The Incredible Music Festival (IMF) is set to open its doors tomorrow in the picturesque city of Jos, Plateau State, marking its second edition after a successful launch in 2022. Renowned for delivering exceptional musical experiences and revitalizing the creative economy, especially in Jos, this event has garnered widespread anticipation. Despite initial plans for a New Year’s Day celebration, the festival was postponed to honor those who lost their lives in tragic incidents on Christmas Eve in Mangu and Bokkos areas of Plateau State. Nevertheless, the return of IMF promises three days of excitement from February 22nd to February 24th.
Event Schedule Overview
Day One: Workshop and Opening Ceremony
Venue: Crest Hotel
Time: 10 am
The festival kicks off with a workshop and an opening ceremony on day one, setting the tone for the following days of musical extravaganza.
Day Two: Panel Discussion and Networking Event
Venue: Gowon Hall, Crispan Hotel
An engaging panel discussion and networking event are slated for day two, providing attendees with opportunities for learning and connection.
Day Three: Grand Finale
Venue: TBD
Date: Saturday, February 24th
The grand finale features a lineup including a gospel concert, a hip-hop showcase with battle rap, and the highly anticipated Choc Boiz homecoming featuring M.I Abaga, Jesse Jagz, and Ice Prince.
Get ready for an extraordinary experience as Cotton Fest (Cotton Festival) returns, for the 5th edition in Johannesburg, to its home at the Old Station in Newtown on April 6th, 2024.
This year’s theme, #VoteCottonFest, goes beyond a festival; it’s a dynamic lifestyle movement where attendees actively shape the culture through music, art, sport and lifestyle choices, celebrating the convergence of individuality. Cast your votes for the new wave in youth culture, embracing diversity and inclusivity in every aspect of the festival.
Engage in interactive elements and unique experiences that reflect the vibrant spirit of this years theme #VoteCottonFest. Cotton Festival is a testament to Bianca Naidoo’s commitment to continue the legacy created by the late Riky Rick. Together, they championed collaboration across music, fashion, lifestyle, and sports culture.
We’re thrilled to announce our festival partners who share in our vision: NikNaks, Coke Studios, Vuse, Hunters, Klipdrift, Count Pushkin, 4th Street Wine, NBA, Jägermeister, Youth X by Nedbank and Red Bull.
In collaboration with dynamic media broadcast partners like YFM and MTV Base, Cotton Festival’s reach extends far and wide, resonating with youth audiences throughout the country. Featuring the hottest South Africa talent, artists will perform across 3 stages. Save the date, embrace the theme, and join us on April 6th, 2024, in this celebration of individuality, expression and empowerment of young creatives! #CottonfestJHB #VoteCottonfest2024
VoteCottonFest
Tickets for this immersive lifestyle experience are ON SALE NOW at Pick n Pay and Webtickets – secure yours here. • R200 Early Bird Tickets – limited tickets available
R300 General Admission – limited tickets available
Stay tuned for more information. We Never Die. We Multiply.
The pair of Afamefuna and Sam represent the Kenyan music business class podcast, 30% Podcast. Pronouncing various hot takes, unpacking Kenya’s royalty quagmire, dissecting the backend jargon, and shedding a spotlight on the hottest music currently blasting out of Kenyan terrain, the 30% Podcast is the new CNN for Kenyan music lovers. Their opinions are king at this point. Their credibility has been cemented, and there is more to come from the music producers turned broadcasters. The music industry in Kenya has been shorthanded in finding a journalistic and historian edge that can capture the key happenings of the industry in real time, and the 30% Podcast has inevitably seized that gap.
In an exclusive conversation, we learn about the new media empresarios, their musical contributions, mainstream versus indie today, and some of their vows for the rest of the year
One on One with The 30% Podcast:
How did the both of you meet, and how has your relationship grown to date?
Sam: I think we met at the studio we used to work at. We never really spoke much. But having a podcast and having something to deliver has helped us grow and learn more about each other.
Afam: I’d say we are really close now.
How important is it to have organic relationships and chemistry when podcasting?
Sam: It depends because if you’re having an informational podcast it’s not important. You just need to have two people that are good at broadcasting. But when you have a little banter, life lessons, personal opinions, it’s important. It keeps things from being awkward, and it feels human.
What inspired your podcast the 30% Podcast?
Afam: Essentially, our conversations around the music industry that we’d have in the studio we worked at before. Sam came up with the name after realizing only 30-40% of Kenyan music is played on the airwaves. The goal is to educate and have conversations on how to raise that number.
How has the podcast grown over the past year?
Sam: From our following, to our network bandwidth, I feel like consistency has played a huge role in asserting that.
Afam: We’ve had editorial coverage, we’re getting event invites, and people considering us as press, that has been really good. We are grateful.
You’re both producers in your own right, Sam having an extensive catalog with Nyashinski and countable placements – Sam, what’s the most glaring takeaway producing for a more mainstream versus an indie artist?
Sam: I normally approach both with a similar gusto. With a mainstream act, you think about the impact because they have a widespread audience and that might play into some decisions you make. Personally I don’t pick and choose, I treat both with the same respect. The takeaway is however, with mainstream artists you tend to have less freedom depending on your level as an artist.
Afam, you have worked with many artists likewise in numerous capacities. Speak about artists you have worked with and your experience producing in the Kenyan music industry. Is there potential?
Afam: Yes. I tend to work a lot with artists in their beginning stages because I’m invested in developing and upcoming scenes. Artists such as Iyanah, Andyah, Chevy Kev, Swahili Papi, and more, I feel will be very successful. Although I have also worked with more established acts like Benzema and Lil Maina. There is a lot of diversity in Kenyan music. And there is a lot of creativity. The industry can go in so many ways so I’m excited for the industry.
Afam, you’re riding with a hit song at the moment, Lil Maina’s “Cocoa Butter”. How do you celebrate such wins?
Afam: Firstly, not in my wildest dreams would I imagine me even reading this. It’s taken a while to get to this point of being celebrated by the mainstream because I produce a lot for underground artists. But I’m grateful and thankful. As producers, we don’t have much time to celebrate because the success can be short-lived as there’s a lot of competition. So how I leverage this, is working harder and trying to work on my craft even more.
Why are both of you passionate about the Kenyan music industry, and what do you feel the climate is at the moment overall?
Sam: Seeing the discrepancies between the Western world and Kenya in the music, technicalities, business, the marketing strategy, I feel there is no reason to be okay with that. There is a lot of room for improvement. I have an innate fire to see our industry flourish.
Afam: I’m a dreamer at heart. I dream of a time where Kenyan music will be at the highest level healthily competing for Grammys and so on. There are amazing success stories such as Boutross and I want that kind of success to be available to every aspiring artist in Kenya.
For the 30% podcast, how do you think podcasting has impacted the media and broadcast space in Kenya?
Afam: I think podcasting is one of the biggest mediums currently. You can see artists utilizing it as part of their press runs. Kenyans are listening. I believe the podcast boom is taking full effect and we are glad to be part of that.
Sam: I think it’s interesting because podcasting is a little more loose and free compared to traditional media. It offers something else. I believe it impacts the music industry positively because we get to see our favorite artists in a new light, and that is commendable.
Many have asked you to diversify and go visual. Is this something you’re cognizant of?
Afam: Definitely. I think that as much as podcasting in its pure form is meant to be an audio experience, podcasting in Kenya really thrives when visuals are attached to them. We saw the positive reception when we interviewed Eric Musyoka, so this is an approach we are willing to take.
What are some plans you have for the podcast this year?
Afam: I’d say we’re keen on getting visual representation out there. It’s also about staying consistent and how we can continue to talk about things people care about in the music industry as the main thing. We don’t want to do anything over-the-top. We really just want to deliver a good product, talk to interesting people, and interview people who Sam and I are keen on getting their insight.
Ghanaian Rapper Tulenkey presents his first release of the year, a four track EP entitled “Bad Friends”. Join Tulenkey on a musical journey where the voices in his head morph into deceptive companions. Each track becomes a chapter, recounting the internal conflicts and selfdoubt that characterize this intricate dance between Tulenkey and the negative influences that disguise themselves as friends.
Featuring guest appearances by Kweku Flick, Oseikrom Sikanii & BeeztrapKOTM, this musical journey challenges the conventional norms of storytelling, with each song depicting the profound impact of unchecked negativity. The EP confronts the stigma surrounding mental health, encouraging listeners to empathize with the internal battles faced by many, resulting in a project that is relatable and intense simultaneously.
Following the exclusive launch of the EP in Accra on Friday 16th February, this latest project by the dynamic Ghanaian rapper went live on all digital stores over the weekend.
“Bad Friends” is available on all digital streaming platforms now.
This weekend, we feature music from stalwarts NJERI, An21, $hylii and more from Kenya, Uganda, and UK-based acts. Check it out.
NJERI – Patience Ft. Decester, Ari
Renowned Kenyan songstress NJERI is set to captivate audiences once again with her latest release, “Patience”. The soulful ballad, infused with NJERI’s distinctive vocal prowess and emotive lyricism, is poised to become a beacon of hope and resilience for listeners around the globe. The track blends Afro, R&B, Amapiano and Dance. NJERI from Kenya adds a distinctive melodic brilliance. A chance encounter with ARI from Zambia elevates the track with R&B flows. DECSTER from London brings forward the dance elements. This track adapts to various moods, suitable for chill days or vibrant parties. Explores themes of patience and toxic relationships from diverse perspectives. Its unique journey and cross-cultural resonance can capture global audiences.
In “Patience,” NJERI delves deep into themes of perseverance and endurance, delivering a powerful message of resilience in the face of adversity. With its lush melodies and poignant lyrics, the song serves as a reminder of the importance of patience and steadfastness in navigating life’s challenges including love.
NJERI’s unparalleled talent shines through in every note of “Patience,” as she effortlessly combines elements of Afro-pop and soul to create a truly unforgettable listening experience. Backed by a stirring arrangement that complements her vocals perfectly, the song showcases NJERI’s ability to connect with audiences on a profound emotional level.
With its universal message of hope and resilience, “Patience” is poised to resonate with listeners from all walks of life. Whether they’re navigating personal challenges or simply seeking comfort in uncertain times, NJERI’s latest release offers a beacon of light and a source of solace.”Patience” is now available on all major streaming platforms :
An21 – Underground Ten (Album)
Kenyan music sensation AN21KE is set to shake up the music scene with the release of his highly anticipated debut album, ‘Underground Ten.’ This groundbreaking project showcases AN21KE‘s versatile talents as both an artist and producer, featuring an eclectic mix of genres and collaborations with a diverse array of artists.
‘Underground Ten’ is a testament to AN21KE’s boundary-pushing creativity and commitment to innovation. Drawing inspiration from a wide range of influences, including hip-hop, afrobeat, reggae, and electronic music, the album offers a fresh and dynamic listening experience that defies categorization. From his lead single ‘‘Watatii’’ featuring Denzel Kong and Ouma Wa Mafegi, to the blissful “Going Up” the album is layered with an equal range of production from songbirds such as Miss T, to the self titular single “Underground 10,” which encapsulates the underground Kenyan music scene that shows a glee of hope with the new Kenyan artists.
One of the standout features of ‘Underground Ten’ is its collaborative nature, with AN21KE teaming up with an impressive roster of artists from the underground Kenyan scene. From established stars to rising talents, each collaboration brings a unique flavor to the album, resulting in a rich tapestry of sounds and styles.
‘Underground Ten’ is now available on all major streaming platforms:
$hyli – Toxic Love
Experience the electrifying energy of Shyli’s single, Toxic Love. Blending elements of Afropop and RnB, “Toxic Love” is a high-octane anthem that demands to be heard. With its anthemic chorus and infectious guitar riffs, this track is sure to leave a lasting impression on audiences everywhere. The artist recently graced the cover of Spoify’s “Made In Uganda.” For the UK based Ugandan emoter, “Toxic Love” delves into the complexities of a tumultuous relationship. Through soulful melodies and poignant lyrics, $hyli narrates the story of a man who finds himself entangled in a toxic love affair with a woman who is already committed to another.
PapaRaZzle – I REALLY LIKE YOU
Singer and songwriter PapaRaZzle dazzles on this smitten cut with his mellifluous vocal delivery and smitten Afrobeats record. A cut that embodies the Valentines spirit, Papa glides on the smitten instrumental as he professes his love for a love interest. A bop in essence, Papa shows off his vocal prowess and songwriting virtuoso as the track goes on. Press play below.
Michael Carpenter stylized as CAP, has yielded an informidable reputation as Kenya’s Urban Music golden child. Grossing a laudable catalog with placements that across Kenyan Hip Hop tastemakers from Kahu$h, Boutross, Wakadinali, Timmy Blanco, to saccharine R&B stars in NJERI, the name CAP is adjacent to hits and records that very much shape Nairobi’s Hip Hop canvas.
Brooding cassius clay energy following his most recent works of soundtracking Kenya’s blockbuster Netflix series, VOLUME, CAP is in a stratosphere of his own. Bullish, buoyant, but focused, he is hardly celebrating the meteoric accolade. He is the studio working with Kenyan Alt risers Maya Amolo and Nyokabi Kariuki, as well as his familiar peers – Albeezy, Sabi Wu, and may others.
In an exclusive interview with Hip Hop Africa, CAP shares his most detailed interview to date in an unfiltered and unadulterated conversation with us. Read all about it below.
One on One with Producer, CAP
Talk about your background and your upbringing?
I feel like from a young age, I’ve always had a musical ear. Like when the radio would play certain songs, I could hear the harmonies in my head. I think that’s because my parents were in a choir.
How did you get into music production?
So as of production, my brother had FL studio on his laptop and when I was a kid, I thought it was a game (Laughs). So I used to mess with it here and there and then it got serious when I went to high school. That’s around the time I met most of my collaborators to date. We were in a very musical school so we would always be in the music room. Then I made my first serious beat on my guitar teacher’s laptop (shout out Mr. Mike). And the rest is history.
When did you realize you’re a full-fledged music producer?
I think when I made my first song with MIKE OF THE FUTURE. Yea I’d say that’s what gave me that realization.
How supportive have your family been of your music career?
Quite supportive actually. There’s obviously the occasional “So when are you going back to school” (Laughs) but for the most part they’re very supportive.
You recently produced the soundtrack to chart-topping Netflix series “The Volume”. Speak to how that came to be, your reaction to being chosen, and being part of the project?
So that came about through Ivan Odie where he was already involved with the project and he called me in about the intro sequence song first. After we worked on it, he told me they were also looking for some more music to go into the show so we got to working on that. As far as my reaction, I was excited to have Netflix on my resume.
Speak to what it’s like working with Timmy Blanco, NJERI, Poppa Don and Ivan Odie in the studio? What is the vibration?
So the intro sequence song went through different iterations. There are other versions with different artists and also different beats. So as far as the song, we didn’t do it all in one session. But working with them is always a fun time for sure. I’m working with Blanco and NJERI on their next projects as we speak so be on the lookout.
What does it mean to work on a Netflix production?
It’s a kinda cool experience where Netflix went from being unavailable in this country to our music being on that platform so it’s surreal in that regard.
What are your main inspirations generally and at this current point in time?
Right now I’m getting a lot of inspiration from films at the moment. My favorite movie right now is Memento which was directed by Christopher Nolan which has a very layered story and I’m trying to see how I can tell a complex story like that through music. Also I recently started listening to scores of movies and shows to get out of the box of listening to normal music.
What about fashion makes it an important extension to your being. To that point, how did you come up with The Agenda Worldwide. And what’s the vision?
I really like putting on good outfits and on top of that, I feel like fashion, alongside music, is a very core element of culture. That’s where The Agenda Worldwide comes in. As of right now, the vision I have for it is to try to do unconventional things with fashion. I wanna keep it at that for now.
Can you give us your Top 10 Produced by Cap records?
Oof this is a hard one. They’re all my babies (Laughs) I don’t think I can pick.
Give us your Top 10 rappers. Doesn’t have to have a particular order.
Damn top ten of all time might be to hard for me I can give you my top 10 right now though:
BEAM
Vory
Fridayy
Cash Cobain
Drake
Swahili papi
Tommy Revenge
Lancey Foux
Len
Finigurrero
How about producers?
Has to be:
Wondagurl
Wheezy
Ye
Metro
Redda
Jvcxb
FK
Boi-1da
Mike Dean
BNYX
When you’re cutting records, what’s the most important thing to you at this point in time versus when you first got into music production?
These days I look at the song as the priority where before I only used to care about how the beat sounds. I used to put too many things in the beat in my first sessions and wonder why artists never used to pick it.
Who are your favorite Kenyan creatives generally?
I like what Kxffy is doing with the music but I especially like the vlogs he puts out. It gives the producers that’ll come after us good insight on production.
There’s also Annette Michatha. She’s a stylist who’s doing amazing work. We’ve worked on some projects that will come out soon.
Also Chief Custom Grillz. He’s a jewelry designer. All I can say about him is “be on the lookout“
Ama too. Ama is a model and we’ve worked together on a lot of the Agenda stuff but I also love the stuff she’s doing with Tysevisual, super cool. Brands please give her all your money (Laughs).
There is a huge renaissance happening in the Kilimani-Kileleshwa rap and general creative scene. Talk about what makes this generation special? And who are some of the faces, collectives and creatives we should be paying attention to?
I think the biggest thing that differentiates us from any other generation is technology. It lets us work in more efficient ways from the previous generation. Literally someone can go platinum from a song they made in their bedroom today. There’s this new artist I’m working with called 30 (he’s crazy to check him out). He records songs off his phone, which would have been crazy even 5 years ago. But a few people that you should look out for are: 30, Gaccu, Kihoti, Varde, there’s this artist called Kay khali that my brother FK put me onto, also Ashley Kitonga. It’s a lot of really good music coming out of Kenya right now I’m definitely forgetting some but those are a few you should look out for.
What’s the ultimate Cap girl?
Damn this question was unexpected (Laughs). But she has to be openly passionate about something. It could be about anything. It can be trees, how a road is built, literally any random thing. I love hearing about random facts about random things from a beautiful girl . Girls I’m single too.(Laughs).
A lot of people aren’t familiar with your projects prior to ‘All Caps’ like ‘East Bound’, ‘Block Boy’, ‘On Our Own’ etc Why do you think this is so?
I think it’s recency bias to be honest but also it might be too old of a sound from me for people to gravitate towards. I feel like I have grown so much from that sound that the new music I put out is almost completely different so people just like this new sound.
What’s the goated studio session that you’ve ever had to date?
I’ve had a few amazing sessions but there’s a weekend I was at Hotbox studio for a weekend and me and Dez made a whole album. Don’t think I’m biased when I say this but that’s some of the most timeless music we’ve ever made.
A lot of artists whether from the indie to the mainstream scene are now coming to you for records. From Nyokabi Kariuki, to Nviiri The Storyteller, what compels you to work with an artist?
I think that I have a sound that’s starting to reach all these people’s ears and I’m super grateful for that. In the case of Nyokabi, we haven’t made any music yet, we are just working on a separate project together which is a short film (be on the lookout for that) but we’re definitely planning to get into the studio.
Lastly, you had your first ever show last year. What can we look forward to this year?
What’s that one 21 Savage song? (Laughs) but for real, expect a lot. I’ve been working on my next album for a while now so be on the lookout for that. Also I’m doing a lot of projects with artists this year, new artists and frequent collaborators too.
Get ready to kick off your weekend with a bang! Uncle D.I.A has just blessed us with some exciting news: a brand new track called Zamu is now officially out!
Embrace the Essence of #GoodAndIntelligentMusic
In this latest addition to his discography, Uncle D.I.A. invites you to immerse yourself in the world of #GoodAndIntelligentMusic. But this isn’t just any ordinary song – it’s a sonic journey filled with captivating symphonies and infectious melodies, meticulously crafted to get you moving and grooving.
Experience the Magic of #Zamu
So why wait? Don’t let FOMO (Fear Of Missing Out) get the best of you. Hit play and let the enchanting vibes of #Zamu transport you to new musical heights. Trust me, you won’t want to miss out on this magical tune!
https://www.instagram.com/p/C3IH3GgM_MA/
Catch Uncle D.I.A Live at IMF
And mark your calendars! Uncle D.I.A is set to perform live at the Illegal Music Festival (IMF) in Jos State, Nigeria from the 22nd to the 24th of February alongside International Star Wyclef Jean and heavyweight rappers, M.I Abaga, Iceprince, and Jesse Jags. This is a show you definitely won’t want to miss!
Nigeria’s rising rap star, DanDizzy, is taking the music scene by storm with his latest track, “Oppress.”
A Fusion of Musical Talent
Teaming up with heavyweight Nigerian rap sensation Odumodublvck, alongside the indigenous rap powerhouse JeriQ and the dynamic DTG, DanDizzy brings together a powerhouse of musical talent in “Oppress.”
Following the success of his previously featured track “Pressure,” by Dremo, DanDizzy continues to captivate audiences with his unique sound and lyrical prowess.
A Must-Add to Your Playlist
With its infectious beats and powerful lyrics, “Oppress” is a must-add to any music lover’s playlist. DanDizzy’s latest collaboration is a blockbuster hit that promises to leave listeners craving more.
In the dynamic realm of Nigerian music, where rhythms collide with narratives, one luminary stands tall for his unparalleled lyricism and conscious social commentary. Modenine, the award-winning lyricist and producer, unveils his latest masterpiece: the ten-track opus titled “Shiny Object Syndrome.”
This project isn’t just a collection of songs; it’s a journey through the corridors of Modenine’s mind, where laid-back head-nodders serve as the vessel for injecting profound knowledge and insight. Each track is a tapestry woven with intricate lyricism and soul-stirring melodies, inviting listeners to delve deep into the complexities of the human experience.
At the helm of production, Modenine showcases his prowess not only as a wordsmith but also as a sonic architect. Every beat, every rhythm, is meticulously crafted to complement the poignant narratives that unfold within each track. From the smooth grooves to the thought-provoking lyrics, “Shiny Object Syndrome” is a testament to Modenine’s multifaceted talent and unwavering commitment to his craft.
Behind the mixing and mastering of this sonic masterpiece is intel360, a maestro in his own right, whose expertise adds an extra layer of polish to the project. With his deft touch, intel360 brings Modenine’s vision to life, ensuring that every note resonates with clarity and precision.
But Modenine isn’t alone on this journey. Collaborating with him are the talented voices of Aina Morenike and Antonya David-Prince, whose contributions add depth and dimension to the project. Their soulful melodies intertwine seamlessly with Modenine’s lyrical prowess, creating moments of pure magic that linger long after the music fades.
As you immerse yourself in the sonic tapestry of “Shiny Object Syndrome,” prepare to be transported to a world where music transcends mere entertainment and becomes a catalyst for introspection and enlightenment. With Modenine as your guide, you’ll embark on a transformative journey through the realms of consciousness, where every track serves as a beacon of truth and insight.
So, let the music wash over you, let the words resonate in your soul, and allow yourself to be swept away by the soulful musings of Modenine
Mode Nine, also known as Modenine, is a highly respected Nigerian rapper known for his intricate lyricism, wordplay, and storytelling abilities. Born Babatunde Olusegun Adewale, Mode Nine emerged on the Nigerian music scene in the late 1990s and early 2000s, becoming one of the pioneers of underground hip-hop in Nigeria.
He gained prominence for his distinct rap style, which often featured complex rhyme schemes and socially conscious themes. Mode Nine’s music reflects his keen observations of society, addressing issues such as political corruption, social injustice, and the struggles of everyday life in Nigeria.
Throughout his career, Mode Nine has released several albums and mixtapes, including “Malcolm IX,” “E’ Pluribus Unum: The Pursuit of Money,” and “The Paradigm Shift.” He has collaborated with various artists both locally and internationally, showcasing his versatility and skill as a rapper.
Mode Nine’s impact on the Nigerian music industry extends beyond his music. He has been instrumental in shaping the underground hip-hop scene in Nigeria and has inspired a new generation of rappers with his talent and dedication to the craft.
While Mode Nine may not have achieved mainstream commercial success compared to some other Nigerian artists, he remains highly respected within the hip-hop community for his contributions to the genre. His legacy as one of Nigeria’s finest lyricists and storytellers continues to influence aspiring rappers and music lovers alike.
Avante Entertainment signee, Ajebo Hustlers, returns with a brand new track which is titled “Celine Dion”.
Nigerian music sensation, Ajebo Hustlers, has made a triumphant return with their highly anticipated track titled “Celine Dion”. This incredible song is a must-have addition to your playlist, showcasing the duo’s exceptional talent and unique sound. Serving as their latest single for the year 2024, Ajebo Hustlers continues to captivate audiences with their infectious melodies and captivating lyrics.
A Musical Journey of Emotion and Energy
Featuring a remarkable vocal contribution from the talented superstar Odumodublvck, “Celine Dion” takes listeners on a musical journey filled with emotion and energy.
With its catchy hooks and infectious beats, “Celine Dion” is guaranteed to leave a lasting impression on fans and music enthusiasts alike. The collaboration between Ajebo Hustlers and Odumodublvck creates a seamless blend of their styles, resulting in a truly unforgettable track.
Solidifying Their Position as Top Acts
The song showcases Ajebo Hustlers’s growth as artists, solidifying their position as one of Nigeria’s fast-rising acts.
Don’t miss out on this incredible release from Ajebo Hustlers. Be sure to listen, download, and share your thoughts on this remarkable track. Get ready to be swept away by the enchanting sounds of “Celine Dion” and witness the undeniable talent of Ajebo Hustlers and Odumodublvck.
Ajebo Hustlers & Odumodublvck – Celine Dion Lyrics
Girl she dey feel me on Girl she dey sing like Celine Dion Girl she dey lead me on Girly she go wound me She go kill me young Girl she dey feel me on Girl she dey sing like Celine Dion Girl she dey lead me on Girly she go wound me She go kill me young
Sai sai sai sai Sai gobe mama Serah Sai sai sai sai Sai gobe mama Serah Sai sai sai sai Sai gobe mama serah Sai sai sai sai Sai gobe mama serah
She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh
She no even need to suck before she soft Depend on how I feel Modu go add on top Concrete jungle flood her with akpoche my love Piego na knowledge I apply when I climb on top F**k am till she cum Finger in her b**t Modu you’re a lot Everything dey go down Kiss her in an uber forget driver Konji no dey show remorse Na my pompi dey her mind for long The bobby soft the booty much Omo na bonafide baddie Her pressure vilify brothers For her domot dem dey beg am with all their beautified flowers See my kele don hammer She tell me say they don’t matter So, it’s alright It’s okay So, it’s alright It’s okay
Sai sai sai Sai gobe mama serah Sai sai sai Sai gobe mama serah Sai sai sai Sai gobe mama serah Sai sai sai Sai gobe mama serah
She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh
Her attitude na zero but she sabi kill mosquitoe Her body dey popori e dey boost my libido My chikito I gbadun you till infinito I put am for her body as I down the kasapreko Son of father Abraham a descendant of Al Pacino No be today she don dey hear me since from her Palito Kpos daddy omo na me be her papito I carry go I ball her like chicharito
She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh
