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Ladipoe Cracks the Hook Cheat Code on ‘Guy Man’ with Bella Shmurda

Mavin’s resident emcee Ladipoe has been quiet for a while since he released his critically acclaimed ‘Providence’ EP in 2021. The rapper followed up the project with videos and signed treatment for the Fireboy assisted ‘Running’ and Rema assisted ‘Afro Jigga’ respectively. Then he dropped ‘Big Energy’ right after his scene stealing verse on the Mavins All-stars posse cut ‘Overdose,’ in 2022. The former didn’t quite leave the same print on playlists as the latter.

Although besides his verses on songs like ‘Won Le Le’ and ‘Overdose’ on the Mavins All-stars Compilation album, Poe hasn’t dropped new music— the Ikeja-born emcee found a way to keep the ears of his “Lifelines” as he calls his fans, busy.

Poe did that with the help of his weekly ‘On The Rooftop’ series where he performed classic Poe verses or new verses on different instrumentals or Acapella from a rooftop somewhere in Lagos.

Check out an episode of the series below:

https://www.tiktok.com/@mavin.records/video/7233161686629240069

‘Guy Man’ is Poe’s first song since June 2022 and the Lifelines couldn’t be more excited, as the Mavins Records Hip Hop Prince Ladipoe teams up with Dagbana Republic Prince, Bella Shmurda.

On ‘Guy Man,’ Ladi is revisiting his formula for making Afro-rap hits; a rap cadence laden, laid back hook and a vocalized chorus by an Afrobeats singer, merging into a cocktail of earworm street-hop.

This formula gave us ‘Afro Jigga‘ with Rema in 2022, ‘Yoruba Samurai’ with Joeboy and ‘Know You’ with Simi in 2020.

The earliest fossils of this formula can be heard on Poe’s 2018 ‘Talk About Poe’ project, on the song ‘Falling’ that introduced a lot of fans to a certain young and budding alté gem called Tems.

He also used the formula on his 2019 underground hit ‘Lemme Know’ but without a Vocalist on the chorus.

When Poe realized that adding a Tenor vocalist on the chorus was the icing on the cake, he finally cracked the code and that was the birth of most of his biggest hits, an anthem for the ladies and party goers but still not losing the Hip Hop heads in the process.

Although, this formula has delivered Poe into the hands of Hip Hop purist critics who keep quoting the Drake line ” they run to the hottest n***s just to stay hot’ in their critique of the formula, but like Kanye said on Graduation, “50 told me go ahead and switch your style up, if they gon’ hate let them hate, just watch the money pile up.”

Even Ladi said it best on the song, ”‘Cause Afrobeat hit no mean say Hip Hop’s dead.”

The single was released on Tuesday, June 13, 2022 and fans are already going crazy from both the rap and Afrobeats spectrum of Nigerian music lovers.

Does Ladipoe have another Number One Anthem coming with ‘Guy Man?’

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Commemorating June 16: An SA Hip Hop Playlist

On National Youth Day, we pay our respects to the youth of 1976 who were instrumental in helping shape the country’s history and future, during the Soweto uprising massacre.

As the country still struggles to gain stability, and the youth battle unemployment and personal struggles – we reflect on the impact music has made on everyday life.

While many South Africans step out in their former school uniforms to commemorate June 16, others will be seated in their homes watching Sarafina!, a 1992 local musical with themes inspired by the Soweto uprising.

From the days of apartheid, leading to the “free South Africa” in 1994, musicians voiced the sorrows many South Africans faced, in their music. From Hugh Masekela and Brenda Fassie, to rappers like HHP, Zuluboy, and the group Jozi – music has, for a long time, been used to address many societal issues while also giving us hope for a better tomorrow.

We compiled a playlist to acknowledge June 16, complete with sounds from all around the country from rappers who sought to use their voices to make a change.

Listen below:

Compiled by Moroba & Oatlhotse.

TBT: The Revolutionary Ukoo Flani Mau Mau

Ukoo Flani Mau Mau is a hip-hop group from Kenya that emerged in the early 2000s. It is a collective of underground MCs from different slums in Nairobi and Mombasa. The group deployed socially conscious and politically charged lyrics to address the societal issues in Kenya.

Ukoo Flani Mau Mau popularized Sheng, a slang language that mixes Swahili and English, in Kenyan hip hop.

UKOO FLANI is an acronym that reads ‘Upendo Kote Olewenu Ombeni Funzo La Aliyetuumba Njia Iwepo’. This directly translates to love everywhere for all who seek the teachings of the creator; there is a way. They collectively enable hip-hop to be the language to pass the actual/valid message to society.

The Legends’ Origin

The group was formed by MCs inspired by Kalamashaka, another pioneering Kenyan hip-hop group. They mentored and supported young MCs from the slums, who formed crews and recorded songs at Mandugu Digital studio.

These crews included Mashifta, Wenyeji, Wakamba Wawili, and Ghetto Fabulous.

In 2001, these crews came together to form Ukoo Flani Mau Mau to create a united voice for Kenya’s youth.

The group also expanded to include MCs from Mombasa, who brought a coastal flavor to the group’s sound. The group’s members often refer to themselves as “Watoto wa Mau Mau” (children of Mau Mau). This is an expression of their connection to the history and struggle of their ancestors.

Career

Ukoo Flani Mau Mau’s career traces back to the late 1990s when some of the founding members were part of Kalamashaka.

Interestingly, the group had a rite of passage to test the member’s lyrical ability and skill level. A group member got officially admitted after winning a rap battle at F2.

Ukoo Flani Mau Mau’s first album, Kilio Cha Haki (Cry for Justice), was released in 2006. The album featured 18 tracks that tackled various social and political issues in Kenya, such as corruption, tribalism, and violence. The album received good reviews from critics and fans alike.

Some of the popular songs from the album include “Mazishi ya Polisi” (Funeral of a Policeman), “Umati” (Crowd), “Dhuluma” (Oppression), and “Hatuna Tena Nafasi” (We Have No More Space).

Impact on Kenyan Hip-Hop and Culture

Ukoo Flani Mau Mau is widely regarded as one of Kenya’s most influential and respected rap groups. The group has been instrumental in shaping the Kenyan hip-hop scene and culture., especially in language, style, and content.

The group’s use of Sheng has inspired many other Kenyan artists and fans to embrace their local dialects and identities. Their dressing style, which often incorporates elements of African fabrics, colors, and accessories influenced the fashion and aesthetics of Kenyan hip-hop.

The group’s content, which focuses on the social and political issues affecting the Kenyan people, has also challenged and inspired other artists and fans to use their music as a tool for awareness, education, and activism.

Ukoo Flani Mau Mau has mentored and supported many upcoming and established Kenyan hip-hop artists, such as Juliani and King Kaka. The group has also collaborated and performed with many local and international artists, such as K’naan, Dead Prez, Talib Kweli, Akon, and Damian Marley.

Highlights

The group has also received many awards and accolades for their music and contribution to the Kenyan hip-hop industry, such as the Kisima Music Awards, the Chaguo La Teeniez Awards, the Mzuka Awards, and the MTV Africa Music Awards.

Some other notable achievements include:

Collaborating with other Kenyan and international artists, such as Nazizi, K’naan, Dead Prez, Talib Kweli, Akon, and Damian Marley.

Performing live in various venues and events, such as Eastlands 2007 Edition. They joined forces with other Kenyan hip-hop artists to promote peace and unity.

Creating songs that address the social and political issues affecting the Kenyan youth, such as corruption, tribalism, violence, and HIV/AIDS.

Popularizing the use of Sheng, a slang language that blends Swahili, English, and other local dialects, in Kenyan hip hop.

Port Harcourt’s Hip Hop Golden Child Sknny, Pays His Dues on New Single

Port Harcourt-born Nigerian emcee David Lari, popularly known by his stage name Sknny has been doing the most to put Port Harcourt Hip Hop on the national stage, under the radar— for almost half a decade now. Over the years Sknny has laced prolific bars over hi-hats-laden, boom bap beats, which has resulted in a barrage of some of the most floetic, yet lyrical hip hop out of Southern Nigeria.

“The golden child of hip hop” as he is fondly called by fans, raps about his life and experiences— his phone addiction on ‘Nomophobia,’ his love for the herb on ‘Vibing,’ his depression on ‘Tears in the rain,’ his ambition on ‘No Clues’ and now his sacrifices for his dreams as he reminds us he has paid his ‘Dues’ on the upcoming single.

Golden Child’s last release was the two-song pack ‘The Vibe Pack‘ where he ushered fans onto his new sound, focusing more on a melodic sonic approach than on previous works in his catalogue.

Sknny’s new single titled ‘Dues’ is produced by frequent collaborator Slow Zeus who has worked with Sknny on the ‘Darkest Hour’ song pack.

On ‘Dues,’ Sknny gives himself props as he reminisces on how far he has come in his career, but stays reflective about how much better it could still get, he raps “you know I done paid my dues for this, ain’t no way that I can lose for this, too prolific y’all can’t snooze on this, everyday I’m making moves for this”.

Released on the 14th Of June 2023, the jumpy, slow progressing trap record depicts a mix of braggadocious commendation and motivation from the young rapper who’s finely easing himself into the high regard he’s capable of attaining in the rap game.

Sknny is definitely one of the brightest rap stars leading the revolution of young Nigerian rappers. The golden child should definitely be on your radar.

Check out some of Sknny’s previous releases by clicking the link below.

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New Categories For The 2024 GRAMMYs Include “Best African Music Performance”

The Recording Academy has passed a vote to include three new categories for the 2024 Grammy Awards and it’s now official.

Best African Music Performance, Best Pop Dance Recording, and Best Alternative Jazz Album will be included in the 66th Grammys, adding to the already 94 categories.

What this means for African musicians

Over the years, African artists including Burna Boy, Nasty C, Tems, and Wizkid have been instrumental in growing African music to global markets. And with the rise of Afrobeats, many East and West African artists have found international recognition, becoming chart-topping superstars.

Previously, African-based songs ruled in nominations in the Global Music Performance category, where other genres such as K-Pop and Latin music could also be found. At the 65th Grammy Awards ceremony, South African singer and producer, Zakes Bantwini won his first Grammy in the category for his song, Bayethe with Wouter Kellerman and Nomcebo Zikode.

With the addition of the new category, many African musicians will be recognized for their artistry and given a chance to compete amongst one another.

The category highlights regional melodic, harmonic, and rhythmic musical traditions. It includes but is not limited to the Afrobeats, Afro-fusion, Afro-Pop, Alte, Amapiano, Bongo Flava, Genge, Kizomba, Chimurenga, High Life, Fuji, Kwassa, Ndombolo, Mapouka, Ghanaian Drill, Afro-House, South African Hip-Hop, and Ethio Jazz genres.

“The Recording Academy is proud to announce these latest Category changes to our Awards process. These changes reflect our commitment to actively listen and respond to the feedback from our music community, accurately represent a diverse range of relevant musical genres, and stay aligned with the ever-evolving musical landscape,” expressed the Recording Academy CEO, Harvey Mason Jr.

“By introducing these three new categories, we are able to acknowledge and appreciate a broader array of artists. We are excited to honor and celebrate the creators and recordings in these categories, while also exposing a wider range of music to fans worldwide.”

These changes are sure to make a significant difference as they will expand the reach of African music and its creators, offering them the opportunity to compete for the prestigious award.

Cassper Nyovest Announces #ITHUBAOpenVerseChallenge With R25K Cash Prize

In celebration of Ithuba Holdings’ 8th year as operator of the National Lottery in South Africa, they join forces with Cassper Nyovest to host an open verse challenge offering fellow artists an opportunity to not only have a song with the rapper, but also win a handsome cash prize.

The rules are simple:

  • Add your verse/ hook to the track, whether you sing or rap – just make it blend and keep it on theme.
  • Post the full open verse video on all your social media platforms using the hashtag #ITHUBAOpenVerseChallenge (Use Remix/ Split Screen/ Duet when posting on Instagram & TikTok)
  • Tag @casspernyovest, @sa_lottery, and your 3 friends. The more views you get, the better!
  • NO UNDER 18s ALLOWED.
  • Competition deadline is 1 August 2023. Make sure to check ITHUBA’s social media pages for the full T’s & C’s.

If you think you’ve got what it takes, then write your best verse and follow the rules of the competition. Who knows, you might just make it on a song with Cassper and walk away R25,000.00 richer!

Boity Freestyles To #SoshPlata | Social Media Reacts

Back in 2018, many of us were caught by surprise when local TV presenter, Boity Thulo began rapping out of nowhere, even dropping Wuz Dat? with Nasty C which subsequently became her first hit.

After releasing the 4436 EP in 2020, following up with 018’s Finest (Remix) and The She Can Anthem the following year, Boity seemingly took a break from music but appears to be slowly making a return.

“I’m back in studio, so I decided to play around with one of my fave tracks, #SoshPlata,” captioned Boity in an Instagram post of herself freestyling to the popular Loatinover Pounds street anthem.

A true Motswakolista, she narrates her life story of humble beginnings from being unable to afford an education, to moving to Johannesburg and building a name for herself in the entertainment industry.

Now as a seasoned TV presenter, actress, entrepreneur, and rapper, Boity is sitting comfortably with all her troubles behind her.

Read some of the reactions below and tell us what you think:

Choppin’ It: Tweezy Talks AKA, His Producer Tag, & Being One Of The Greatest

Ayobuuur.

Tweezy’s beat tag has become such a distinct signature in South African Hip Hop that many argue that it was he who first popularized the production trademark locally.

The rapper/ producer grew to popularity from working closely with AKA and producing some of the late rapper’s biggest hits including Sim Dope and All Eyes On Me. In the latest episode of Choppin’ It, the established beatmaker talks to Bhuda T about his upbringing and influences, as well as the serendipitous technical glitch that led to his well-known “ayoba” tag.

The two also have a lengthy chat about Tweezy’s relationship with Forbes, his short-lived Producers Must Rise campaign, working with Ambitiouz Entertainment, and much more.

Tweezy goes on to offer an on-screen apology to Dj Sliqe, inspiring Bhuda T to make an apology of his own.

Watch the conversation below:

King Kaka teams up with Halisi band in “Nairobi” banger

Nairobi’s finest, the Rabbit King, dropped a new banger to celebrate “Kanairo”, the city under the sun. This has been a season for the King’s fans to eat as he gears up to release a new EP.

With back-to-back releases of hits, King Kaka is preparing fans for yet another classic project.

Halisi Band is a Kenyan-Born, Nairobi-Based gentlemen’s duet executing Afro Pop music. They show out on the track, complementing the rapper’s hard-hitting bars.

Nairobi” is a definition of the soul of the city. The daily up and downs of city life that Nairobians execute well. This is a city of struggle where nothing comes easy. Kenyans are known for the hard work and hustle prowess attributed to this embedded culture.

The Halisi Band

It’s a no-brainer why the song features the ‘if you can make it here, you can make it anywhere’ phrase.

The visuals highlight various landmarks in the city. From iconic buildings, streets to murals, it displays the beauty of Nairobi city and its people.

The artists definitely show their worth in the song, making a dope collaboration. It has already created a buzz, with netizens rushing to celebrate the city’s King.

Check out the song and let us know if it’s a hit or a miss.

Chad Da Don Finally Delivers “23” Music Video

Following weeks of anticipation, Chad Da Don finally delivers on his word and drops off the 23 music video alongside Emtee and Jay Jody.

The Go Cloud-directed visual, co-directed by Chad, sees the guys jamming to the song where the grading and effects are frequently altered to add more intensity to the high-energy track.

Chad’s fiancé, as well as Emtee Records’ Lolli Native also make cameo appearances.

Watch the 23 music video below: