The moment I pressed play on Money Badoo’s“Heartbreak Hotel,” I knew it would be one of those songs that would linger for years to come. Released today, January 24th, 2025, “Heartbreak Hotel” feels like stepping into the mind of someone caught in the push-and-pull of heartbreak, toxic love, and self-awareness. A situation we have all found ourselves in. This song took me straight back to my first heartbreak : 17 years old, naive, and utterly unprepared for the emotional whirlwind that would follow. If you’ve ever been trapped in the loop of love and betrayal, trying to make sense of your feelings while knowing better, “Heartbreak Hotel” will hit home, just like it did for me.
HEARTBREAK HOTEL OFFICIAL ARTWORK
The icing on the cake for this specific song is the lyrics. They are achingly honest as though they were pulled straight from one’s own journal. “To tell the truth / I’m just a fool / I keep falling for your lies,” . Raw, honest, unfiltered, capturing the limbo of knowing you should let go but still clinging on. . That’s exactly how this song makes me feel. A feeling only SZA’s“Drew Barrymore” once evoked in me when I was engulfed in heartbreak, the same heartbreak that inspired me to dive into poetry.
IN PICTURE: MONEYBADOO SHOT BY @no.ordinary.human
This achingly honest lyricism is beautifully accentuated by the dreamy ’80s-inspired synths making “Heartbreak Hotel” song a gem and an emotional experience. From the moment the opening chords hit, “Heartbreak Hotel” pulls you into its world. The production, helmed by Select Play, creates a lush and moody soundscape that’s both nostalgic and fresh, perfectly complementing the song’s ethos. Featuring the velvety tones of Una Rams, the duet unfolds like a conversation between two hearts caught in the throes of love’s complexities. This very duet is the perfect cherry on top, with Una Ram’s velvety tones balancing Money Badoo’s emotional intensity, further highlighting the undeniable chemistry between their voices.
IN PICTURE- UNA RAMS (SUPPLIED)
With “Heartbreak Hotel,”Money Badoo proves she’s a storyteller who knows how to open up her heart and fully immerse listeners into her world. She has crafted a metaphorical space where pain and unrequited love are common, giving us a beautiful glimpse into the darker side of romance.
Keep your eyes peeled on Money Badoo as this single marks a new sonic chapter for her, and is the perfect setup for her upcoming album, M$RYLUV$CMPNY, set to release on March 7th. From this song alone, one can discern that the album is going to be a rich exploration of heartbreak, self-discovery, and, ultimately, empowerment. If “Heartbreak Hotel” is any indication, fans like myself are in for a deeply cathartic journey.
On Women’s Day last year, Hip Hop Africa honored the women making strides in South African Hip Hop, among these women, we honored AYON( born Ayanda Mfeka), a rising voice hailing from Durban, KwaZulu-Natal who has since made strides in her own career, having made top 4 of Sportscene’s Put Me On Competition.
AYON pictured with KaoticWave
This past Friday, AYON dropped her first release of the year titled “Kash Khontanti”. On Kash Khontanti, AYON and Kaotiicwave take us on a lyrical odyssey, exploring the unyielding grind, the ache of proving oneself, and the fleeting, golden moments of triumph.
Listen to Kash Khontanti here
The song intertwines hypnotic trap soundscapes with relentless back to back lyricism; making it the type of song that demands to be heard and felt especially during the start of the year; where everyone is standing on business.
“We wanted to create something that not only sounds good, but speaks to the hustle and grind we all go through. This track is a fun vibey song for anyone who’s had to fight to prove themselves,” says AYON.
And they did. The song carries the weight of the streets, and serves as a mirror to everyone that faces self doubt, that faces quiet battles and loud dreams. To AYON we say “Phakama Mbokodo”.
Fresh from a prolific feature run in 2024, which cemented him as Eswatini Hip Hop’s MVP, Amarii has launched the 2025 hip hop season with a bang. Last Friday (10 January 2025), the Manzini native unveiled his drill-inspired two-pack single, Pride & False Claims. Two words: dynamic and nuanced just like the emotions it explores.
Amarii photographed by @shaun_desousa_
Amarii doesn’t deviate from the topic of love once again. This is a release coming from an artist who understands his superpower. Deadpool has his immortality, The Flash has his super speed, Spider Man has his spider sense. What does Amarii have? The ability tomap the contours of love with utmost precision. That is his superpower.
Amarii photographed by @shaun_desousa_
With Pride & False Claims, Amarii follows the thematic path set by his previous works such as Oxytocin and State of the Heart, blending the hard-hitting cadence of drill with the fluid melodies of trap and plug to weave narratives that seep deep into to the heart. He continues to craft a sonic tapestry of admiration, heartbreak and the endless search for meaning in relationships.
The single opens with Pride, a heady, up-tempo anthem to the thrill of pursuit. A song that pulses with the optimism of new beginnings, where every beat feels like a step closer to something or someone,just out of reach. Here, Amarii’s lyrics strut with confidence, his delivery buoyed by a rhythm that captures the electric energy of admiration.
But no love story is without its shadows. Enter False Claims, the second half of this two-pack: a slower, introspective track that lays bare the dissonance of a relationship frayed by selfishness. The tempo drops, the melodies soften, and the words cut deeper. It is in this contrast that Amarii shines, balancing hope with heartbreak and creating a space where listeners can reflect on their own experiences.
We caught up with Amarii for a quick chat about his latest release:
Q: Can you tell us about the inspiration behind Pride & False Claims and how the theme of love influenced both tracks?
A: From a production standpoint, I wanted to make two beats from the same sample. This was sometime in the middle of 2024, after I hadn’t made a drill beat in a while. I thought, why not? So, I turned the second part into a drill beat. Later, I came across this idea called “sexy drill” (some call it “sensual drill,” but really, there’s no such thing—just call it slizzy!). I decided to add that touch, which I thought was a cool contrast instead of letting the whole song lean in that direction.
The context is just what feels natural to me. Love and relationships are such a big part of everyone’s life, and for me, they’re always somewhere in my subconscious. I don’t even need to think too hard about it—they just spill out. For these tracks, I think it came from experiencing the good and the bad parts of relationships pretty close together. Of course, I had to make it more colorful!
Q: Your music often blends genres, from drill and trap to trapsoul, as seen in Oxytocin and From Bremersdorp With Love. How did experimenting with rap and drill sounds impact the creative process for this two-pack?
A: It gave me room to explore different moods. Drill and plug (the other influence here) are so distinct. Plug focuses more on flow and feel, while drill leans on lyricism. That contrast allowed me to explore both the melodic and lyrical sides of the record. The balance gave me more tools to shape the story and bring it to life in different ways.
Q: Your music frequently explores themes of love and relationships. Do you think this focus is influenced by your name “Thando” meaning love and your stage name, ‘Amarii,’ derived from the Latin word for love?
A: Absolutely. Like I said, love songs just pour out of me. I think it’s always there. Love is such a universal thing, and there’s always something new to say about it.
Q: Pride and False Claims have contrasting tones and messages. How did you approach balancing these emotions while keeping the theme cohesive?
A: Honestly, the tempo was the key. The faster beat in Pride gives it rhythm and an upbeat energy, while slowing things down for False Claims makes it feel more emotional and reflective. Following the vibe of the beat created a natural canvas for the lyrics, which tied everything together.
Q: With this release arriving just in time for the month of love, how do you hope listeners will connect with the stories and emotions in these tracks?
A: I want everyone to find their moment in these songs. Whether you’re in love, fresh from a breakup, or somewhere in between, there’s something here for you. This is just one of many tracks I’m putting out to make sure everyone feels seen and heard.
Q: What makes Pride & False Claims stand out from your previous work, and how does it reflect your growth as an artist?
A: I’m really coming into my own. I’ve been experimenting with finding a natural flow and understanding my voice. If you listen to some of my recent work, you’ll hear the cadence and flows I’ve been honing. I’m staying away from overthinking or writing too much, which has helped me sound more authentic. With Pride & False Claims, I think I’ve reached a point where I love what I’m creating. I’m also exploring mixing and melodies more, really building a unique sound for myself.
What makes this release even more special? The timing. Oh my goodness, The timing. This release, arriving as the world tilts towards the month of love, offers solace, catharsis, and connection. Whether you are in the throes of a new romance or navigating the rubble of a breakup, Amarii’s latest work is there to meet you where you are.
2024 was a transformative year for me, particularly when it came to my relationship with music. My playlists took a surprising turn as I gravitated toward trap : a genre characterized by infectious beats, carefree vibes, and undeniable grooves. This shift felt strikingly different from my previous leanings, which revolved around boom bap and introspective rap that often felt like a soundtrack for deep self-reflection. Suddenly, I wasn’t seeking music to ponder life’s complexities; I was reaching for something that let me escape them.
At first, I was taken aback. Why had my taste changed so drastically? Was it because the quality of introspective rap had declined? Was it a reflection of personal growth : an indication that I was stepping out of a depressive fog? Or was it simply a way to avoid confronting my own challenges? The answer remains elusive. What I do know is that, for someone who once lived on tracks like Julia,Cutting Corners, and Yellow by Shane Eagle, this change marked a significant shift in my listening habits, one that demanded exploration.Back in 2023, Shane Eagle’s AKIRA left a lasting impression on me. Tracks like MUTANT, HEALiNG x RIZE, and ALi were staples in my rotation. Yet, as 2024 rolled around, I found myself struggling to connect with the same type of sangfroid, introspective lyricism I once cherished. It was during this period of detachment that I stumbled upon an album that changed everything: Silk by Pretorian artist LEO.
Silk came to me in a serendipitous moment while scrolling through X (formerly Twitter), a platform increasingly becoming a hotspot for discovering South African hip-hop talent. When I pressed play on Spotify, I immediately knew that Silk was an album I would have on rotation for years. It was an album that reignited my love and appreciation for lo-fi and jazzy raps. Silk is the kind of album that feels like the sun’s presence after a long, gloomy day. It’s the kind of project that is well-put, polished, smooth, and luxurious: perfectly encapsulating what its name suggests. The album’s production is subtly grand, characterized by a dreamy, textured, and deceptively minimalist style. It’s a kaleidoscope of different textures and elements that have been planted to bloom together, creating something like a sonic garden. It’s an album rooted in soul, lo-fi, jazz, and R&B, creating an intimate and inviting atmosphere. This production beautifully complements LEO’s potent and poetic lyrics. His intricate wordplay throughout the project weaves through like threads of silk, delivering vivid imagery and an air of sophistication.
Silk Official Cover Art photographed by – Alkebulanpeace
“A debut album created while life’s challenges actually won. But in this life, one needs to understand that life isn’t one battle or one big loss; Silk was birthed from that,”LEO said. These words encapsulate the exact sentiment I get from listening to the album. At its core, Silk reflects LEO’s journey of striving for greatness while grappling with challenges in both his personal life and the music industry. It’s an album that offers a glimpse into his psyche: raw yet refined. On songs like “Free” and “Team,” LEO boldly confronts the mediocrity of the music industry while asserting his individuality and artistic integrity with unflinching conviction. Through lyrics like “Hope that my rhythm excites you, hope that my notes to your heart and mind inspire a love that is real,” he positions himself as a beacon of hope and originality, striving for greatness without compromising who he is.
LEO- Silk Official Tracklist
Songs like “Team” and “Phone” delve into the complexities of love and emotional intimacy, juxtaposing vulnerability with strength. In songs such as “Trust” featuring Kimberly, LEO blends moments of tenderness with the complexities of trust and emotional reciprocity, standing tall as an emotionally intelligent artist. While songs like “Imagine That” and “Life” are affirmations of persistence and vision, capturing his aspirations to break through barriers while critiquing the cyclical nature of the mainstream industry.
The album impeccably balances LEO’s reflections with his ambitions, presenting the view that life is all about growth—both personal and artistic. Songs like “Clueless” and “Twisted” grapple with loyalty and self-actualization, while “Friday” and “Fire” celebrate fleeting moments of joy and connection, highlighting the beauty of life’s simplicities. As I listen to and engage with the album, I realize that it feels like LEO is having a conversation with me as the listener: intimate, unapologetically honest, and calling me to embrace my essence and envision a reality beyond the mundane. LEO’s superpower is that his art is anchored in truth, and that truth resonates across boundaries, times, and space.
Listen to “Silk” by LEO here
The cohesiveness of Silk is no accident. LEO, who doubles as a producer, ensures every detail serves the project’s narrative. The arrangements are deceptively simple, often just a hook and a verse, but that simplicity underscores the album’s message: life doesn’t need to be overcomplicated to be meaningful.
LEO- Supplied
In an exclusive interview, LEO shared his thoughts on the making of Silk:
Q: Your project Silk is a well balanced offering- from the production, to the arrangement and the lyrics, it feels well polished. What do you think makes a rap album great? Is it the production or the raps?
A: Both are equally important, but I would say what’s most important is the connection a creator(s) have with the album they put out. When you feel that connection, it’s easier for it to be passed down to the listener.
Q: For you, what was the goal with Silk? Which aspect of rap did you want to shine?
A: My goal is to show there are musicians in South Africa who excel in both being in front of the mic and behind the boards, and what I want to shine is my individuality. Yes, mainly because I can rap but it’s not what defines me but I understand the importance of it but my goal is not to become number 1, but rather to create timeless music with a message.
Q: Why Silk? When I see the album name “Silk” I expect luxurious wordplay, subtle grandeur, fluidity and seamless transitions coupled with intimate themes. I believe that’s what I get from your album. Was that the intention?
A: Lol good question damn. So my music is split into various series: the album series is textures, EP/mixtapes is colours and even since having serious life problems in 2021 that birthed the reality series of that being Beg4forgivenessNotpermission.So Silk title is how I feel I handled the turbulence in my life at that time it was created given that the album was made from Aug 2020 – May 2021. My intention was to be honest it’s a journey of my confidence on days I was able to actually bring the ideas to life and some songs were created after moments.
Q: I remember you started rolling out this album in 2021, saying that it was 90% done by then. What led to the decision to drop it 3 years later?
A: I decided to present such an ‘old’ album due to my artistic integrity. Yes it is an old body of work and I could have made a body of work to embody the spirit of competition with all the great music that has been released this year but I feel like artists forget to stick to the plan which is why I released this.
Q: When you made the project, was there any creative pressure that you felt? Since it was a debut album, an album that comes with a lot of expectations? A: I mean the album was made in 2020/2021 same time as Tyson S.T (now Sybateli) was creating “Dulcé” , a big thing him and Dooushii introduced to me was coming to terms with not being so niche, cause during the time I was a purely lo-fi artist. I didn’t even like to rap in a competitive manner so as far as pressure I wasn’t feeling that from the music side and I believe you’ve got whole career up until that point to make your debut album
Q: Your music has a niche market. Which I believe is a non-South African market. Was that an intentional move or was it just the music itself that got more attention outside your own country?
A: So to be honest that wasn’t intentional the music itself found it’s people/market if I could say that and to prove this as well I could include the co-signs I’ve also gotten from Fat Joe, Top Dawg Ent. and artists like Clairmont The Second & André The Saint to name a few and as far as here at home project by project I seem to be getting more and more interest which is also keeping me focused.
LEO- Supplied
Q: The album opener “Free” was produced by Chicago’s Monte Booker who has worked with the likes of Smino. How did that collaboration come to life?
A: Social media is an amazing tool hey, quite the short story at the time DM’s were open and the request was met due to also supporting his production kits.
Q: You critique the mainstream industry quite a lot on “Silk” speaking on themes of mediocrity and disloyalty. Is this something you have personally encountered?
A: As far as the mainstream, all I speak on to clarify is the behavior I’ve picked up on or what I’ve experienced and as far as the music making process I’m shedding light on those of us who are extremely hands on with our product as supposed to delegating to teams.
Q: Your album is also centered on the ethos of growth. Would you refer to it as a healing sanctuary for you? A: Growth is a natural process for every human being, I’m fortunate enough to do this through the commitment I have to my art and indeed it is healing.
Q: In pursuing your music career what has been the most challenging part? A: Finding those with the same vision as me and individuals with patience.
Q:The SA music market doesn’t really appreciate alternative jazz rap or lo-fi rap as much as other rap types. What is your feeling on that?
A: Influence really but there definitely is appreciation I just feel at the forefront there’s just a certain type of Hip-Hop artist that’s more supported rather than embracing the diverse types of us.
Q: What I enjoyed about the album is its duality, how you balanced speaking on the complexities of life as well as the beauty of its simplicities. Is that how you approach life and your music on a day to day basis? A: Thank you for this compliment really shows me you’re paying attention and yes life is a series of ups and downs, lefts and rights you cannot favour a certain portion of your life’s journey cause I feel you will miss out on the beauty of it all.
LEO- Supplied
Q: Which song was the hardest for you to make or conclude on the album?
A: “Understand” was the hardest to make because I decided to not sugarcoat my personal feelings with the environment in which I’m tackling in this industry.
Q: The album’s arrangements were pretty simple: just a hook and a verse. Was that deliberate?
A: Great question and yes very deliberate. I often tell my peers whom I make music with that there always has to be progression with a discography and to simplify this lol don’t make your magnum opus too soon that’s self explanatory.
Q: You only have three collaborations on the album: Kimberly, Francis Jay and Yolophonik. Was that a deliberate choice?
A: And TRON PYRE doing back up vocals on Team & Trust. Yes it was, my collaboration personal space has become more than the benefits of making a record that’ll do good, it’s more on if I get on with the other artist and support/love/admiration I have for what they do on their own.
Listening to Silk is like stepping into a meticulously crafted world. It balances the complexities of life with the beauty of its simplicity, inviting listeners to reflect, dream, and grow. LEO’s music doesn’t just entertain; it resonates. It’s art anchored in truth, designed to transcend boundaries and stand the test of time. In a year of unexpected changes and evolving tastes, Silk reminded me of the power of music to reconnect us with ourselves. LEO’s artistry is proof that even in life’s turbulence, there’s room for elegance, and, of course, Silk.
Hip hop has always been a stage brimming with masculine energy. For decades, women have had to elbow their way into the spotlight, often measured by standards set by their male counterparts. “Too feminine.” “Too soft.” “Too sexual.” These are just a handful of the critiques that women in hip hop worldwide have faced while carving out their space in a genre that demands resilience. Yet, over time, the culture has started to evolve, becoming more inclusive of women who have shattered ceilings and stereotypes to make the genre their own. Against all odds, women have continually broken barriers, proving that rap is not just a man’s sport.
From global icons like Nicki Minaj,Megan Thee Stallion, and Rapsody to new wave stars like Ice Spice, Doja Cat, and GloRilla, women have taken charge, redefining the narrative and the culture. Closer to home, African women like Oriiginelle, Dee Koala, ZuluMecca, and K.Keed are inspiring a new wave of girls who see themselves as active participants in hip hop—not just consumers. As a fan of the genre, seeing women thrive in this space, especially African women, makes hip hop feel even more personal and inclusive.
But hip hop isn’t just about those behind the mic. Women like Eattz, Banyezus, and Lady Kuda, Tummie Letsapo—and yes, myself—are taking the reins as tastemakers, publicists, and advocates for African hip hop, proving that influence doesn’t always come from center stage. Together, these women are challenging the norm and paving the way for others. Here in Eswatini, I take pride in being one of those voices, ensuring the culture is not only celebrated but respected.
In Eswatini, a new revolution is brewing. Women are stepping into the hip hop scene with intention, reclaiming their place in a genre that’s long been ruled by men. Artists like Oriiginelle, Ima Crystals, and Milkie The Don are pushing the boundaries, unapologetically crafting their own lanes. And then there’s WassaBee, Eswatini’s first female hip hop DJ, who has not only taken the decks by storm but is now venturing into creating music herself.
What sets WassaBee apart is the enigma that she has cultivated around her persona. With her signature balaclava- either black or pink- firmly in place during public appearances and performances, she embodies the “faceless mystique” , letting her craft speak more than appearances ever could. This anonymity has become her trademark, adding an air of intrigue that keeps fans and audiences captivated.
WASSABEE – Supplied
When I first met WassaBee in April this year, I was thrilled. Here was a woman unapologetically killing it as a hip hop DJ, holding her own at major stages like MTN Bushfire and Luju Festival, and beyond our borders such as in the Mpumalanga Spring Fest early in the year. Her consistency and determination were inspiring. And now, with the release of her debut single For The Kulture, she’s breaking yet another barrier in the local hip hop scene.
WassaBee’s debut single, For The Kulture, dropped on December 20, 2024, . Featuring the charismatic and multi-talented Ace Julz, this song is a statement that boldly declares that spinning isn’t only a male’s playground, even women have a place in production and on the decks. WassaBee calls it “a sonic embodiment of my love for hip hop,” blending elements of unity, storytelling, and ambition with sleek production and raw energy. The song’s production is driven by a trap beat that demands listeners to move to its rhythm. It is the kind of song that could make anyone want to break out and krump( yes, it’s still a thing.)
“This track represents everything I love about the culture,” WassaBee says. “From drip and bars to success and influence, it’s a sound that says, ‘I’m here to elevate, motivate, and stay.’” The single expresses how cultured the DJ/Producer is as she is in touch with all elements of Hip Hop culture such as Djing, Mcing, Beatboxing, Dance and fashion. WassaBee’s involvement in every layer of culture is evident. From her presence at Ima Crystals’ listening session earlier this month, to collaborations with rising stars, she is proving herself as a participant and leader in Eswatini’s hip hop community.
FOR THE CULTURE COVER ART
What’s particularly special about this release is WassaBee’s choice to collaborate with Ace Julz, a young and emerging artist in Eswatini’s hip hop scene. As a DJ, WassaBee isn’t just spinning tracks but she’s shaping the culture and introducing audiences to fresh talent. DJs are tastemakers, the curators of what we listen to next, and WassaBee’s decision to spotlight Ace Julz speaks volumes about her dedication to nurturing the scene and highlighting its rising stars. “Ace Julz is one of the most talented artists I know,”WassaBee shares. “His storytelling and versatility inspired me to push boundaries. Working with him was the perfect way to bring this vision to life.”
Listen to For The Kulture Here
WassaBee has done her research quite well, crafting an infectious song that has potential to dominate the airwaves as well as the dance floor. With a catchy hook, that is meant to have everyone chanting “For The Kulture( Mswenko) for days on end. The song promises to resonate with everyone as it blends local hip hop slang with both Siswati and English.
WassaBee’s journey is a reminder of what’s possible when women step into spaces they’ve traditionally been excluded from. But there’s still so much room to grow. Eswatini needs more women in hip hop—not just as DJs and rappers, but as producers, tastemakers, and architects of the culture.
For now, the scene is shifting, thanks to pioneers like WassaBee. As women continue to rise in Eswatini’s hip hop scene, one thing is clear: the future of hip hop here is bold, diverse, and unapologetically female.
When Lowfeye began teasing his fresh-off-the-block single, Khukhumele, in early December, I knew right away it would become an anthem I’d shamelessly overplay. Khukhumele is a scorching collaboration between Lowfeye and LaCabra, produced by the ever-talented Brotherkupa. And how many times have I played it since its release? Easily more than twenty. Just last week, I caught myself replaying his Instagram reels over ten times and visiting his Twitter(X) page a just as much—dedication, or perhaps borderline stalker behavior.
On December 20th, 2024, Khukhumele finally dropped—perfect timing, as December bonuses are rolling in (big “Ekhikhini” vibes, for real). And the single didn’t land solo but was accompanied by a sleek and visually captivating music video, directed, shot and edited by Phila Vilakazi of Saucinthacitii visuals. The track is all about “cash talk” and “flex culture”, celebrating a life of luxury and swagger, with Lowfeye and LaCabra trading verses that reflect their larger-than-life personas. It’s a toast to fat wallets, sharp bars, and the lavish high life that has elevated the Qwellers from hometown heroes to household names across Mzansi and beyond.
Lowfeye & LaCabra- Khukhumele Official Music Video
Pure class—this is the only way to describe uMabulala’s( Lowfeye’s) verse. Gems like “Might just get a visa nghlezi ngisemafini” reminds us of the heights his music has taken him—always catching flights and never settling. But my personal favorite? “Pheykwe Gagasi like durag,” a clever line that translates to “above the waves like a durag.” He takes it a step further, flaunting his impeccable style and paying homage to his roots. He raps about the Zulu sandal, Omega shoes, now synonymous with his brand identity, alongside his signature Zulu headwear, umqhele.“This ain’t no regular sandal—Omega, it cost a fortune, I wear it forever,” he proclaims. Pure cultural drip. LaCabra delivers his verse with infectious energy, lighting up the hook as he boasts about the doors money has opened for him. From effortlessly pulling women to taking down rappers like dominos, it’s all unapologetic “cash talk.” His flex continues with “Bite on my sauce, they got no swag,” cementing his signature braggadocious flair.
At its core, Khukhumele is a trap anthem infused with psychedelic minimalism, masterfully crafted by Brotherkupa. The producer, whose Gqom Freestyle has been dominating TikTok and reviving Skhothane culture, is a sonic visionary. You can almost imagine the track as a rallying cry for DJs to light up dancefloors across South Ahh and beyond. And this isn’t Brotherkupa’s first rodeo—he also produced the recently released Sunroof by Blxckie, Lowfeye, and LaCabra, solidifying his unique niche of blending trap, gqom, and psychedelic sounds. It’s a style reminiscent of Witness The Funk’sNomusa era, but with a fresh twist that’s undeniably his own.
So turn up the volume, hit repeat, and let Khukhumele carry you through the festive season. Who knows, your pockets might still be fat even in Janu-Worry.
The perfect assist exists, not just in soccer but in music too. In soccer, fans rave about Kevin De Bruyne threading the needle, Mohammed Salah’s game-changing passes, or how one precise assist can shift the course of a match and raise the stakes. In South African hip-hop, the perfect assist belongs to none other than Pitori’s very own Loatinover Pounds. This year, he has proven to be the ultimate feature artist—the one guest who can take a track from great to legendary.
Not only did Loatinover Pounds steal the shine on his guest verses this year, but the hip hop artist also delivered an incredibly crafted album titled “Pray 4 Pitori”, an album that showcased his lyrical abilities, storytelling as well as production skills. From deft wordplay to cultural references that resonate deeply, Pounds has repeatedly proven why he deserves the MVP title. Here are five moments where Loatinover Pounds stole the spotlight and reminded us why he is 2024’s undisputed MVP.
5. “Uthini Lo” – DJ Sliqe, K.Keed, Votron, Orish Sometimes less is more, and that’s exactly what Loatinover Pounds delivered on Uthini Lo. The “Sosh Plata” hitmaker kicks things off with a verse that is equal parts punchy and unforgettable. He opens with a vivid WWE-inspired reference: “Undertaker all bleke kere beat re theosa,” declaring himself as lethal as the iconic Undertaker—dressed in black and ready to “bury” the beat. But he doesn’t stop there. He sharpens the imagery with: “Okare lekase ko Avbob (Ke Leso),” a clever nod to Avbob, South Africa’s leading funeral service provider, implying his verse is so deadly that someone should start planning a funeral. Loatinover Pounds even gives DJ Sliqe a shout-out: “Pounds le Sliqe re namela beat kannete rebethile 1-0 (Champion Score),” hinting at their domination of the track and slyly referencing Sliqe’s Champion Sound series. Through layered punchlines, clever wordplay, and Pretorian street culture, Loatinover Pounds proves that he can turn a few bars into a memorable performance.
4. “Mosamelo” – DJ Clen On Mosamelo, Loatinover Pounds seamlessly blends confidence with storytelling. Michael Tuoy’s smooth production gives him the perfect platform to shine, and Pounds doesn’t miss the moment. The song’s title, Mosamelo (Pillow), frames a tale of a woman seeking his attention. But here’s the twist: this woman once ignored him but is now reaching out after spotting him on Channel O. Pounds cheekily dismisses her newfound interest and instead reflects on how far he’s come: “I perform on stages bigger than my kitchen now,” he raps, with swagger only a hometown hero can deliver. In classic underdog-to-victor fashion, Pounds reminds us of those who laughed at his dreams and are now asking for tickets to his shows. Through a mix of introspection and braggadocio, Mosamelo captures his journey while setting the tone for even greater achievements to come.
3. “Ke Tech” – G Tech 2Bit, Loatinover Pounds, Mochen The Pitori Avengers, hailing from the streets of Mabopane : G Tech 2Bit, Mochen, and Loatinover Pounds join forces on “Ke Tech” to deliver an anthem brimming with Pitori pride. Each artist holds their ground, but it’s Loatinover Pounds’ verse that stands out, thanks to his razor-sharp punchlines and endless creativity. What’s a Pounds verse without a soccer metaphor? He kicks it off with a nod to Luis Suárez’s infamous 2014 FIFA World Cup biting incident: “Rappers biting my flows like Chiellini,” likening himself to Giorgio Chiellini, the Italian defender who was bitten by Suárez. He follows it up with more soccer brilliance, calling himself a “number 9,” the striker who leads the team to victory. Then comes the pièce de résistance: “Skin, link, ink, sync, pink,” a cascade of rhymes that showcases his literary finesse. As if that weren’t enough, Pounds caps it off with a playful Disney reference: “Sliding on the beat like Zeke and Luther,” a nod to the skateboarding duo from the Disney series. From sports to pop culture, Pounds weaves together his influences, proving that inspiration truly knows no bounds.
2. “Big Dogg” – Thato Saul & Flow Jones Jnr When Thato Saul declared his comeback on Big Dogg, Loatinover Pounds was right there to back him up, delivering a verse packed with clever wordplay, humor, and swagger. Take this standout line: “Legends Barber ka Pene joh, kira di line di fete mo hodima di thlolo,” where Pounds compares his precision with a pen to that of a barber’s clippers, highlighting his mastery over his craft. He turns up the humor with: “Patje e phela e loud kare Ghost Hlubi a pranka-a ha tau,” comparing the potency of his weed to the loud pranks of Ghost Hlubi, the popular South African content creator.
True to form, Pounds peppers his verse with local South African soapie references, including a shout-out to KK from Muvhango and a shout out to Suffocate from Rhythm City: “Pounds ke Star, wa shine, o phala di suit tsa KK (Mulaudzi),” boasting that he shines brighter than KK’s flashy suits. “I brought the Rhythm to the City but when I get on the mic I don’t suffocate”
highlighting his ability to flow with ease and composure. It’s this mix of relatability, humor, and razor-sharp wit that makesBig Dogg one of Pounds’ most memorable assists.
1. “The Untouchables” – 25K & Flow Jones Jnr This is it—the crown jewel of Loatinover Pounds’ 2024 guest verses. On The Untouchables, from 25K’s album Loyal To The Plug: The Life of Don Kilograms, Pounds delivers a verse so sharp, so fresh, that it leaves no doubt about his MVP status. He kicks off with effortless swag: “Air force e white Ntash, Straight from the box starch,” bragging about his pristine fashion sense before hilariously comparing his oversized baggy jeans to South African politician Gwede Mantashe’s signature look. “Bethile jean ka oversize okare ke Gwede Mantashe (Eish)” And, of course, no Pounds verse would be complete without sports metaphors. He references Olympic athlete Shyna Mabelo and the unforgettable 2018 UEFA Champions League final: “Geo Salah ro nametsa stretcher, Ramos ka Final ya UEFA,” signaling his ability to leave rappers in disarray, just like Ramos did to Salah. This verse has everything: local slang, pop culture, football references, and impeccable flow. It’s the kind of performance that reminds us why Loatinover Pounds is untouchable.
Loatinover Pounds has had an electrifying year, proving time and again why he’s 2024’s MVP. He made appearances on Injayam Vol 3,Loyal To The Plug, All Doggs Go To Heaven, Too Viral, Survivor’s Guilt and most recently Maglera Tapes just to name a few. From cultural punchlines to football metaphors, he’s a master of blending wit, creativity, and authenticity. The MVP crown fits perfectly on Pitori’s finest. Long live the MVP. Re Faka Punyete.
Hailing from the vibrant streets of Umlazi, DJ and producer SiphoMjita (Sipho Mkize) graces us with a soul-stirring anthem, “Brand New Me,” released on November 29, 2024. The track is a luminous collaboration with AYON (Ayanda Mfeka), a rising star who has painted 2024 with her remarkable talent, climbing to the Top 4 of Sportscene’s celebrated rap competition, “Sportscene Put Me On.”
“Brand New Me” is a celebration, a sonnet of self-renewal, and a rhythm-laden ode to growth. The synergy between SiphoMjita and AYON breathes life into a drill-inspired, soulful beat that radiates positivity and transformation. The track blooms with the vibrancy of spring, brimming with the optimism of new chapters and the promise of brighter horizons. It is a song that doesn’t just move you but blossoms in your soul.
SiphoMjita’s talent transcends the decks. Beyond being a producer and DJ, he curates sonic landscapes, crafting playlists like “The Hip Hop Chamber,” a treasure trove for music lovers and a platform for unearthing hidden gems. It was through this passion for curation that SiphoMjita first discovered AYON’s sound ; a voice that resonated deeply, sparking a creative connection. Their shared journey blossomed when SiphoMjita, alongside tastemaker Eatzz, curated the KZN WAVE playlist, showcasing the best of Durban’s rising stars, including AYON herself.
When SiphoMjita sent AYON the beat for “Brand New Me,” it was as if the stars aligned. AYON’s response was swift and electric, a demo that carried the heart of the song, ready to soar. “‘Brand New Me’ represents change and new beginnings,”SiphoMjita reflects. “I’m thrilled to share this uplifting track with the world and grateful to have AYON by my side on this journey.”
SiphoMjita’s artistry is rooted in Durban’s cultural soil, where his career has blossomed into a plethora of collaborations with local luminaries such as Usimamane, Lowkey_esto, Blue Pappi, and Usenzangakhxna. With every rhythmic beat and innovative sonics, SiphoMjita curates the essence of Durban’s sound, weaving its rhythm and soul into something that speaks universally. He stands as a cultural custodian of his city’s musical spirit, elevating Durban’s talent and sharing its brilliance with the world.
In Picture: SiphoMjita
As the year closes, “Brand New Me” arrives like a breath of fresh air; a sonic emblem of transformation, an anthem of optimism. With talents like SiphoMjita and AYON at the helm, Durban’s music scene continues to loom, its pulse echoing far beyond its borders. So, step into your infinite power and embrace the endless possibilities of a brand new day.
Nigerian music powerhouses Lit Vybz and VJ Skinny have teamed up to release “Problem”, an Afro-Drill masterpiece that blends hard-hitting beats with heartfelt storytelling. Released this month, the track is a testament to the artists’ ability to channel themes of struggle, resilience, and hope into a captivating soundscape.
A Sonic Exploration of Strength
“Problem” combines the infectious rhythms of Afrobeat with the bold, gritty energy of Drill, creating a sound that is both fresh and reflective. The track opens with haunting melodies and powerful percussion, setting the stage for Lit Vybz’s smooth, introspective verses and VJ Skinny’s raw, melodic delivery. Together, the duo crafts a compelling narrative of triumph over adversity, making “Problem” an anthem for perseverance.
Lit Vybz showcases his lyrical prowess with lines that speak to overcoming challenges, while VJ Skinny complements this with his emotive and relatable performance. Their synergy results in a track that is as inspiring as it is enjoyable, resonating with anyone facing life’s hurdles.
Meet the Visionaries Behind the Track
Lit Vybz
Born Kwen Joshua in Nigeria’s Middle Belt, Lit Vybz has been redefining Nigerian music since his breakout in 2015. Known for his unique fusion of rap, Afrobeat, and melodic storytelling, he draws from his personal experiences and cultural heritage to create music that transcends genres. With a career spanning nearly a decade, Lit Vybz continues to evolve, solidifying his reputation as one of Nigeria’s most versatile artists.
VJ Skinny
Peter Luis Onuh, better known as VJ Skinny, is a multi-talented artist from Benue State. A graduate of Theatre Arts from the University of Abuja, VJ Skinny’s music is a reflection of his personality, environment, and emotions. Influenced by the diverse sounds of his upbringing in Abuja, he has developed a catalog that includes hits like “Benefit Boy”, “Secure the Bag”, and “Hey God”. With his ability to fuse raw emotion with rhythmic versatility, VJ Skinny has become a standout figure in the industry.
Why You Need “Problem” on Your Playlist
More than just a song, “Problem” is a movement—a call to rise above life’s obstacles and embrace hope. Whether you’re a fan of Afrobeat, Drill, or music that tells a story, this track offers a unique blend of rhythm and meaning. Lit Vybz and VJ Skinny prove that music can both inspire and entertain, delivering a track that will resonate deeply with listeners.
K. Darrow caught my attention back in 2022 when he released his electrifying EP, TandlaneTinyawo. A genre-blending project, the EP seamlessly wove together African trap, AfroBeats, and AfroPop under the masterful production of Alex Muti. What stood out to me wasn’t just the polished production or vibrant soundscapes but K. Darrow’s ability to deliver raw, unfiltered storytelling in deep SiSwati. Tracks like the titular Tandla neTinyawo and Ng’beketele carried an ethos of hope while fearlessly tackling tough issues like poverty and unemployment. It was this vulnerability combined with his rich and versatile sonic palette that set my eyes onto the Eswatini artist. His ability to weave together upbeat AfroBeats rhythms to hard-hitting drum patterns set him as an artist to look out for in Eswatini music.
Fast forward to 2023, and K. Darrow kept the momentum going with two notable singles. First was Your Love, an AfroBeats and Piano-inspired love ballad featuring Lyrikal Busta that revealed his softer side. Then came Imbewu featuring Anzo, a track that leaned more into his African trap roots and kept his core audience hooked.
K. Darrow identifies himself as an “Afro-Sintfu” artist, a term he coined to describe his unique blend of AfroBeats, trap, and traditional Swazi elements. This self-proclaimed genre is as much about sound as it is about cultural pride. His deep use of SiSwati in his lyrics and his nods to Swazi traditions resonate deeply with me as a fellow Swazi, and I admire how boldly he showcases his roots.
2024 has been a whirlwind for K. Darrow. From delivering show-stopping performances at the 2024 MTN Bushfire Festival, to featuring on high-profile tracks like Hailey’s “In theDark” and AyaCity’s “Nguwe”, his presence has been impossible to ignore. The collaboration on Lyrikal Busta’sSgubhu, produced by Sean Cast, showcased his dedication to collaborate with other artists and make a name for Eswatini music globally.
Now, as the year wraps up, K. Darrow is ending on a high note with his brand-new single, Kiss Kiss. Featuring none other than South Africa’s Saudi (Msotra Man). This song is a powerhouse collaboration that unites Eswatini and South Africa in an electrifying blend of trap and hip-hop.
Artwork by @zumarokaswazi
In as much as Kiss Kiss is a catchy tune, there’s more to it than that. The song is a reflection of K. Darrow’s evolution as he dives into how his life has transformed: from the women who now blow him kisses when they see him, to the jealousy brewing among those watching and envying his rise. Delivered in a mix of SiSwati and trap cadences, his lyrics cut through with raw ambition and unapologetic honesty.“Mangabe akukhali iChing Ching mfethu hamba kimi, Liphimbo livala inkonzo, busisa kwaMariah, sebangiblowela iKiss Kiss, sebatsandza mine,” Darrow raps in the chorus, a bold proclamation of his journey from grind to glory.
Saudi’s verse echoes a similar hustle-centric ethos, creating a synergy that bridges Swazi and South African styles. The production merges heavy trap beats with unmistakable African rhythms, making Kiss Kiss a sonic feast that’s equal parts braggadocio and substance. As the torchbearer of the Afro-Sintfu Movement, K. Darrow is etching his name into the rich tapestry of Eswatini’s musical legacy. In a world increasingly captivated by authentic African sounds, K. Darrow stands out as a singular, compelling voice deserving of global recognition. His seamless blend of SiSwati pride and genre-defying innovation proves that Afro-Sintfu isn’t a fleeting trend, but is a powerful cultural force.
For fans like me, K. Darrow’s ascent feels deeply personal. With every track, every collaboration, and every performance, he redefines what it means to be proudly Swazi and unapologetically original. His journey inspires not only admiration but also an unshakable belief that the best is yet to come.
