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The Intentional Seed: Kilihippie & The Swamiii’s Masterpiece of Conscious Rap

In today’s fast paced world, music is continuously existing and more artists are existing in the ecosystem. From the emergence of Shrap, to the assimilation of drill and even submergence of old songs due to TikTok and Arbantone, the music scene is slowly morphing into an exciting scene. For many music listeners the Hip Hop scene has been facing a decline in terms of artists and fans. This shift happened during the CoVid-19 pandemic in 2020 and also when Drill dominated the better part of music in 2022, other than that very few significant events have been happening in the Hip Hop scene. Despite such shocking revelations, there are a couple of Hip Hop artists still pushing the art in the underground system. Touching on deeper topics such as sobriety, the government, pan africanism, religion and more. From Boi Blacc, 2.E, nNene K, Mikeey, Musa Kiama, and more, conscious Hip Hop continuously saves face. Late last year producer KiliHippie teamed up with long time collaborator The Swamiii for “The Intentional Seed.” A true diamond in the rough. 

Kilihippie and The Swamiii’s work speaks for them. With over ten years in the industry, the two have a couple of hard knocking singles on their sleeves. Thus “The Intentional Seed,” is another addition to their cannon of cathartic projects. Released in late 2024, the project lies on interactive soundscapes. Mellow productions coupled up by boom bap beats create an authoritative yet laid back experience. The duo have a laid back relationship where their art seamlessly blends into each other. Kilihippie as a producer has his strong points with one of them showing his artistic expertise in the creation of melodies as seen in ‘Global Thinking.’ The aggressive 808s create a depth with a repetitive body. 2.E forms the perfect addition to the trio as he comes with cold bars “..naskia preacher man mathugs naskia pia poko,” which loosely translates to him listening to opinions of everyone from religious leaders and prostitutes..” The song also points out their passion to the gamme as The Swamiii says “..Hip Hop is the movement told them imma make it through…” and 2.E states “..tumekuwa tukiroga kama Machoka tuko standard 2, hii ni ile rende iko passionate mapaka iliacha chuo..”

The Swamiii’s confidence occasionally oozes out. Whether it’s consciously or subconsciously, his cockiness is perfectly parallel to the persona in his songs. He proudly thumps his chest in ‘22nd Jump Street,’ with pristine audacity doubled up with self awe as he raps “..OGs hear me and sing hallelujah// top 2 and not 2 that’s not a caption that’s statement..,” indirectly throwing a middle finger to the mainstream media. His cheeky wordplay requires attention as experienced in the title song ‘The Intentional Seed.’  The second and last collaborator on the album is Boi Blacc who is no new cat in working with the producer-rapper duo. In ‘Growth Is Pain, Never Question,’ BoiBlacc and The Swamiii express thoughts on the different phases we experience in life. They sum up their POV of life with different philosophical beliefs such as Nihilism. From working hard and making a livelihood using music, the over consumption of capitalism and the constant need of giving yourself flowers are expressed in this single. Creating a warm and safe environment, Boi Blacc connects with his fans with bedrotting comparisons that we often relate to.

The Intentional Seed,” tackles in depth themes in a calm way as The Swamiii casually lays  cocaine infused verses in ‘Penitentiary Philosophy.’ Once again the duo create another masterpiece. The hopeful yet sombre production immediately lays foundation for The Swamiii’s introspective narration. Serving as a double entendre, the penitentiary refers to an inner battle between good and evil, “..first name angel second demon.” while also trying to be morally upright creates a spiritual encounter “..they focus on the language while I focus on the message..” symbolzing his relationship with music is a spiritual journey. Kilihippie and The Swamiii create a perfect outro to the album. Ending on a high note, The Swamiii takes over the reign in Swahili lingo backed up by the victorious cymbals, once again, Kilihippie follows the beat switch style as observed in “New Balance.”

In conclusion “The Intentional Seed,” is a diamond in the rough creating a reference for one of the best conscious rap albums of 2024. The chemistry between the producer and the artist creates the synergy resulting in a well oiled machine. It surpasses a typical rap album with cheeky lines, collaboration, and definitely intentionality to the message passed .

Stream “The Intentional Seed”

DTX’s ‘Swag So Fresh’ (SSF): A Bold Fusion of Drill and Fashion

DTX’s latest single, “SSF,(Swag So Fresh)” emerges as a compelling addition to the contemporary music scene, blending innovative soundscapes with profound thematic elements. Released in early 2025, this track encapsulates the correlation between music and the fashion disciplines.

At its core, “SSF” delves into the complexities of human connection in the digital age. The title, an acronym open to interpretation, invites listeners to embark on a acknowledgement of having on point fashion sense.The song’s narrative structure is observational. It examines the allure of virtual personas and the often-blurred lines between music, being a star and fashion sense. The artists: DTX, Buruklyn Boyz and Big Yasa masterfully portray the tension between the desire for authentic connection and the convenience of curated identities.The track is a seamless fusion of dark and omnious beats, ambient synths, and nuanced vocal modulations. This combination creates an immersive auditory experience that mirrors the song’s thematic depth.

The production quality of “SSF” is noteworthy. DTX employs a layered approach, where each sonic element is meticulously crafted to contribute to the overall narrative. The use of ambient sounds and dark beats serves to enhance the theme of human darkness, with glitches and synthetic tones symbolizing the imperfections and interruptions in communication.

The collaborative process brings a fresh perspective to DTX’s sound. “SSF” stands as a testament to DTX’s artistic evolution and commitment to producing music that resonates on multiple levels. Through its intricate blend of sound, theme, and visual artistry, the single offers a rich, immersive experience that prompts reflection on the complexities of modern existence. As listeners navigate the digital labyrinths of their own lives, “SSF” serves as a drill anthem making a mark in the drill community

Stream “SSF”

Grixxly Unveils Highly Anticipated Single “Where I’m From” Featuring South African Hip Hop Lyricist P Dot O

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On February 21st, 2025, fast rising and renowned Eswatini hip-hop artist Grixxly released his first single of 2025, titled “Where I’m From,” featuring South African hip-hop lyricist “Pdot O”. This powerful collaboration marks a significant milestone in Grixxly’s career as he gears up for his forthcoming sophomore project. 

Listen on Spotify

Song Overview 

“Where I’m From” is a poignant reflection on the artists’ roots and experiences growing up in their respective neighborhoods. The track features somber jazz-esque piano keys and occasional saxophone melodies that create a haunting yet soulful backdrop for Grixxly and Pdot O’s storytelling. Through their verses, they paint vivid pictures of life in Eswatini and South Africa, highlighting both the challenges faced and the resilience found within their communities. 

Collaborative Effort 

The partnership between Grixxly and Pdot O brings together two distinct voices from different regions of Southern Africa. Their lyrical prowess weaves a narrative that transcends borders while celebrating cultural heritage. This collaboration not only showcases their individual talents but also underscores the unity and shared experiences across African hip-hop scenes. 

Career Milestones 

Following an exceptional year in 2024 with hits like “Musa WeNkhosi” and “No Mistakes,” Grixxly made history by becoming the first Swati artist featured on Apple Music’s prestigious The Nadeska Show and being selected as the Africa Rising: Artist of the Week, further solidifying his position as a rising star in African hip-hop. 

This new single serves as an appetizer for Grixxly’s highly anticipated sophomore project, which promises to delve deeper into themes of identity, growth, and artistic evolution. Fans can expect more innovative storytelling over gripping beats that have become synonymous with Grixxly’s style. 

Stay connected with Grixxly: 

Instagram.com/gtixxly_official 

Twitter.com/Grixxlyofficial 

Svmora Unveils ‘Red Rose’(Freestyle): A Jazz-Infused Hip-Hop Journey of Healing and Self Discovery 

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Emerging artist Svmora is set to captivate audiences with his latest single(Freestyle), Red  Rose, a harmonious blend of hip-hop, rap, and jazz. This track thoughtfully samples Queen Latifah’s classic U.N.I.T.Y. weaving a narrative that speaks to the heart. 

In Red Rose, Svmora addresses a woman who has faced numerous romantic hardships.  Through his evocative lyrics and smooth rhythms, he encourages her to embrace self-love  and remain open to new possibilities. The fusion of jazz elements with contemporary hip hop creates a refreshing soundscape that appeals to a broad audience. 

Svmora’s elite approach to storytelling in music sets him apart in the industry. His ability to  merge different genres while delivering quality messages showcases his versatility and depth  as an artist. 

Red Rose is will be available on all major streaming platforms soon.

PLUG FROM THE STREET: GIDI CYPHER – Elevating Nigerian Rap Culture

The PLUG FROM THE STREET (PFTS) CYPHER SERIES proudly presents its debut edition: GIDI CYPHER. This initiative is more than just a rap session; it is a bold movement dedicated to uncovering and amplifying the voices of Nigeria’s most promising hip-hop talents.

With the Nigerian music industry experiencing a global renaissance, hip-hop remains an essential force shaping its evolution. PFTS: GIDI CYPHER aims to carve out a space where raw lyricism, storytelling, and authentic street energy take center stage. By spotlighting elite upcoming rappers, this cypher series serves as a launchpad for artists who embody the future of Nigerian rap.

The Mission Behind PFTS: GIDI CYPHER

At its core, PLUG FROM THE STREET: GIDI CYPHER is designed to be a game-changer for Nigeria’s rap culture. Here’s what the initiative stands for:

Discovering and Showcasing Talent
By traveling across Nigeria, particularly targeting universities and underground rap communities, the cypher identifies the best lyrical gems hidden within the country.

Providing a Platform for Excellence
With professionally curated beats, high-quality production, and a well-structured format, GIDI CYPHER gives rappers a chance to prove their lyrical dexterity, versatility, and storytelling ability.

Amplifying the Voice of Nigerian Rap
Nigeria has produced some of the most successful Afrobeats artists in the world, but hip-hop remains an underrated force. PFTS: GIDI CYPHER aims to change that by creating a go-to platform for the next wave of hip-hop greatness.

Expanding Beyond Borders
While the first edition focuses on Lagos (Gidi), the vision is to take PLUG FROM THE STREET across Africa, creating cyphers that unite the continent under one voice—the voice of raw, authentic, and unapologetic hip-hop.

The Stars of PFTS: GIDI CYPHER

Meet the lyrical powerhouses taking center stage in this cypher series:


JXCK FROST – The Icy Wordsmith
With a name as cold as his bars, JXCK FROST blends Afro-infused hip-hop with masterful lyricism. Inspired by icons like J. Cole, Kendrick Lamar, Eminem, and Nigerian legends like MI, Olamide, and Falz, he delivers razor-sharp storytelling and intricate wordplay. He is here to prove that African rap belongs on the global stage.

ENZZY BOI – The Afrobeat Lyricist
Bringing a fusion of Afrobeat and rap, Enzzy Boi is redefining what it means to be an African storyteller. His powerful anthem “Far Away” touches on depression, struggles, and resilience, while his Guinness World Record achievement for longest recording marathon proves his relentless passion for music.

FOZTER – The Battle-Hardened Champion
From rap battle competitions to viral online freestyles, Fozter has dominated the underground rap scene. With a résumé that includes top placements in the Monster Challenge, TomTom Challenge, Go Nigeria Challenge, Boomplay Pass The Mic, and Hennessy VS Class, he has earned the respect of industry titans, including MI Abaga and even Tech N9ne.

MANU3L – The Storytelling Visionary
Known for weaving intricate narratives into his music, Manu3l takes listeners on a journey with every verse. His ability to paint pictures with words makes him a standout in the cypher.

VWORE – The Technical Wordsmith
A master of flow and rhyme schemes, Vwore represents the essence of lyrical dexterity. His technical ability ensures that every verse he delivers is packed with depth and meaning.

ASTRUMM – The Pen Game Goddess
Formerly known as Storm, Astrumm is a lyrical beast with a background in biochemistry and a passion for sharp, thought-provoking rhymes. Inspired by Nicki Minaj, Eminem, Kendrick Lamar, and Fela Kuti, her freestyle on Amazing Klef’s SHOWOFF made waves, and her cover of Spyro’s “Shutdown” further solidified her as a rising star.

TOMMY PIZZLE – The Fearless Voice of the Streets
Representing Ijoko, Sango Ota, Tommy Pizzle brings the raw, unfiltered energy of the streets into his music. His aggressive delivery, socially conscious lyrics, and fearless approach to hip-hop make him one of the most captivating acts to watch.

Why PFTS: GIDI CYPHER Matters

Hip-hop is the voice of the people. It tells stories, challenges norms, and brings communities together. GIDI CYPHER isn’t just about showcasing rap talent—it’s about giving a platform to the voices that deserve to be heard.

  • It brings much-needed recognition to lyricists and rappers in a music industry dominated by Afrobeats.
  • It bridges the gap between underground rap and mainstream visibility, ensuring that raw talent doesn’t go unnoticed.
  •  It celebrates authenticity, culture, and skill, creating a movement that will shape the future of Nigerian hip-hop.

The Future of PFTS CYPHER SERIES

While GIDI CYPHER is the first edition, the PLUG FROM THE STREET CYPHER SERIES has ambitious plans. Future editions will cover more states and universities, bringing cypher sessions to different parts of Nigeria before expanding to the rest of Africa.

Additionally, the movement will evolve to include more genres, reflecting the diverse musical landscape of Nigeria. Whether it’s hip-hop, Afro-fusion, or drill, PFTS will always be about unearthing raw talent and pushing it to the forefront.

EESKAY Unleashes Bold and Provocative New EP, F**CK CU 2: TWILIGHT SERENADE, Exploring the Intricacies of Desire, Intimacy, and Sexuality

NNigerian rapper EESKAY known for his unapologetic and boundary-breaking sound, just release a new EP in the season, F**Ck Cu 2: Twilight Serenade, on 20th February 2025. With this daring project, the artist descends into the realms of sexual freedom, intimacy, and raw desire, offering a unique and unfiltered take on modern day sexuality through music.The EP’s tracks reflect a different side of EESKAY where he offers a blend of sensuality and vulnerability, fusing provocative lyrics with mesmerizing production. Each song is a journey into the exploration of one’s sexual identity, intimacy in relationships, and the liberation that comes with embracing one’s desires.

“F**Ck Cu 2: Twilight Serenade” showcases a fusion of Hip-Hop/Rap and several other genres, from electronic and R&B to pop and experimental sounds, making it a spellbinding and bold listening experience. Highlights include tracks like “Chariots of Fire”, a sensual anthem that explores the complexities of physical attraction, and “Cleopatra’s Mines”, which pushes the boundaries of vulnerability and emotional connection in an era of casual intimacy.

The EP challenges societal norms, offering listeners a safe space to embrace their own fantasies and pleasures. It is an unapologetic celebration of the sensual and sexual aspects of the human experience, meant to empower and provoke thought. With this project, EESKAY aims to redefine the conversation around sexuality in music, inviting listeners to open their minds, bodies, and hearts to the world of uninhibited expression.

“The Legend Of King Kaka ” – Album Review

King Kaka’s album Legend of Kaka, released in 2016, is a significant work in the Kenyan hip-hop scene, showcasing his lyrical prowess and diverse musical influences. The album consists of 18 tracks with a total runtime of approximately 71 minutes, offering a blend of storytelling, social commentary, and personal reflections that resonate with listeners. His unique style combines elements of traditional Kenyan music with contemporary hip-hop beats, creating a sound that is both familiar and innovative. Tracks like “Ligi Soo” and “Niaje” exemplify this fusion, featuring catchy hooks and rhythmic flows that invite listeners to engage with the music on multiple levels.

In “Legend of Kaka,” King Kaka reflects his personal journey and societal observations, showcasing his growth as an artist and individual. One prominent theme is ambition and success, articulated in tracks like “Lini,” where he expresses his aspirations and the hustle associated with achieving his dreams. The lyrics convey a sense of determination, emphasizing that greatness is not innate but cultivated through hard work. Additionally, love and relationships feature prominently throughout the album. In “Lini,” King Kaka explores romantic dynamics, expressing affection while navigating the challenges that come with love. The interplay between personal relationships and broader societal issues creates a rich tapestry of themes that resonate with diverse audiences.

The production quality of Legend of Kaka is commendable, with each track meticulously crafted to enhance King Kaka’s vocal delivery. Collaborations with other artists further enrich the album, bringing in varied perspectives and styles that complement his own. The guest features add depth to the project, allowing for dynamic exchanges that highlight the collaborative spirit of the Kenyan music industry.

King Kaka’s album Legend of Kaka showcases a rich tapestry of themes and production styles that reflect both personal and societal narratives. The album is characterized by its blend of autobiographical storytelling and social commentary, where King Kaka draws from his life experiences to connect with listeners. For instance, in the track “Kichinjio,” he addresses issues of trust and skepticism prevalent in society, encapsulating the emotions of a generation wary of betrayal: “Saa hii niko more careful, sababu ya trust issues” highlights the pervasive fear and caution in relationships.

Musically, King Kaka employs a variety of production styles, ranging from traditional Kenyan sounds to modern Afrobeats influences. This versatility is evident in songs like “Lini,” which features a catchy Afrobeats rhythm paired with romantic lyrics that resonate with youthful love and longing. The production enhances the lyrical content, creating an engaging listening experience that balances upbeat melodies with poignant themes.

Moreover, tracks such as “Promised Land” delve into deeper spiritual reflections, where King Kaka expresses his faith amidst struggles, asserting that even followers of Jesus can face doubt: “Hata wafuasi wa Yesu, hauskii walimkana”. This duality of hope and despair is a recurring theme throughout the album, illustrating the complexities of navigating life’s challenges.

King Kaka’s ability to weave personal experiences into his lyrics is particularly noteworthy. Songs such as “Kaka Sungura” reflect on his journey in the music industry and the challenges he has overcome. This introspective approach not only humanizes him as an artist but also fosters a connection with his audience, who may see their own struggles mirrored in his words.

Overall, Legend of Kaka stands out as a landmark album that not only entertains but also provokes thought and discussion. It encapsulates King Kaka’s artistry and serves as a testament to the evolving landscape of African hip-hop. As listeners delve into this album, they are treated to a rich tapestry of sounds and stories that celebrate both individual and collective experiences within the vibrant Kenyan culture.

Stream “Legend Of Kaka”

Bosom P-Yung Unleashes Hard-Hitting EP “LOST AT SEA” Showcasing Raw Talent & Unmatched Work Ethic

Ghanaian rapper Bosom P-Yung who definitely has a vault of hard hitting songs has once again proven why he remains one of the hard working voices coming out of the black star nation with the release of his latest project Lost At Sea. Famed for his comical word play and attitude on the mic, the rapper still posses a unique sound, powerful lyrics and experimental approach to hip-hop. Bosom P-Yung’s latest project is a testament to his relentless hard work, artistic evolution, and commitment to pushing creative boundaries. The Latest project Lost At Sea is purely solo effort with no collaboration

Listen on Spotify

Despite being one of the most consistent and hardworking rappers emerging from the Black Star Nation, Bosom P-Yung remains an underrated force in the Ghanaian music industry but a big force amongst the listening youth audience, who love his style and delivery. Having gained widespread recognition for his breakout hit “Attaa Adwoa,” Bosom P-Yung continues to cement his legacy as a trailblazer in the music industry. His latest EP stands as a testament to his dedication and passion for the craft, setting the stage for even bigger achievements in the near future.

Lost At Sea is now available on all major streaming platforms. Fans can stream, share, and experience the raw brilliance of Bosom P-Yung’s newest masterpiece.

Follow Bosom P-Yung:
Instagram & X: @bosom_pyung

Lyrikal Busta drops his long awaited “Bavumile” music video.



In July 2024, Lyrikal Busta dropped his single Bavumile, a song that would become a manifestation of wins for many of us. Bavumile is a song about achieving your dreams even in the midst of naysayers and detractors trying to lead you astray . This is an experience we all have had. Since its release, Bavumile has garnered over 7 700 streams on YouTube and over 6 100 streams on Spotify.


On Thursday, 13th February, the music video for Bavumile debuted, bringing the song’s message vividly to life. Helmed by Director Kwenu of Motion Skies Pictures, the video is deeply rooted in Lyrikal Busta’s origins, with scenes filmed in Msunduza affectionately known as Skom in Mbabane, Eswatini. The opening sequence sets the tone at John Wesley Methodist School, where Busta faces down criticisms of Hip Hop and his career, visually represented by placards wielded by onlookers.

Lyrikal Busta Bavumile Official Music Video


The narrative then shifts to a celebratory mood, portraying Busta enjoying a feast surrounded by a loyal crew of friends and family. The video is punctuated with notable cameos, including Eswatini YouTube sensation Banele W.J.L.M., Hip Hop veteran KRTC, and rising artist Young Zesh, among others, adding layers of local pride and community to the production.


This video release couldn’t have come at a more opportune moment, as Lyrikal Busta gears up for the launch of his highly anticipated extended play , Mbabane to Jozi. We had the chance to catch up with the Eswatini star to dive deeper into the creative process behind Bavumile and the exciting journey leading to his forthcoming album.

Mbabane to Jozi Official Cover Art


Interview with Lyrikal Busta

Q: You recently released the visuals for Bavumile, a track you dropped back in July last year. What inspired the decision to release the video nearly seven months after the song’s debut?


A: Greetings, Miliswa. I truly appreciate this platform. Yes, we dropped Bavumile in July last year, and the decision to release the video now is a crucial step in our rollout plan for Mbabane To Jozi. This move plays a significant role in our mission, Swati Music To The World.
Before dropping the video, I had set personal goals, one of which was to collaborate with artists beyond Eswatini. First, I was featured in renowned South African vocalist Lwah Ndlunkulu’s music video Maye, then again by the award-winning Intabayasedubai on a song called 365 Days. That paved the way for the Bavumile music video. Timing is everything, and we felt this was the perfect moment, just a week before the release of Mbabane To Jozi.


Q: In the Bavumile video, you included scenes shot at Msunduza, specifically at John Wesley Methodist School. Why was it significant for you to incorporate visuals from the area where you grew up?


A: Yes, we shot part of the video in Msunduza, my hometown, where I grew up and made some of the best memories of my life. It was important for me to pay homage to my city, Msunduza, Mbabane, because they’ve supported me from day one. We also believe that before we can take over the world, we must first build a strong foundation at home. That’s why representing Mbabane visually and musically is a priority for me.


Q: Can you walk us through the creative vision for the Bavumile music video? What story or message were you aiming to convey through the visuals?


A: The creative process behind Bavumile was an exciting one. We worked with Eswatini’s finest videographer, Director Kwenu, and other talented creatives like Krtc, Tiyas, and Banele WJLM, just to name a few.
Our vision was to promote unity within Eswatini’s creative space. I strongly believe that for Eswatini to make a global impact in entertainment, we must stand together and support each other. The Bavumile video is a reflection of that belief.


Q: What do you love most about Mbabane, and how do you plan to reflect that in your music and videos?


A: I love Mbabane with all my heart. Some of the best moments of my life happened there. That’s why my latest project, Mbabane To Jozi, is inspired by my love for Eswatini’s capital.
Almost all my music videos are deliberately shot in Mbabane. It’s not just about nostalgia, it’s about promoting the city and, by extension, putting Eswatini on the map.


Q: In 2023, you released AfroBliss, an album that showcased your exploration of Afro-soul, marking a shift from your earlier work. What can fans anticipate from your upcoming project, Mbabane To Jozi?


A: I appreciate you mentioning AfroBliss! That project was my debut album, released in 2023. But I’d have to disagree with the idea that it marked a shift in my style. Lyrikal Busta has always been about diversity and experimenting with different sounds. To prove that, we can go back to award-winning records like Dance For Me and INumber, which fall under dancehall and Afrobeats, respectively. So, genre diversity has always been part of my DNA.


For Mbabane To Jozi, fans can expect a no-skips Hip-Hop EP featuring some of the finest acts from Eswatini and South Africa: Zakwe, Anzo, Young Zesh, and Haem O. This project is also a special dedication to my day-one hip-hop supporters, who’ve been patient with me while I explored different sounds. After three years of not releasing a hip-hop track, I felt it was the right time to give back to the culture.

Mbabane to Jozi Official Tracklist


Q: Artists in hip-hop often face criticism when venturing into new sounds. Did you encounter any pushback after releasing AfroBliss? If so, how did you handle it?


A: Not really. My music is about delivering a message and I see genre as just the mode of transport for that message. Whether it’s hip-hop, Afro-soul, or dancehall, the essence of my message remains the same.
Because of my choral music background in high school, I’ve always seen myself as more than just a hip-hop artist. I’m a musician first, and I constantly push myself beyond my comfort zone. So, experimenting with sounds isn’t something new—it’s part of who I am.


Q: Bavumile seems to hold a lot of personal meaning for you. What inspired the song itself, and how does it connect to your journey as an artist?


A: That’s a beautiful question. Bavumile is the soundtrack of my life right now. I’ve faced so much backlash, whether from family or friends, because of my career choice. But no matter how bleak things seemed, I kept my eyes on the prize and pushed forward. Moving to Johannesburg reignited my fire. I found myself in spaces with people I’ve always looked up to and been inspired by. That was confirmation for me that I’m on the right path. The only way I can describe it is through the phrase: “Labadzala bavumile” loosely translated, “My ancestors have given me their blessing.”

In Picture: Lyrikal Busta.


Q: You’ve been consistent in representing Eswatini through your music. How important is it for you to maintain that connection, even as your career expands into new markets like South Africa?


A: I’ve been in the game for almost ten years, and representing Eswatini has been an incredible journey. Our motto has always been “Swati Music To The World” and that will never change. Even in South Africa, my approach isn’t about adapting to their sound or culture. It’s about bringing OUR sound to the world. My goal is to make sure that when people hear my music, they immediately recognize it as Swati music: distinct, authentic, and global.


Lyrikal Busta is an artist meticulous about his vision and musical style. His passion for taking Eswatini music to the world remains at an all-time high. A true patriot at heart. His longevity in the game speaks for itself, with four SWAMA Awards and two SD Hip-Hop Awards to his name.
With Mbabane To Jozi dropping this Friday, one thing is certain, he’s delivering a sound that refuses to be boxed in and a legacy that echoes “Swati Music To The World.”


And if there was ever any doubt about his path? Well—labadzala bavumile!

Listen to Bavumile here:

Presave Mbabane to Jozi: https://orcd.co/MbabaneToJozi

Valentine’s Woes With Palmer1 On ‘Addicted’

Love and HipHop go hand in hand. Whether it’s rappers confessing their feelings to their muse or teaming up with soulful R&B artists, the relationship goes way back. Whether its Nasty C on “Mrs.Me,” promising his muse to always put butterflies in her tummy or, “KoroKoro” where Prettyboy D-O expresses the joyful, magnetic side of love rappers do shed their gangster skin for a bouquet of roses once in a while. On Valentine’s day the HipHop Africa Newsroom created an intimate playlist proving this symbiotic relationship and while creating this playlist I came across ‘Addicted. An EP from flawless underground rapper Palmer1.

Released in August 2024, the six track EP is a plethora of emotional and pure songs yet embody the gangster personality that comes with being a rapper. “No matter what you say I stick to my woman,” Palmer1 assures his fans as he kicks off the project. The EP equal parts vibrant, introspective, and emotionally charged. Blending elements of hip-hop, and R&B, PALMER 1 showcases his versatility as an artist, navigating themes of love, resilience, and personal growth while maintaining an infectious energy that keeps the listener engaged from start to finish.

The EP’s title, Addicted, suggests a deep, unwavering passion, whether for love, success, or music itself. Throughout the project, PALMER 1 and his collaborators explore the highs and lows of relationships, personal struggles, and the quest for self-improvement, all set against a backdrop of slick production, catchy melodies, and heartfelt lyrics. Each track brings something unique to the project, whether it’s an energetic opener, a love-infused ballad, or a deep reflection on personal growth. With guest appearances from Outlaw, A.GK, GTB Emzee, and Lecco, the EP highlights collaborative chemistry, allowing PALMER 1 to shine while also giving space to his fellow artists. The EP kicks off with “Niskize”, an electrifying introduction that immediately commands attention. The production is vibrant, fusing traditional African rhythms with modern Afrobeat and hip-hop elements. The beat is pulsating, energetic, and full of movement, setting the perfect stage for PALMER 1’s commanding delivery. His lyrics exude confidence as he asserts his presence and demands to be heard, making it clear that he’s an artist with something to say. The track feels like an anthem of self-assurance and ambition, drawing listeners in with its infectious rhythm and engaging wordplay. Right from the start, PALMER 1 establishes himself as a force to be reckoned with.

In contrast to the high-energy opener, “Better” slows things down slightly, offering a reflective and introspective moment on the EP. This track revolves around themes of self-improvement, resilience, and overcoming obstacles. PALMER 1’s delivery is both calm and assertive, mirroring the song’s message of steady progress and personal evolution. The smooth, melodic beat provides a soothing backdrop to his lyrics, allowing the emotion in his words to shine through. As he speaks on his journey, listeners can relate to the idea of pushing through hardships to emerge stronger. The chorus is uplifting and memorable, reinforcing the song’s theme of perseverance.With “YOUNG IN LUV”, PALMER 1 shifts gears into a more playful and romantic direction. Featuring Outlaw, this track captures the excitement, passion, and naivety of young love. The instrumental is bright and bouncy, complementing the carefree energy of the lyrics. Both artists deliver verses filled with charm and enthusiasm, perfectly embodying the emotions that come with falling for someone at a young age. The chorus is catchy and effortlessly singable, making it a track that sticks with the listener. It’s a feel-good song that encapsulates the joy and uncertainty of youthful romance, making it one of the standout moments on the EP.

AURA” takes the EP in a more spiritual and introspective direction, delving into themes of personal energy, confidence, and influence. Featuring GTB Emzee, the song has a hypnotic, almost mystical quality to it, thanks to its atmospheric production and layered instrumentation. PALMER 1 and GTB Emzee explore how their vibe and presence affect the world around them, emphasizing the importance of staying true to oneself and maintaining a strong personal identity. The lyrics are reflective yet assertive, making this track a powerful statement about self-worth and inner strength. With its dreamlike beat and compelling verses, “AURA” stands out as one of the more thought-provoking moments on the EP.

The EP closes on a high-energy, celebratory note with “2 BY 2”, featuring Lecco and A.GK. This track is all about partnership, unity, and moving through life with a solid team by your side. The beat is infectious, urging listeners to get up and dance, while the lyrics reinforce themes of loyalty and camaraderie. PALMER 1, Lecco, and A.GK complement each other perfectly, each bringing their own unique flavor to the song. The energy is contagious, making this the perfect track to end the project on an upbeat and exhilarating note. It leaves the listener feeling empowered, uplifted, and ready to take on the world.

Addicted‘ is a cohesive and well-executed project that showcases PALMER 1’s versatility, lyrical depth, and ability to create infectious melodies. Each track feels distinct yet connected, forming a narrative that explores themes of love, self-improvement, confidence, and unity. The collaborations throughout the EP add richness and variety, ensuring that no two songs sound the same.

One of PALMER 1’s greatest strengths is his ability to blend genres, seamlessly incorporating hip-hop, and contemporary R&B into his sound. His storytelling is relatable, his delivery is engaging, and his production choices are top-notch. Whether he’s reflecting on personal growth, expressing romantic devotion, or celebrating friendship, his authenticity shines through in every track.

Stream ‘Addicted’