Ghanaian rap industry just got a new addition and this addition is a fierce female creative Della$ie who is no stranger to the spotlight. After a long hiatus the female rapper and entrepreneur returns to the spotlight with the release of her bold new EP, “The Pressure”.
After a three-year hiatus from the music scene following the tragic passing of her partner due to COVID-19, Della$ie took time to grieve and reflect. Now, she’s back — sharper, stronger, and more unapologetic than ever.
Her comeback began with the viral freestyle “Zeros,” which reignited buzz across Ghana’s hip-hop scene and landed her major live bookings alongside heavyweights like Kweku Smoke, Medikal, and KiDi. Now, with “The Pressure”, she delivers a six-track project that blends hip-hop, afrobeats, and afro-fusion.
Produced by some of Ghana’s finest — Tubhani Muzik, Calliber, Kwaku Drizzy, Kofi Taylor, and more — “The Pressure” is Della$ie’s defiant declaration of resilience, rage, and renewal.
ABOUT DELLA$IE
Della$ie is a Ghanaian-American rapper, singer, and afro-fusion artist known for her genre-blending sound and sharp lyricism. With roots in Accra and a global vision, she is redefining what it means to be a woman in hip-hop from Africa.
STREAM NOW
“The Pressure” is available worldwide on all DSPs. www.dellasie.com
South African hip hop has a new contender—and he’s not asking for permission. Tuas Ese, better known as Twice SA, puts his 2025 in motion with fire new release “Man of the Year”, the bold lead single from his upcoming sophomore album of the same name. At just 24, the young artist is coming in loud, proud, and unapologetically self-assured.
Featured on the track is a heavy lineup of the future of South African rap Uncle D, Tinoe Beats, and Mike Ludar with each artist adding their own touch to the song and declare the reason why they’re all men of the year in their own rights
This anthem isn’t just a song—it’s a movement. It captures what confidence sounds like, what hard work looks like, and what stepping into your power feels like. Man of the Year is Twice SA’s way of telling the world: he’s not waiting for permission—he’s claiming everything he deserves.
“Nobody’s better than me,” Twice SA spits with conviction, making it clear: he’s here to dominate, not just participate. It’s a tribute to hustle, confidence, and the solid team he’s building around him—one built for greatness.
This isn’t just a single. It’s a statement. A warning. A movement.
On a recent livestream via his official YouTube channel, Grammy-winning super-producer Timbaland gave an unmissable co-sign to rising Lesotho rapper AJFawdySeven after hearing a string of his standout tracks—including “THE NIGGA MÖMENT” and “AISLE 24”.
Co-host Zayd Portillo highlighted AJ’s lyrical precision and powerful vocal delivery—but the real turning point came when they previewed an unreleased banger featuring Eswatini’s Amarii and ‘Slizzy King’ Thorii from Lesotho. The energy was so infectious, Timbaland started producing live on stream, vibing, singing along, and fully tapping into the creative moment.
And then—the iconic “MISSION PASSED” badge was unlocked. Timbaland even followed AJFawdySeven on Instagram, sealing this moment as a massive win for Lesotho and Southern African hip hop as a whole.
This is what it looks like when raw African talent meets the world stage—and commands it.
After a reflective hiatus, South African genre-blurring artist Ferlando Young makes a smoldering return with his latest single “Easy,” a candid, emotionally charged track produced by the talented Lelo April. Anchored by intoxicating melodies and sultry beats, “Easy” dives headfirst into the raw complexities of a passionate love-hate relationship. With his signature smooth vocal delivery and confessional lyricism, Ferlando explores the magnetic, often chaotic dynamic between himself and an unnamed lover.
It’s a push-and-pull dance between distance and desire, conflict and chemistry, a relationship that’s as complicated as it is irresistible. She may threaten to leave, but she’s always back when he calls, and he’s unapologetically honest about why. “Told her I’m a rolling stone, so baby loving me ain’t easy” Ferlando sings with a raw, vulnerable edge, backed by LeloApril’s hypnotic, minimalist production — a fusion of ambient R&B textures, moody synths, and burning 808s that amplify the song’s vibe. “Easy” doesn’t just tell a story; it feels like one. late-night confessions on a long drive kind of track that encapsulates honesty and raw emotions. It’s sexy. It’s steamy. It’s real. This release is a continuation of the new chapter in Ferlando Young’s artistry: more mature, more self-aware, and more sonically refined. Whether you’re nursing heartache or entangled in a situationship of your own and yet still want to vibe, “Easy” is the song for you.
Ghanaian rapper and Amotia Geng frontman, Okese1, has made a powerful return to the music scene with his latest project, I Never Left. This project stands as a testament to his presence in the Ghanaian music industry, blending his rhythms with hard-hitting rap verses on trap and drill beats to create a dynamic experience for his fas and listeners alike. Listen to the project now./
Following his critically acclaimed Photo Album and a streak of electrifying releases so far in 2025, Ghanaian rap luminary Lyrical Joe returns with his most personal and poetic body of work yet — I AM.
More Than Music — A Journey Into the Soul
I AM isn’t just an album; it’s a statement. A 13-track expedition through identity, purpose, and transformation, the project captures Lyrical Joe at his most raw, reflective, and refined. From healing and faith to hunger and societal commentary, each track peels back a layer of who he is — not just as a rapper, but as a man. With production credits from Phredxter, E.L, Jucixxx, and ATown TSB, the sonic texture of I AM is both grounded and global — blending trap, soul, highlife influences, and lyrical dexterity into a rich, layered experience.
“Holy Sky” – A spiritually charged standout merging heavy bars with soul-stirring melodies.
“Healing” – A raw, emotional dive into trauma, growth, and the pursuit of inner peace.
“Feed My Soul” – A conscious meditation on purpose over fame, driven by hunger and higher calling.
In a game often swayed by hype, Lyrical Joe stays rooted in substance. With I AM, he cements his place not only as a lyrical heavyweight but as a cultural voice pushing Ghanaian hip-hop forward with intention and integrity.
Coming out of the Federal capital territory of Nigeria, Mannie Tseayo is amongst the next generation of female artist shaping their own sounds from the . With her first single of the year, months after her critically acclaimed 5th project ‘Grey: The Deluxe’. Main Character Syndrome is a song about believing in one’s self. She blends her angelic singing with hard bars and her co-conspirator, Kinj K.A.D.E delivers soul soothing vocals in his typical R&B style.
Hip-hop artist and lyrical truth-teller Oriiginelle just released her latest single, “Nguwe”, featuring South African rap heavyweight Jay Jody. Produced by the genre-defying sound architect thatsnotverynice, the single offers a magnetic blend of vulnerability, sensuality, and sonic innovation.
“Nguwe,” meaning ‘It’s You’ in siSwati, is a hypnotic ode to desire, deep connection, and Black love—wrapped in a beat that blurs the lines between R&B, trap, and alternative hip-hop. Oriiginelle’s poetic flair meets Jay Jody’s smooth delivery, creating a dynamic interplay between intimacy and swagger that lingers long after the final chorus.
“This track is for the lovers, the feelers, and everyone who’s ever melted into the presence of someone who makes the world stop,”
Working with Jay Jody and thatsnotverynice brought a whole new energy to what I was trying to express—raw, sexy, but honest.”
The single marks Oriiginelle’s boldest collaboration yet, and further establishes her as a voice shaping the sound of queer Black expression in hip-hop across Southern Africa.
“Nguwe” is available on all major streaming platforms now.
Paxslim is yet another testament to the fact that African continent is breeding the next generation of global Trapstars, his latest album D5NCIN is a bold statement of an artist focused on his style and craft. Paxslim is Nigerian periodt. From the streets of Lagos to the world., Paxslim is proving that African hip-hop isn’t just watching the global stage — it’s taking over it. On his latest project D5NCIN, the Nigerian-Swiss rapper brings confidence, purpose, and groove in equal measure.
The album kicks off immediately with an D5NCINintro that depicts Paxslim’s style then straight to 2WEEKS a trap banger with the video out on YouTube.
There’s only one feature on the D5NCIN project and its only guest appearance a feature from French rapper Sherrifflazone, who brings his unique brand of DMV-inspired energy laced with a Francophone twist. Much like how artists like Serane have flipped the plugg sound into something distinctly European, Sherrifflazone runs the pulse of Washington, D.C.’s crank music through a French lens, landing as a natural match for Paxslim. Their collaboration, “PAC FLIP,” is a cross-cultural exchange that feels organic rather than forced. Sherrifflazone’s raw, French-language verses cut sharply against Paxslim’s elastic English delivery — a bilingual bounce that feels like a sonic handshake between Paris and Lagos, via Zurich. It’s a perfect example of the kind of borderless creativity Paxslim thrives on.
Elsewhere on the album, Paxslim continues to push his versatility. He glides effortlessly over the triumphant horns and blown-out drums of “JUST HERE TO PARTY,” a track that wouldn’t sound out of place in a set with Ken Carson or Yeat — except with a distinctly Afroeuropean flavor. Then there’s “NO TROLLS,” where he navigates moody piano chords and heavy, dragging drums with a cool detachment. “My bad for hurting your feelings, you triggered,” he shrugs, delivering one of the album’s most nonchalantly dismissive bars before coasting into the line: “I been having a good time, I don’t see no trolls.” It’s a flex rooted not in aggression, but in peace — and it lands all the more powerfully for it.
Whether rapping in English or trading bars with French-speaking collaborators, Paxslim isn’t just experimenting — he’s building something new. D5NCIN makes it clear: this is the sound of an Afrofusion future, where street rap, club music, and continental influences collide without apology.
On tracks like “MOTIVATION”, Paxslim spits with the urgency of someone who knows he’s not going anywhere — because he’s already arrived. “Do not think I’m going somewhere, yes, I’m just ‘round here to stay,” he raps with a razor-sharp delivery over piano stabs and syncopated handclaps that feel ready-made for drill playlists but still unmistakably African in bounce.
The production on D5NCIN blurs lines between worlds — borrowing textures from Atlanta trap and Afrobeats, but never sounding like a copy of either. Paxslim fuses heavy 808s and Afrocentric drum patterns into something fresh — a sound that’s as likely to slap in Accra as it is in Atlanta.
In the ever-evolving landscape of global Hip-Hop, few artists carry both the grit and grace of a generational voice.
Enter TELMAN — the official RADARMan of RADARCharts, a creative visionary who is about to shake the scene once again with his upcoming single, “BLACK N WHITE,” dropping on June 6th, 2025.
More Than Music: The Rise of a Movement
Born Chukwuemeka Rich Ifeanyi, TELMAN is not just another rapper. He is the front runner of the RADARCharts company and union — a symbolic torchbearer for a movement rooted in creativity, confidence, and cultural authenticity. His emergence signals not just a sonic evolution, but a shift in the entire creative economy of West Africa.
His artistry is shaped by faith, family, and fierce originality. Raised in Akpugo, Enugu State, Nigeria, TELMAN channels the introspective poise of Dave, the emotional texture of Drake, and the raw spirit of Nasty C, fusing melodic trap with poetic precision.
What to Expect from “BLACK N WHITE”
From the teasers and early listening sessions, “BLACK N WHITE” already feels like a declaration of independence. Produced by the genius Tytaan, the track is an autobiographical burst of energy, addressing jealousy, self-awareness, and personal growth.
Lyrically, it’s a punchline-heavy, emotionally reflective anthem that challenges conformity — “I don’t see myself in their midst black and white,” TELMAN raps, delivering a message that’s both personal and universal. It’s the kind of record that hits immediately, but also rewards deeper listens.
Self-Belief as a Weapon
TELMAN himself describes the track as a tribute to self-confidence and respect. Sparked by a real-life moment of being doubted, “BLACK N WHITE” is a response without retaliation — a step back instead of a swing. In his words, “when you’re so aware and confident in yourself, no one can really make you feel bad for being different.”
This is not just a song—it’s a statement. One that fits perfectly within the mission of RADARCharts to amplify undiscovered gems and foster global-scale storytelling through music.
From Campus Stories to Cultural Shifts
“BLACK N WHITE” has roots in university gossip, but blooms into a worldwide narrative. TELMAN’s creative process for this record was swift, yet intentional—built from experience, charged with emotion, and packaged in a sound that speaks volumes.
He’s not just giving us music. He’s giving us therapy, motivation, and a mirror.
What’s Next: The Vision
The release of “BLACK N WHITE” will be followed by a feature on TALK TO US Magazine, where TELMAN dives deeper into his journey, his mindset, and his goals. Expect exclusive insights and behind-the-scenes looks at how the RADARMan is shaping the future of African music, fashion, and visual storytelling.
As TELMAN puts it: “I’m not just chasing greatness—I’m designing it.”
