Nigerian producer and artist Mod3st finally unveils his debut album Candy Dreams which he has been teasing for some time now. Now available on all major streaming platforms, this album marks a significant milestone in Mod3st’s career, showcasing his unique blend of Trap, hip-hop and Afrobeat across dynamic tracks.
Candy Dreams features an impressive lineup of collaborations, including Ice Prince, Otega, Chyn, Ebi, Juhkie, and Eemam Khalil, Each track offers a unique sound and story, with highlights such as “Thriller” featuring Ice Prince and the captivating “My Type.”
Mod3st has crafted an album that not only demonstrates his versatility as an artist but also resonates with a wide audience through its relatable themes and infectious Self produced beats. From the introspective “Lonely Road” to the high-energy “Savage,” Candy Dreams promises to be a hit among fans and new listeners alike.
When asked why I’m part of the cast of the “No Mistakes” music video by Grixxly and Amarii, I’ll jokingly say I was forced to be there. The truth is, I left work early that day just to be on set (I hope my boss doesn’t see this). Directed and edited by the acclaimed Director Flex—known for videos like “Thought it was Love” by Amarii, “Stay” by Paige, and “This Thing of Ours” by Amarii—the music video was filmed across various locations in Mbabane including Coronation Park, Yini Loku! and Msakato Street, and at Kobe Ramokgadi Advanced Learning Academy in Ezulwini.
The “No Mistakes” music video serves as a fresh tutorial by Prof. Grixxly and Prof. Amarii on how to NOT make mistakes. In this official music video, the artists take on the personas of Professor Grixxly and Professor Amarii, guiding us through a “No Mistakes” tutorial. The “professors” break down how to dodge everyday mishaps through different scenes.
The lecture scene was shot at Kobe Ramokgadi Advanced Learning Academy, featuring a star-studded cast including Ima Crystals, Sefa, J.D, Jali, Stickx, and myself (Milliswa). In this scene, Grixxly shows up and lectures the class while Amarii hands out scripts to the students, which I believe was an artistic way to show how even in the classroom set up , one shouldn’t make any mistakes.
The scene shot at Coronation Park features Grixxly and Miss T, who hugs the rapper and leaves a makeup stain on his white tee shirt. In the next scene, Grixxly meets up with Ntate S.S on Msakato Road, a renowned vlogger and content creator from the Kingdom of Eswatini, and runs away from him but slips to the ground while trying to escape. When Amarii steps in for his verse, he plays the cool and vigilant zero-stain guardian angel, skillfully preventing Grixxly’s mistakes and fixing each one as it happens.
You may wonder which scene is my favorite in the music video. I’m compelled to pick the one I’m in ( haha) but no, it’s the scene where the lyrics go “I need my bag on arrival without no delay” and the dollar signs appear at the back of the scene. I appreciated the correlation between the lyrics he raps and the money (dollar) signs in that scene .
“No Mistakes,” a song that has achieved double platinum status on my personal Spotify, was released on April 12, 2024. Impressively, it has garnered over 7,000 streams on Spotify in just three months, a significant achievement for an up-and-coming artist from Eswatini. This isn’t the first collaboration between Grixxly and Amarii; they previously teamed up on “Go!”, a track from Amarii’s “From Bremersdorp with Love” EP, which dropped last December.
Upon its release, “No Mistakes” gained international recognition by being featured on Apple Music’s The Nadeska Show.Grixxly appeared virtually on the show to discuss the song and was named Apple Music Africa’s Rising Artist of the Week, marking him as the first Swazi artist to achieve this milestone.
The “No Mistakes” music video was shot by Silverspoon Pictures and conceptualized by Sips Magagula. Make no mistakes and watch the new “No Mistakes” video here:
Producers continue to play a vital yet often underappreciated role in hip hop culture and the broader music industry. From composing intricate melodies and crafting all the musical elements of a track to bringing together artists from various genres and curating innovative sounds, their contributions are indispensable.
A prime example of such artistry is Stickx, also known as DJ Stickx, who hails from Manzini in the Kingdom of Eswatini. Stickx has an exceptional ability to blend diverse genres, including New Age Kwaito, Hip Hop , AmaPiano, R&B, and AfroPop, creating a unique and cohesive musical experience. His work exemplifies the essential and transformative impact that producers have on the African music landscape thus making him one of the unsung maestros of African music fusion.
As a passionate advocate for African collaborations, I felt compelled to highlight the latest release from Eswatini’s own Stickx. His new single, Relaxed , exemplifies the confluence of Swazi and South African musical talent, featuring the exceptional contributions of J.Molley, Port Elizabeth-born Hip Hop artist Dibi, and the legendary South African producer and artist PH Raw X.
Relaxed promises to be the ideal soundtrack for an evening drive through the city or a laid-back session with friends. This single masterfully fuses the energetic elements of hip hop with the soulful rhythms of AmaPiano, seamlessly integrating the distinctive log drum sound with contemporary hip hop vibes. J.Molley’s hook is impeccably executed, establishing the song’s soothing and uplifting atmosphere.
This collaboration is not the first between Stickx (born Lethumusa Simelane) and J.Molley. Stickx produced three standout tracks on J.Molley’s 2020 album, All is Fair in Love & War: On Camera featuring Frank Casino and Riky Rick,Want the Rack$ with Nadia Nakai, and Menace.Stickx’s experience with South African artists is extensive, having previously worked with Don Delicious and KashCPT on Mr. Lonely, Lucille Slade on Velvet and The Big Hash on Alone.
Locally , in Eswatini , Stickx has worked with incredible artists including Lyrikal Busta,K. Darrow, SUPA CDQ just to name a few. His previous single titled Le Party featuring Amarii, Sarnilo, Yung Tmpo and Urban Miles, a beautiful AmaPiano/ New Age Kwaito number, has been dominating the local Eswatini EBIS 2 Top 20 radio charts ever since it dropped in April 2024. The single has also garnered over 6800 streams on Spotify with the visualizer garnering over 2200 views on YouTube.
In a recent conversation with Stickx, we delved into his new single and his journey as a DJ and producer.
Q: How would you classify the type of music you create, given your diverse work across genres such as AmaPiano, R&B, Hip Hop, and AfroPop?
A: The style of music I make is classified by the inspirations I have at a particular moment. Of late the inspirations are African sounds; AfroPop, AfroBeats and Amapiano, I do my best to infuse those elements in all my music.
Q: Which genre do you find yourself most comfortable working in?
A: Definitely AfroPop and AfroBeats.
Q: Can you elaborate on the differences between a producer and a DJ, and which role do you identify with more?
A: A producer’s domain is the studio, that’s where the song ideas are brought to life. On the other hand, a Dj takes those songs and presents them to the people by curating a vibe for them. I identify as both because I love producing and Djing equally.
Q:Your single “Relaxed” features J.Molley, PH Raw X, and Dibi. How did this collaboration come to fruition?
A: During the tale of Covid, we were finalizing work on J Molley’s project All Is Fair In Love and War. At the time, I was also working on a project on the side called Relax , so I put the beat together and got J Molley on the chorus and intro. I then sent it to Dibi and Ph a week later for their verses; they sent those back to me by the end of the month. This was back in 2020. I’ve been working on the production and mixing of it ever since. I’m super excited that we finally get to release it after so many years.
Q: What aspect of your new song “Relaxed” do you find most compelling?
A: Bringing the collaboration together by having PH, Dibi and J Molley in one song is definitely the best part of the release.
Q:How crucial do you believe the roles of producers and DJs are within hip hop culture?
A:Hip Hop began with Dj’s and Mc’s. I believe Dj’s are still a very important component of the hip hop movement, they still get music to the people. Producers came years after, but they elevated the genre to the quality product it is today.
Q: Which African artists are currently capturing your attention? And who in Africa would you like to work with in the future
A: Locally, I have got to say K Darrow. He has a lot of music in the vault. I think the quality of his music and his talent is on another level. When it comes to African music, I would love to work with Kabza De Small, Rema and Tems.
Q: From your perspective, which genre poses the greatest challenge during the music creation process?
A: Ironically hip hop is both the hardest for me to create and DJ. It’s more complicated and ranges in all BPMs( Beats Per Minute.). Hip Hop songs come with all types of tempos yet AmaPiano for example has only one tempo.
Q: Your versatility spans multiple genres. What kind of music can we anticipate from you as the year progresses?
A: The music will vary depending on what is on my playlist and what inspires me at the time but I am definitely looking forward to collaborations with other Eswatini artists, more features and possibly one or two singles.
Hennessy has a longstanding and significant relationship with hip hop culture, thus becoming an iconic brand within the hip hop community. In hip hop, Hennessey serves as a symbol of accomplishment and status due to the luxurious nature of the brand. Many hip hop heavyweights over the years including Tupac, Jay Z and Nas (who unveiled a special Hennessy Bottle last year in celebration of Hip Hop’s 50TH birthday) have mentioned hip hop in their songs. Taking it back to the Motherland, Africa, Hennessy is also a treasured brand in the African Hip Hop soil as African acts mention the brand in their songs as well. From Maglera mentioning drinking Hennessy with some robbers in Makazana (which he actually did and stirred up the social media streets in December), to Tshego curating a whole song about Hennessy and to Touchline & Ginger Trill’s song Hennessy in their joint project, Boyz in Da Hood, it becomes crystal clear that Hennessy has a symbiotic relationship with Hip Hop, even in Africa. (Pardon me, my references are rather all based on South African Hip Hop since I hail from the Kingdom of Eswatini, located in the Southern African region of Africa.)
In 2024, Hennessy continued to be Hip Hop’s beloved cognac brand as they unveiled the 2024 edition of the HENNESSY AFRICAN CYPHER featuring six African rap Gods and lyricists: Maglera Doe Boy (South Africa), Didi B (Ivory Coast) , Khaligraph Jones(Kenya), Sarkodie (Ghana) , Young Lunya (Tanzania) and Ladipoe(Nigeria) on the 26th of June 2024. The cypher is eight minutes of lyrical warfare between acts from across Africa and sees all MCs flaunt their lyrical dexterity over a punchy, heavy bass instrumental. Set in Lagos, Nigeria, the visual scene of the cypher is in a train station garlanded by Hennessy images on the wall staying true to Hennessy’s exploratory, dynamic and diverse brand personality.
Young Lunya kick starts the cypher with a verse that oozes self-assuredness and lyrical adeptness. In the verse, he amalgams cultural references with personal achievements and challenges other African rappers by staunchly claiming that he is not to be underestimated and he operates on a higher level, both creatively and intellectually. This is illustrated through key lines such as “Gifted like I’m Santa, Wise like Mkapa” where he uses a simile to depict his wisdom by seeing himself as a carbon copy of Benjamin Mkapa, a respected former president of Tanzania who was known for his wisdom, and “Muda we ka Vuna, you’ll get what you sowed”, Muda Wa KaVuna is harvest in Swahili thus Luna implies that hard work leads to rewards. What stands out the most with these references is how the Tanzanian uses his wordplay to highlight his cultural pride and indomitable spirit, making him a formidable force in Tanzania and African Hip Hop.
Maglera Doe Boy shows up for the South dressed in a pink two piece, sticking to his signature style and what he does best: painting a vivid and stark image of township life and its complexities. On the verse, he references revolutionary figures such as Tupac Shakur, Steve Biko and Nelson Mandela, making his cypher verse a vivid yet labyrinthine narrative filled with socio-political commentary and personal reflections. Lines like “Fresh up out the coliseum that the dunes with goons” and “Ghetto cataclysms in the algorithms’ ‘ depict the township life impeccably. His verse juxtaposes the struggles and resilience of township living with aspirations for freedom and success as seen on “Dreams of a free people, Yea the name says Mandela signs but if you pay me any mind I am synonym to Steve Biko”. The rapper also reminisces on his childhood in the township as seen on lines like “Momma used to borrow sugar for the tea, daddy say he used to steal sheep” he however compares it to his new found life “herd the whole game bopeep, and I’m at the beach tryna see seagulls, Hennessy for my enemies”. His verse to me, is an enthralling piece jam-packed with historical references that exquisitely capture the broad social issues he addresses. Although I must admit, the verse is too complex to digest in just one take, which could be the reason why it didn’t land on other individuals; however, his cadence was strikingly impressive and hard to miss.
The baton is passed onto Didi B from Ivory Coast who raps his whole verse in French and Ivorian slang, staying true to his culture. Whilst, I am unable to understand most of it, what I can discern from his delivery and tone, is that he asserts his place in African rap history and highlights his authenticity through the verse. What makes the verse and the moment even more perfect is that Didi B became the first Francophone and Ivorian rapper to be featured on this cypher, thus making history.
West Africa’s Hip Hop heavyweight, Sarkodie hailing from Ghana, comes through with an introspective verse reflecting on his journey to stardom. In the verse, the rapper underpins his resilience and liberation. Key bars such as “Came for the trenches my dream was to make it” and “I did this thing myself I never rock with majors” accentuate the Ghanaians self-made status and willpower. On the verse, he also shares some industry insight, highlighting how the music scene has changed over the years through lines like “it’s kinda strange how music has changed from how it was, if I need a verse from my bro couple calls but now I need to speak to some dude cause he’s the boss”, he also critiques the manipulative practices of record labels with “Throw a couple dollars then you caged in a zoo”. I personally believe that his verse is a testimony of his longevity and influence in African rap reinforced by his sharp social commentary and personal anecdotes. Although, I did find his verse to be somewhat underwhelming, which could be because of the high expectations I had of him or rather how he has nothing to prove as he has earned it all.
“We should shoot the next cypher in a church man, every single verse arriving in a hearse man”, Ladipoe bravely says in the opening of his cypher verse. The verse from the Nigerian, is surprisingly the most impressive verse for me and is my favourite . Admittedly, I knew nothing of him before the cypher but going forward I will be watching his career with close proximity. His verse is a tapestry of lyrical adroitness adorned by ingenious and intricate wordplay. With lines like “all these rappers sweet beef tasting like dessert man”, he highlights his grand lyricism and dismisses less substantial competition. His appetite for destruction and success in the African rap sport is evident as he provides insightful commentary on the music industry as seen on “still they base the general success on a popular dozen” where he critiques the narrow focus on upcoming artists. Throughout the verse, Ladipoe is viscerally energized, showing grand credence and ambition as seen on lines like “I’m so guilty holding onto these bars like life sentences, Realize perfection my art and arch nemesis” and “The dream is to stack these notes to falsettos”. From his verse alone, I can discern that Ladipoe is a rapper who raps for art and heavily creates from the depths of his soul as he addresses the superficiality of current music industry trends “Dem dey talk about streams but never come with the flows cause most of the competition displaying symptoms of menopause” which underscores his ardent allegiance to the craft whilst calling out other rappers for having no flows. What fascinated me about Ladipoe is his apparent appetite for success and the aggression he comes with in the game which will make him a force to be reckoned with in the African hip hop scene. The writing is on the wall, Ladipoe came for the kill.
Kenyan rapper Khaligraph Jones concludes the cypher with a verse that displays tenacity and skill. However, I felt his contribution to the Cypher was underwhelming, this could particularly be due to the high standard set by Nigerian rapper Ladipoe , who comes before Khaligraph. Even though his lyrical content was rather impressive, I believe that his delivery and cadence could’ve been much better. Khali used his verse to emphasize the strength of East African music despite it getting less attention compared to the West as seen on bars like “West African music’s popping and I’m a fan but y’all better realize that East got a better grind.” Having dealt with industry gatekeepers in my own country, I deeply resonate with bars like “Gate keepers tryna keep hip hop silent but we make noise so now they are like a pissed off parent.” This line serves as a powerful declaration that HIP HOP is not DEAD, which is the undeniable truth. The Great Khali , ends his verse on a highly confident note through lines like “My competition getting trampled with my elephant feet, y’all niggas is good but ain’t nobody better than me ” underscoring his dominance and power in the rap game, effortlessly crushing his rivals with his sheer force and skill.
Although the Hennessy African Cypher continues to be an imperative cultural movement for African Hip Hop cats, I have a few concerns of my own. One notable concern was the lack of female representation in this year’s cypher. It was disappointing, especially considering the significant contributions and strides female artists are making in African hip hop across the continent. There are phenomenal women in the African hip hop scene who are not only pushing boundaries but also reshaping the narrative of the genre. Artists like Zulu Mecca, NyotaParker, SGaWD, Dee Koala, Venusraps, Oriiginelle, Rouge, and Nadia Nakai are just a few examples of the talent that could have been showcased in such a prestigious platform. Their absence highlights a missed opportunity to spotlight the diversity and dynamism that female rappers bring to the African hip hop landscape. I remain optimistic that future editions of the Hennessy Cypher will prioritize inclusivity and provide a platform for more African Queens to shine alongside their male counterparts.Additionally, I was rather disenchanted by the minimal representation of Southern African Hip Hop acts with only one country from Southern Africa being spotlighted i.e., South Africa through Maglera Doe Boy while there was more representation of West African and East African Zones. I powerfully believe that the Hennessy team should take into consideration other Southern African countries such as Zimbabwe,Botswana, Eswatini and Mozambique just to name a few as these countries also have dynamic hip hop scenes. I believe that the inclusion and spotlighting of rappers from these countries in the near future will give Hennessy the cultural diversity needed and holistically showcase the vibrant hip hop scene in Africa.
Emerging rap sensation OBUDUBOI is back with a powerful new track, “123,” that effortlessly captures his unique momentum and showcases his distinct sound, a blend of Hiphop And Afrobeats. Seamlessly blending his hard-hitting rap lyrics with Afrobeats and Afroswing inspired instrumentals, OBUDUBOI creates an irresistible blend of rhythms that is set to captivate listeners worldwide.
“123” is more than just a song; it’s a powerful track that captures OBUDUBOI’s artistic evolution and highlights his lyrical prowess and deep connection to his cultural roots, creating a sound that is both fresh and familiar. With a pulsating beat and infectious energy, “123” is poised to become a staple on playlists everywhere.
About OBUDUBOI
Obuduboi, an ambitious entrepreneur, rapper, and trap star from Obudu in Cross River State, Nigeria, is making waves in the music scene. Born and raised in the bustling city of Onitsha, Anambra State, where business acumen is a way of life, Obuduboi combines his entrepreneurial spirit with his passion for music. He is the founder of the independent fashion brand, Husslecraft Luxury, which showcases his creative flair and dedication to making it out of the ghetto.
As the self-proclaimed “Voice of Obudu,” Obuduboi channels his experiences and dreams into his music, earning recognition and respect. His popular release, “” has resonated with listeners, capturing the essence of his journey and aspirations. With his tenacity and talent, Obuduboi is steadily rising from the trenches to global recognition, inspiring many along the way.
What’s Next for OBUDUBOI?
With the release of ‘123,’ OBUDUBOI is set to continue his upward trajectory in the music industry. His unique blend of Afrobeat and rap, coupled with his compelling storytelling, sets him apart from his peers. Fans can expect more groundbreaking music and electrifying performances from this talented artist.
As OBUDUBOI’s star continues to rise, ‘123’ serves as a reminder of his relentless drive and artistic vision. It’s a track that not only solidifies his place in the Afro-rap scene but also promises even greater things to come.
Ghanaian drill artist O’Kenneth or YGA O’Kenneth just released a fierce 3 track project “TPS,” and we cant get enough of it. TPS which is an abbreviation for the 3 track titles, tension, power, seizure is artistically curated with the rapper proving why he is arguable the best Drill Artist from the Black Star nation. The tape further solidifies his position as one of the hardest drill rappers from Kumerica. Bringing in the tension to the Ghanaian hiphop scene and global drill scene, O’kenneth is taking power into his own hands and seize the moment to shine as tps is a tape that is lyrically packed with indigeneous ghanaian flows on beats that will keep the club bumping for days.
Known for his gritty flows, storytelling, progressive musical styles with socially conscious songwriting and authentic representation of life in Kumasi, O’Kenneth continues to push the boundaries of the genre with this release which will tear up any speakers. As a member of the Asakaa Boys collective, O’Kenneth has been a pivotal figure in popularizing the drill scene in Ghana, often referred to as “Asakaa.” His previous works have garnered millions of streams and have been praised for their authenticity and cultural relevance. With “TPS,” he continues to elevate the genre to new heights.
Oriiginelle picks up from where she left off with her previous project “Metarmophofeels,” embracing change and embarking on a journey of transformation and growth in her latest single. In collaboration with Soduh Beats and the highly acclaimed South African Hip Hop lyrical talent, Zulu Mecca, this collaboration unveiled itself in front of thousands, after Zulu Mecca showed interest in working with the Swati rapper on X early in the year.
Produced by Soduh Beats, this single marks her second release of the year, following “Expensive Hunger” in April. In “Change,” the rapper adeptly explores themes of change, progression, and self-assurance. With her buoyant demeanour intact, she reflects on her awareness of the impending changes in her career, while manifesting a life she understands she will achieve through her determination and hard work.
The beat carries a soulful essence with hints of boom bap, characterised by impactful drums and smooth melodies that allow the listener to fully immerse themselves in the sanguine lyrics. Zulu Mecca complements Oriiginelle perfectly, bringing her own braggadocio to the table and conveying an optimistic outlook for change through her lyrical prowess and imaginative delivery, which captivates attention to her verse.
Overall, “Change” is a song that exudes empowerment and a readiness for whatever the future holds- encouraging listeners to acknowledge the inevitability of change and seeing it as a catalyst for growth.
WRITTEN BY: Milliswa Vilane for Makhosazana “Oriiginelle” Thwala.
Straffitti and Zlatan just dropped their highly anticipated single, “Maria” produced by the talented Remy Baggins, with additional production from GCl3f,. This electrifying collaboration promises a fusion of both artists’ distinct energies, creating a genre-bending masterpiece.
“Maria” boasts an impressive production team, featuring the talents of Remy Baggins & GCL3F on the beat. Straffitti himself takes the reins on the mixing, ensuring the track delivers a polished and impactful soundscape. The final mastering magic is touched by ILLYTHAGREAT, solidifying the song’s sonic excellence.
Straffitti and Zlatan are more than just musical giants; they’re fashion moguls as well. As the owners of the top African fashion brands, “Thirsty” and “ZTTW” respectively, they’re known for their trendsetting style and entrepreneurial spirit. This multifaceted talent translates seamlessly into their music, creating a unique blend of artistic expression.
“Maria” is poised to be a summer anthem, captivating audiences with its infectious energy and undeniable swagger. With Straffitti and Zlatan at the helm, alongside a team of production heavyweights, this single is sure to leave a lasting mark on the music scene.
“Maria” is available on all major streaming platforms June 20th.
African Drill music has been on the rise since lockdown and mostly dominated by Asakaa boys and East African Drillers, never have we on the west been listening to Drill music from North Africa which also has been thriving lowkey in its own rights with several Arab artist churning out hit songs like MASAMA3EEN by FL EX, Emerging in the scene with a fiery debut EP is Ahmed Mamba originally from Mit Ghamr, Egypt.
“Driller” features four tracks that showcase Mamba’s versatility and boldness, touching on themes like personal struggles and street life. His music combines elements of Egyptian street sounds and drill, making it both authentic and innovative.
Listen to Drillers on Spotify
“Driller” is a personal project, highlighting my creative expression and passion for music.
Ahmed Mamba
ABOUT
Ahmed Mamba is new to the rap scene and considers it a hobby rather than a dedicated career. Despite being in the early stages, his unique style and fresh perspective stand out.
Ahmed Mamba, hailing from the city of Mit Ghamr in Egypt and now carving his path in the bustling metropolis of Dubai, UAE, is a rapper with a story as diverse as his sound. Beginning his musical journey as a hobbyist, Ahmed found his niche in the electrifying realm of drill music.
Embodying the essence of the genre, Ahmed effortlessly channels an aggressive persona, a testament to his knack for portraying raw authenticity in his debut EP “Driller”. With each track, he paints vivid pictures of the streets, capturing the grit and energy that define the drill movement.
Yet, Ahmed is not confined to one dimension. Viewing himself as a versatile artist akin to an actor, he seamlessly transitions between roles, exploring various styles and narratives. His music transcends boundaries, drawing inspiration from his eclectic taste cultivated through years of listening to Hip-Hop/Rap alongside a myriad of other genres.
From the streets of Mit Ghamr to the urban landscape of Dubai, Ahmed Mamba brings a global perspective to his craft, fusing influences from across the musical spectrum. With every verse, he invites listeners on a journey, bridging cultures and experiences through the universal language of music. Welcome to the world of Ahmed Mamba, where the beats are as diverse as the stories they tell.
Ghana’s music scene and African Hiphop scene welcomes a vibrant newcomer, Hommie Blaze. The versatile new artist announces his name on the scene with an infectious debut EP, “Lost & Found.” The exciting new release showcases the emerging artist’s eclectic talent and creative vision while offering a captivating peek into his musical world.
With “Lost & Found,” Hommie Blaze invites listeners to explore a sonic landscape where heartfelt lyricism meets infectious melodies. He uses his experience as a guide, creating an immersive world whose beauty drags on in the mind long after the music fades. The EP does this exceptionally well and presents Hommie Blaze as a confident artist who has found his stride. This confidence shines through, culminating in an effortless blend of Hip-Hop and Trap flavors that will have listeners leaning in heavily.
Hommie Blaze expressed his excitement when speaking about his latest work in a press release. “‘Lost & Found’ is a labor of love that I couldn’t be any less proud to share with the world,” he shared.
Each track is a piece of my soul and I hope it will deeply resonate with my listeners and others who are yet to discover my music
Hommie Blaze
Hommie’s four offerings are led by the focus track, ‘Lost & Found.’ This aptly titled opener serves as a poignant reflection on the highs and lows of life, encapsulating themes of self-discovery, resilience and hope. Each message captivates, with the artist’s soulful vocals and engaging lyrics giving them their wow factor.
That out of the way, ‘Reminisce,’ ‘Road’ and ‘YCKMV’ all roll in, respectively, to offer a deeper dive into “Lost & Found.” Hommie’s output flows beautifully into Jay Erl’s groovy rhythms on each turn, leading to a cascade of bright moments. Sosawavegod’s brilliant engineering also comes in handy and ensures the rapper’s vocals pop around the clock.
“Lost & Found” is Hommie’s debut EP and promises to be the first of many more ground-breaking releases from the rising star whose music defies genre boundaries. He is a Ghanaian artist striving to create unique music through soulful vocals and introspective lyrics that capture his spark.
Check Out ROad on YouTube. Hommie Blaze’s Debut Music Video
