Kenyan hailed internet personality turned artist Lil Maina just released his highly coveted debut studio album, ‘Maisha Ya Stunna’, on Wednesday 13th of December, 2023, led by the already-released smash singles “Ma G Kwenye Klabu”, “ZOZA” and “Alert”,
Lil Maina’s lofty spell as one of the top acts in Kenya’s vibrant entertainment scene will continue as his transition into a music savant now allows fans and music lovers to connect with him following the release of his first official LP.
Listen to Maisha Ya Stunna on Spotify
In between juggling life abroad with studies and being social media’s funny man, Lil Maina springs to life with his debut LP spawning takes of his personal life, romance and outright club hits.
It’s all about showing my growth as an artist. I’ve done some evolving, have worked on this album tirelessly, and want to show my fans that I’m ready to keep offering them quality music. This is also my way of fulfilling a promise I made to my late grandfather
Lil Mania
Tapping drill collaborators, BURUKLYN BOYZ on fan-favorite “ZOZA”, to the sultry NJERI on the R&B-infused cut “Company”, to Gengetone stalwart Trio Mio on “Doba Imewai” and rap hitman Scar Mkadinali on “Ma G Kwenye Klabu”, the LP is a tightly sewn project reflecting Maina’s hit-making prowess and his vulnerable frame, the latter, a side he has rarely showcased publicly.
On production, perhaps this is the most glaring and ambitious aspect of the release. Having built a reputation for breaking out with cover singles, each cut on the album is an original composition – again highlighting his unbridled will to muster artistic integrity and dexterity. Producers from the vivacious chart-topper Ndovu Kuu, to fast risers Odzz, Luigi, LM, KB and Afamefuna all make sterling appearances. Visually, Maina also opts for the virtuosic Visuals By BO and Briann Kinywa to produce his cover art. The tape’s art is a glossy, poppy and colorful motif showcasing Maina’s witty grin and grilled mouth jewelry inviting the listener for a flashy but hedonistic experience into the ‘Stunna lifestyle’.
Having amassed incredible success as an artist and internet sensation, the runway for glory for Lil Maina is rolled out and he takes center stage in seizing fashion on the new LP.
Prolific Kenyan rap maven, herbalist, and entrepreneur King Kerby releases his third studio album and his first under the Zama Sessions distributions imprint dubbed, ‘Saba’
Saba was recorded in Cape Town, and partially Nairobi, highlighting the range of sound tapestry and culture infused into the body of work.
For King Kerby’s third studio effort, production from ZINO D, LD Beats and more juice the project with their ambient Hip Hop beats, mixing inflections of Alt R&B on “Flow So Cold” featuring mesmeric Cape Town helmed songbird O’Hara, melodic trap on the triumphant “Out The Way” alongside up and comer Ta’Eish, and the energetic “Wengi” that boasts of clean cut visuals.
The record is called Saba because that is the number of divine alignment and purpose. This is my superstar era and I want to hug it as tightly as possible. The music, business, and all my actions reflect this because the inner work has been done and now the music can thrive off that
King Kerby
King Kerby’s other solo studio offerings include 2016’s ‘Metro Empathy’ and 2018’s ‘Mapenzi Sio Dini’.
Currently, the recently Unkut Hip Hop Awards-nominated King Kerby walks into this project on the back of a stellar year having released multiple singles with collaborators Mura, an Accra-influenced EP ‘Accra Nights’ and plenty of drops in anticipation of his Zama Sessions debut, Saba.
In realization of his unparalleled power of self emitting electric tracks such as “Wengi”, “Hapa Kule” just to name a few – King Kerby evokes emotions of self-belief, impassioned will, and feel-good tracks all throughout the record.
Hailing from the same peninsula as one of Kenya’s most refined artists, E-Sir, in Nairobi’s South C area, Kerby’s lyricism and wordsmithery interweaves in effortless fashion having feeling this strong sense of alignment with his purpose of making music.
Chrysalis Rising is thrilled to unveil Butafly’s latest single, “Broken Needles,” marking a triumphant return after nearly six years. This release signifies a significant milestone for the artist as it becomes her inaugural official song on major streaming platforms.
Unveiling ‘Broken Needles’: A Poetic Revolution
In this compelling musical narrative, Butafly, the multifaceted artist – singer, rapper, songwriter, and designer – employs the metaphorical concept of ‘Broken Needles’ to symbolize individuals unfairly labeled by society due to their circumstances or experiences.
Triumph Over Labels: Butafly’s Resolute Message
The rhythmic composition serves as a powerful testament to Butafly’s unwavering commitment to defy societal labeling and projections. Through evocative lyrics delivered in both English and Nigerian-Pidgin, Lois Ogechi Osuoha (Butafly) highlights her inner strength, resilience, and the success of her recently unveiled ‘Broken Needles’ collection.
Challenging Stereotypes: Butafly’s Call to Action
Butafly, based in Lagos, emphasizes the profound impact of labels, extending beyond mere expectations to creating damaging stereotypes that undermine individuals’ true capabilities. The artist contends that these labels can lead to feelings of rejection, worthlessness, and fragile self-esteem.
Embracing Unity: ‘We are all from the same place’
Through the insightful phrase, ‘we are all from the same place,’ Butafly urges listeners to reject the divisive effects of labeling. Instead, she advocates for embracing our shared origins to foster positive interactions, contributing to the healing process of others.
Anthem of Identity: Rejecting Labels with Butafly
Describing the song as a universal anthem, Butafly encourages those determined to forge their own identities beyond societal diagnoses. She passionately emphasizes the refusal to be defined by others’ expectations, asserting that everyone possesses a unique collection of remarkable characteristics that extend beyond mere descriptors.
Sonic Uplift: Butafly’s Captivating Delivery
Butafly’s seamless delivery, set against the backdrop of 7rolls’ captivating production, promises listeners a transcendent experience. The synergy between her vocals and the music creates a soothing and uplifting atmosphere, solidifying “Broken Needles” as a sonic journey of empowerment.
About Butafly
Butafly, born Lois Ogechi Osuoha, is a versatile artist known for her prowess in singing, rapping, songwriting, and design. With a career spanning years, Butafly continues to break barriers and inspire through her artistry.
About Chrysalis Rising
Chrysalis Rising is a dynamic music platform dedicated to nurturing and showcasing emerging talent. Committed to breaking barriers and elevating artists, Chrysalis Rising provides a transformative space for musical innovation.
South African artist and Cape Town Native Kashcpt, who has had a consistent 2023, just released yet another single titled “Give Me Life” Collaborating with Johannesburg-based artists Priddy Ugly and Frank Casino, the track marks a fusion of regional talents bridging the gap between both South African great cities.
Priddy Ugly, an award-winning rapper, lends his lyrical prowess to the composition with his insightful verse, he provides guidance to Kashcpt, drawing from his own experiences and successes in the industry, making a notable return to the scene Frank Casino joins the lineup, the acclaimed artist who has been away for a while adds his signature touch to the MashBeatz produced track. Casino’s calm yet impactful verse not only speaks to the longing for a significant other but also delves into the creative process within the studio.
“Give Me Life” is a collaborative effort that goes beyond geographical boundaries, showcasing the synergy of diverse talents. Kashcpt’s consistency, Priddy Ugly’s award-winning pedigree, and Frank Casino’s highly anticipated return promise a track that resonates deeply with audience.
In the vibrant world of Nigerian hip-hop, Chibueze, known by his stage name Buez, has carved a niche for himself with a style that seamlessly blends rap and singing. As he celebrates another year around the sun, we dive deep into the mind of the artist to uncover the stories and inspirations that shape his unique sound.
1. The Genesis of Buez: To kick off our conversation, Buez unveils the origins of his distinctive stage name. Rooted in his Igbo heritage, Chibueze, meaning “God is King,” metamorphoses into Buez, a name he believes signifies “Is King.” Join us in exploring the cultural and personal significance behind this musical identity.
2. The Evolution of Sound: With his latest track, “DND (Do Not Disturb),” Buez takes a bold step, introducing a new dimension to his artistry. Delve into the inspiration behind this shift in style, as he reflects on the transformative power of life experiences and the pursuit of artistic excellence.
3. Battles and Stages: From conquering battle rap competitions to gracing major stages, Buez reflects on his journey in the music industry. Discover how each win and challenge has not only shaped his approach to music creation but also provided a platform to share his authentic story with fans.
4. A Father’s Blessing: In a candid moment, Buez shares a pivotal turning point in his career—one that involved winning the approval of a once skeptical father. Learn how this encounter fueled his passion for music and the drive to make his father proud.
5. Navigating the Hip-Hop Landscape: In the heart of Nigeria’s vibrant music scene, Buez discusses the influence of conversations with industry veterans like MI, Mrs. Folu, and Loose Kaynon. Uncover how these interactions and his experiences within the hip-hop community have shaped his musical journey.
Join us as Buez opens up about self-doubt, sieving friendships, and overcoming challenges in a saturated industry. Learn about his dream collaborations, the delicate balance between artistic vision and industry trends, and the unexpected birth of “DND.”
In celebration of his birthday, Buez extends a heartfelt message to his fans—the pillars of his strength. Discover the role social media plays in his career, his preference between battle rap and music, and the significance of staying connected with his audience.
Aspiring artists take note! Buez shares valuable advice on self-love, perseverance, and the importance of grabbing opportunities. Look ahead to his upcoming projects and collaborations, as he promises to deliver The Wonder Effect in the coming year.
Get ready for an insightful journey into the mind and music of Buez, where authenticity, growth, and gratitude take center stage. Happy Birthday, Buez—may this year be filled with more successes, milestones, and, of course, incredible music!
Happy birthday, Buez! To kick things off, can you share the story behind how you came up with your unique stage name?
Thank you, my bro!
Sure thing. Part of my name is actually Chibueze which is an Igbo name translating to “God is King”, Buez was coined from there, I like to think the shortened form also means “Is King”.
Your latest song, “DND (Do Not Disturb),” showcases a different side of your artistry. What inspired this shift in style?
The truth is my art has always been a reflection of my reality, my truths but I believe DND is special because it’s the first time my listeners actually heard me sing and seamlessly blended my rap too. I mean I’ve had songs where I sang the hooks but DND had me singing a full verse instead of the usual rap option that’s my default setting.
Safe to say taking a break from doing music and focusing on other aspects of my life broadened my view on how to give my art a more epic and captivating approach.
I love Rap so much and I also believe singing makes me a complete artiste, so the challenge towards being better was the main catalyst for this new sound.
From winning Battle Rap competitions to performing on major stages, how has your journey in the music industry shaped your approach to creating music?
I won’t even lie, it’s been one hell of a run and I’m grateful because I’m way more confident than I used to be and ready for the demons and milestones ahead. The morale boost from my wins creates an avenue for me to tell my story to the fans in a different light and as long as it’s a real experience for me, music creation becomes even more welcoming, it’s like a breath of fresh air and with each win comes more enthusiasm to put out my story out there.
Could you tell us about a memorable moment or turning point in your career that had a significant impact on your musical direction?
This is a story few of my friends know but my Dad used to be my biggest critic and he wasn’t a fan of the whole music idea, he’d rather I became a Pastor, honestly.
So it wasn’t up until he heard me rap while I was sleeping before he woke me up, sat me down and asked if this was what I truly wanted, after which he gave his blessings.
That incident alone showed him how passionate I was about Music and I guess I’ve always had this zeal in me to make Old Man proud. That drives me till this day; oh and by the way, he’s a huge fan now.
Nigeria has a vibrant music scene. How do you think your experiences within the country’s hip-hop community have influenced your sound?
The thing with music generally is you’ve gotta be ready to learn and relearn. Hip Hop is already a controversial genre so there’s a lot that could easily influence you. But I think what impacted me more was having conversations with MI, Mrs. Folu, Loose Kaynon, to mention but a few after a rap competition I entered where I freestyled all the way to the finals. Intellectual conversations especially from people who’ve towed the path before us are like food for the soul and it shapes the idea of what you think you know into what more there is and can be. Engaging in conversations amongst my peers too have made me understand how to channel my message properly so as not to put my listeners off.
What challenges have you faced in your career, and how have you overcome them to reach where you are today?
The number one challenge till date is self doubt. I fight it every day. I have high hopes that I’ll break out globally someday but with the way the industry is saturated, it’s very easy to get dismayed at the chance of blowing up.
I believe friends can play a part in either making or breaking you so part of the challenges I encountered was sieving friends and handling the peer pressure that comes with unhealthy relationships.
I’ve always believed the mind is the most powerful tool in the universe if utilized properly so let’s say I try to be the optimistic guy. Whatever I think becomes my reality and it’s been all waves of positive energy since then and that reflects on the people around me. So for each time they get motivated, I get more motivated too. That’s how I keep keeping on
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Collaborations can be powerful in the music industry. Are there any artists you dream of collaborating with in the future?
Sure! My dream Collab is clearly Marshall Mathers, matter of fact, we had 2 joint albums until I woke up from sleep.
Anyways, I’m open to making good music with anyone serious as long as it’s good music and it’d develop us both.
How do you balance staying true to your artistic vision while also adapting to the evolving trends in the music industry?
It’s not as easy as it looks but I guess reminding yourself constantly why you started goes a long way to keep you in check. It’s not like there’s anything bad with evolving trends, they’re a good help to attain more relevance and boost your longevity chances but then make sure you don’t lose vision of what made your art your art, you dig? Yup, I believe that’s it.
“DND” seems to have a different vibe compared to your earlier works. What was the creative process behind this particular track?
True story, DND wasn’t even planned. I was supposed to record a different crazy song but I met Hilz in the studio when I linked with my bro Gerad and we connected on some 5G ish. I told him how I loved dark chords and at that moment I had a rhythm in my head, I broke it down to him and the genius brought it to life. I wrote DND in like 20 minutes or so. It was easy to write because it was my story I was writing so there was soul to it and it wasn’t forced.
That was how that baby was born. Crazy but knowing me, crazy is quite the norm.
As a birthday celebration, is there any special message you’d like to share with your fans who have been supporting you throughout your journey?
You guys are my strength, clearly. The texts, the calls, the little efforts you make pushing me is seismic in my eyes and I promise I won’t give up. I’ve got way crazier content in store, we’ll get to the top together.
Most of all, Thank You!
Can you shed some light on your songwriting process? Do you draw inspiration from personal experiences, or is it a more collaborative effort?
I’ve always been a songwriter by my lonesome. It’s not hard writing songs or creating poems and beautiful pieces when you have the ability to freestyle. On a good day, I can write a dope 16 in 5 minutes or even less if my mind is locked in.
My environment plays a major role though. I gain inspiration majorly from how I feel at that point either stemming from personal experiences or what I see around me. Having someone else around only hypes me up more but I don’t depend on anyone to write.
In the competitive world of hip-hop, what sets you apart from other artists, and how do you define your unique style?
Nobody punches like me, bruhhhhh! I can create punchlines from things you see everyday but fail to notice. That’s why when I drop them, it leaves you mesmerized thinking; “Why didn’t I think about that before?! That’s why I call it The Wonder Effect.
I also have this sense of humor I infuse that gives my tense verses a comic relief feel. I’ve always been a comic dude but then again I’m a live clown you should take dead serious. Because with the balance I attain with the comedy and heavy punchlines/ wordplay, I don’t think other rappers come close to my pen game.
I can literally rap about anything I see around me or even you so I’m really entertaining and a wonder to watch. That’s my unique style.
Looking back at your achievements, is there a specific accomplishment that you are particularly proud of in your career?
This year has been a crazy rough year but I think it’s had more records of my wins too. I explored live battle rap since May and I haven’t lost a battle since then.
But I’d say winning Vector’s Big Flexa Challenge was among my highlight for the year. It was a challenge that had hundreds of entries from different insane rappers so I believe it gave me respect and that’s part of what Hip Hop is centered around; respect from your fellow Emcees.
Dropping DND was a huge accomplishment too. It pushed me to come out of my shell and show people a side of me they hadn’t seen before so I’m grateful for that.
What role do you believe social media plays in the success of emerging artists, and how do you navigate its influence on your career?
The world is a digital market now, social media brings what you want to your doorstep because the generation of kids these days are always on their phones. So if you’ve got just the right thing to catch their eyes, they’re sold so social media is really important not just to artistes but to Business Moguls, Connoisseurs and the likes.
Inasmuch as social media is a great catalyst for growth to an up and comer in the music industry, I personally deal with Nomophobia so I discipline myself to take some off time so as not to be oversaturated with the contents and messages been fed online. Doing that helps me sieve out what’s real from what’s meant to be planted and it doesn’t let the thought of others become mine. With just the right balance you can control it and not let it control you because at the end of the day, it’s key to note that people would always have their 2 cents but you shouldn’t let all the talks get to you. You can only do that if you establish control over what you perceive and digest online.
Buez Emerges Winner at the Str8Up HipHop Event
Your journey includes both battle rap and music. Do you have a preference between the two, or do you enjoy blending both elements in your music?
I love Music. Battle rapping is just me trying to branch out and sharpen my rap skills more because it’s a sport for the quick witted and not the faint at heart. The same way I’m trying to master singing and also hone my freestyle skills too. They’re all important too because they’ve enlightened people to my skillset and given me respect among my peers too. But at the end of the day, I wanna do music in the long run. I’ll live and die for her.
As an artist, how do you approach handling criticism and feedback, and how has it contributed to your growth?
It is important to always have an open mind. You can never grow in your comfort zone, getting criticized is a way for you to learn to adapt to change and develop yourself even as a person.
So I always try my best to listen to whatever you have to say and understand it. I don’t necessarily have to respond immediately. When you listen just to talk back, you’re not learning, you’re arguing and trying to prove you’re right. And like I said earlier, you have to be ready to learn and relearn in this music industry so most times you listen more and say less. That helps you digest both the negative and positive comments and improves your people skills too because the more you learn from people without actually trying to fight or prove you know more, the more value you attach and it would reflect in the long run because you tend to attract like minded people and growth only gets better from there.
Are there any upcoming projects or collaborations that your fans can look forward to in the near future?
Collaborations, yeah, projects, yup. Next year, I’ll shock everybody. You’d feel The Wonder Effect so just brace yourselves.
How do you stay connected with your audience, and what significance do your fans hold in your musical journey?
I’m like Kitana from Mortal Kombat, I’m nothing without my fans. They mean everything to me, that’s why I call them my Wonders. I always try to engage the texts I receive online and interact too. Feedback from them is always a must because it helps me get better and I do it to make them know they’re the reason I do it in the first place. There’s no Buez without them.
Buez Emerges Winner again at the Str8Up HipHop Event
What advice would you give to aspiring young artists who look up to your success in the industry?
Love yourself and never lose hope and give in to the self doubt because it’ll always be there.
Grab opportunities as they come. So you’ll end up saying “Thank God I did” instead of “I could have”.
Keep practicing too. You’ll only get better. If the greats that we look up to keep grinding every single day, how much more us. Anything that’d make you harness your skill properly and own it, do it consistently and passionately. It’s not gonna be easy, I know that personally, but yo, you know what they say about hard times.
Looking ahead, what are your goals and aspirations for the next phase of your career?
Honestly, I wanna be a solid artiste, better my singing and also push my pen too, then blend both of them and feed the world good music.
Looking forward to dropping the EP too and networking with more creatives next year than I did this year.
I also hope to take a break from Chelsea, I don’t wanna be involved in toxic relationships anymore.
After serving hip-hop fans with “Free Throw” and an unforgettable BET Hip-Hop Awards Cypher, Ko-Jo Cue has returned with an EP. Titled I’M Back, the seven-track project, released thursday November 16, marks his first project after a two-year hiatus. It also signifies a bold return to the roots of hip-hop, built around rhymes, flows, and technical ability.
The rollout for “I’M Back” borrows a lot of imagery from basketball and sports and features Ghanaian rap stars like Joey B, Kwaku DMC, Tulenkey, Strongman, YPee, Kweku Smoke, and Ria Boss. The themes dance around self-expression, celebration, hustle, and seizing the day. Fortune Dane, iPappi, Retro, Kobe Norths, and others handle production. Notably, Peewezel, a long-term collaborator of Cue, makes a return after being absent from his last three projects.
I’ve been gone for a bit, and I started feeling a lot of the energy that made me fall in love with hip-hop, “So before I get back to regular scheduled programming, I felt like putting the glasses down and stepping into the booth again
Kojo Cue
“I’M Back” is not just an album—it’s a statement. It’s a celebration of authentic hip-hop, a nod to the sports that have inspired Ko-Jo Cue, and a tribute to the artists who have helped him along the way. Additionally, it showcases Ko-Jo Cue’s storytelling prowess and dedication to addressing societal issues in his music.
From the EP’s opening number, “Mac Tontoh,” Ko-Jo Cue pays homage to the individuals who’ve played a pivotal role in his journey. The track features Bigg Homie Flee, who spices up the track with his spoken words. On the next song, “Someway,” Ko-Jo Cue takes a swipe at individuals leading phony lives and seeking validation from strangers.
The next single, “Free Throw,” which features a verse from Ghanaian rapper Joey B, is a celebratory trap banger, highlighting his triumph against all odds. Ko-Jo Cue teams up with Kweku Smoke and Kwaku DMC on “32,” a drill anthem emphasizing the urgency of living life to the fullest.
For the EP’s fifth track, “OKAY OKAY,” Ko-Jo Cue talks about ambition, resilience, and hard work with hard-hitting verses from fellow Kumasi rappers Strongman and YPee. He maintains his determination discourse in “Cedi Kasa” while offering insightful social commentary on the nation’s challenges. For a change of tempo, Ko-Jo Cue ends I’M Back with the Ria Boss-assisted “Happy Endings,” which delves into the unpredictability of life and death, personal tragedies, and the futility of chasing fairytales.
Raised in the energetic rhythms of West Africa, Linford Kennedy Amankwaa, known to the world as Ko-Jo Cue, is a Ghanaian hip-hop artist who continues the legacy of the region’s revered griots. As a songwriter and lyricist, he weaves tales of African life through a lens both introspective and socially aware. His fusion of Hip-Hop, Highlife, and Afrobeats, paired with his philosophically tinged narrative style, mirrors the creative forces behind rap titans like Jay Z, Nas, J. Cole, and Obrafour.
His collaboration with Ghanaian rapper Shaker on the album “Pen & Paper” in 2017 garnered accolades and caught the eye of Lauryn Hill. This earned him an opening slot on her tour. Similarly, his 2019 debut album, “For My Brothers,” was hailed as a landmark in the Ghanaian rap scene, dominated the Apple Music Charts, and gained a nomination for Album of the Year at the 3 Music Video Awards. Since 2019, he has accrued several awards, including the Adinkra Poetry Prize and an Artlink grant, for which he converted his album “For My Brothers” into a radio show aired across Europe.
Ghanaian rapper, Nagyi (Nagyi Amoah) has released his sophomore project titled“Live and Die For”. The 3-song EP is dedicated to one of Nagyi’s biggest fans named, Winnie Diamond, who passed away this year. 3 songs are a trio combo that keeps the EP short but worthwhile to all listeners.” Nagyi also wants the EP to serve as a motivation for people chasing their dreams.
The aim of the EP is to motivate people to stand for what they believe in and chase their dreams and live life in the moment with fun
NAGYI
The EP has only one feature on the lead single and banger ‘Ajei’ with production credits from Atown TSB on ‘Energy’ while VT produced ‘Don Vex’ and ‘Ajei’. Live and Die For is a Hip-Hop themed project and it’s inspired by the classics, the project was inspired by a 90s Hip-Hop project.
Stream or download “Live and Die For” across all major digital platforms here
OneBeat, the U.S. Department of State’s premier multinational music exchange program, opens its first OneBeat Abroad program dedicated to creative entrepreneurship with OneBeat Ghana. OneBeat Ghana supports the Global Music Diplomacy Initiative announced by the Department of State in September which recognizes the power of music in diplomacy to build bridges, support inclusive economic growth, and build resilient societies. “Ghana’s creative artists are making a global name for themselves – but today’s artists also need to be wise businesspeople as well. This exchange program will help Ghana’s young artists develop their entrepreneurial talents, alongside their musical skills with mentoring from U.S.-based artists and professionals,” says Emily Fertik, Public Affairs Counselor, U.S. Embassy Ghana.
The two-week program brings together 11 young leading musician entrepreneurs from Ghana, Nigeria, and the United States to build strategies for stronger local artist communities and creative economies in the region. OneBeat Ghana is led in collaboration with Accra based Black Girls Glow founder, author and OneBeat alumna Poetra Asantewa. “Leading Black Girls Glow for the last seven years has taught me that there is and there’s always going to be a wealth of talent in Ghana,” says Poetra. “What we are severely lacking are solutions for both artists and their communities to thrive. My hope is for OneBeat Ghana to be a way to imagine tailor-made and better futures for artists of today and tomorrow.”
OneBeat Ghana Fellows are leading the charge to build stronger creative economies. They will gather at Stone Lodge in Asutsuare, outside of Accra, for a 1 ½ week intensive residency focused on creative exercises and professional development workshops to incubate and develop their independent artist projects through peer to peer exchange and guest artist mentorship. Fellows then travel to Accra to present their work to fellow artists, community leaders, industry experts and funders at Impact Hub, an Accra-based organization centered around fostering social innovation, on Saturday, November 18 from 4-8 PM. The event, open to the public and a group of curated guests, includes performances, discussions and presentations from OneBeat Ghana Fellows.
OneBeat convenes musical leaders from the U.S. and every region of the world to develop collaborative music initiatives that build resilient civil societies and contribute to cross-cultural dialogue. Over the years, OneBeat has grown into a global community of musicians who link their artistic processes with the betterment of their communities, and has, to date, expanded to includeOneBeat Abroad, a program in collaboration with U.S. embassies and based in countries with strong OneBeat alumni networks, theOneBeat Podcast, a monthly series featuring interviews and stories from the world of OneBeat and its fellows, and theOneBeat Accelerator, a program which supports the initiative’s growing artist network by providing seed grants to alumni who are developing and implementing socially-engaged projects in their home communities.
ABOUT FSN
Found Sound Nation (FSN) is a collective of artists who use music-making to connect people across cultural divides. FSN believes that collaborative music creation is a deeply effective way to become aware of the beauty, trauma, and hidden potential in communities. Their process gives voice to the underrepresented, unlocks the creative potential of youth, and supports movements for social justice. Founded by Christopher Marianetti and Jeremy Thal in 2010, Found Sound Nation began its work as part of the groundbreaking new music organization Bang on a Can, created in 1987 by composers Michael Gordon, David Lang and Julia Wolfe.
ABOUT BANG ON A CAN
Since its first Marathon concert in 1987, Bang on a Can has been creating an international community dedicated to innovative music, wherever it is found. With adventurous programs, it commissions, performs, presents, and records new works, develops new audiences, and educates the musicians of the future. Bang on a Can is building a world in which powerful new musical ideas flow freely across all genres and borders.
ABOUT ECA
The Bureau of Educational and Cultural Affairs’ (ECA) mission is to increase mutual understanding between the people of the United States and the people of other countries by means of educational and cultural exchange that assist in the development of peaceful relations.
The Kenyan-bred recording and performing artist makes a comeback into the music fray with her seductive dance-floor ready anthem, ‘Tek Time’.
Tapping frequent collaborator and idiosyncratic Kenyan beatsmith ÜZRR who is renowned for his extensive work with alternative Nairobi-helmed artists, Steph reminds listeners why she is one of Kenya’s creme rappers and her debut EP ‘Change’ was a critically acclaimed record by media and music fans alike.
Watch the Video on Youtube
‘Tek Time’ is a fun summer bop which sees Steph tease fans one last time before the release of her long awaited sophomore project ‘Proof of Concept’. The song’s hook is an absolute earworm – weaving soft, sweet melodies with heavily flirtatious lyrics. ‘Tek Time’ has all the makings of a lighthearted pop tune and in classic Steph fashion, is laid over an island soundscape that draws inspiration from the West Indies.
“What I wanted to do with this single was to continue showcasing my versatility. I love making fun music that’s upbeat, colorful and high energy. This is my take on pop, with my dancehall and rap background still heavily embedded in it”
Steph affirms of the track.
Steph’s expansive sound palette and genre-bending sound is evidenced in ‘Tek Time’ where she blends three genres (pop, dancehall & rap) to achieve a honeyed, candy-drenched and sweet single that leaves the listeners at her mercy, begging for more.
The first ever Drill Artist of the Year 2021 at Kenya’s penultimate Hip Hop guild show, Unkut Hip Hop Awards has promised more music is to follow after another breathtaking performance with her sultry single.
Cape Town’s sensational hip-hop crew, TDF is back with an electrifying new trap single, “MUD.” This release promises to be another chart-topping hit from the talented rap group who have been making waves in the South African music scene.
TDF, which stands for “The Don Family” is well-known for their innovative sound, impactful lyrics, and charismatic stage presence. With their latest release, “MUD,” the group continues to push the boundaries of the rap/ hip-hop genre, delivering a track that is bound to captivate audiences worldwide. As TDF continues to build a loyal fan base both locally and internationally, “MUD” is expected to be a game-changer, solidifying their position as a rising star in the South African rap/hip-hop scene.
