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193 Rennie debuts with “Man Wicked” featuring Black Kalonji & OOSHA

193 Rennie is a multi-talented Nigerian producer who started his journey into music in church, playing multiple musical instruments with great passion for music and his culture, he began to make music professionally while attending college in Ghana, collaborating with several uprising artists.

His Debut release “Man Wicked”, just as the title of the song implies, describes the current situation of the system in Nigeria & other African diaspora, the day to day struggles of an average Creative trying to excel in the Continent. The electrifying single features Black Kalonji and OOSHA.

STREAM/DOWNLOAD : https://onerpm.link/158200176458

Ladipoe Reclaims His Throne on BYN Freestyle

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In 2019, against a black and white backdrop and an invisible (save for the hands) prop man handing him whiskey and ice, the latter which he refuses, Oladipo Eso, just after ditching the already copyrighted Poe‘ for a more original stage name, ‘Ladipoe,’  also ditched gunning for the Nigerian rap throne for the African rap throne; declaring himself as the man to bear the Torch of Nigerian rap music in the Post-Abaga era. He enthroned himself as the LEADER OF THE REVIVAL (LOTR).

”Allow me to introduce myself in a way that you will understand me, Nigeria’s best chance of a rapper winning a Grammy.” He said smoothly, spotting a fresh fade lowcut and mustache, dressed as simple as the black and white backdrop, signifying that he wants recognition for his lyrics and not because he’s selling ”bling.”

 

To further his stance on making a name than chasing fame, Poe spits, ” I treat my legacy as a package you can’t recycle but I always see the Judas in people they call disciples,”  swearing allegiance only to his ‘lifelines’ as he calls his cult fanbase, and not random industry trend hoppers, who will abandon the ship when the going gets rough.

Poe is as much a product of the older rappers he idolized as he is a product of  the times in which  he lives and practices his craft, seen clearly in lyrics like; ”I’m so deadly on arrival, at a time when tweets are more lethal than a loaded rifle, referring to the internet culture of the times which he spoke about on LOTR II, on the line ” I hate the irony of COVID-19‘s arrival on a generation already obsessed with going viral.”

Poe does not rap with a faux American accent, you know, ”a rapper’s accent.’ He raps like your regular Nigerian cousin flirting with a girl at a family function. He is very rooted in Nigerian culture as he references, ” Rashidi Yekini,” on LOTR  and lyrics like, ”I learned to drive in Lagos so I’m never sticking to my lane,” and ”I never pray when p[olice stop me at checkpoints, cos a thousand Naira is a better form of protection,” shedding light on the situation of an uber-religious country who abandon religious tenets in the church.

Ladipoe carries Nigerian rap music on his back and Nigeria on his tongue, representing with every move he makes, and he carries his name along, as he does it. ” When I’m rocking a custom jersey that’s the only time I play with my name.” BAR! BAR!

”I’m still Nigeria’s best chance of a rapper winning a Grammy, but for now, their first rapper to ever attend the Grammys” the dreaded lyricist declares of the bat as Kel P’s beat sets a mellow tone to this lyrical re-enthronement. The beat which is originally from labelmate, Rema’sFYN‘ ft. AJ Tracy.

Re-affirming his lyrical prowess as the number one vehicle to push the gospel of the revival on the freestyle he titles, ‘Best Young Nigga,’ he posits, ” I need a Nike deal for my pen game, Lord knows all of my verses should be in King James.”‘

”Flight heavy two days, because to chase the bag means living out of a suitcase…” raps the emcee who just returned from Los Angeles, California. I guess Fireboy is not the only one jamming in Cali, the life of an artist is one spent on the road and who better to paint that picture than Poe?

An intellectual who raps for the common man, only will use a pidgin connective to end a triple entendre about plaques and platinum, ” compliments give  me a toothache, I’m all about the plaque, like say platinum dey the toothpaste,” Pronouncing ”Platinum” the Nigerian accented way, ”PLA-TI-NOM,’ as opposes to ”PLAT-NOM.”

Bars like, ‘ do it for my city that’s smiling in pain, to us patience no be virtue it’s just somebody’s name,” reminds one of the Nigerian reality.

”My advice for those who waiting, carry a hard drive there’s always something worth saving,” everyone knows that one Nigerian uncle always giving unsolicited advice, every chance he gets. Uncle Ladi does it in double entendres.

Ending the verse with ”got the grace of God with me cos my mumsi stays praying,” is as Nigerian as Nigerian can get. It’s like a bowl of Jollof with rhymes.

Like the first bar said, Ladipoe recently attended the 64th Grammy Awards ceremony in Los Angeles, and most likely the experience ref-fuelled his drive to make the first line of this verse a reality. Probably bagging a Gage award in June before then.

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Rick Ross Announces New TV Show

Rick Ross announced that he is filming for a new tv show. He said on Instagram:

“The time has come, and the perfect time is now. I’m a go ahead and do me a show. The time is now. It’s going to be about wealth, based on success. We actually filming right now, but I hope y’all are ready for it ’cause I’m a talk some big numbers. Big numbers. This the 9-figure club, you figure? It’s going down like that.”

His announcement is just weeks after he shaded 50 Cent for being in the television industry when he said:

“There ain’t enough money in acting. Your man made $250K for the season doing that. That little season, STARZ TV sh*t. What channel is it really? He should’ve just went REVOLT. Just go REVOLT next time. Tell Curtis I said, ‘Go REVOLT.'”

Did Rick Ross go to REVOLT and get himself a television deal is however the big question.

We sure are looking forward to what the show will be about & what platform it will be on.

Nigerian Rapper, A-Q to release“Purple doesn’t Exist” album soon

Nigerian Rapper, Gilbert Bani, better known as A-Q, is set to release his new album at any time. For over a decade, A-Q has been a hip-hop evangelist in Nigeria.

A-Q’s career began in 2000, and he has since released seven albums; Listen and Overstand (2005), The Past Present and Future (2010), Rose (2016), Blessed Forever (2017), Crown (with Loose Kaynon) (2018), God’s Engineering (2020), and GOLDEN (2021).

A-Q revealed his eighth studio album, “Purple Doesn’t Exist,” via his Instagram page, and it will be released sometime between July and August of this year.

He wrote, “I’m finally back in the studio 🔥 This will be my most vulnerable piece of work…
 

“Purple doesn’t Exist” see you July/August 2022”

Blxckie Hops on Feel Good Live Sessions

South African hip hop rave of the moment, Sihle Sithole, popularly known by his stage name Blxckie, or more fondly Somnyama, was recently invited to feature on veteran rapper JR’s Feel Good Live Sessions in Cape Town. The video of the live session posted on JR’s youtube channel on Friday, April 7th, 2022 has already garnered 27,500 views and is still not slowing down.

Feel Good Live Sessions is an exclusive live show platform founded by veteran SA rapper JR, to give artists from various genres and different parts of South Africa, a platform to perform their songs with a live band, their live band, or a studio provided band.

The platform is also an opportunity for artists to perform their more mellow or less popular songs to a small crowd, for more intimacy between fans and artists.

Blxckie performed live and slowed down versions of some of his most popular songs, mostly the newer ones; features, and songs from his latest EP, ‘4Luv EP.‘ With ‘David‘  and Nasty C assisted ‘Yex4‘ being the only songs from his debut album, ‘B4NOW.’

Coincidentally, the show the performance which took place on a lawn in Cape Town was also hosted on JR’s birthday. Previous artists hosted on Feel Good Live Sessions include Nasty C who was assisted by Rowlene, the late Riky Rick, AKA, Shekhinah, and lots more.

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Nasty C Announces Nationwide Campus Tour

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Seems like a new Nasty C Project keeps approaching, and fast, the South African hip hop juggernaut has been on a run of PR events that look very much like a rollout for a project. First, he changed his public image and introduced the fans to a new suit, cigar-smoking, and flat-cap-wearing persona; Which he now dresses like, starting from his exclusive birthday bash on February 11th, 2022. Then he posted a bunch of photos on his Instagram dressed as the persona, then a single titled ‘Can’t Imagine‘ followed, with David posing, dressed as the same character.

For the next phase of this likely rollout, the ”Hell Naw,’‘ spitter has announced a nationwide Varsity Campus tour. The tour tagged #Ivysonarmytour, will feature one on one interactions with fans, performances from artists and DJs from the different campuses, dares and challenges, and comedy from youtube stars.

The tour dates will be announced soon said the rapper as he asked his followers for suggestions on what other varieties could be added to the events. Peep the announcement post below. Is a new Nasty project coming soon?

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The Gospel According to Blacko

There is something about vulnerability in art, especially when canvassed in a way that elicits a catharsis of empathy and not sympathy from the intended audience. Mohammed Ismail Sherif Kweku Frimpong of Konongo, Ghana, effortlessly embodies the stories of the Ghetto youth in The Gold Coast and uses anywhere a camera exists and a microphone can be mounted, to spray paint this collage of emotions telling his story and consequently the stories of many African youths living under fight or flight conditions; having to deal with the consequences of their decisions when their localities did not offer them much of a choice in the first place, good or bad, they keep traveling the African concrete jungle like Kweku himself. 

The gospel according to Kweku Frimpong is deeply rooted in truth and relatability; his truth…whether one wants to hear it or not, he tells his unconventional truth.

The 20-year-old street preacher got into the limelight after recruiting self-acclaimed African Giant, Nigerian Afro-Fusion superstar Burna Boy for the remix of his highly acclaimed single, ‘Second Sermon,‘ to much critical and commercial acclaim both at home and in the Mecca of African music; Nigeria.

His videos display the demeanor of a regular street thug and his lyrics show that he is more than what is presented on the surface. Blacko toys between introspection and aggression. The angering passion hanging in his voice, especially on the higher notes when slapped on to the very relatable lyrics such as, ”of course, I fucked up, who never fuck up hands in the air?” from ‘Kwaku the Traveller.’Baring himself to the virtual jury on the internet; becomes sugar to the ears.

The above-quoted line has diagnosed sonic diabetes to millions of Tik Tokers all around West Africa and beyond, ‘The Sherif’ is fast becoming Ghana’s next big export, the journey started with breaking into the Nigerian market.

The passion of Blacko goes beyond his vocal cavity and pen, Kweku also brings his pain to his performances, the videos show undaunted facial expressions with every syllable uttered, accompanied by bulging neck and forehead veins, a synthetic downpour at his Tik Tok famous 3 Music Awards performance.

black sherif performance

Blacko’s story has always been the backdrop for his sonic direction, although he does predominantly drill music, the melodies are freshly hiplife inspired and doused in Twi parlance, the lyrics telling stories of his journey.

His vulnerability shines through in the fact that one would confuse his ”street escapades” for the glorification of gang culture, but the line, “I really lost my way” in ‘Second Sermon,’ nuances that thought. Kweku Frimpong chose the streets, the streets did not choose him. Son of a wealthy Car Tyre dealer living in Greece, Kweku fell to the ways of the streets, mistakes not unlike some other average young African males out there.

This is reminiscent of the TDE Hiipower revolution code when Kendrick Lamar posited his own translation of Tupac Shakur’s THUG LIFE Philosophy with the words, ” this is a gangster story but a gangster with a difference, a gangster with a conscience.’ In Black Sherif’s case, it’s a gangster with self-awareness and empathy as ”rest in peace Aunty Mariam;’  and  ‘Aunty Marie, this be the life I dey live for here,’ can be heard on ‘Second Sermon.’

The former is an ode to his cousin, the 18-year-old WASS student killed by a speeding Taxi on November 28, 2018., while the latter is the artist giving a situational report of his lifestyle in Accra to his Mother living in Athens, Greece. A rooted but troubled soul, telling his story through dirty camera lenses and grimy lyrics.  ‘Coming through like a raging storm.’ This is the ‘Gospel According to Blacko.’

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Vector Releases First Single of the Year

After a fantastic 2021, Vector begins 2022 with this new single, My Name, produced by Mr Kleb. On the path to self-discovery, you discover the significance of knowing your name.

Olanrewaju Ogunmefun David who is popularly known as Vector Tha Viper has delivered a new single dubbed ‘My Name’ which automatically serves as his first official single for 2022. Ever heard a singing Vector? Well, here’s your chance.

On ‘My Name’, Vector floats seamlessly on the Mr Kleb-produced amapiano instrumental.

listen and enjoy:

https://audiomack.com/vectorthaviper/song/my-name

Kenya’s First Continental Superstars: What Happened to Camp Mulla?

The year is 2012, and the location is Walter Sisulu Square in Kliptown, Soweto, Johannesburg, South Africa. Nigeria’s new school king Davido, emcee and fashionista Ice Prince, Veteran rappers Khuli Chana, M.anifest, and Zeus have graced the stage in front of the whole continent, then enters the fresh-faced and raving group of three Kenyan boys; Taio Tripper, K’Cous, Shappa Man and their first lady, Miss Karun. The Amakipkip, dog tags, high tops, and snapback-wearing crew straight out of Nairobi were as hungry for glory as a Lion is for a baby Zebra.

Beyond the sagged pants and backpacks was a unique and head bumping sound oozing from the fountain of modern African youth, as the 2010s seemed to be the era of cultural liberation for African teens, driven mostly by the pop culture revolution of Afrobeats, Kwaito, and African hip hop…from the AKAs to the Wizkids as the and profound ”cool kid” lyrics to match.

The group was designed to rock a house or rooftop party dancefloor from Jozi to Lagos to Nairobi. Behind those sounds, were profound lyrics layered in the same philosophy of the sound and doused in hip hop parlance and African street slang. Highlighting the experience of the African urban, juvenile youth at the time in a language the kids could relate to.

Hence lyrics like “OG smoking by the Oz,”‘ ” all I know is swagger, I keep it fresh all day,”  ” Swagger so vintage, African Fresh Prince, ever seen a Kenyan boy look harder?,” ”everybody’s tryna get paid in Nairobi,” rapped in a cadence so smooth and easy the average listener who may not have been a rap fan would bump their head to, Camp Mulla thinned the line between backpack rapping and party hip hop, with Karun’s smooth vocals on the chorus icing the cake.

That recipe and philosophy built the songs that Africa partied to in 2012-13; ‘Fresh All Day,” Party Don’t Stop,’ and ‘Addicted.’ These four kids from Nairobi were Kenyan music’s first continental export, way before Khaligraph Jones’ music frequented the Gulf of Guinea and the Cape of Good Hope.

Kids who grew up in the 2010s, albeit parents or in the labor market now, will always look back at this era fondly. The blueprint for African hip hop and youth urban and pop culture, from slang to fashion to art, was nurtured in this era, after being birthed in the late 2000s, this new identity was now carving a route more rooted in African experience than a corruption of the African-American experience.

It was a full-blown revolution and Camp Mulla and their peers were at the helm of affairs. So what then happened to these raging rolling stones? What happened to ‘the C.A.M.P.?’

Camp Mulla was an alternative hip hop group originating from and based in Nairobi, Kenya. The group of four rose to prominence with the release of their single “Party Don’t Stop” on 31 August 2010, signed to Sub Sahara records.

The party anthem and subsequent smash hits, and the release of their debut studio album, Funky Town, earned them a nomination for Best International Act (Africa) at the 2012 BET Awards, following their first international recognition moment where they were nominated for Best Video at the 2012 Channel O Music Video Awards.

At the peak of their fame, after garnering Channel O, MTV EMAs, Headies, and MOBO nominations, the group’s lead singer Karun and rapper Taio both left the group to pursue higher education and solo careers. The group tried to move on by adding a replacement, in the person of Tiri, but the original Camp sauce was missing and they eventually disbanded in 2013.

Subsequently, several members of the group put out solo efforts with little critical and almost no commercial success; most notably Shappaman’s ‘Wildlife on Tape.’ Karun still has an underground budding career, going for a  more edgy image and mature sounds, it’s hard to believe she was performing in front of Africa at 15.

In September 2017 the main four members announced their reunion at The Wave performance at the Waterfront, Ng’ong racecourse, but soon after disbanded again

The group’s musical style, fashion sense, and origins have drawn comparisons to The Black Eyed Peas, and their eccentric style was being put on blast for a while as being too “bubblegum music. So sad we never got to see them hit the peak of their potential, but a least these five Kenyan teens put rhymes in our mouths, smiles on our faces, and dance steps on our feet while they were here. lasted.

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Pusha-T Finally Drops the Hov Collab

Amidst rumors of an unreleased Jay Z and Pusha T collaboration in the vaults throughout last year, King Push confirmed early this year that the collaboration in fact did exist, and would be on his forthcoming project, ‘Push and P.’ The single features Jay Z and veteran rapper and singer, Pharrell Williams, and is also produced by the latter.

Skateboard P’s return to the production games sees him in a more solemn and mellow sonical direction more akin to Pusha’s style than the unique fast-paced, electronic, and ”bling” sounds he was known for in his Neptunesdays.

Sterling Ruby who made the single artwork for ‘Diet Coke‘ also made the artwork for ‘Neck and Wrist.’

“Neck & Wrist” follows Push’s recent singles “Diet Coke” and “Hear Me Clearly.” The song marks Jay-Z and Pusha T’s first collaboration since 2016’s “Drug Dealers Anonymous.” The Brooklyn and Chicago emcees also appeared on Kanye West’s My Beautiful Dark Twisted Fantasy song “So Appalled” in 2010.

The song features a stellar verse from Hov, who only pops up once in a while to drop one of those, and then go back to his family and billions. The verb is as braggadocious and witty as one would expect a Jay Z to be. The following lines stood out in the verse;

”Y’all spend real money on fake watches, shockingly”

“I blew (blue) bird money, y’all talking tweeter feeds.”

Then he addressed the opinion in the hip hop community that he would not be as successful if veteran rapper and often acclaimed greatest rapper of all time, The Notorious BIG, was still alive in the next line.

”They say if BIG was still alive, Hov would not be in this position. If Hov was alive you would have got The Commission.” Referencing the supergroup that he and BIG were to be a part of, before the latter’s untimely demise.

Watch the ‘Neck and Wrist’ lyric video below.

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