In a world where hustle meets heart, PG Blao delivers a powerful anthem in his latest single, “Grind.” With his exceptional penmanship, he skillfully explores the journey of a man who passionately pursues his goals while cherishing the woman he cares deeply about. Rather than abandoning his grind, he weaves a narrative that highlights the importance of his ambition and invites his beloved to align with his aspirations.
“Grind” not only showcases PG Blao’s lyrical prowess but also features the exceptional producer Austin Sinister, who has masterfully crafted this smooth and captivating track. Austin Sinister’s previous work includes the production of the well-received “Beast & Peace” on the late Mohbad’s EP, demonstrating his remarkable talent in the music industry. This single, “Grind,” is a compelling preview of PG Blao’s forthcoming EP, promising an exciting musical journey for fans and new listeners alike. With a resonating message for hustlers and lovers alike, “Grind” sets the tone for what’s to come in the EP. PG Blao’s “Grind” is the anthem for those who believe in balancing ambition and love, proving that it is possible to have both. Stay tuned for the release of this hustler’s lovers anthem, and immerse yourself in the world of PG Blao’s extraordinary musical artistry.
For media inquiries, interviews, or additional information, please contact:
Name: Blao Family Entertainment Email: blaofamilyentertainment@yahoo.co.uk Phone Number: 08022639171
In the vast and diverse world of music, artists often emerge from the most unexpected of places, bringing with them unique stories and sounds. TheBlackBoyJohn is one such artist, whose journey from the heart of Nigeria to the vibrant streets of Dallas, Texas, has shaped his musical identity. This article delves into the life and career of TheBlackBoyJohn, an artist whose beats and lyrics transcend boundaries and whose work has garnered local and international attention.
Origin and Roots
Born in Kano State, Nigeria, TheBlackBoyJohn’s music draws inspiration from the cultural and rhythmic tapestry of his hometown. His early exposure to the dynamic sounds of Kano’s capital city laid the foundation for his musical journey.
A Rhythmic Fusion
TheBlackBoyJohn’s musical style is a seamless fusion of hip-hop and Afrobeats. He skillfully blends these genres to create a narrative that is both personal and communal. With lyrical finesse, he navigates through urban landscapes, crafting songs that resonate with contemporary dialogues, societal contemplations, and the indomitable spirit of human endeavour.
Discography
Over the years, TheBlackBoyJohn has built a diverse discography reflecting his artistic growth. Here’s a glimpse of his musical journey:
2017: Mixtape – FWD
A bold debut that showcased his lyrical prowess and laid the foundation for his future work.
2018: EP – Red John
A colourful continuation of his narrative, featuring a more refined and poignant sound.
2019: Mixtape – Employee of the Month
An exploration of modern-day societal dialogues, interwoven with engaging rhythms.
2020: EP – Black Friday
A reflective and introspective rhythm that encapsulates a year of growth and artistic evolution.
Latest Release
TheBlackBoyJohn is not one to rest on his laurels. His latest release, “What’s Mine [Prod by The Commander],” is a testament to his commitment to his craft. This single, released on October 20th, offers a taste of what’s to come in his upcoming sequel, “Red John 2.”
TheBlackBoyJohn’s music has not gone unnoticed. His lyrical narratives have resonated across various platforms, earning him recognition from esteemed blogs and magazines. Here are some of the highlights:
Voyage Dallas Magazine: A reflective interview where TheBlackBoyJohn discusses his sonic response to societal dialogues through “IT COULDA BEEN ME.”
Sarauta.net: An in-depth conversation with the artist, delving into his musical journey following the release of “Employee of the Month.”
Albumtalks.wordpress.com: An insightful review of “It Coulda Been Me,” shining a spotlight on TheBlackBoyJohn’s lyrical prowess in confronting societal issues.
Online Presence
TheBlackBoyJohn maintains a strong online presence, making it easy for his fans to stay connected and up-to-date with his work. Here are the essential links:
As TheBlackBoyJohn’s musical journey continues to evolve and captivate audiences worldwide, it’s evident that his distinctive blend of hip-hop and Afrobeats, coupled with his lyrical finesse, will continue to make waves in the music industry. Be sure to follow his musical odyssey and stay tuned for what he has in store for his fans.
In the world of Nigerian hip-hop, a new sensation is about to take the stage, and his name is President Zik. With his much-anticipated project, “See You Soon,” set for release on the 27th of October 2023, President Zik is ready to share his story and inspire the world.
The project “See You Soon” is a musical journey that consists of four impactful tracks: “Wallai,” “3:15,” “Did It Again,” and “Recipe.” Each of these songs offers an autobiographical glimpse into President Zik’s life and his rise in the music industry.
“Wallai” begins by taking us back to Zaria, President Zik’s city of origin. The lyrics paint a vivid picture of his early days, riding around “Z-City” with his friends and reflecting on the journey that wasn’t always easy. It’s a humble reminder of his appreciation for the resources he had, no matter how limited.
Moving on to “3:15,” the song dives even deeper into the challenges faced during the come-up. President Zik vividly describes sleeping on floors, an empty tank, and a depleted bank account. Throughout the track, he references various cities that played a crucial role in his journey, such as “KD-ABJ,” symbolizing his movement from the starting point, 069.
As the project progresses, “Did It Again” marks a turning point. President Zik’s confidence and belief in his abilities take center stage. He reminisces about the past, the obstacles he had to overcome, and how his unwavering determination helped him stay on the path to success.
Finally, “Recipe” serves as a triumphant conclusion to this musical narrative. The song delves even deeper into President Zik’s past, referencing his upbringing, neighborhood, school, and other pivotal elements that have contributed to his unique “recipe” for success. The chorus reaffirms his loyalty to BHP, the collective and crew founded during his university days.
“See You Soon” is not just a collection of tracks; it’s a source of inspiration. President Zik’s journey serves as a reminder that with dedication, hard work, and perseverance, anyone can achieve their goals. It aligns perfectly with President Zik’s brand identity as an artist who inspires his audience to go above and beyond. This project is a continuation of the “No Dayz Off” ethos, showcasing President Zik’s unwavering commitment and his proximity to achieving his dreams.
“See You Soon” is a three-part series, with each pack revealing a new layer of the artist’s personality while simultaneously narrating the story of his rise to fame. The project revolves around themes of inspiration, dreams, hard work, socio-consciousness, and relationships.
President Zik’s “See You Soon” is set to ignite a spark within its listeners, motivating them to chase their aspirations and follow their creative paths. With his honest storytelling and catchy beats, President Zik is sure to make a significant impact in the world of Nigerian hip-hop and beyond. So, mark your calendars for October 27, 2023, and get ready to be inspired by “See You Soon.”
Making history with one of South African Hip Hop’s most anticipated albums, rapper A-Reece just released his second studio album P2: THE BIG HEARTED BAD GUY.
Currently on tour with his The Reece Effect, Show A-Reece once again surprised critics and slimes with the pre-save link earlier in the week for the album and new single BRUCE WAYNE, whilst in Cape Town.
Having received a roaring response to the first single from the body of work –VING RHAMES , both locally and globally; and maintaining an unmatched fan base; A-Reece continues to elevate his penmanship and dominate the hip hop scene with bold raps alongside a seemingly effortless flow throughout the 19 track project.
The baby boy has grown to the big hearted bad guy and that’s what this album is about. We’ve spent 3 years working on this project and I’m so excited to drop it. Thank you to the artists who rocked with me on this album and the slimes who continue to show me patience and most importantly love through this journey of music – P2 is for you.
A-Reece
Reclaiming the title from his debut album, P2: THE BIG HEARTED BAD GUY is earmarked as a classic if the track list is anything to go by. Featuring some of the greatest musicians of our time, A-Reece brings in Blxckie, Shekinah, Sjava, M.anifest, Jay Jody, Joey Fatts, and Fly Anakin on this record collection.
Giving credit to a young producer for the single BRUCE WAYNE, A-Reece detailed the song making process in this statement “Michael Tuohy is an outstanding young producer and I’m blessed to be working alongside him. How Bruce Wayne came about is an interesting story. When Michael sent the beat, he also sent it with a reference track. The reference track had the “Neck & Wrist” Pusha T and Pharrell vocals on top of the beat, and I just remember Michael telling me, “I made a beat around this hook, from the “Neck and Wrist” by Pusha T, Jay Z and Pharrell song. I left the hook on there so you could catch the vibe, let me know what you think” and yo the two blending together sounded incredible! No disrespect to Push & Pharrell but it even sounded better than their original cut – no gassing. So, I just knew I had to do something super wavey, catchy, cryptic yet simple to vibe to, with unique melodies – basically something as dope as “Neck & Wrist” but with a little bit of that baby boy twist to it.”
Making it further known and clear, he went on to boldly say “Some people call it controversy, I like to call it hip hop at it’s best! As far as what the song’s about – I know you know, and they know what or who I’m talking about. Let’s keep it real. I’m the leader now. That’s that!”
In the ever-evolving landscape of the music industry, certain artists have traversed unconventional paths to success. One such artist is the multitalented 5th, who has not only made a name for himself as a formidable battle rapper but has also ventured into the world of recording artistry with remarkable finesse.
Hailing from the suburbs of Lagos Nigeria an elite emcee skilled with a unique ability to paint images with rhythm & flow to precision. 5th is highly distinguished in the hip-hop scene in Africa due to his unparalleled penmanship which draws inspiration from his immediate environment and beyond. Literally raising the bar with every verse serving as a voice to the struggles of the average Joe.
In this exclusive interview, we delve deep into the journey of an artist who is successfully bridging the gap between the battle rap scene and the recording studio.5th sheds light on the intricacies of his career and how the visibility gained from his battle rap days continues to open doors and create lucrative opportunities as a recording artist.
Moreover, we discuss the fascinating divide within the battle rap leagues of Nigeria, a topic that has stirred up conversations within the hip-hop community. Rather than viewing it as a divide, 5th offers a unique perspective, seeing it as a testament to the flourishing battle rap scene in Nigeria, with historical rivalries contributing to its growth.
Join us as we explore the unique journey, insights, and experiences of a dynamic artist who has not only thrived but has also contributed significantly to the vibrant music culture of Nigeria. This is a conversation you won’t want to miss, featuring the one and only 5th.
What kind of a stage name is 5th? How did you come about it?
5th stands for 5th Element, inducting myself as the 5th member of the 4 foundational elements in hip-hop.
Tell us about yourself. Who is 5th?
5th is the artistic version of Gift Ehimare, though it’s hard separating the two personalities as Gift sometimes is portrayed through the art of 5th, so the more familiar one gets with my work the more you get to know the man.
You went viral after your last battle. People could not stop talking about your actions. Why did you punch Penpriest during your battle?
Action & reaction pretty much, with my reaction shrouded by overwhelming emotions
People believe the same reason you punched Penpriest should have been done to Holyfield too. So why didn’t you punch Holyfield like you did Penpriest?
The people suggesting that are either ignorant or plain stupid, that’s all I have to say.
For clarity’s sake, a number of people said you threw 5 jabs at Penpriest and none of them landed. What do you have to say about that?
*Laugh* Ok!
What was your reaction to your ban from WOTS and how did you take it?
It was a suspension by the way and yeah I was already prepped for the consequences of my actions, which I knew was inevitable.
Is 5th still a member of the WOTS league?
Always will be
When would you be eligible to battle again and who do you wish to battle next and why?
As we speak my suspension has been served but I’m currently unavailable for battle rap
Do you see yourself battling Penpriest again?
I personally don’t think anyone is interested in that battle; just maybe if the right people show interest I might be encouraged to write again
You are regarded as an atheist in the rap community. How does that make you feel?
First of all, my religious inclination is of no relevance in the grand scheme of things and religion I believe is a personal journey, there’s really no sense tussling external perspectives upon one’s stand on the matter
Let’s talk about your music side. How did music start for you?
It started by effortlessly memorizing the lyrics to nearly all the rap albums I could lay my hands on, as time passed I started writing my own lyrics, as I grew older I began infusing my personal experiences into writing, the first time I got into a studio was for a featured verse before I started recording my own tracks
Take us on a journey of your music discography.
I got 3 singles out on all platforms
David James
All Due Respect ft Blaq Mo
South-South ft Slimbuck
Of all of your tracks, which do you consider to be the most commercially successful? And why?
All Due Respect ft Blaq Mo
That was a record I wasn’t even going to drop, Jung hit my phone one day and said let’s drop this song, I was like ok, he did everything to the artwork and boom, next thing we shot a video with XYZ and before you know it it was airing on HipTV, everything relating to that record stress-free and even after a year of its release, it’s still getting playlisted on streaming platforms
The HipHop community is eagerly anticipating your next EP. What’s the delay? When are you releasing it? What’s the EP’s name and what is the EP about?
The EP is titled Young Broke & Nigerian, which is themed around the hurdles of every aspiring young Nigerian wrestling with the disadvantages of the nation.
We are currently at the tail end of the project production-wise, the major task at hand is the progress map of the release and market sustainability, I am of the firm belief that the success of any body of work is subject to the marketing structure laid out for it, a release date will be announced as soon as we are done with the groundwork
How many tracks would be on the EP and any surprise features on the EP
As if this moment 7 tracks and as for surprise features? only one way to find out.
If you could pick just one between being a Battle Rapper or a Recording Rapper – which would it be and why?
Recording artist all the way!
Making music is where my passion lies, the entire process from building the melodies to the theme of the record down to piecing the bars together, it’s a godlike euphoria to be honest especially knowing the influence the record can have on lives.
Which has been more lucrative? Being a Battle Rapper or Being a Recording Artist?
I can’t really say because Battle Rap gave me the brand visibility that’s still opening doors and bringing monetary opportunities as a recording artist.
What’s your take on the big divide between Battle Rap Leagues in Nigeria?
An industry can’t be truly established without historical rivalries, I don’t see it as a divide anymore, I see it as an indicator that battle rap in Nigeria is a fertile ground worth fighting for
In this two minutes and 48 seconds rap address, Amos K and Kwame Dabie skillfully address the pressing issues in Ghana. The Dab Beatz produced track opens with a thought-provoking hook on the emigration crisis and the “japa” phenomenon, shedding light on hopes for a brighter future and generational wealth. Amos K’s verse delves into the nation’s reality, candidly addressing failed promises by leaders, poor road conditions, and the impact of inflation on purchasing power. Kwame Dabie follows with a slower pace, sharing a personal encounter with the Ghana Police in 2019 and highlighting the effects of currency depreciation on his lifestyle.
“This Country” is a departure from Amos K’s usual style, born out of the necessity to address social injustice. As he expressed in a recent interview, “I don’t really have to say much about the song; the country is messed up, so I’m expressing my frustrations, and I’m certain the average Ghanaian can relate.”
We believe “This Country” would be a perfect addition to your New Music Friday playlist, offering a unique blend of lyrical prowess and impactful social commentary. The release coincides with recent protests against bad governance and corruption, making it highly relevant.
Fast rising Ghanaian rapper Kwame Yesu who has been buzzing in the underground just delivered his latest project ” The Last Supper.” A six-track EP, featuring the per-released hits “Adwuma” and “Libation.”
Watch the mini documentary for the EP
The title of the EP is a clever wordplay on Kwame Yesu’s name, where “Yesu” means Christ and just like the Last Supper in Christian tradition marked the beginning of something great, Kwame Yesu’s “Last Supper” is a prelude to the remarkable journey ahead in his musical career, his adept rapping style is evident across all six tracks of the project. He delves into a range of themes, including his dreams, mindset, circle of friends, and lifestyle, offering a glimpse into his life’s intricacies through wordplay and signature laidback style of rapping.
“The Last Supper” is a musical journey that effortlessly samples different genres, presenting listeners with a rich tapestry of sounds. From the drill-infused vibes of “Adwuma,” which pays homage to his past hit “Anadwo” with Black Sherif, to the Hip-Hop, reggae fusion of “Libation,” this EP offers a diverse musical experience. Trap and HipHop elements are seamlessly woven throughout, showcasing Kwame Yesu’s genre-blurring creativity.
For those who appreciate thematic cohesion in a musical project, “Last Supper” is a delight. Each track transitions seamlessly into the next, accentuated by the right effects and sound bites. Listening to the EP feels like being seated at the table, an honored guest at Kwame Yesu’s “Last Supper.” Kwame Yesu’s “Last Supper” is just a step forward for more exciting things to come. Fans can look forward to the “Last Supper with Yesu” show happening in November, where Kwame Yesu will undoubtedly bring the magic of his new tracks to life.
Listen on Spotify
“The Last Supper” EP comes off Kwame Yesu’s recent signing to MIMLife Records, joining the ranks of Tema artists Mista Myles and Kimillist. MIMLife Records, known for nurturing exceptional talents, was once home to B4Bonah, showcasing its knack for spotting promising artists. Kwame Yesu’s addition to the label hints at the incredible potential he brings to the music scene.
Emerging hip-hop artist from Cape Town Shtiiino teams up with Mzanzi’s hiphop hotshot Flow Jones JR to deliver an electrifying new single “This Year.” This collaboration is a statement Shtiiino to the South African Hiphop scene.
“This Year” is a dynamic track that blends Shtiiino’s unique style and Flow Jones JR’s impeccable flow. The single is an anthem of motivation, resilience, and the determination to overcome obstacles. With its catchy beats and powerful lyrics, “This Year” has all the elements to resonate with a wide audience, making it a must-listen for hip-hop enthusiasts everywhere.
Listen On Spotify
Shtiiino, known for his distinctive approach to storytelling through music, brings his A-game in “This Year,” showcasing his lyrical prowess and captivating vocal delivery. The collaboration with Flow Jones JR, an artist known for his authentic and compelling storytelling, adds an extra layer of depth and charisma to the single.
“ Prezzy Bomaye” is the lead single from rapper President Zik aka Young Prezzy and producer/DJ Teck-Zilla’s forthcoming collaborative project Mike & Muhammad. Bolstered by Teck-Zilla’s lush synth-driven trap soundscape, President Zik steps into the proverbial ring with verbal punches and a smooth demeanour to match. The anthemic single serves as an opening salvo with lines like
“Show up to the fight dressed in mink like **** what you think straight styling/trill right off the bat, homies out here selling cap, how’d I get to where I’m at, straight grinding” which set the tone for the lyrical match. Young Prezzy flows seamlessly like a young but seasoned verbal pugilist taking his opponent to the cleaners with the statement “read a book **** maybe we could conversate/ you can feel the aura when I’m stepping out the gate/ 10 seasons straight are you not entertained going down with the greats on that Prezzy Bomaye” where he reminds listeners of his decade grind in the music game. The fun doesn’t end there and Prezzy shows us his songwriting dexterity with a melody-tinged hook where he paints a vivid picture of him stepping into the ring, making headlines while the fans chant “Prezzy Bomaye”.
“ Prezzy Bomaye” is taken from President Zik and Teck-Zilla’s forthcoming project Mike & Muhammad, a 12-track body of work that bridges the old and the new. On the production side, Teck-Zilla crafts a blend of modern-day trap and boom-bap soundscapes for President Zik who proceeds to wreak havoc with his distinct laidback flow and off-kilter rap schemes. The rapper and producer combo is akin to a young Mike Tyson and elderstates man Muhammad Ali who have teamed up to give fans the raw, unfiltered showcase that would linger in the minds of listeners.
Fast rising Nigerian rapper Mo’Gunz brings a dynamic collision with his latest singles and he teamed up with rap veteran President Zik and the trailblazing YôRKK to deliver a two-pack single release that’s set to shake the Nigerian rap scene to its core. In this two pack release, Mo’Gunz draws from his drive to be the best in “Numero Uno” while exuding some of the braggadocio hard hitting drill sound we have come to know him for in “Whip it”.
Whip it produced by Emyrez features Mo’Gunz and YôRKK going at it on this bass heavy drill beat. President Zik brings years of experience and lyrical finesse, offering a masterclass in rap craftsmanship. His stellar verse on Numero UNO serves as a clue as to why he’s one of the most sought after lyricists in the country showcase the evolution of Nigerian hip-hop, bridging the gap between boombap vibes and contemporary lyricism, while YôRKK takes you on a journey through the future of Nigerian rap. His innovative sound and storytelling prowess redefine the boundaries of what’s possible in the genre, pushing the envelope and leading the way for the next generation.
This two-pack single release isn’t just music; it’s a cultural statement. It’s a testament to the rich history and exciting future of Nigerian hip-hop. Mo’Gunz, President Zik, and YôRKK collectively represent the past, present, and future of the scene. Listen Below
