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HIP HOP @ 50: Apple Music Celebrates Half A Century of Hip Hop with New Audio Series.

Apple Music has kicked off her celebration of 50 years of hip-hop with the 20 episode audio series Hip-Hop DNA, hosted by Ebro ‘Old Man Ebro’ Darden, Apple Music’s global editorial head of hip-hop and R&B, and explores this chain of influence through four distinct lenses. The series flips through the crates of the genre’s rich catalogue a, tracing the artistic evolution back of today’s biggest stars to the art form’s beginnings. The platform will spotlight Hip-Hop’s influence over the decades through a series of audio specials, DJ mixes, classic records and must-hear playlists. Launched Monday, May 8, Apple Music kicks off ‘Origins’ with 9 episodes released throughout the month of May.

Dedicated to unearthing the storylines that define hip-hop’s most prominent regions (East Coast, West Coast, Midwest, and South). The audio series has kicked off with five episodes subtitled “Origins.”

The first episode, “The Intro” focuses on how rap stars learn from the greats before them. “Bronx Tale” tells the story of the legendary borough and major acts that came from it, such as Cardi B, French Montana, and KRS-One.

Then there’s “Just Wanna Rock,” titled after Lil Uzi Vert’s smash hit. That episode focuses on the relationship between rap and rock dating back to the ’80s with Run-DMC and the Beastie Boys. “NY State Of Mind” covers those who were born where the culture was birthed, namely Rakim and A$AP Rocky.

Finally, “It’s A Queens Thing, Baby” episode spotlights on the artists from the NYC borough, namely Roxane Shante, Nas, A Tribe Called Quest, and Nicki Minaj. After ‘Origins,’ Episodes 10-20 will feature explorations of the crafts of MCing, production, and DJing.

Hip-Hop DNA is designed to educate and inform listeners of every era, exposing them to connections within music that many fans never take the time to consider.

‘Hip Hop DNA,’ is just one of the numerous events that make up Apple music’s 50 year anniversary celebration of hip hop. Check out the ‘Hip Hop DNA’ series below.

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Hallelujah: BlaqBonez’s Verse Proves That Simplicity Really Wins

CKAY

When the Snippet of the Hallelujah first surfaced online, there were a lot of views on what is to be expected. However, if there is something the record has made clear now, it will be that both stars now understand what they both need to contribute to making a record.

CKay is without any doubt one of the most successful Afrobeat record holders, his hit single “Love Nwantiti” was so big that it seems his personality is yet to catch up with the popularity the record received.

However, on Hallelujah, Blaqbonez showcased something that really worked, “Simplicity“. His verse on the record is probably the simplest he has dropped in a long time, I mean I grasped the whole thing from my first listen, Knowing Blaqbonez that is something that almost never happens.

READ ALSO: Drake Ancestry: What Does It Mean For The Nigerian Hip-hop Scene?

The record which was rumoured to have also featured Buju BNXN who a lot of people believe killed his verse and questioned CKay for removing from the song seems to be just perfect the way it is.

There have been videos of Hallelujah getting airplay in clubs, another crazy fit.

What do you think a project of simple verses from Blaqbonez will sound like? It is easy and very clear to say Blaqbonez’s simplicity on Hallelujah worked excellently.

Hallelujah also proves that the two stars will be doing something good for the culture if they give us a joint project of classics.

FOCUS: ON HIPHOP’s Community for Vodafone Ghana Music Awards

The Ghanaian Hip Hop scene was the center of it all at the 24th Vodafone Ghana Music Awards (VGMAs), with some of the country’s leading hip hop acts gracing the stage with quality performances and taking home awards. From Black Sherif, Medikal to Sarkodie’s performance. HipHop Africa explores the winners and biggest moments from the awards show, from a hiphop view.

Realistically, a Blacko sweep was expected, what a run he has had over the last two years, it’s still crazy to believe as at a point in April 2022, his “KKT” song was the most shazamed song in the world. Debuting at number 1 on the Nigeria Top 100, the first Ghanaian song to make that record. A successful debut, most played album on Boomplay, ties with Burna Boy, meeting with the Vice President of the United States of America, guest feature on Popcorn’s Album Deluxe edition and another on Creed 3 soundtrack album with Dreamville’s Bas, coming into this Award show, he was the hottest artist out there and the favorite for it all. He had a smooth night, with yet another statement performance. Sarkodie’s legacy had a bit of a re-up too, with the Jamz album doing good, especially with the record with Blacko, overall the hiphop community had a good run too and it was only going to get better. 

Black Sherif held the highest nomination with 11 coming into the show, winning 5 overall. “KKT” won the Hip-Hop song of the year, after debuting at number 5 on the billboard U.S Afrobeats songs chart. The song has over 14.6 million Boomplay streams, charting on 8 different platforms. Another part of his craft that seem to have upgraded is his visuals. Konongo Zongo’s serene shots and textured color grading by Babs won the video of the year. It was no surprise when KKT grabbed the most popular song of the year, the internet challenges and all. From a production point of view, hip hop producer Altra Nova won Sound Engineer of the year, with his production skills for “Gyakie’s Far Away”. For the performances, the Hiphop acts stole the show, starting with a daring performance from Medikal. The rapper was in a set that looked like a press conference, with bodyguards next to him whilst he rapped his way to the stage in a glittering mask. Amerado also took home the Best Rap performance of the year while Sarkodie’s joint with Black Sherif knocked the Best Collaboration of the year. 

RBA’s frontman was back again with his win for Most Popular song of the year with Kwaku The Traveler, another expected win for him, the controversies took a turn when his debut album lost to King Promise’s “5 stars”, with viewers disagreeing with the winner. Black Sherif took over the stage shortly after to bring some of his tunes to Live with quality performance that lasted for over ten minutes. The Landlord (Sarkodie) reminded Ghana who he was with an epic performance, dripped out in a $1,319 white Casablanca suit, the icing on the cake for the hiphop community came when Black Sherif was crowned Artiste of the Year, taking home the most prestigious award of the night. Overall, it was a good night for the hiphop community as their reps took home the awards, summing up a successful night.

Come Closer: Wizkid Scores His Second Platinum As A Lead Artiste.

Wizkid

Nigerian Afrobeat Super Star, Ayobami Balogun, popularly referred to as Wizkid has scored another RIAA-certified Platinum record following his 2017 hit single “Come Closer” which featured Canadian Rapper Drake getting certified by the RIAA.

Come Closer is a mellowed exciting Afrobeat record, which showcases Wizkid as a lover boy in his Caribbean holiday bag.

The song which was released in 2017 has now been certified Platinum in the United state, although a lot of people believe it came late, however, it is still a much-deserved fit for the record, which kept us on our feet and rocked the whole of 2017.

READ ALSO: Kenyan Gospel Rapper XLVI K Debuts Drill Music BREAKING NEWS (UFO)

This record also proves what Drake, who recently announced he might be Nigerian, has contributed to the globalization of Afrobeat.

Drake first worked with Wizkid on “One Dance” which has now been certified Diamond by the Recording Industry Association of America (RIAA). The two then proceeded to work on Come Closer.

However. in 2019, Tekno also worked with Drake and Swae Lee on a record titled “Won’t be late” as a producer. Drake has also gone ahead to work with Nigerian superstar vocalist and songwriter Tems, on two records.

This without a doubt is proof of what the Canadian rapper, Drake has contributed to Afrobeat.

ZRi.: His Abstract And Extraordinary Debut, SAMO

In a time where local music has soared to new heights and South Africa becoming the new hub for all things art, be it music or fashion, I still think there’s much more to explore in this country many of us call home.

I recently went down a rabbit hole where I discovered artists I’d never heard of and believed it was my duty to introduce readers to new music makers they may or may not be familiar with. This was when I found 19-year-old ZRi. (pronounced Zuu-Ree) who makes Alternative music and whose sound captivated my eardrums.

Admittedly, I haven’t been listening to ZRi. for long. However, though I can’t recall my first encounter, I was locked in from the jump and have been counting down the days to his debut album release. SAMO is finally here.

There is a whole different space of music being made right under our noses and ZRi. seems to have grown a loyal and supportive fan base.

In his new project, ZRi. expanded his reach and worked with a variety of artists. The likes of Oxii Moron and Tyson Sybateli, with whom ZRi. has worked, as well as many others offered a great deal of their creativity to make SAMO what it is today.

SAMO

Sitting at 10 tracks long, a 17-minute run throughout, ZRi. proclaimed this album as one of the best to drop this year. “Not the type of artist to talk about my music but I can confidently say that SAMO top 5 projects of this year,” he tweeted, “this is something I’ll stand for 4L.”

The album is a work of art where ZRi. explores his artistry through experimenting with flows, production (from boom-bap to lofi to electro-pop), as well as his sonic relationship with his featured accomplices.

“The closest thing to Basquiat”

Drawing the inspiration behind his art cover from Jean-Michel Basquiat, ZRi. sees himself as “the closest thing” to the famous Neo-expressitionalist.

SAMO (originally pronounced “Same-Oh” i.e. “Same Old Shit) is a graffiti tag primarily used between the 1970s and 80s in the streets of New York City by Basquiat and collaborator, Albert “Al” Diaz. This project is also a collaborative effort between ZRi and Steveisfrench who was instrumental in bringing SAMO to life.

He delves into the various facets of his being; love, art, his vices, and much more, where he further tips his hat to Jean-Michel through skits and acknowledging SAMO.

Thoroughly enjoyed listening to and dissecting this body of work, kudos to ZRi. and his team for their efforts in producing a masterpiece.

Run it up:

Kenyan Gospel Rapper XLVI K Debuts Drill Music BREAKING NEWS (UFO)

XLVI K is a pioneer Gospel Drill artist in Kenya. Having started his career in
2022 with his debut single “Afande Ati?”. He has followed that up with over
ten singles and a four track EP dubbed DRIP. He is currently working on an
Album to be released by the end of 2023. Thrilling, unapologetic and Christ-centered best describes this showstopper
performer.


Breaking News (UFO) is meant to officially introduce XLVI K to drill listeners,in the song he explains why his face is hidden making him unidentified andthat he is from Zion which is a foreign place ie not of this world. These two combined makes Him an unidentified foreign object (UFO). The song isinspired by John 17:16 “I have given them thy word; and the world hathhated them, because they are not of the world, even as I am not of the world. “I pray not that thou shouldest take them out of the world, but that thou shouldest keep them from the evil. The Audio produced by Rayp mastertouch and Lyric video done by tomato entertainment is set to take the Kenyan Drill industry by storm.

Follow the Kenyan rapper for more on social

Nyashinski shuts down Nakuru City with an electrifying performance

Rapper Nyashinski headlined the Walker Town Concert circuit held at the Rift Valley Sports Club in Nakuru last Saturday for yet another exciting experience.

This was the latest in a series of Walker Town events that have taken place in several counties in Kenya since its launch in 2022.

Nyashinski on stage entertaining fans at the Walker Town Concert in Nakuru

The star-studded Johnny Walker event brought a massive crowd of fans for a thrilling experience. The revellers enjoyed an immersive concert experience with alternative fun activities, including art, fashion and local cuisine.

The series of events aims to connect artists to their fans through live performances and meet and greets. It has grown to become a fan favorite with good attendance.

Gates were open by 3 PM, and mixes from Kenyan deejays among the DJ Protege and DJ Pierra Makena warmed up the crowd.

Radio personality Kwambox electrified fans with her set, inviting guest artist Joeboy to wow the crowd. He showcased an amazing performance with his catalogue of hit songs.

 
 
 
 
 
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A post shared by Dj Protege Kenya 🇰🇪 (@djprotegekenya)

Kenya’s most celebrated rapper, Nyashinski, took to the stage at half past two in the morning to a rousing welcome from his fans. His band accompanied him in delivering an electrifying set. 

The rapper’s popular jams ensured partygoers stayed on their feet and sang along. He performed some of his most loved songs, among them Malaika, Free, Hapo Tu, Hello and properly, among many others. 

The Walker Town Concert, Nakuru in pictures

Interestingly, he had some advice for upcoming artists considering his long career.

He said,

 ‘If there is any upcoming Kenyan artist listening to me right now, I want to tell you one thing, Do not give up,’

He then left the stage, allowing Dj Joe Mfalme to end the night with his thrilling mix.

The Nakuru edition proved how successful the Walker Town concerts have been. The consistency and uniqueness exhibited by the event organizers have set it apart.

Read Also: Shrap over the rest: The new sound of urban Kenyan rap: Nyashinski shuts down Nakuru City with an electrifying performance

Drake Ancestry: What Does It Mean For The Nigerian Hip-hop Scene?

DRAKE

Probably the World’s most commercially successful rapper to ever touch a mic, Canadian rapper Drake just confirmed he might be Nigerian.

Over the last decade, we have seen Drake get into the Afrobeat music scene for a lot of reasons.

From jumping on Wizkid’s Ojuelegba remix to finally making a global record on “One Dance” with Wizkid. The rapper has been all up on our faces.

The rapper took to Instagram early this morning to share what he described as being his Father’s ancestry result, which indicates a whopping 33% of which indicates he is Nigerian.

READ ALSO: Back When: 12 Years Since Davido And Naeto C Dropped The Hit Record.

The rapper who without doubt enjoys Afrobeat as much as we all do, seem to be delighted about the discovery as he shared the result with the caption “This is my dad’s result, Does this mean I’m a Naija man finally?”

Drake

Nigerians have taken to social media to share their reactions on the matter. A lot of which have been more of a joyful feeling for everyone.

However, what will Drake being Nigerian mean for the Hip-hop community? We have seen French Montana, embrace Morocco fully since discovering he was Moroccan, do you think Drake will do the same?

French Montana, since he discovered he was Moroccan has travelled to the country from time to time and shared in the country’s culture while contributing his quota to the Moroccan music industry.

The question I am looking to ask is, “What will this revelation contribute to the Nigerian Hip-hop community?”

Listen To Dj Malefactor’s Latest Single, #LightWork

Dj Malefactor has been working hard in the studio and the Spotlight RSA platform, collaborating with some of Africa’s finest artists and has no plans of slowing down.

He’s back in the streets with his latest joint titled Light Work and it features PDotO, LandmarQue, Jimmy Wiz, N’veigh, MPK, and Abstrakt, who trade bars and war stories about their rise to prominence while also poking fun at the competition.

The Hustle alumni, Jimmy Wiz closes the track off by paying homage to all the fallen soldiers as he gives an impressive lyrical performance. A reminder that despite his hiatus, he’s still got it.

Run it up:

Super Mega Lives On With Big Wins At Metro Fm Music Awards 2023

Before his death AKA had promised that his next album was going to be the one, and he did not disappoint as he delivered a stellar album with bangers, even though he has to deliver it posthumously as his life was taken about a month before the album could be cleared for release.

Early in the Metro FM Music Awards 2023, the late Supa Mega’s Parents, Tony and Lynn Forbes accompanied the rapper’s eight year old daughter to accept not one, not two but four different plaques for the rapper’s outstanding album ‘Mass Country,’ which earned him the plaques for artist of the year, best male and best hip hop artist.

The Megacy was in high spirits as they couldn’t resist the cute movement Kairo Forbes sang her dad’s song word for word while accepted his award for best collaboration which he won for his song ‘Lemons (Lemonade)’ with Nasty C.

Four awards from six nominations, Mega didn’t lie when he rapped on the album, “coming in coming in hot, coming in hot kaMbuzi.”

Rest in Peace Kiernan Forbes, the Megacy and Mzansi music shall forever miss you. This is for supervision and control.

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