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Danski’s In The Beginning EP: A Sonic Entry into the Kenyan Hip-Hop Scene

Tela Wangechi
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Danski’s In The Beginning EP: A Sonic Entry into the Kenyan Hip-Hop Scene

Danski’s debut EP, In The Beginning, marks a significant entry into the Kenyan hip-hop scene, showcasing his lyrical prowess and ability to collaborate effectively with diverse artists. This five-track project offers listeners a glimpse into Danski’s artistic vision and sets the stage for his future endeavors.For those unfamiliar with Danski, In The Beginning serves as an excellent introduction to his artistry. His ability to fuse traditional Kenyan sounds with modern hip-hop elements sets him apart in the music scene.

This debut project not only showcases his talent but also his potential to make a significant impact in the industry“In The Beginning” serves as a strong introduction to Danski’s artistry. The EP’s diversity in themes and sounds demonstrates his versatility and potential within the music industry. The collaborations with artists like Lilmaina and YVNG WAVE add depth to the project, showcasing a sense of community and mutual support among emerging musicians. The production quality is notable, with each track offering a unique listening experience that keeps the audience engaged from the bass 808s to the genre-defying singles.

The project opens up with “Baddie.” It is a collaborative track by Kenyan artists danski, YVNG WAVE, and Silverstone Barz. This song exemplifies the dynamic nature of Nairobi’s contemporary music scene, blending diverse styles and showcasing the unique talents of each artist.The track opens with a catchy beat that immediately grabs the listener’s attention. The production is polished, featuring a blend of traditional African rhythms with modern hip-hop elements. The fusion of these styles creates a fresh sound that is both danceable and reflective of Nairobi’s urban culture.

Following up, Danski teams up with Savinnah on “Bamba.With his signature horns, the single kicks off with a triumphant start. Each artist brings their distinct flavor to the track. danski’s smooth delivery sets the tone, while Savinnah’s melodic vocals add a dynamic layer. The collaboration results in a seamless blend of their unique styles, enhancing the overall impact of the song. What is exciting is the blend of artists Danski chooses to work on his debut EP.Choosing a risky route, he works with underground artists (except Lil Maina).

While to most it might look risky, I see it as an opportunity to explore his artistic freedom as seen in “Miss Independent” featuring YBW Smith and Lil Maina and “Tutamake It” featuring 4Mr Frank White. Each rapper comes armoured with a level of cockiness that is only achieved when you know your trajectory is on the rise. The suavish lines by YBW Smith “mlisema bila collabo sina hit,” spitting on his haters while brushing his shoulders with the best in the game and 4Mr Frank White wordplay “Ninarap naughty I hope noti zitaflow”

All through the EP you are able to translate Danski’s strong points in production. His dedication into tapping into the average Kenyan listener is adamant as the project Is infiltrated by strong Dancehall beats, a sound that stands strong with Kenyan youth.

For a debut EP, I would strongly vouch that Danski’s talent is exceptional. From his production to his keen ear and even perfectly curating the artists for his project, Danski is keen on elevating his peers through his art. “In The Beginning,” is a solid first step for this rising artist

Stream “In The Beginning”

“Utansiga” : An Anthem of Resilience in Rwandan Hip-Hop

Tela Wangechi
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“Utansiga” : An Anthem of Resilience in Rwandan Hip-Hop

“Utansiga” is a single by Rwandan rapper B-Threy, released on March 21, 2025. The track showcases B-Threy’s distinctive style, blending Rwandan and English lyrics over a hard-hitting beat that reflects the vibrant Rwandan hip-hop scene.The title “Utansiga” translates to “You Can’t Reach Me,” a theme that resonates throughout the song as B-Threy asserts his dominance and resilience in the music industry.

The lyrics convey a message of self-confidence and determination, with B-Threy addressing his critics and affirming his position in the rap game.Musically, “Utansiga” features a fusion of traditional Rwandan rhythms with contemporary hip-hop elements. The production incorporates traditional instruments alongside modern beats, creating a unique sound that pays homage to B-Threy’s cultural roots while appealing to a global audience. This blend of styles is indicative of the growing trend in African hip-hop, where artists are embracing their heritage and infusing it into mainstream genres.

B-Threy’s delivery on the track is both aggressive and charismatic, showcasing his lyrical prowess and versatility. His flow seamlessly transitions between Rwandan and English, reflecting the bilingual nature of Rwanda and adding depth to his storytelling. This code-switching not only highlights his linguistic skills but also broadens the song’s appeal to both local and international listeners.The chorus of “Utansiga” is particularly catchy, with a repetitive hook that reinforces the song’s theme of untouchability. This, combined with the energetic beat, makes it a track that is likely to resonate on dance floors and radio stations alike. The song’s structure follows a traditional hip-hop format, with verses and choruses that build momentum and keep the listener engaged throughout.In the verses, B-Threy addresses various challenges he has faced in his career, from naysayers to industry obstacles.

He uses clever wordplay and metaphors to convey his journey, painting a picture of an artist who has overcome adversity through talent and perseverance. Lines like “Nze ndi mukambwe, tebansobola” (“I am tough, they can’t defeat me”) exemplify his resilient attitude and serve as an inspiration to aspiring artists facing similar struggles.The production quality of “Utansiga” is top-notch, with crisp beats and well-balanced instrumentation. The mixing and mastering ensure that B-Threy’s vocals are at the forefront, allowing his message to come through clearly. The use of traditional instruments adds a layer of authenticity to the track, grounding it in Rwandan culture while still maintaining a contemporary feel.”Utansiga” also features a visually compelling music video that complements the song’s themes.

Set in various locations around the cinematography captures the energy of B-Threy, and his dynamic performance adds to the video’s appeal. The release of “Utansiga” comes at a time when African hip-hop is gaining significant traction worldwide. Artists like B-Threy are at the forefront of this movement, bringing unique sounds and perspectives to the global music scene. By blending traditional elements with modern hip-hop, they are creating a new wave of music that resonates with diverse audiences.

In conclusion, “Utansiga” is a testament to B-Threy’s talent and his ability to fuse cultural heritage with contemporary music styles. The track’s compelling lyrics, innovative production, and captivating visuals make it a standout release in the Rwandan hip-hop scene. As B-Threy continues to push boundaries and challenge norms, he is solidifying his place as a prominent figure in African music.

Stream “Utansiga” :

The Qwellers Set To Release “Minciza”, a new single featuring Blxckie

Milliswa Vilane
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The Qwellers Set To Release “Minciza”, a new single featuring Blxckie

By now, if you’re not Qwelling it on the highest level, you’re certainly living under a rock and entirely out of touch with reality. Founded in 2023 in the heart of Braamfontein, The Qwellers are one of the most electrifying hip hop collectives in South Africa consisting of Hip Hop Artists and producers, are reshaping the culture in South Africa. Their roster reads like a powerhouse lineup: Lowfeye (artist ), LaCabra (artist ), Sastii (artist ), Blue Pappi (artist ), C Side Boys (Jepedoh and DaHoodHope—both artists ), YoungBoyVegeta (artists ), GVNT (producer), SKATLE (producer), and Fanaticalbeing (artist ). Together, they’ve created a movement.

In Picture: The Qwellers (Source-X)

The Qwellers are widely known for their own lingo, with phrases such as “What’s The Qoh”, “Qwel It”, comprising the distinctive click sound “Q”, derived from Nguni languages such as Xhosa and Zulu. This lingo has not only resonated with audiences in Mzansi but has also extended its reach beyond borders.

In Picture: The Qwellers (Source-X)

In 2023, they introduced the world to their signature Isqinsi sound, a bold fusion of Zulu and trap through their debut tape, SUPA BHEXEZA. The project was a statement piece that set them apart, with standout songs such as Broke, Crooks and Isphihli. A masterclass in striking while the iron is hot, this E.P arrived in perfect timing, dropping just as Dangerous, the track by members LaCabra, Blue Pappi, and YoungboyVegeta, was setting social media on fire. With momentum on their side, this release felt like a carefully orchestrated next move.

In 2024, the collective kept the momentum going with standout features. From YoungBoyVegeta’s unforgettable hook on DJ Sliqe’s IMashile to Sastii’s brilliance on Mashbeatz and Wordz’ Halloween from their collaborative work Only the Brave, and even a heartfelt appearance on Sjava’s platinum-certified ballad Typhoon, the collective continues to showcase their versatility. They’ve also dropped fan-favorites like What’s The Qoh and Toyota, cementing their place as hitmakers.

031 Choppa & The Qwellers- What’s The Qoh (featuring Okmalumkoolkat) Official Visualizer

But the momentum did not end there. The camp also hit the streets with their own curated event, Qwelfontein, held across different venues in South Africa such as in Braamfontein, Newtown, and Studio 031 in Durban. The events highlighted their cultural influence, which reached new heights when SABC 1 tapped them for their festive “QwelIt on a Summer Levol” campaign. With over 247k monthly listeners on Spotify and a steadily growing fanbase, the Qwellers are clearly in their prime.

Qwelfontein Third Edition After Movie

In February 2025, The Qwellers signaled the dawn of a new era, an artistic metamorphosis cloaked in mystery. Their Instagram feed was wiped clean, a digital reset ,hinting at the alchemy brewing behind the scenes. The collective also declared to be on album mode on a series of tweets.

Now, on the 21st of March, they unveil Minciza, a single featuring the magnetic Blxckie and sculpted by the sonic architect Herc Cut The Lights. One can only hope this offering will not only set the stage for their long-awaited debut album but also remain tethered to their signature ISqinsi sound ; a fusion both intricate and unshakably authentic. These are thrilling times for The Qwellers, a collective whose synergy mirrors that of a pantheon of Marvel superheroes, each wielding their own distinct artistry, converging to create something extraordinary. A debut album is no joke. Are you ready to witness a squad of superheroes assembling for their biggest mission yet? I for one, certainly am.

Minciza Official Cover Art

Presave Minciza here: http://africori.to/minciza

Loatinover Pounds Set to Drop Highly-Anticipated “123 Block Myself” Music Video This Friday

Milliswa Vilane
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Loatinover Pounds Set to Drop Highly-Anticipated “123 Block Myself” Music Video This Friday


In September 2024, Loatinover Pounds unveiled his debut masterpiece, Pray 4 Pitori, a body of work that quickly became a cultural cornerstone, celebrated by many as the hip-hop album of the year. The project resonated deeply with South African rap enthusiasts, its pulse echoing through the streets and digital avenues alike.


Yet, even as Pray 4 Pitori ascended to near-mythical status among fans, the official accolades told a different story. In a particularly fiery episode of Choppin’ It Round Table by Bhuda T, a panel of tastemakers : Eatzz, Illythehost, Zingah, Postman, and Luyanda wrestled with the year’s top album contenders. In the end, the group crowned Priddy Ugly’s Dust as the definitive hip-hop album of 2024, a decision that sparked heated discourse. I, for one, stood firmly against it. But numbers don’t lie, Pray 4 Pitori amassed over 5 million streams across all platforms in November 2024, just two months after it’s release. Thereafter in February, Loatinover Pounds announced that Mamazala featuring 25k had garnered over 1 million streams.

Choppin It With Bhuda T 2024 Roundtable

While Pray 4 Pitori was an undeniable fan favorite, echoed across Twitter’s digital amphitheaters, it found itself overlooked by the Metro FM Awards, despite being officially submitted for consideration. A disgusting snub.

Prior to Pray 4 Pitori’s release , Loatinover Pounds had already released visuals for his standout singles: 4AM (featuring Blxckie), Eish (alongside Uncle PartyTime & The Qwellers), and Church on Sundayz (with a star-studded lineup of G-Tech 2 Bit, Thato Saul, and Tongue Fu-Sensei).

In Picture : Loatinover Pounds (Source: X)

Now, the momentum surges once more, as the rapper prepares to drop the long-awaited visuals for 123 Block Myself (featuring Berry Jive). The track, a clear fan favorite, took on a life of its own, soundtracking countless TikTok clips and social media moments.

With anticipation building, 123 Block Myself isn’t the only visual on fans’ radar. Mamazala (featuring 25K) has also emerged as a standout, solidifying its place as a quintessential Pray 4 Pitori anthem. With both records demanding visual treatment, the only question that remains is: Will you be tuned in this Friday for the 123 Block Myself premiere? And more importantly, which video should Loatinover Pounds bless us with next? 

Loatinover Pounds 123 Block Myself Official Visualizer featuring Berry Jive

Famöus®️ : Redefining Ghanaian Streetwear with the “Affluence Collection”

Editor
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Famöus®️ : Redefining Ghanaian Streetwear with the “Affluence Collection”

With Accra, Ghana fast becoming the hub of the creativity in West Africa through its buzzing fashion scene, few brands stand out for their unwavering dedication to quality, craftsmanship, and an air of exclusivity. One such brand is Famöus®️, a Ghanaian powerhouse that has successfully carved its niche in the Accra’s streetwear scene. With a commitment to redefining urban fashion, Famöus®️ continues to deliver top-notch apparel for a discerning clientele who appreciate both style and substance.

The brand’s latest offering, the “Affluence Collection,” embodies the essence of curating a wardrobe that reflects wealth, taste, and individuality, while also engaging in a broader lifestyle that includes luxury experiences and an appreciation for high-quality craftsmanship.
Each piece is meticulously designed to complement a refined yet bold lifestyle, blending premium materials with standout designs that set new standards in African fashion.

The “Affluence Collection”: A Fusion of Style and Edge

Famöus®️ ss25 collection entails a lineup of;

Vintage Crop College T-Shirts – Inspired by retro collegiate wear, these tees offer a perfect balance of nostalgia and modernity.

Zip-up Hoodies – Crafted for both comfort and sophistication, these hoodies elevate everyday casual wear.

Plaid Shirts – A timeless staple that effortlessly complements any wardrobe.

Denim Cargo Pants & Leather Pants – Designed for those who appreciate durable fashion with a rebellious edge.

Camo Pants – A bold yet versatile piece that captures street culture at its finest.

Logo Shorts & Oversized Jorts – Making a statement while ensuring relaxed comfort.

Nascar Jerseys – Infused with high-speed energy and bold aesthetics.

Mesh Caps & Balaclavas – Essential accessories that add the finishing touch to a distinctive look.

The Essence of Famöus®️ : More Than Just Fashion

In an earlier interview with Miles Aidoo Taylor, the founder, he explained further in his own words

Famöus®️ is more than a clothing brand—it’s a cultural movement that represents the intersection of African creativity and global streetwear culture. Each piece from the Affluence Collection tells a story of ambition, self-expression, and the relentless pursuit of excellence.

As the brand continues to push boundaries, it remains committed to its mission of delivering nothing but the best to its loyal community of trendsetters and tastemakers. Whether you’re embracing the casual sophistication of a plaid shirt or making a bold statement with leather pants, Famöus®️ ensures you do it in style.

Stay ahead of the fashion curve with the Famöus®️ Affluence Collection—where quality meets culture, and exclusivity is a lifestyle.

El Chi’s “BING BONG (STFU)” – A Bold and Unapologetic Sonic Statement

Tela Wangechi
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El Chi’s “BING BONG (STFU)” – A Bold and Unapologetic Sonic Statement

The rap girlies in Nairobi have been on a slight indefinite hiatus releasing a singke or two. This vacuum has once again created opportunity for new bold and daring rappers to step in the ring challenging their longetivity and charisma and one such rapper is El Chi. Releasing her debut single “Bing Bing (STFU)” last year, ElChi came all guns ablaze with a feriociousity that can only be described as daring. Her fearless artistic expression, made waves with the release of the official music video for “BING BONG (STFU).” The track, an electrifying mix of hip-hop, alternative, and experimental elements, is brought to life through a visually striking and conceptually intriguing music video that demands attention.

From the moment the beat drops, “BING BONG (STFU)” establishes itself as a force to be reckoned with. The production is layered and dynamic, fusing heavy bass, glitchy electronic elements, and an unpredictable rhythm that keeps listeners on edge. El Chi’s delivery is both confident and defiant, with sharp, rapid-fire verses that showcase their lyrical prowess. The song’s hook, a repetitive yet hypnotic chant, adds to the track’s infectious energy.

Lyrically, “BING BONG (STFU)” is an assertive anthem of self-expression and resilience. It carries an unapologetic tone, rejecting negativity and outside interference. This rebellious spirit is reinforced by El Chi’s commanding vocal performance, which oscillates between controlled aggression and playful confidence.

The music video for “BING BONG (STFU)” is as daring as the song itself. Directed with a keen eye for aesthetics, the visuals are a mix of chaotic and stylish imagery that perfectly encapsulates the track’s essence. From neon-lit urban landscapes to surreal, fast-paced edits, the video keeps viewers engaged with its unpredictable nature.

Throughout the video, El Chi exudes an effortless cool, moving through different settings with the charisma of an artist who knows exactly what they’re doing. The styling is bold and eclectic, matching the energy of the song with outfits that range from avant-garde streetwear to futuristic, almost dystopian ensembles. The color grading enhances the video’s mood, oscillating between vibrant hues and dark, moody undertones that reflect the song’s intensity.

The release of “BING BONG (STFU)” has sparked excitement across social media. The song and its video have also been gaining traction on platforms like TikTok, Instagram, and Twitter, where fans are sharing clips, reaction videos, and their own interpretations of the track. El Chi, who goes by @blekjpg across social media, actively engages with fans, further solidifying their growing influence in the alternative music space.

El Chi is not just another artist on the rise—they are a disruptor. Their ability to fuse multiple genres, experiment with sounds, and craft visually compelling narratives sets them apart in an industry that often favors predictability. “BING BONG (STFU)” is a testament to their creative vision, proving that they are unafraid to take risks and challenge musical norms.

With this release, El Chi cements their reputation as an artist to watch. Whether you’re a fan of alternative hip-hop, electronic-infused rap, or just looking for something refreshingly different, “BING BONG (STFU)” delivers on all fronts. The song’s unapologetic attitude, combined with its visually stimulating music video, ensures that it won’t be forgotten anytime soon.

Watch “BING BONG (STFU)” Now

MBBSzn Unleashes Ya Diba – A Gritty Anthem of Hustle and Lessons Learned

RADARCharts
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MBBSzn Unleashes Ya Diba – A Gritty Anthem of Hustle and Lessons Learned

Nigerian rapper and songwriter MBBSzn is back with a bold new release, Ya Diba—a track that dives deep into the highs and lows of his journey in the music industry. With his signature introspective storytelling and alté-infused sound, MBBSzn delivers an anthem that speaks to every artist grinding against the odds.

A Tale of Struggles and Redemption

Inspired by real-life events, Ya Diba isn’t just another song—it’s a raw expression of frustration, resilience, and triumph. Last December, MBBSzn took a leap of faith, heading to Lagos in search of a breakthrough. Instead, he was met with industry setbacks—an unreliable producer, a dishonest intermediary delaying his distribution deal, and even an unexpected run-in with the authorities. Yet, instead of letting these challenges crush him, he turned them into fuel for his music.

The Sound & Message

From the very first line—“Where do I begin?”—MBBSzn pulls listeners into his reality. He lays bare the industry’s cutthroat nature: “Ife men ne eme men na Industry a” (Things happen in this industry), while reinforcing his unwavering spirit with “But I’m not in my feelings so ya diba”—a mantra of moving forward regardless of setbacks.

His verses paint a vivid picture of Lagos’ unpredictability, where dreams and disappointments collide.  “My producer go mental, my producer go craze… Industry make me mental, Lagos make me craze.” Still, he acknowledges that every hardship carries a lesson: “No Pain, No Gain. Me I don dey pay my dues, e don tey.”

Sonically, Ya Diba fuses rap with Afro-alté melodies, embodying the emotional tension within his story. The hypnotic chorus reinforces a mindset of perseverance—no matter the struggle, you keep pushing.

A Statement of Growth

Ya Diba isn’t just another song—it’s a defining moment in MBBSzn’s artistic journey. His experiences mirror the realities of many rising artists navigating Nigeria’s music industry. Rather than letting his setbacks define him, MBBSzn turns them into stepping stones, proving that resilience is key.

With Ya Diba, he establishes himself as an authentic voice in the alté scene, ready to push boundaries. This is just the beginning.

Stream Ya Diba now and experience the journey firsthand.

Ghanaian Rap Icon M.anifest Unveils Highly Anticipated Sixth Studio Album ‘New Road & Guava Trees’

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Ghanaian Rap Icon M.anifest Unveils Highly Anticipated Sixth Studio Album ‘New Road & Guava Trees’

Award-winning Ghanaian musician and Africa’s most innovative hip-hop artist M.ANIFEST is set to release his much-anticipated sixth studio album NEW ROAD & GUAVA TREES on March 13, 2025, via revered hip-hop label Mass Appeal. Known for his groundbreaking approach to music and cultural storytelling, M.anifest has once again crafted a body of work that pushes creative boundaries while remaining deeply rooted in his heritage. Featuring collaborations with Red Hot Chili Peppers bassist Flea, The Cavemen., King Promise, A-Reece, and Bien from Sauti Sol, the album is a bold exploration of hip-hop, afrobeats, and highlife, paired with profound storytelling and lush sonic landscapes.

The album’s title is both metaphorical and personal, referencing M.anifest’s childhood in Madina, Ghana. “‘New Road & Guava Trees’ is about embarking on a fresh path,” he shares. “I grew up in a part of Madina called New Road, where we had a guava tree that symbolized growth and beginnings. This record is about the climb—facing challenges to reach the fruits of our labor.” Created between Accra, Seattle, and Los Angeles, the album represents a culmination of nearly two years of creative awakening and collaboration. Key sessions with longtime producer Budo (Doja Cat, Lil Yachty), alongside the likes of Grammy Award-nominated producer GuiltyBeatz (Beyonce, Jorja Smith), and MikeMillzOn’Em (Amaarae, DarkoVibes) resulted in a record that is both experimental and deeply emotive.

Each track on New Road & Guava Trees offers a distinct perspective, blending introspection, cultural commentary, and infectious grooves. The album seamlessly transitions between reflective storytelling and vibrant, danceable anthems, creating a rich and multi-dimensional listening experience. With New Road & Guava Trees, M.anifest charts a bold and fresh course, intertwining personal history with resonant themes of resilience, love, identity, hope, and self-discovery. This introspective yet outwardly expansive album cements his position as one of Africa’s most innovative artists, delivering music that bridges cultural divides and inspires listeners to embrace their own journeys. As M.anifest says, “You have to make the climb to get to the fruits of your labor, and this album is a reflection of that climb.”


The 14-track offering is a rich, genre-spanning journey that fuses introspection, cultural commentary, and experimental soundscapes in a way that only M.anifest knows how. The album opens with ‘Time Catch’, a triumphant call to action, symbolizing the urgency of seizing the moment, with tracks like ‘Eye Red’ offering a raw portrayal of youth desperation amid systemic failures, while ‘Wine And Blues’ paints a vivid picture of navigating life’s challenges with strength and grace. The album’s lead single ‘Puff Puff’, featuring The Cavemen. and Red Hot Chili Peppers legend Flea, blends hip-hop, jazz, and highlife to deliver a soulful anthem on the resilience we need to navigate through life’s many challenges.

The album’s narrative deepens with ‘Spirit Riddim’, a breezy ode to carefree summer moments, while love takes centre stage on ‘My God’, a poignant exploration of tortured devotion, and ‘Ease My Mind’, a tender celebration of imperfect love. ‘Hang My Boots’ featuring King Promise serves as a heartfelt anthem of love and commitment that celebrates leaving the chaos behind. ‘Highlands’ offers hope for those born into adversity, affirming the soul’s eternal resilience, and the reflective closing track ‘Second Hand’ meditates on life’s cyclical nature. Through this captivating collection, and resonant body of work, M.anifest reaffirms his status as Africa’s most innovative hip-hop artist.

MORE ABOUT M.ANIFEST

M.ANIFEST is a trailblazing Ghanaian rap artist, musician, and producer renowned for his exceptional lyricism, vivid storytelling, and groundbreaking fusion of hip-hop and West African pop music. With over a decade in the game, he has crafted a series of critically acclaimed and transformative works, including five studio albums and three EPs that showcase his deep connection to his African roots while pushing the boundaries of modern hip-hop music – from 2013’s Apae: The Price of Free, to Madina to the Universe from 2021. The grandson of the legendary ethnomusicologist Professor J.H. Nketia, M.anifest brings a unique depth and perspective to his music, using his platform to humanize the African experience and bridge cultural divides through his rich soundscapes as a true innovator.

M.anifest boasts over 50 million global streams, a cult following of over 3.5 million devoted digital fans, and a swarm of accolades, including multiple ‘Best Rapper of the Year’ and ‘Hip-Hop Song of the Year’ awards, an International MIDEM Award. His influence also reaches far beyond the continent, with cross-cultural collaborations with global icons such as Damon Albarn, Erykah Badu, and Burna Boy. His most recent work The E.P.ilogue solidified his reputation as a creative visionary, reimagining the traditional EP format with a bold, genre-defying approach. As he prepares to release his highly anticipated sixth studio album, M.anifest continues to redefine the landscape of African music, cementing his status as one of the continent’s most revered and forward-thinking artists.

‘NEW ROAD & GUAVA TREES’ ALBUM TRACKLIST

1. Time Catch

2. Eye Red

3. Badman (featuring Vic Daggs II)

4. Wine And Blues (featuring AratheJay)

5. Puff Puff (featuring The Cavemen. & Flea)

6. Gye Name and Vibes

7. Safe Place (featuring Tobi & T’neeya)

8. My God (featuring Lee Lewis)

9. Ease My Mind (featuring Xperience M)

10. Spirit Riddim (featuring Bien & DarkoVibes)

11. FTYD (featuring A-Reece)

12. Highlands

13. Hang My Boots (featuring King Promise)

14. Second Hand

The Khali Cartel 5 Cypher

Tela Wangechi
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The Khali Cartel 5 Cypher

Since its inception, Hip Hop has always been a cut throat game. In the 1970s the middle class families in the Bronx  were experiencing  financial difficulties as sources of employment had decreased with many businesses shutting down.The city’s economic decline was due to the decline of the manufacturing industry and construction on the Bronx Expressway. Fortunately a couple of people saw opportunity in the moment, the youth turned to the streets entertaining themselves with block parties. It was from these block parties that Hip Hop grew from.

Hip Hop has since evolved from then looking for ways to be commercialised but at the heart of the genre stands an original pillar, cyphers. Often with a sense of competition, the cyphers often give rappers a chance to showcase their wit with lyricism. In Kenya, cyphers have been at the back bone with integral cyphers happening at gatherings such as WAPI which resulted to the breakout of many rap stars including Khaligraph Jones and Octopizzo. Ironically, cyphers started getting attention in 2016. Khaligraph Jones released The ‘Khaligraph Jones Presents’ cypher consisting of Scar Mkadinali, Munga Mkadinali, Ridiq, Ares66. Strategically positioned Khaligraph Jones as the torch bearer of Kenyan Hip Hop as from here on, the cypher acted as the hallmark of the ‘Khali Cartel Cypher’ franchise.

With a total of five series, each cypher has acted as a breakout platform for at least an artist as normally bridges the old school and new school hip hop. In the start of “Khali Cartel 1,” Khaligraph Jones starts off “..it’s official what we are about to do right now ain’t something they’ve never seen before..” as if to foreshadow the cultural impact the cypher would have on Kenyan HipHop. From breaking out artists such as Wakadinali,Katapilla,Breeder LW, Shekinah Karen and more to paying homage to veterans such as Chiwawa and Abbas Kubass, the cypher has played an integral role in challenging the status quo in Hip Hop. With each cypher representing a core theme, it is the “Khali Cartel 2,” cypher resonates with more Kenyans till date. Released in 2019, the cypher had a stellar line up with Steph Kapela’s cocky rap, Timmy Blanco and Twenny Eights’ trap influences  , Katapilla’s riveting cadence and Xtatic’s iconic delivery. “Khali Cartel 3” followed suit and it couldn’t come at a better time as Kenyan artists were demanding media attention and better pay from the music collecting bodies “..while the people are working hard they busy taking the cake..” The #playKe which was amplified by Khaligraph Jones was the subject matter of the cypher and the presentation took a different look.

With the concept of a courtroom, Khaligraph Jones acted as a lawyer with rappers Bey T, Breeder LW, Silverstone Barz, Rekless and Chiwawa acting as the defendants against the music collection bodies. The rap format also changed as opposed to previous cyphers with Khaligraph Jones taking the back seat in delivering full verses. For me “Khali Cartel 4” was rather a let down after much anticipation. The artists lacked connection making the verses sound random. Despite that Katapilla and Shekinah had a thrilling back and forth that brought umph to the cypher.Unlike the previous cyphers, the contestants were picked off the Odinare challenge that saw hundreds of Kenyan rappers drop a verse for contention. While the mastermind behind the previous cyphers was Motif Di Don, for “Khali Cartel 4,” the beat was orchestrated by Ares66(an alumni of the original cypher), Vinc On The Beat and Khaligraph Jones. 

Over the past week, the fifth edition of the “Khali Cartel” cypher was released. Once again Khaligraph Jones was armed with a battalion of rappers and serving a new offering for the cypher. In 2019 Khaligraph Jones won the Best Rapper In Africa category at the Soundcity Awards and in his speech he stated the East has something to say. Once again a foreshadow. In the fifth installment of the cypher, Khaligraph Jones once again proved that he is the OG gluing East African Hip Hop. Backed by Abbas Kubass, Jakk Quill and Dyana Cods from Kenya, Mex Cortez and Fresh Like Uhh from Tanzania and Ruyonga from Uganda, he formed an all rap avengers who were hungry for the microphone.

Produced by Vinz on the Beat once again, the prolific rappers put out their best lines representing themselves and their country.The catchy opener “..it’s been over two years..’ followed with the kick and snare provide the perfect start to the much anticipated cypher that had been hyped for approximately two years. Rising star Jakk Quill ushers the floodgates with a gritty flow that reflects his time in the industry. With four projects to his name Jakk Quill came in hungry and assured to show his preparation for this moment. Speaking on an X space, he describes getting the beat from Khaligraph Jones as surreal. “I was debating whether to go back to Nairobi or to chill with my folks but immediately I got the beat. I packed my bags and wrote 80% of my lyrics on the way back,” Jakk explains in his ever calm demeanour. From his verse on the cypher you can tell Jakk Quill is calculated and intentional. His lyricism is a story of hours of passion and dedication as he accepts his glory with a stern face. 

Perhaps the pearl of Khali Cartel 5 if you are not careful some of his punchlines might get past you. From “..same neegers that said they’ll rap over Quill now they liplocked..” to ‘..FL over Pro tools schooling all these neegers everyday like I am posed to..” he might come off a bit egoistic but that’s the burden that comes with harbouring great talent. The selection of the rappers was very timely. Especially for breakout stat Dyana Cods who hit mainstream with timeless hit “Set It.” The exciting aspect of cyphers is it brings new personalities from rappers and we experienced that with Dyana Cods. Toning down her aggressive lyricism and gangsta spitting, she switched over to a sultry like whisper as she delivered her lines. Once again Khaligraph Jones secured a slot for women and we love to see it. Listening to Khali’s connecting bridge to Cod’s verse you get to see the sense of respect towards rappers who are female.

You couldn’t fail to ignore the cheeky punchlines from Uganda’s Ruyonga as he egotistical pumped his chest declaring himself “…the saint atheists idolize..” The linguistic switch from English to Luganda was thrilling as he boasted his proficiency in maintaining his tone and identity even with his language. The “Khali Cartel 5,” was a mix of blended energy and as soon as Fresh Like Uhh flowed on the beat, we saw what a rap protege looked like. With divine wordplay “..neegers on my nuts like oak trees, oh gees, ladies stay falling like oak leaves..” , and a lazy flow, Fresh simultaneously camouflaged with the 808s as he glazed over the kicks.

Mex Cortez’s delivery could simply be compared  to a breath of fresh air. Immediately addressing the beef between Tanzania and Kenyan rappers, he brushed it off claiming brotherhood in the industry was too important. Something only someone with a couple of years in the game would know. He gave out a chuckling moment when he referenced turning 22 be, a betting company, into 22 BETS. Listening to Abbas Kubass you get to understand what being a veteran means. He didn’t need to do too much or say too much. His presence was already a blessing to rap fans. His boombap and laid back approach to the beat made him the perfect curtain closer of the fifth edition of the cypher.

 Big shout out to Khaligraph Jones for consistently and actively trying to uplift not only Kenyan HipHop but East African Hip Hop. Still maintaining the objective of cyphers while commercialising them, he has been able to break out a number of talents in his sprint as a rapper. All in all for you to get the beauty of “Khali Cartel 5” I would advise you to tap into it more than just once. 

Listen to Khali Cartel 5

A Night to Remember: GRIXXLY’s Exclusive Listening Session for Bear With Me

Milliswa Vilane
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A Night to Remember: GRIXXLY’s Exclusive Listening Session for Bear With Me

On the 8th of March 2025, the city of Mbabane played host to an exclusive listening session for Bear With Me—the highly anticipated mixtape by Eswatini rapper and producer GRIXXLY. This release marks a significant moment for the artist, whose last project, As the Fruits Ripen, graced our ears in 2021. The mixtape’s title, a clever play on his name inspired by grizzly bears, hinted at a blend of strength and introspection that would soon unravel.


The session took place at Yini Loku, an award-winning hub for creatives in Eswatini, renowned for its artistic ambiance. The venue was tastefully adorned with captivating artwork and photographs of GRIXXLY, alongside the cover art of the mixtape. These elements created a pathway leading to a central TV screen displaying the cover art and a QR code for the mixtape’s pre-save link ahead of its official release on the 14th of March. The room buzzed with anticipation as prominent figures in the Swazi creative scene gathered, including podcaster Mzion, model Sakhile Simelane, Upscale Music’s Sibusiso “3T” Simelane, and a lineup of artists featured on the mixtape—Amarii, Swiss, Sarnilo, Lyrikal Busta, Mzwaa, and producer Fezi Simelane.

Attendees pictured by @msime.photography


The session commenced at approximately 16:30 with the intro track, “Bear With You”. Here, GRIXXLY laid bare the emotional weight of navigating doubt and disbelief—from both himself and those around him. What initially seemed like a narrative on romantic relationships quickly unfolded into a broader reflection on his journey through the music industry and life. The track, self-produced and layered with introspective lyricism, offered a raw glimpse into the artist’s psyche.

Bear with me tracklist pictured by @msime.photography


Following this, the atmosphere deepened with “I Talk to God About It”, a boom bap-inspired collaboration with Swiss. The track echoed GRIXXLY’s steadfast faith and conviction, reminiscent of earlier works like “Musawenkhosi”. The lyrics were confessional yet triumphant, weaving spirituality into a gritty hip-hop framework.


Between tracks, GRIXXLY and the session’s host, Mainstream, shared insights into the creative process behind the mixtape . The artist candidly revealed that Bear With Me was an exercise in creative freedom rather than a conceptually driven project. Experimenting with diverse rap styles—boom bap, trap, drill—GRIXXLY embraced versatility, proving that artistry flourishes without the confines of rigid themes.

Grixxly(left) and Mainstream(right) pictured by Msime.photography


The mood lightened with a trio of tracks: “Si Kasa” featuring labelmate Mzwaa, “No Mistakes” with Amarii, the recently released “Where I’m From” with PDotO and “Musawenkhosi”. These songs, previously released between March and February 2025, invited the audience to reconnect with GRIXXLY’s evolving sound. The lively sing-alongs were punctuated by questions about his signature “Ekse it’s too much” ad-libs—a hallmark that sets him apart in Eswatini’s hip-hop scene.


The energy surged with “Sheleni” featuring Lyrikal Busta and Sarnilo—an anthem about the pursuit of money . “Sheleni,” a SiSwati term for 10 cents, transformed into a metaphor for ambition and resilience. Sarnilo’s vocals soared, adding depth to the song and solidifying the track as a crowd favorite. This momentum carried through to “Nhloko”(Head in English ) featuring Oriiginelle, a fiery collaboration reminiscent of their previous works “Brema to Rio” and “A Thou Nyana”. The audience’s demand for an encore was a testament to the duo’s undeniable chemistry.

Grixxly pictured by @msime.photography


GRIXXLY’s willingness to explore diverse sounds was epitomized in “Sweep”, a track featuring Eswatini hip-hop DJ, Bay Bash. Its infectious beat, inspired by the likes of Drake’s “Sticky”, blended Jersey club influences with deep basslines, setting the stage for what could very well become a TikTok dance challenge, as suggested by the crowd. The fast-paced rhythm and hypnotic hooks hinted at GRIXXLY’s ambitions beyond the local scene, aiming for a global audience.


The mixtape concluded with “Kuanini”, a track produced by Fezi Simelane that seamlessly melded rap with the log drum. GRIXXLY’s heartfelt verses spilled over the beat, delivering a poignant yet uplifting close to the session. The fusion of genres not only showcased his versatility but also paid homage to the dynamic soundscape of Southern Africa.


As the final notes hung in the air the room breathed in a shared silence—heavy with admiration and the promise of more. Conversations got lighter and the audience was quick to appreciate the mixtape. With one attendee praising Grixxly for his versatility and another for his growth. If there’s one thing I learnt from Grixxly is that having fun while doing what you love is rewarding.

The audience giving a round of applause. Pictures by @msime.photography


With this mixtape, Grixxly goes above and beyond ; inviting us to bear with him the weight of dreams not yet realized but fiercely pursued. Bear With Me is indeed the resurrection of the Grixxly Bear. The question is: are you ready?

Bear With Me official cover art


Presave Bear With Me here :https://paradise.ffm.to/bear_with_me_

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