NNigerian rapper EESKAY known for his unapologetic and boundary-breaking sound, just release a new EP in the season, F**Ck Cu 2: Twilight Serenade, on 20th February 2025. With this daring project, the artist descends into the realms of sexual freedom, intimacy, and raw desire, offering a unique and unfiltered take on modern day sexuality through music.The EP’s tracks reflect a different side of EESKAY where he offers a blend of sensuality and vulnerability, fusing provocative lyrics with mesmerizing production. Each song is a journey into the exploration of one’s sexual identity, intimacy in relationships, and the liberation that comes with embracing one’s desires.
“F**Ck Cu 2: Twilight Serenade” showcases a fusion of Hip-Hop/Rap and several other genres, from electronic and R&B to pop and experimental sounds, making it a spellbinding and bold listening experience. Highlights include tracks like “Chariots of Fire”, a sensual anthem that explores the complexities of physical attraction, and “Cleopatra’s Mines”, which pushes the boundaries of vulnerability and emotional connection in an era of casual intimacy.
The EP challenges societal norms, offering listeners a safe space to embrace their own fantasies and pleasures. It is an unapologetic celebration of the sensual and sexual aspects of the human experience, meant to empower and provoke thought. With this project, EESKAY aims to redefine the conversation around sexuality in music, inviting listeners to open their minds, bodies, and hearts to the world of uninhibited expression.
King Kaka’s album Legend of Kaka, released in 2016, is a significant work in the Kenyan hip-hop scene, showcasing his lyrical prowess and diverse musical influences. The album consists of 18 tracks with a total runtime of approximately 71 minutes, offering a blend of storytelling, social commentary, and personal reflections that resonate with listeners. His unique style combines elements of traditional Kenyan music with contemporary hip-hop beats, creating a sound that is both familiar and innovative. Tracks like “Ligi Soo” and “Niaje” exemplify this fusion, featuring catchy hooks and rhythmic flows that invite listeners to engage with the music on multiple levels.
In “Legend of Kaka,” King Kaka reflects his personal journey and societal observations, showcasing his growth as an artist and individual. One prominent theme is ambition and success, articulated in tracks like “Lini,” where he expresses his aspirations and the hustle associated with achieving his dreams. The lyrics convey a sense of determination, emphasizing that greatness is not innate but cultivated through hard work. Additionally, love and relationships feature prominently throughout the album. In “Lini,” King Kaka explores romantic dynamics, expressing affection while navigating the challenges that come with love. The interplay between personal relationships and broader societal issues creates a rich tapestry of themes that resonate with diverse audiences.
The production quality of Legend of Kaka is commendable, with each track meticulously crafted to enhance King Kaka’s vocal delivery. Collaborations with other artists further enrich the album, bringing in varied perspectives and styles that complement his own. The guest features add depth to the project, allowing for dynamic exchanges that highlight the collaborative spirit of the Kenyan music industry.
King Kaka’s album Legend of Kaka showcases a rich tapestry of themes and production styles that reflect both personal and societal narratives. The album is characterized by its blend of autobiographical storytelling and social commentary, where King Kaka draws from his life experiences to connect with listeners. For instance, in the track “Kichinjio,” he addresses issues of trust and skepticism prevalent in society, encapsulating the emotions of a generation wary of betrayal: “Saa hii niko more careful, sababu ya trust issues” highlights the pervasive fear and caution in relationships.
Musically, King Kaka employs a variety of production styles, ranging from traditional Kenyan sounds to modern Afrobeats influences. This versatility is evident in songs like “Lini,” which features a catchy Afrobeats rhythm paired with romantic lyrics that resonate with youthful love and longing. The production enhances the lyrical content, creating an engaging listening experience that balances upbeat melodies with poignant themes.
Moreover, tracks such as “Promised Land” delve into deeper spiritual reflections, where King Kaka expresses his faith amidst struggles, asserting that even followers of Jesus can face doubt: “Hata wafuasi wa Yesu, hauskii walimkana”. This duality of hope and despair is a recurring theme throughout the album, illustrating the complexities of navigating life’s challenges.
King Kaka’s ability to weave personal experiences into his lyrics is particularly noteworthy. Songs such as “Kaka Sungura” reflect on his journey in the music industry and the challenges he has overcome. This introspective approach not only humanizes him as an artist but also fosters a connection with his audience, who may see their own struggles mirrored in his words.
Overall, Legend of Kaka stands out as a landmark album that not only entertains but also provokes thought and discussion. It encapsulates King Kaka’s artistry and serves as a testament to the evolving landscape of African hip-hop. As listeners delve into this album, they are treated to a rich tapestry of sounds and stories that celebrate both individual and collective experiences within the vibrant Kenyan culture.
Ghanaian rapper Bosom P-Yung who definitely has a vault of hard hitting songs has once again proven why he remains one of the hard working voices coming out of the black star nation with the release of his latest project Lost At Sea. Famed for his comical word play and attitude on the mic, the rapper still posses a unique sound, powerful lyrics and experimental approach to hip-hop. Bosom P-Yung’s latest project is a testament to his relentless hard work, artistic evolution, and commitment to pushing creative boundaries. The Latest project Lost At Sea is purely solo effort with no collaboration
Listen on Spotify
Despite being one of the most consistent and hardworking rappers emerging from the Black Star Nation, Bosom P-Yung remains an underrated force in the Ghanaian music industry but a big force amongst the listening youth audience, who love his style and delivery. Having gained widespread recognition for his breakout hit “Attaa Adwoa,” Bosom P-Yung continues to cement his legacy as a trailblazer in the music industry. His latest EP stands as a testament to his dedication and passion for the craft, setting the stage for even bigger achievements in the near future.
Lost At Sea is now available on all major streaming platforms. Fans can stream, share, and experience the raw brilliance of Bosom P-Yung’s newest masterpiece.
In July 2024, Lyrikal Busta dropped his single Bavumile, a song that would become a manifestation of wins for many of us. Bavumile is a song about achieving your dreams even in the midst of naysayers and detractors trying to lead you astray . This is an experience we all have had. Since its release, Bavumile has garnered over 7 700 streams on YouTube and over 6 100 streams on Spotify.
On Thursday, 13th February, the music video for Bavumile debuted, bringing the song’s message vividly to life. Helmed by Director Kwenu of Motion Skies Pictures, the video is deeply rooted in Lyrikal Busta’s origins, with scenes filmed in Msunduza affectionately known as Skom in Mbabane, Eswatini. The opening sequence sets the tone at John Wesley Methodist School, where Busta faces down criticisms of Hip Hop and his career, visually represented by placards wielded by onlookers.
Lyrikal Busta Bavumile Official Music Video
The narrative then shifts to a celebratory mood, portraying Busta enjoying a feast surrounded by a loyal crew of friends and family. The video is punctuated with notable cameos, including Eswatini YouTube sensation Banele W.J.L.M., Hip Hop veteran KRTC, and rising artist Young Zesh, among others, adding layers of local pride and community to the production.
This video release couldn’t have come at a more opportune moment, as Lyrikal Busta gears up for the launch of his highly anticipated extended play , Mbabane to Jozi. We had the chance to catch up with the Eswatini star to dive deeper into the creative process behind Bavumile and the exciting journey leading to his forthcoming album.
Mbabane to Jozi Official Cover Art
Interview with Lyrikal Busta
Q: You recently released the visuals for Bavumile, a track you dropped back in July last year. What inspired the decision to release the video nearly seven months after the song’s debut?
A: Greetings, Miliswa. I truly appreciate this platform. Yes, we dropped Bavumile in July last year, and the decision to release the video now is a crucial step in our rollout plan for Mbabane To Jozi. This move plays a significant role in our mission, Swati Music To The World. Before dropping the video, I had set personal goals, one of which was to collaborate with artists beyond Eswatini. First, I was featured in renowned South African vocalist Lwah Ndlunkulu’s music video Maye, then again by the award-winning Intabayasedubai on a song called 365 Days. That paved the way for the Bavumile music video. Timing is everything, and we felt this was the perfect moment, just a week before the release of Mbabane To Jozi.
Q: In the Bavumile video, you included scenes shot at Msunduza, specifically at John Wesley Methodist School. Why was it significant for you to incorporate visuals from the area where you grew up?
A: Yes, we shot part of the video in Msunduza, my hometown, where I grew up and made some of the best memories of my life. It was important for me to pay homage to my city, Msunduza, Mbabane, because they’ve supported me from day one. We also believe that before we can take over the world, we must first build a strong foundation at home. That’s why representing Mbabane visually and musically is a priority for me.
Q: Can you walk us through the creative vision for the Bavumile music video? What story or message were you aiming to convey through the visuals?
A: The creative process behind Bavumile was an exciting one. We worked with Eswatini’s finest videographer, Director Kwenu, and other talented creatives like Krtc, Tiyas, and Banele WJLM, just to name a few. Our vision was to promote unity within Eswatini’s creative space. I strongly believe that for Eswatini to make a global impact in entertainment, we must stand together and support each other. The Bavumile video is a reflection of that belief.
Q: What do you love most about Mbabane, and how do you plan to reflect that in your music and videos?
A: I love Mbabane with all my heart. Some of the best moments of my life happened there. That’s why my latest project, Mbabane To Jozi, is inspired by my love for Eswatini’s capital. Almost all my music videos are deliberately shot in Mbabane. It’s not just about nostalgia, it’s about promoting the city and, by extension, putting Eswatini on the map.
Q: In 2023, you released AfroBliss, an album that showcased your exploration of Afro-soul, marking a shift from your earlier work. What can fans anticipate from your upcoming project, Mbabane To Jozi?
A: I appreciate you mentioning AfroBliss! That project was my debut album, released in 2023. But I’d have to disagree with the idea that it marked a shift in my style. Lyrikal Busta has always been about diversity and experimenting with different sounds. To prove that, we can go back to award-winning records like Dance For Me and INumber, which fall under dancehall and Afrobeats, respectively. So, genre diversity has always been part of my DNA.
For Mbabane To Jozi, fans can expect a no-skips Hip-Hop EP featuring some of the finest acts from Eswatini and South Africa: Zakwe, Anzo, Young Zesh, and Haem O. This project is also a special dedication to my day-one hip-hop supporters, who’ve been patient with me while I explored different sounds. After three years of not releasing a hip-hop track, I felt it was the right time to give back to the culture.
Mbabane to Jozi Official Tracklist
Q: Artists in hip-hop often face criticism when venturing into new sounds. Did you encounter any pushback after releasing AfroBliss? If so, how did you handle it?
A: Not really. My music is about delivering a message and I see genre as just the mode of transport for that message. Whether it’s hip-hop, Afro-soul, or dancehall, the essence of my message remains the same. Because of my choral music background in high school, I’ve always seen myself as more than just a hip-hop artist. I’m a musician first, and I constantly push myself beyond my comfort zone. So, experimenting with sounds isn’t something new—it’s part of who I am.
Q: Bavumile seems to hold a lot of personal meaning for you. What inspired the song itself, and how does it connect to your journey as an artist?
A: That’s a beautiful question. Bavumile is the soundtrack of my life right now. I’ve faced so much backlash, whether from family or friends, because of my career choice. But no matter how bleak things seemed, I kept my eyes on the prize and pushed forward. Moving to Johannesburg reignited my fire. I found myself in spaces with people I’ve always looked up to and been inspired by. That was confirmation for me that I’m on the right path. The only way I can describe it is through the phrase: “Labadzala bavumile” loosely translated, “My ancestors have given me their blessing.”
In Picture: Lyrikal Busta.
Q: You’ve been consistent in representing Eswatini through your music. How important is it for you to maintain that connection, even as your career expands into new markets like South Africa?
A: I’ve been in the game for almost ten years, and representing Eswatini has been an incredible journey. Our motto has always been “Swati Music To The World” and that will never change. Even in South Africa, my approach isn’t about adapting to their sound or culture. It’s about bringing OUR sound to the world. My goal is to make sure that when people hear my music, they immediately recognize it as Swati music: distinct, authentic, and global.
Lyrikal Busta is an artist meticulous about his vision and musical style. His passion for taking Eswatini music to the world remains at an all-time high. A true patriot at heart. His longevity in the game speaks for itself, with four SWAMA Awards and two SD Hip-Hop Awards to his name. With Mbabane To Jozi dropping this Friday, one thing is certain, he’s delivering a sound that refuses to be boxed in and a legacy that echoes “Swati Music To The World.”
And if there was ever any doubt about his path? Well—labadzala bavumile!
Love and HipHop go hand in hand. Whether it’s rappers confessing their feelings to their muse or teaming up with soulful R&B artists, the relationship goes way back. Whether its Nasty C on “Mrs.Me,” promising his muse to always put butterflies in her tummy or, “KoroKoro” where Prettyboy D-O expresses the joyful, magnetic side of love rappers do shed their gangster skin for a bouquet of roses once in a while. On Valentine’s day the HipHop Africa Newsroom created an intimate playlist proving this symbiotic relationship and while creating this playlist I came across ‘Addicted. An EP from flawless underground rapper Palmer1.
Released in August 2024, the six track EP is a plethora of emotional and pure songs yet embody the gangster personality that comes with being a rapper. “No matter what you say I stick to my woman,” Palmer1 assures his fans as he kicks off the project. The EP equal parts vibrant, introspective, and emotionally charged. Blending elements ofhip-hop, and R&B, PALMER 1 showcases his versatility as an artist, navigating themes of love, resilience, and personal growth while maintaining an infectious energy that keeps the listener engaged from start to finish.
The EP’s title, Addicted, suggests a deep, unwavering passion, whether for love, success, or music itself. Throughout the project, PALMER 1 and his collaborators explore the highs and lows of relationships, personal struggles, and the quest for self-improvement, all set against a backdrop of slick production, catchy melodies, and heartfelt lyrics. Each track brings something unique to the project, whether it’s an energetic opener, a love-infused ballad, or a deep reflection on personal growth. With guest appearances from Outlaw, A.GK, GTB Emzee, and Lecco, the EP highlights collaborative chemistry, allowing PALMER 1 to shine while also giving space to his fellow artists. The EP kicks off with “Niskize”, an electrifying introduction that immediately commands attention. The production is vibrant, fusing traditional African rhythms with modern Afrobeat and hip-hop elements. The beat is pulsating, energetic, and full of movement, setting the perfect stage for PALMER 1’s commanding delivery. His lyrics exude confidence as he asserts his presence and demands to be heard, making it clear that he’s an artist with something to say. The track feels like an anthem of self-assurance and ambition, drawing listeners in with its infectious rhythm and engaging wordplay. Right from the start, PALMER 1 establishes himself as a force to be reckoned with.
In contrast to the high-energy opener, “Better” slows things down slightly, offering a reflective and introspective moment on the EP. This track revolves around themes of self-improvement, resilience, and overcoming obstacles. PALMER 1’s delivery is both calm and assertive, mirroring the song’s message of steady progress and personal evolution. The smooth, melodic beat provides a soothing backdrop to his lyrics, allowing the emotion in his words to shine through. As he speaks on his journey, listeners can relate to the idea of pushing through hardships to emerge stronger. The chorus is uplifting and memorable, reinforcing the song’s theme of perseverance.With “YOUNG IN LUV”, PALMER 1 shifts gears into a more playful and romantic direction. Featuring Outlaw, this track captures the excitement, passion, and naivety of young love. The instrumental is bright and bouncy, complementing the carefree energy of the lyrics. Both artists deliver verses filled with charm and enthusiasm, perfectly embodying the emotions that come with falling for someone at a young age. The chorus is catchy and effortlessly singable, making it a track that sticks with the listener. It’s a feel-good song that encapsulates the joy and uncertainty of youthful romance, making it one of the standout moments on the EP.
“AURA” takes the EP in a more spiritual and introspective direction, delving into themes of personal energy, confidence, and influence. Featuring GTB Emzee, the song has a hypnotic, almost mystical quality to it, thanks to its atmospheric production and layered instrumentation. PALMER 1 and GTB Emzee explore how their vibe and presence affect the world around them, emphasizing the importance of staying true to oneself and maintaining a strong personal identity. The lyrics are reflective yet assertive, making this track a powerful statement about self-worth and inner strength. With its dreamlike beat and compelling verses, “AURA” stands out as one of the more thought-provoking moments on the EP.
The EP closes on a high-energy, celebratory note with “2 BY 2”, featuring Lecco and A.GK. This track is all about partnership, unity, and moving through life with a solid team by your side. The beat is infectious, urging listeners to get up and dance, while the lyrics reinforce themes of loyalty and camaraderie. PALMER 1, Lecco, and A.GK complement each other perfectly, each bringing their own unique flavor to the song. The energy is contagious, making this the perfect track to end the project on an upbeat and exhilarating note. It leaves the listener feeling empowered, uplifted, and ready to take on the world.
‘Addicted‘ is a cohesive and well-executed project that showcases PALMER 1’s versatility, lyrical depth, and ability to create infectious melodies. Each track feels distinct yet connected, forming a narrative that explores themes of love, self-improvement, confidence, and unity. The collaborations throughout the EP add richness and variety, ensuring that no two songs sound the same.
One of PALMER 1’s greatest strengths is his ability to blend genres, seamlessly incorporating hip-hop, and contemporary R&B into his sound. His storytelling is relatable, his delivery is engaging, and his production choices are top-notch. Whether he’s reflecting on personal growth, expressing romantic devotion, or celebrating friendship, his authenticity shines through in every track.
Just weeks after announcing his highly anticipated sophomore album I AM, award-winning Ghanaian rapper Lyrical Joe has released the first single off the project, titled “Healing.” This new track is a testament to his signature wordplay, deep lyricism, and a powerful message of strength and transformation.
“Healing” is more than just a song—it’s a statement that sets the tone for what promises to be a groundbreaking album, as Lyrical Joe dives into themes of resilience, personal growth, and overcoming life’s struggles. Known for his razor-sharp delivery and intricate bars, the rapper once again proves why he remains one of Ghana’s most respected hip-hop artists.
As Lyrical Joe gears up for the full album release, fans can expect more thought-provoking music, top-tier collaborations, and a project that solidifies his place in the hip-hop scene.
Love is a language that Lowfeye truly understands. Today, on Valentine’s Day, he has gifted fans the ultimate Valentine’s Day treat: a soul-soaked Afro serenade titled “Gijima” produced by GVNT and 5TWZN KEYS. This treat is proof once again that his flair for Afro soul is incredibly effortless. This is a space he’s effortlessly conquered before with tracks like “Ncumolwakho”, “Indawo” and “Ithonga” from his Mfana KaMakhulu mixtape and the stunningly heartfelt “Buya,” which also teases his upcoming EP, Imibuzo, set to drop on March 7th.
Lowfeye– “Buya” Official Music Video
“Gijima” is a love anthem brimming with Zulu romance and sensuality. On this track, Mabulala paints an irresistible picture of his significant other’s beauty, singing about how her mere presence sets his blood rushing. With lyrics like “engingakushintja ngawe sibongo kuphela”, a heartfelt declaration of his readiness to change her surname and marry her, he solidifies his reputation as a master of crafting songs that strike straight at the heart. This is a song for ladies, like myself. The kind that lights up your face with a smile and the kind to send to your love with a coy, “This made me think of you.” Lowfeye is proving, once again, that no one does love quite like Zulu men. Romance? It’s in their DNA.
South African artist and producer Lewi Ercoll unveiled his latest album, “SHOREDITCH,” on november 28th 2024, Though we just discovered this 12-track project 2 months later but SHOREDITCH showcases Ercoll’s distinctive fusion of alternative R&B and Trap, further solidifying his presence in the South African music industry. The album features tracks such as “SHOREDITCH BOYS (INTRO),” “BACKONBOARD,” and “PRETTY VALLEY GIRLS,” highlighting Ercoll’s innovative sound and artistic growth.
Lewi Ercoll, born Phenyo Blaar in Kimberley, South Africa, has been crafting a unique sound that blends percussive alternative R&B with Trap elements. His debut EP, “Burning Scriptures of The Hidden Valley,” released in 2021, garnered public attention and set the stage for subsequent singles like “Died a Thousand Times” and the Trapsoul playlist “Cabin 001”
In a recent statement on social media, Lewi Ercoll described “SHOREDITCH” as “THE HARDEST TAPE IN THE COUNTRY,” expressing gratitude to his supporters and emphasizing the album’s significance in his artistic journey
Listeners can experience “SHOREDITCH” across various streaming services now available for streaming on major platforms
Darassa, one of Tanzania’s most respected hip-hop and Bongo Flava artists, made a powerful return with his latest album, Take Away The Pain. Known for his ability to blend deep storytelling with catchy, melodic beats, Darassa takes listeners on an emotional journey, reflecting on struggles, resilience, and personal growth. The album is a mix of introspective tracks, motivational anthems, and love songs, making it both deeply personal and universally relatable. With carefully crafted lyrics and top-tier production, Take Away The Pain showcases his maturity as an artist while staying true to his signature style.
The album is built around themes of pain, perseverance, and self-discovery. The title itself suggests a journey through hardship, and Darassa delivers on this promise by addressing both personal struggles and broader societal challenges. He reflects on his career, the obstacles he has faced, and the lessons he has learned along the way. The album also touches on love, relationships, and the unpredictability of human emotions. Through a combination of Bongo Flava, hip-hop, and Afrobeat influences, Darassa creates a project that is both emotionally resonant and sonically diverse
The album opens with Take Away The Pain, a deeply introspective song that sets the emotional tone of the project. The track is a reflection on Darassa’s personal struggles, including the sacrifices he has made for his career and the challenges of staying relevant in the music industry. The mellow, melancholic production enhances the weight of his words, making it a poignant introduction to the album. His raw delivery makes it clear that this is not just music—it is a deeply personal confession of pain, endurance, and hope.
Mazoea, featuring Harmonize, shifts the focus to relationships, exploring the idea of routine and comfort in love. The song discusses how people often get used to certain habits in relationships, making it difficult to let go, even when things are no longer working. The smooth Afrobeat-influenced instrumental perfectly complements the theme, while Harmonize’s vocals add a melodic touch that contrasts beautifully with Darassa’s rhythmic flow. The song captures the bittersweet reality of love—the warmth of familiarity and the pain of knowing when it’s time to move on.
Another standout track is Channel, where Darassa takes a reflective approach, discussing personal growth, ambition, and staying focused amidst distractions. The beat is mellow yet hard-hitting, allowing his lyrics to take center stage. The song serves as a motivational anthem for anyone striving for success, as Darassa reminds listeners of the importance of perseverance and self-discipline. His storytelling ability shines here, painting a vivid picture of the challenges that come with ambition and the rewards of staying true to one’s path.
On Love Is Crazy, featuring Zac Brown and Kondela, Darassa explores the unpredictability of love. The song’s lyrics capture the rollercoaster of emotions that come with relationships—the excitement, the heartbreak, and the confusion. The production leans towards an R&B-influenced Afrobeat sound, giving it a smooth and romantic feel. Zac Brown and Kondela’s contributions add layers of emotion to the track, making it one of the most heartfelt moments on the album. The song resonates deeply, as it speaks to the universal experience of love’s ups and downs.
Mapito stands out as one of the most powerful songs on the album. This track is all about resilience, hard work, and overcoming obstacles. The heavy bass and sharp drum patterns create an intense energy that complements Darassa’s confident delivery. He uses this song as an opportunity to motivate his listeners, urging them to push through life’s struggles and never give up. The lyrics emphasize the importance of determination and self-belief, making Mapito an anthem for anyone facing adversity.
Another track that carries a strong motivational message is Mbele Kwa Mbele, where Darassa continues to inspire listeners with his words of wisdom. The song talks about progress, reminding people that success is a journey that requires patience and perseverance. The uplifting beat adds to the song’s positive energy, making it a feel-good track that encourages optimism and forward movement
The production on Take Away The Pain is a masterful blend of traditional African rhythms and modern hip-hop influences. The album features a mix of mellow beats for introspective songs and more energetic instrumentals for motivational tracks. Each song has its own unique sound, yet the album remains cohesive as a whole. The use of live instruments, smooth melodies, and rhythmic drum patterns gives the project a rich and dynamic feel.
Darassa’s vocal delivery is another highlight of the album. He seamlessly switches between smooth, melodic flows and sharp, rhythmic rap verses. His ability to adapt his style depending on the mood of each track shows his versatility as an artist. Whether he is delivering deep, reflective lyrics or more upbeat, energetic lines, his voice carries emotion and authenticity, making the listener feel connected to his message.
Take Away The Pain is more than just an album—it is a musical journey through life’s challenges and triumphs. Darassa successfully blends introspection, motivation, and romance into a cohesive body of work that speaks to a wide audience. His storytelling ability, combined with top-notch production and well-executed collaborations, makes this one of his most impressive projects to date.
For fans of Bongo Flava and conscious hip-hop, this album is a must-listen. It offers a perfect balance of deep, meaningful content and enjoyable, melodious tracks. Darassa proves once again that he is not just an entertainer but also a voice for those who have faced struggles and are looking for inspiration. Take Away The Pain is an album that stays with you, encouraging listeners to reflect, grow, and keep pushing forward despite life’s challenges.
I was 15 years old when Cassper Nyovest dropped Gusheshe, one of his 2014 hits that made everyone, including myself, take notice of this rising star. Watching Channel O and MTV Base just to catch the song playing was the highlight of my day back then. And Okmalumkoolkat’s verse? I knew it word for word. Gusheshe resonated with us all: relatable, brilliantly written by both artists, and culturally iconic. Fast forward over 11 years, and Cassper Nyovest remains active in the South African hip-hop scene, though his artistry has started to show cracks.
Cassper Nyovest- Gusheshe Official Music Video
Cassper has always been a polarizing figure in South African hip-hop, his career defined by moments of triumph. Tracks like Doc Shebeleza cemented his reputation, and his accolades: including SAMA Awards, Metro FM Awards, and SAHH Awards speak volumes about his impact. Beyond music, Cassper has proven himself as a savvy entrepreneur, with ventures like his alcohol brand, Billiato, highlighting the importance of versatility in an industry as unpredictable as music. However, longevity in the game comes with its challenges, and his latest single, Kusho Bani, reflects the hurdles he has yet to overcome. Unfortunately, it misses the mark and underscores a troubling stagnation in his artistry.
Kusho Bani Official Cover Art
Clocking in at just under four minutes, Kusho Bani feels like an experiment gone wrong, a mishmash of ideas lacking depth or cohesion. The hook is painfully grating, a juvenile chant that sounds like it was crafted in the back row of a kindergarten classroom. Backing vocals mimicking a child’s voice only make it worse, dragging the track deeper into mediocrity.
At the 1:56 mark, the song takes an unexpected turn with a theatrical excerpt: a faux phone call in which a man accuses Cassper of infidelity. While this could have been an interesting, Kendrick Lamar-inspired interlude, it feels entirely out of place and cringeworthy. Instead of adding complexity, it halts the song’s momentum, leaving listeners baffled about its inclusion.
Cassper Nyovest- Kusho Bani (Official Visualizer)
The verses don’t fare much better. They feel shallow and uninspired, offering little in the way of memorable lines or deeper substance. Cassper’s trademark confidence is present, but the content skims over predictable themes: success, fatherhood, and his relationship with his wife, Pulane, without adding fresh insight. The hook, though arguably catchy, comes across as repetitive and lazy, further weighed down by the playful backing vocals that are unlikely to land with every listener.
The real tragedy of Kusho Bani lies in its production. Young Pepo delivers a hard-hitting, drill-and-trap-inspired beat that could’ve been the foundation for a standout song. The gritty snares and pulsing bassline carry undeniable energy, but they’re wasted on half-hearted writing and lackluster execution. The beat truly deserved better.
In the end, Kusho Bani reflects a larger issue in Cassper Nyovest’s career. Years into his reign as one of South Africa’s biggest hip-hop stars, he’s still relying on gimmicks instead of artistic growth. This leaves listeners like myself wondering if his best work is behind him or if it was only ever inspired by the competitive edge his longtime rival AKA provided. While Kusho Bani might find its niche appeal among Tik-Tok audiences, it falls far short of the polish and consistency that would make it a truly memorable song. For me, it’s a definite miss.
