

Rugare tange nhamo
Ndicharamba ndichishingirira
Zvandaiti ndarwuwana”

2.Paunochema

“I left a cup ine munhuwi we Doro nezuro
Mama ndokuziva why arutsa and havana kufara nazvo
I left a note patable I’m suicidal vaiti ndini ndine problem and I know handisi perfect”

On this song he talks about substance abuse and relationship struggles. This is a song cry as he pours out his heart talking about his experiences from love, alcohol, suffering under the system. The chorus is laced with vocals with a perfect pitch blend with Rayo’s magical touch.

  1. 3. Holy water
    From his lips to Gods ears sends a humble request. He is praying telling God about issues he’s facing asking for guidance on this sphere as he walks along life’s road.

Vano believer the truth ironically ndivo mapenzi they can’t take it anymore
They need another Jesus piece”

He talks about how religious beliefs have blinded the mental eyes and clouded minds taking away the ability to reason for ourselves. He also talks about how the modern day “men of God” are aligned to debauchery and tend to take a tenth of people’s money for themselves (tithes).

4.Level

“Sorry mama mune drugs mu system yemu nigga

Stiiv talks about use of substances and a land far away from sobriety. He talks down on a hood famous brandy called “kambwa”, the brandy is a common brand in the ghetto and has seen elevated effects like liver cirrhosis, brain damage to mention a few. The song has a different feel from the rest but Stiiv never ceases to tell a story with a high urban relatability factor.

The 4 track extended play is available on Audiocus, a rapidly growing streaming platform and which has made strides over the last couple of months. Link below

https://www.audiocus.com/album/1/stiiv/every-ghetto-every-city

JID Serves Origin Story, with Cameos on ‘2007.’

Kanye made ‘Last Call’ where he shared the travailes he faced before getting signed to the Roc as the outro of his debut album ‘The College Dropout.’ Since then so many rappers have made their own last calls including J.Cole and Logic just to name a few. Kanye did not invent the back story track in hip hop, it’s been forever, almost every rapper has a song detailing their origin story. JID’s latest single ‘2007’ is his won ‘Last Call.’

The track is produced by Latrell James, frequent collaborator Christo, and JID himself.

In ‘2007’ the East Atlanta rapper traces his path to the present, intertwining personal milestones with moments in rap history. Key figures in his life jump on the mic to take over the story between intervals, including his Dreamville label head J. Cole, Dreamville’s president Ibrahim Hamad, and JID’s own father, Carl Louis Route Jr. The concept breaks up the monotony of hearing one rapper for seven minutes straight.

On the track JID also shouts out Kendrick Lamar as an inspiration, specifically citing his debut album ‘Section.80‘ as an influence.

The song is fit for an outro track s JID prepares his next studio album ‘The Forever Story,’ but the song was cut from the album due to sample clearance issues and can only be released as a throwaway.

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”150 Bars,’ K.O.’s Response, A-Reece etc: Inside the Latest Rap Beef in SA Hip Hop.

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Rap Beefs are a primal staple of the genre since its birth in South Bronx, New York. Back in 2014 a rap beef propelled Cassper Nyovest and AKA into superstardom and turned them into arguably the biggest stars to ever grace SA hip hop. This in turn propelled the genre to apex heights in the country.

There haven’t been much on wax altercations in recent time save for a few squabbles between ex members of the former Wrecking Crew, a rumoured A-Reec and Nasty C beef and Big Xhosa’s comedic attempt at dissing the whole industry.

Big Zulu took it upon his broad shoulders to revive the culture in Mzansi by releasing a diss track titled ‘150 Bars’ where he went against the whole mainstream industry except A-Reece.

A-Reece Exemption

When fans implied that Big Zulu was scared of A-Reece and that’s why he left the Pretoria rapper off his hit list, Zulu made a video on Twitter explaining why Baby Boy’s name was missing on the track.

K.O’s Response

With SA hip hop being labeled a dead genre for a while, Big Zulu grabbed the limelight last Friday, and people clamored for their various faves to reply, the scene has been set, and the first emcee to take up the challenge was Polokwane-born veteran K.O. with his response track ‘Omega Freestyle.’

K.Hova’s dis track contained some lethal low blows including the following lines:

“Black coffee lapho engihamba khona, I am getting superSTAR BUCKS.”

“He was raising his voice ngoba ngamshaya nge Blue tick ku whatsapp.”

“Isiphuphile leyontelezi owayithola eJozini”

“Le caracara okhuluma ngalo waligibela no dadwenu”

“There’s more to life than performing eBree nase Noord”

“its just a teachable moment but if it escalates, im up for the challenge”

applying pressure till kuphahlak up’qopho uqabanga kuth ulova ngeke ak’dlele ithambo lenqondo”

Many fans believe this moment will spark a chain reaction that might revive SA hip hop but a few people beg to differ.

Reason Disagrees

Former rapper Reason, who is now Amapiano artist Sizwe Alakine had a differing view, tweeting “ I hate to say this. But. These diss records ain’t gone bring Hip Hop back hey. They only gon benefit Big Zulu and KO.”

In the same tweet, the 31-yeard-old rapper went on and gave a solution to what can save SA hip hop. He revealed that SA rappers must revive themselves first and that way they will be able to save the rap game.

The rapper also dropped his two cents on who will win between Stogie T and Big Zulu as asked by Tweeps, stating that they would have to compromise as Stogie who raps in English would have to rap in Vernac or Big Zulu who raps in isiZulu would have to rap in English to keep a balanced playing field, else one rapper would have an unfair advantage.

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Stogie T Teases New Collab with AKA on Twitter.

As fans await AKA’s fourth full-length studio album ‘Mass Country,’ legendary lyricist Tumi Molekane popularly known as Stogie T took to Twitter to tease a collaboration between himself and Supa Mega.

Fans are excited for the banging song but it’s to be known if the song will be released any time soon or will be on Kiernan or Tumi’s album.

Both artists have shown that they have remarkable chemistry on wax, ever since their first collab on the remix of AKA’S 2011 smash hit ‘Victory Lap.’

The emcees have also shared the mic several other times on Tumi’s ‘Miss Joburg’ and AKA’s ‘Starsigns.

https://twitter.com/AKA_Tales/status/1561053388208570373

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‘Skhanda Republic 3’ is Closer Than You Think, K.O. Announces September Release Date.

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Mr. Cashtime is not slowing down for anything, just a week after dropping the lead single to his forthcoming ‘SR3’ album, and responding to Big Zulu’s diss track ‘150 Bars’ with a diss track of his own, the Limpopo rapper has announced the official release date for his much anticipated third solo studio album, ‘Skhanda Republic 3.’

K.O had previously announced that he will host a festival tagged ‘Skhandaville Fest‘ at the Zone 6 Venue in Soweto, Johannesburg. Fans anticipated that the album will arrive just before or on the day of the concert so the artist can perform new songs from the album.

The rapper took to Twitter to respond to a fan who asked for confirmation on the release date of the album, and in the process revealed a September 16, 2022 release date.

K.O. has been quoted many times both on social media and on podcasts saying that he is bringing back the energy from his 2014 classic ‘Skhanda Republic 1‘ on the new album.

The lead single of the album ‘Sete’ featuring Blxckie and Young Stunna signals a new more melodic sound and an energetic and hungry K.Hova.

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Rising Nigerian Female Rapper Debstar is a ”Shooting Star.”

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The decline of female rappers in the Nigerian hip hop game might be over as in the last five years we’ve seen a rise of more femcees from the +234. Phlow, Lyn, and Tinuke are but a few names to grace the Naijarap game. Now 18-year-old Debstar is joining those ranks with her latest single rightly titled ‘Shooting Star.’

Deborah Sharp-Akosubo popularly known as Debstar is a Port Harcourt rapper and songwriter. Sharp told Hiphop Africa that she started rapping at the tender age of 11 but her professional music career began at the age of 16 when she dropped her first single ‘Walk Away’ which got radio plays and sparked the interest of several publications which led to series of interviews.

Debstar’s sound ranges from boom bap rap to trap, trap soul, and emo rap, and her lyrics center around themes of passion, free-spiritedness, human nature, strength in vulnerability, betrayal, wins and losses.

Sharp is a reserved but confident young woman and during her interview with us she hinted that she hopes to bag a Grammy nomination someday, such lofty dreams at such a tender age, we love to see it.

”Walk away (her debut single) is basically about me being in a toxic on and off relationship and finally having the strength to walk away from the situation, find my worth, and move on. On Remember 2 Remember I talk about my past “tough life” experiences. Depression, hard times, losing loved ones to death and betrayal but overall having the support of my homies and siblings, and also keeping tunnel vision and staying determined while motivating myself.” The rapper told Hiphop Africa.

”I remember everything I went through and use them as a motivation instead of forgetting them. That way, I stay hungry for success and keep moving forward.” Sharp added.

Growing Pains, my track that dropped on Audiomack on my 18th birthday is now available on all platforms. While it’s a short song, it’s basically about me staying determined through my journey as an artiste and becoming a more evolved version of myself, and looking at all the hurt I’ve experienced, as growing pains (things that were necessary for me to go through to help me grow).”

Debstar is definitely one to look out for after the venomous bars on ‘Shooting star,‘ her latest single which was released on the 19th of August, 2022. ‘Shooting star is available on all platforms for streaming and downloads.’ There’s only one way to go from here and that is up.

You can connect with Debstar on social media via:

IG: debstar_sharp https://instagram.com/debstar_sharp Twitter: debstar_sharp https://twitter.com/debstar_sharp TikTok: official debstar https://www.tiktok.com/@officialdebstar

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”We Need Ponytail Cassper Back” Fans Beg After Hearing New Single.

After obliterating his verse on Fakaloice’s ‘Ooh Aah‘ fans were happy that Tsibip was finally taking a break from ‘Yanos‘ and coming back to hip hop. Cassper obliged by hinting at working on a new hip-hop project and a single was on the way. Fans of Mzansi hip hop have been on the edge of their seats, especially after Cass made several tweets hyping up his comeback to the game, alluding to the forthcoming single being a classic and needing a Hype Williams video to do justice to it.

‘Put Your Hands Up’ is a hip-hop song with an old-school feel similar to Hip Hop Hooray and Cassper employs The Notorious BIG’s flow and cadence on the first verse of the song, probably as an ode to the golden age of hip hop in the west.

Several fans on Twitter ZA expressed mixed feelings after the track titled ‘Put Your Hands Up’ dropped with some thanking Nyovest for coming back to save hip hop, while others maintained that it did not meet their expectations and maybe it’s high time Cassper brings back the ponytail and the days of ‘Tsholofelo‘ and ‘Refiloe.’

https://twitter.com/Mphossible_N/status/1560533338485657606
https://twitter.com/MindofBkay/status/1560414167852539909

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”Skhanda Republic 1 is the Only Monumental Album in SA Hip Hop in the last 10 years.”- Says K.O.

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South African veteran rapper and Maskandi innovator Ntokozo Mdluli popularly known as K.O has made a bold statement about SA hip hop as he prepares the third installment of his ‘Skhanda Republic‘ albums franchise. During an interview with SA Hip Hop Mag, K.O stated that SR 1 is still the only monumental project in SA hip hop for the past 10 years.

The Polokwane rapper has never shied away from praising the Magnum Opus of his solo career. “I am just back on my old ish. I’m back in my bad. We are almost close to the 10-year anniversary of the Skhanda Republic 1, I felt like the album was so monumental in terms of how it was put together the sound and the energy.” The rapper said.

“Years later I don’t think we have seen anything close to it, so it can only take the capacity of the person that created the Skhanda Republic 1. to bring the same energy back. People can expect something not far off from SR1, not the same songs but the kasi mentality, the rawness and speaking uninhibitedly on certain social matters and current affairs that is the headspace.” K.O added.

While this is definitely good news for fans and SA hip hop as a whole, there are many who would disagree with his claim.

K.O just dropped the lead single to his forthcoming ”Skhanda Republic 3′ album Sete’ and fans have been going crazy ever since, clamoring for the album to drop already.

“Sete ‘is a sneak peak into what the upcoming album has in store for audiences. “I am showcasing my growth as K.O, as a man and artistically.” He said. “I had an idea to bring together artists from various spaces, that resulted in a collaboration from the Amapiano sphere with Young Stunna, Hip Hop/trap sphere with Blxckie and of course I came through with the Skhanda ting.” The ‘Caracara‘ hitmaker added.

Wit this information ‘SR3’ might just end up another classic in the bag for K.O.

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Cameroon Female Rapper, Askia Celebrates Her 16-Year-Old Daughter Who Is Also A Rapper Over Distinctions In GCE

In the past week, the Cameroonian social media platforms have been trending with the anticipation of the General Certificate Examination result in the country. On the 19th of August 2022 – a few days ago,

The Registrar of the GCE Board announced via a press Communiqué that he was pleased to inform the general public and especially candidates of the 2022 Examinations organized by the Board that the Board had released the results of the 2022 Examinations.

A day after the announcement of the release of the result, self-acclaimed Cameroon’s Most prolific Female Rapper /Song Writer – Askia took to her Facebook page to celebrate her 16-year-old daughter, “Eunice Leea. EL” over her success in the examination. She wrote;

“My baby Scored an A in mathematics. And almost every other subject in the GCE.

This is to let you know that being a rapper isn’t only for irresponsible people as most Cameroonian parents think. Maybe your child No too get Sense no be music. Celebrating this child again and again. Thank God for rewarding your hard work with success my child. Now we keep doing what we do.”

Eunice had earlier posted on her page stating that she made 7As out of the 10 Papers she wrote.

You can check out Eunice on Facebook by clicking here.

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Have you found this article insightful? Then kindly share and comment your opinions in the comment section below. Thanks.

Daniji Emmanuel is a content writer who has written hundreds of articles on various niches with a focus on Entertainment topics. He’s also published interviews, conducted research and written opinions on the creative industry. BigDan as he is fondly called also consults and handles brand promotions for people and organizations in the creative industry. 

Follow On Social Media:

Instagram – https://instagram.com/iam_bigdan

Twitter – https://twitter.com/iam_bigdan

Email – bigdan@hiphopafrica.net

Meet Lyrical Hi, Nigeria’s Gospel Hip-Hop/SpokenThought Poet As He Celebrates His Birthday Today.

Henry Ifeanyi, popularly known as Lyrical HI is a spoken-thought Poet, songwriter, scriptwriter and preacher who ministers the word of God through rap music. He’s an artist that goes beyond speaking the word – he illuminates it, set it on fire, and lets it burn in your mind. This is what you feel when you listen to his art piece, ‘Initiation’. 

Lyrical HI came into the limelight after the release of his recorded spoken thought poetry, Initiation. The piece received worldwide attention because it is deep with meaning. As a gospel artist, his presence and authenticity onstage is something many performers aspire to. This is something he uniquely crowns with the popular phrase tag – “Na Grace carry me come, no be Okada man”

Henry Ifeanyi is the first son of Mr. & Mrs Tobias Mbachu from Ehime, Mbano Local Government Area of Imo state, Nigeria. Born in Zaria, Kaduna State in the early 90s and raised in Abuja, Lyrical HI is a member of the Loveworld Music and Art Ministry (Loveworld Nation) popularly known as Christ Embassy. 

Lyrical HI is a graduate of the Federal Polytechnic Nekede Owerri, Imo State, where he studied mass communication and is currently Studying History and Diplomatic Studies at the University of Port Harcourt, Rivers State.

According to Lyrical HI, he believes that spoken-thought poetry (as he calls it) is beyond reciting or rhyming words. Performing it with facial expression, every part of you and using it to paint pictures or create images that dance and leap in your head is what makes it intriguing and captivating. Spoken word is art. Spoken word is entertainment. Lyrical HI has been providing us with bold, hopeful, and vulnerable poetry for five years now. He has done many beautifully constructed pieces addressing the current situation of the country, salvation layered with love and hope.

Living life with proof that you cannot lift Jesus up without being lifted, Henry Ifeanyi is privileged to have been featured on stages with national and international gospel artists including Minister Moses Bliss, Minister Grace Lokwa and a host of others.

Lyrical HI is active on social media. You can connect with him via his official handles on Facebook, Instagram and Twitter. You can also stream his spoken word poetry videos via his official YouTube channel here

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Have you found this article insightful? Then kindly share and comment your opinions in the comment section below. Thanks.

Daniji Emmanuel is a content writer who has written hundreds of articles on various niches with a focus on Entertainment topics. He’s also published interviews, conducted research and written opinions on the creative industry. BigDan as he is fondly called also consults and handles brand promotions for people and organizations in the creative industry. 

Follow On Social Media:

Instagram – https://instagram.com/iam_bigdan

Twitter – https://twitter.com/iam_bigdan

Email – bigdan@hiphopafrica.net