Wednesday, February 5, 2025
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5 Times Loatinover Pounds Proved That He Is the 2024 MVP

The perfect assist exists, not just in soccer but in music too. In soccer, fans rave about Kevin De Bruyne threading the needle, Mohammed Salah’s game-changing passes, or how one precise assist can shift the course of a match and raise the stakes. In South African hip-hop, the perfect assist belongs to none other than Pitori’s very own Loatinover Pounds. This year, he has proven to be the ultimate feature artist—the one guest who can take a track from great to legendary.


Not only did Loatinover Pounds steal the shine on his guest verses this year, but the hip hop artist also delivered an incredibly crafted album titled “Pray 4 Pitori”, an album that showcased his lyrical abilities, storytelling as well as production skills. From deft wordplay to cultural references that resonate deeply, Pounds has repeatedly proven why he deserves the MVP title. Here are five moments where Loatinover Pounds stole the spotlight and reminded us why he is 2024’s undisputed MVP.


5. “Uthini Lo” – DJ Sliqe, K.Keed, Votron, Orish
Sometimes less is more, and that’s exactly what Loatinover Pounds delivered on Uthini Lo. The “Sosh Plata” hitmaker kicks things off with a verse that is equal parts punchy and unforgettable. He opens with a vivid WWE-inspired reference:
“Undertaker all bleke kere beat re theosa,”
declaring himself as lethal as the iconic Undertaker—dressed in black and ready to “bury” the beat. But he doesn’t stop there. He sharpens the imagery with:
Okare lekase ko Avbob (Ke Leso),”
a clever nod to Avbob, South Africa’s leading funeral service provider, implying his verse is so deadly that someone should start planning a funeral.
Loatinover Pounds even gives DJ Sliqe a shout-out:
“Pounds le Sliqe re namela beat kannete rebethile 1-0 (Champion Score),”
hinting at their domination of the track and slyly referencing Sliqe’s Champion Sound series. Through layered punchlines, clever wordplay, and Pretorian street culture, Loatinover Pounds proves that he can turn a few bars into a memorable performance.


4. “Mosamelo” – DJ Clen
On Mosamelo, Loatinover Pounds seamlessly blends confidence with storytelling. Michael Tuoy’s smooth production gives him the perfect platform to shine, and Pounds doesn’t miss the moment.
The song’s title, Mosamelo (Pillow), frames a tale of a woman seeking his attention. But here’s the twist: this woman once ignored him but is now reaching out after spotting him on Channel O. Pounds cheekily dismisses her newfound interest and instead reflects on how far he’s come:
“I perform on stages bigger than my kitchen now,”
he raps, with swagger only a hometown hero can deliver.
In classic underdog-to-victor fashion, Pounds reminds us of those who laughed at his dreams and are now asking for tickets to his shows. Through a mix of introspection and braggadocio, Mosamelo captures his journey while setting the tone for even greater achievements to come.


3. “Ke Tech” – G Tech 2Bit, Loatinover Pounds, Mochen
The Pitori Avengers, hailing from the streets of Mabopane : G Tech 2Bit, Mochen, and Loatinover Pounds join forces on “Ke Tech” to deliver an anthem brimming with Pitori pride. Each artist holds their ground, but it’s Loatinover Pounds’ verse that stands out, thanks to his razor-sharp punchlines and endless creativity.
What’s a Pounds verse without a soccer metaphor? He kicks it off with a nod to Luis Suárez’s infamous 2014 FIFA World Cup biting incident:
“Rappers biting my flows like Chiellini,”
likening himself to Giorgio Chiellini, the Italian defender who was bitten by Suárez.
He follows it up with more soccer brilliance, calling himself a “number 9,” the striker who leads the team to victory. Then comes the pièce de résistance:
“Skin, link, ink, sync, pink,”
a cascade of rhymes that showcases his literary finesse.
As if that weren’t enough, Pounds caps it off with a playful Disney reference:
“Sliding on the beat like Zeke and Luther,”
a nod to the skateboarding duo from the Disney series. From sports to pop culture, Pounds weaves together his influences, proving that inspiration truly knows no bounds.


2. “Big Dogg” – Thato Saul & Flow Jones Jnr
When Thato Saul declared his comeback on Big Dogg, Loatinover Pounds was right there to back him up, delivering a verse packed with clever wordplay, humor, and swagger. Take this standout line:
“Legends Barber ka Pene joh, kira di line di fete mo hodima di thlolo,”
where Pounds compares his precision with a pen to that of a barber’s clippers, highlighting his mastery over his craft. He turns up the humor with:
“Patje e phela e loud kare Ghost Hlubi a pranka-a ha tau,”
comparing the potency of his weed to the loud pranks of Ghost Hlubi, the popular South African content creator.

True to form, Pounds peppers his verse with local South African soapie references, including a shout-out to KK from Muvhango and a shout out to Suffocate from Rhythm City:
“Pounds ke Star, wa shine, o phala di suit tsa KK (Mulaudzi),”
boasting that he shines brighter than KK’s flashy suits.
“I brought the Rhythm to the City but when I get on the mic I don’t suffocate”

highlighting his ability to flow with ease and composure.
It’s this mix of relatability, humor, and razor-sharp wit that makes Big Dogg one of Pounds’ most memorable assists.


1. “The Untouchables” – 25K & Flow Jones Jnr
This is it—the crown jewel of Loatinover Pounds’ 2024 guest verses. On The Untouchables, from 25K’s album Loyal To The Plug: The Life of Don Kilograms, Pounds delivers a verse so sharp, so fresh, that it leaves no doubt about his MVP status.
He kicks off with effortless swag:
“Air force e white Ntash, Straight from the box starch,”
bragging about his pristine fashion sense before hilariously comparing his oversized baggy jeans to South African politician Gwede Mantashe’s signature look.
“Bethile jean ka oversize okare ke Gwede Mantashe (Eish)”
And, of course, no Pounds verse would be complete without sports metaphors. He references Olympic athlete Shyna Mabelo and the unforgettable 2018 UEFA Champions League final:
“Geo Salah ro nametsa stretcher, Ramos ka Final ya UEFA,”
signaling his ability to leave rappers in disarray, just like Ramos did to Salah.
This verse has everything: local slang, pop culture, football references, and impeccable flow. It’s the kind of performance that reminds us why Loatinover Pounds is untouchable.

Loatinover Pounds has had an electrifying year, proving time and again why he’s 2024’s MVP. He made appearances on Injayam Vol 3, Loyal To The Plug, All Doggs Go To Heaven, Too Viral, Survivor’s Guilt and most recently Maglera Tapes just to name a few. From cultural punchlines to football metaphors, he’s a master of blending wit, creativity, and authenticity. The MVP crown fits perfectly on Pitori’s finest. Long live the MVP. Re Faka Punyete.

SiphoMjita’s Brand New Me : A colourful ode to rebirth and growth

Hailing from the vibrant streets of Umlazi, DJ and producer SiphoMjita (Sipho Mkize) graces us with a soul-stirring anthem, “Brand New Me,” released on November 29, 2024. The track is a luminous collaboration with AYON (Ayanda Mfeka), a rising star who has painted 2024 with her remarkable talent, climbing to the Top 4 of Sportscene’s celebrated rap competition, “Sportscene Put Me On.”


“Brand New Me”
is a celebration, a sonnet of self-renewal, and a rhythm-laden ode to growth. The synergy between SiphoMjita and AYON breathes life into a drill-inspired, soulful beat that radiates positivity and transformation. The track blooms with the vibrancy of spring, brimming with the optimism of new chapters and the promise of brighter horizons. It is a song that doesn’t just move you but blossoms in your soul.



SiphoMjita’s talent transcends the decks. Beyond being a producer and DJ, he curates sonic landscapes, crafting playlists like “The Hip Hop Chamber,” a treasure trove for music lovers and a platform for unearthing hidden gems. It was through this passion for curation that SiphoMjita first discovered AYON’s sound ; a voice that resonated deeply, sparking a creative connection. Their shared journey blossomed when SiphoMjita, alongside tastemaker Eatzz, curated the KZN WAVE playlist, showcasing the best of Durban’s rising stars, including AYON herself.




When SiphoMjita sent AYON the beat for “Brand New Me,” it was as if the stars aligned. AYON’s response was swift and electric, a demo that carried the heart of the song, ready to soar. “‘Brand New Me’ represents change and new beginnings,” SiphoMjita reflects. “I’m thrilled to share this uplifting track with the world and grateful to have AYON by my side on this journey.”

SiphoMjita’s artistry is rooted in Durban’s cultural soil, where his career has blossomed into a plethora of collaborations with local luminaries such as Usimamane, Lowkey_esto, Blue Pappi, and Usenzangakhxna. With every rhythmic beat and innovative sonics, SiphoMjita curates the essence of Durban’s sound, weaving its rhythm and soul into something that speaks universally. He stands as a cultural custodian of his city’s musical spirit, elevating Durban’s talent and sharing its brilliance with the world.

In Picture: SiphoMjita


As the year closes, “Brand New Me” arrives like a breath of fresh air; a sonic emblem of transformation, an anthem of optimism. With talents like SiphoMjita and AYON at the helm, Durban’s music scene continues to loom, its pulse echoing far beyond its borders. So, step into your infinite power and embrace the endless possibilities of a brand new day.

Listen to “Brand New Day” here: https://orcd.co/siphomjita-bnm



Lit Vybz and VJ Skinny Deliver Resilience and Hope with Afro-Drill Anthem “Problem”

Nigerian music powerhouses Lit Vybz and VJ Skinny have teamed up to release “Problem”, an Afro-Drill masterpiece that blends hard-hitting beats with heartfelt storytelling. Released this month, the track is a testament to the artists’ ability to channel themes of struggle, resilience, and hope into a captivating soundscape.

A Sonic Exploration of Strength

“Problem” combines the infectious rhythms of Afrobeat with the bold, gritty energy of Drill, creating a sound that is both fresh and reflective. The track opens with haunting melodies and powerful percussion, setting the stage for Lit Vybz’s smooth, introspective verses and VJ Skinny’s raw, melodic delivery. Together, the duo crafts a compelling narrative of triumph over adversity, making “Problem” an anthem for perseverance.

Lit Vybz showcases his lyrical prowess with lines that speak to overcoming challenges, while VJ Skinny complements this with his emotive and relatable performance. Their synergy results in a track that is as inspiring as it is enjoyable, resonating with anyone facing life’s hurdles.

Meet the Visionaries Behind the Track

Lit Vybz

Born Kwen Joshua in Nigeria’s Middle Belt, Lit Vybz has been redefining Nigerian music since his breakout in 2015. Known for his unique fusion of rap, Afrobeat, and melodic storytelling, he draws from his personal experiences and cultural heritage to create music that transcends genres. With a career spanning nearly a decade, Lit Vybz continues to evolve, solidifying his reputation as one of Nigeria’s most versatile artists.

VJ Skinny

Peter Luis Onuh, better known as VJ Skinny, is a multi-talented artist from Benue State. A graduate of Theatre Arts from the University of Abuja, VJ Skinny’s music is a reflection of his personality, environment, and emotions. Influenced by the diverse sounds of his upbringing in Abuja, he has developed a catalog that includes hits like “Benefit Boy”, “Secure the Bag”, and “Hey God”. With his ability to fuse raw emotion with rhythmic versatility, VJ Skinny has become a standout figure in the industry.

Why You Need “Problem” on Your Playlist

More than just a song, “Problem” is a movement—a call to rise above life’s obstacles and embrace hope. Whether you’re a fan of Afrobeat, Drill, or music that tells a story, this track offers a unique blend of rhythm and meaning. Lit Vybz and VJ Skinny prove that music can both inspire and entertain, delivering a track that will resonate deeply with listeners.

Listen here

K. Darrow’s New Single “Kiss Kiss” Seals His Spot as a Game-Changer in Afro-Sintfu Music

K. Darrow caught my attention back in 2022 when he released his electrifying EP, Tandla neTinyawo. A genre-blending project, the EP seamlessly wove together African trap, AfroBeats, and AfroPop under the masterful production of Alex Muti. What stood out to me wasn’t just the polished production or vibrant soundscapes but K. Darrow’s ability to deliver raw, unfiltered storytelling in deep SiSwati. Tracks like the titular Tandla neTinyawo and Ng’beketele carried an ethos of hope while fearlessly tackling tough issues like poverty and unemployment. It was this vulnerability combined with his rich and versatile sonic palette that set my eyes onto the Eswatini artist. His ability to weave together upbeat AfroBeats rhythms to hard-hitting drum patterns set him as an artist to look out for in Eswatini music.



Fast forward to 2023, and K. Darrow kept the momentum going with two notable singles. First was Your Love, an AfroBeats and Piano-inspired love ballad featuring Lyrikal Busta that revealed his softer side. Then came Imbewu featuring Anzo, a track that leaned more into his African trap roots and kept his core audience hooked.


K. Darrow identifies himself as an “Afro-Sintfu” artist, a term he coined to describe his unique blend of AfroBeats, trap, and traditional Swazi elements. This self-proclaimed genre is as much about sound as it is about cultural pride. His deep use of SiSwati in his lyrics and his nods to Swazi traditions resonate deeply with me as a fellow Swazi, and I admire how boldly he showcases his roots.


2024 has been a whirlwind for K. Darrow. From delivering show-stopping performances at the 2024 MTN Bushfire Festival, to featuring on high-profile tracks like Hailey’sIn the Dark” and AyaCity’sNguwe”, his presence has been impossible to ignore. The collaboration on Lyrikal Busta’s Sgubhu, produced by Sean Cast, showcased his dedication to collaborate with other artists and make a name for Eswatini music globally.


Now, as the year wraps up, K. Darrow is ending on a high note with his brand-new single, Kiss Kiss. Featuring none other than South Africa’s Saudi (Msotra Man). This song is a powerhouse collaboration that unites Eswatini and South Africa in an electrifying blend of trap and hip-hop.

Artwork by @zumarokaswazi


In as much as Kiss Kiss is a catchy tune, there’s more to it than that. The song is a reflection of K. Darrow’s evolution as he dives into how his life has transformed: from the women who now blow him kisses when they see him, to the jealousy brewing among those watching and envying his rise. Delivered in a mix of SiSwati and trap cadences, his lyrics cut through with raw ambition and unapologetic honesty.“Mangabe akukhali iChing Ching mfethu hamba kimi, Liphimbo livala inkonzo, busisa kwaMariah, sebangiblowela iKiss Kiss, sebatsandza mine,” Darrow raps in the chorus, a bold proclamation of his journey from grind to glory.


Saudi’s verse echoes a similar hustle-centric ethos, creating a synergy that bridges Swazi and South African styles. The production merges heavy trap beats with unmistakable African rhythms, making Kiss Kiss a sonic feast that’s equal parts braggadocio and substance.
As the torchbearer of the Afro-Sintfu Movement, K. Darrow is etching his name into the rich tapestry of Eswatini’s musical legacy. In a world increasingly captivated by authentic African sounds, K. Darrow stands out as a singular, compelling voice deserving of global recognition. His seamless blend of SiSwati pride and genre-defying innovation proves that Afro-Sintfu isn’t a fleeting trend, but is a powerful cultural force.


For fans like me, K. Darrow’s ascent feels deeply personal. With every track, every collaboration, and every performance, he redefines what it means to be proudly Swazi and unapologetically original. His journey inspires not only admiration but also an unshakable belief that the best is yet to come.

Eswatini Music To The World.

Listen to Kiss Kiss here: https://Linktr.ee/k.darrow


Aisle 24: AJFawdySeven’s Traditional Introspective Series

In hip-hop, legacy is written in sequences, the recurring threads that deepen the narrative. Elements of legacy become synonymous with an artist’s identity. Think of how Kendrick Lamar has his The Heart series, Drake pens introspection and freezes moments in time with his “timestamp” tracks (6PM in New York, 4PM in Calabasas), and South African rap titan K.O showcases timeless rap bravado in his Mission Statement series.


From the mountain kingdom of Lesotho, AJFawdySeven has etched his name into this tradition, creating Aisle, a sonic memoir that unpacks the weight of living, loving, and enduring. With Aisle 24, the latest chapter, AJFawdySeven gives us a soulful meditation on life in 2024, capturing the mood of December- a month soaked in nostalgia. He maintains this December spirit to deliver Aisle 24, a track that feels like reading a journal entry written in permanent ink. Produced by Thor Björgvinsson, this single is a soul-bearing reflection that bridges the past, the present, and the year yet to unfold while taking into account the lessons that have shaped him.

AISLE 24 COVER ART


Released today, “Aisle 24” is a song that delves deep into themes of resilience, personal growth, and gratitude. The track highlights AJ’s ability to merge introspection with storytelling, creating music that resonates universally while staying true to his roots. AJ explains that Aisle is more than a series, it’s a personal tradition:

“When I think about it, it’s a celebration of life. To have made it to this point, whether you feel it was an uphill battle or just another year, the fact is you made it here, and you’re still going.


Aisle 24 is not only introspective in nature but is also communal. The rapper uses this platform to honor the tastemakers, cultural icons, and journalists who have shaped hip-hop’s trajectory, weaving shoutouts to people like Milliswa Vilane(myself) , Illythehost, and Scoop Makhathini into his verses. Even platforms like HYPE Magazine and Postman and the Diary Room get a nod, demonstrating AJ’s deep respect for the ecosystem that nurtures artists.


“Tastemakers are fans who figured out a way to showcase their love in a regulated, artistic manner… I’ve been super blessed to be covered by my favorites, and it’s something I’ll always be grateful for.


From Aisle 23 to Aisle 24, the series has matured alongside AJ himself. Initially sparked by a collaboration with Thor Björgvinsson and Tyson Jam Ramela, the series has become a cornerstone of AJFawdySeven’s artistry. Fans still talk about the first release, a testament to the timelessness of his work.Each song in the series is a marker of growth. Aisle 24 particularly stands out for its heartfelt authenticity. AJ shares that it’s one of the few tracks he’s re-recorded from scratch:


“It was initially just supposed to be one verse, but after recording, I enjoyed the song so much I didn’t want it to end.”


This dedication to crafting meaningful music is evident in every bar and beat of Aisle 24.

In Picture: AJFawdyseven


We’re coming for everything.” These words encapsulate AJFawdySeven’s energy heading into the new year. Aisle 24 isn’t just a reflection on 2024; but a window into AJFawdySeven’s future. AJ hopes the track resonates deeply with listeners, holding them steady until his next drop.With his momentum growing , AJFawdySeven is carving out a space for Lesotho in global hip-hop. The world is watching, and AJ is ready to deliver. For AJFawdySeven, this is not just not another walk in the aisle, but a journey marked by resilience and growth.

Presave “Aisle 24” here:https://ffm.to/aisle24


Embrace the FAMÖUS LIFESTYLE: A High-End Fashion Pop-Up Experience

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As the world of hip-hop continues to intertwine with high fashion, a new wave of luxury experiences is emerging, and at the forefront is the FAMÖUS brand. This season, FAMÖUS invites fashion aficionados and lifestyle enthusiasts to immerse themselves in the FAMÖUS LIFESTYLE—a high-end pop-up shop experience that redefines luxury and community in the fashion world.

A Celebration of Sophistication set against a backdrop of urban elegance, the FAMÖUS LIFESTYLE pop-up promises to be a feast for the senses. From the moment you step inside, you’ll be enveloped in an ambiance that echoes sophistication and style. The design elements—think sleek lines, plush textures, and an artful arrangement of high-end pieces—reflect not just fashion, but a lifestyle that many aspire to achieve.

Every detail has been meticulously curated to create an environment that feels both exclusive and inviting. Elegant lighting casts a warm glow over the carefully selected collections, showcasing the latest in luxury streetwear, tailored pieces, and statement accessories that embody the FAMÖUS ethos: to live boldly and fashionably.This event is not just about shopping; it emphasis on community and bringing together a network of like-minded individuals who share a passion for fashion and the culture that surrounds it. Attendees can expect to mingle with fellow fashion enthusiasts, influencers, and even surprise guest appearances from notable figures in the hip-hop and fashion scenes.

Also interactive elements such as panel discussions that dive deep into the intersection of fashion, lifestyle and the challenges that comes with it. The FAMÖUS team is dedicated to creating an experience that goes beyond transactions; it’s about building relationships and inspiring creativity within the community.

At the heart of the FAMÖUS LIFESTYLE pop-up is an exclusive collection that showcases the brand’s commitment to quality and style. Each piece is designed with meticulous attention to detail, ensuring that wearers not only look good but feel empowered. High-end streetwear staples, luxurious athleisure, and bespoke accessories will be available, each telling a story of craftsmanship and aspiration.

For those looking to elevate their wardrobe, FAMÖUS will also feature limited-edition items that are only available at the pop-up. This exclusivity adds a layer of excitement, making each purchase feel like a treasure hunt for fashion enthusiasts seeking to stand out in a crowded marketplace.

Stepping into a new era of fashion, the FAMÖUS LIFESTYLE pop-up is more than just a shopping event; it’s a lifestyle experience that encapsulates the essence of luxury fashion in the hip-hop culture. It is a celebration of elegance, community, and the pursuit of personal style.

So mark your calendars and prepare to step into a world where fashion meets lifestyle in the most aspirational way possible. As FAMÖUS continues to push boundaries and redefine norms, the LIFESTYLE pop-up promises to be a pivotal moment for fashion lovers everywhere. The FAMÖUS LIFESTYLE pop-up will undoubtedly become a highlight of the fashion calendar.
Don’t miss your chance to be part of this exclusive experience—because when you wear FAMÖUS, you don’t just wear fashion; you embody a lifestyle.

SEE YOU ALL ON THE 12 & 13 OF DECEMBER INSIDE CELLO LOCATED AT FIRST OSU LANE, ACCRA.

BrianKing Unveils Debut EP ‘DOMINION’: A Sonic Journey

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Buzzing new Ghanaian artist BrianKing releases his debut project “Dominion” a reflection of his journey through sounds and emotion as each track tells a story, inviting listeners to experience the highs and lows of his musical adventure. Get ready to be captivated by the unique vibes and heartfelt lyrics that define BrianKing’s sound.

“Dominion” is an EP that encapsulates the journey of taking control over oneself as a spiritual being and asserting influence over the world. The term “dominion” signifies power, authority, and the right to govern, which reflects BrianKing’s intent to harness his inner strength and navigate life’s challenges with confidence.

Created in just a week, this EP is a raw expression of true confidence, vulnerability, and authenticity. Each track delves into the complexities of self-discovery, inviting listeners to embrace their emotions and recognize their own power. BrianKing’s commitment to being genuine resonates throughout this project, making it not just a collection of songs but a heartfelt declaration of self-empowerment and resilience. “Dominion” serves as a reminder that we all have the ability to take charge of our lives and express our true selves in a world that often demands conformity.

SA Hip Hop DJs: The Unsung Heroes of Hip Hop Culture

DJs in Hip Hop play a vital role, they are the curators of compelling collaborations, the storytellers of the streets and the architects of Hip Hop culture. In fact, even DJ albums have always been the unsung pillars of hip hop culture, a melting pot of collaboration, discovery, and pure artistry. From their early days igniting block parties to curating genre-defining projects, DJs have stood at the crossroads of creation and curation. Their albums act as cultural snapshots, bringing together diverse voices into a unified, resonant soundscape. Think DJ Khaled, the hitmaker extraordinaire, bridging unlikely collaborations like Migos and H.E.R., crafting anthems on albums like Major Key and Father of Asahd. As a producer, curator, and connector, Khaled became a cultural linchpin, proving that DJ albums transcend mere music, they’re movements, and mosaics that reflect the evolving nature of the genre. At their best, these projects embody hip hop’s spirit of collaboration and innovation, bringing diverse voices together to create something uniquely greater than the sum of its parts.


But what about here at home, in South Africa? How have our DJs embraced this art form, and more importantly, how have they shaped its narrative?

South Africa’s Relationship with DJ Albums


For a golden moment, from 2014 to 2016, South Africa experienced a renaissance of DJ albums. It was the era when DJs like DJ Dimplez, DJ Switch, DJ Speedsta, and DJ Citi Lyts emerged as architects of collaboration. Beyond spinning records; these DJs were fostering connections, building bridges across styles and regions, and amplifying voices that might have otherwise gone unheard.


Take a walk down memory lane. Remember Mayo by DJ Speedsta? A record that not only dominated radio but introduced us to Shane Eagle and Frank Casino. Or DJ Dimplez’s Way Up, an instant classic that brought kasi rap to the forefront? These tracks were the soundtrack of a culture rising.
As I reminisce, I can’t help but think about how these albums connected me personally to the culture. Tracks like DJ Sliqe’s Do Like I Do gave me my first taste of Kwesta’s kasi brilliance whilst bringing kwaito nostalgia with the addition of Flabba’s verse, while DJ Vigilante’s God’s Will opened my ears to AKA and K.O’s cosmic synergy birthing a strong collaboration( think of Run Jozi) . Through these collaborations, these DJs were doing more than making music, shaped narratives, shed a light on talent, and curated cultural moments that have lived far beyond their time on the charts. Beyond being curators, DJs were the true A&Rs, connecting the dots in a way that reshaped the industry and introducing us to new talent.


2024: The Revival of DJ Albums


Now, after a period of relative quiet, DJ albums are back, and they’re demanding more attention. While the format waned in recent years, its influence still lingers. I believe a revival is brewing in South African Hip Hop, led by two visionaries: DJ Sliqe and DJ Clen. In fact, this revival has sparked so much controversy and attention, with fans pinning the two DJs against each other.


DJ Sliqe: A Legacy in the Making

In Picture: DJ Sliqe


When you talk about consistency and vision in South African hip hop, DJ Sliqe is a name that commands respect. From his early days with Injayami Vol. 1 to his groundbreaking collaborations like Champion Music with Maglera and 25K, Sliqe has built a catalog that’s both timeless and forward-thinking.
His latest offering, Injayami Vol. 3, is a masterpiece of duality. The album’s two sides are a perfect metaphor for the diversity of South African hip hop. Side A dives deep into pure hip hop lyricism, featuring heavyweights like Cassper Nyovest and Emtee alongside emerging talent like The Qwellers. Side B, on the other hand, pays homage to the vibrant, bass-heavy Afro Kwaito sound that fuels dance floors across the nation. Together, the album tells a story of South African Hip Hop culture that thrives in its contrasts.
What makes Sliqe truly remarkable, though, is his ability to stay relevant while pushing boundaries. Each track is a celebration of South African identity—layered with dialects, sounds, and textures that feel like home. I mean, who ever pictured The Big Hash rapping in vernec, Dj Sliqe has made that happen with Injayam Vol 3 on the opening track titled “Family Binnis”.


Listen to “Injayam Vol 3” here

DJ Clen: The Alchemist of Vibes

In Picture: DJ Clen


DJ Clen burst onto the scene in 2023 with Viral, a project that turned heads for its sharp storytelling and seamless collaborations. Executive-produced by A-Reece, Viral was an introduction to Clen’s artistic philosophy: to bring together the old and the new, the polished and the raw. This release was led by the release of “Rollin” a groovy summer song featuring the Mataboge brothers, A-Reece and Jay Jody and Alexandra’s RnB sweetheart, Marcus Harvey. This single, is what made DJ Clen the vibe alchemist.


With his latest project, Too Viral, Clen doubles down on his role as a tastemaker. The album boasts a lineup that balances heavy hitters like Stogie T and Blxckie with up-and-coming voices like Kane Keid and K-Rev. The result is an album that feels fresh, thoughtful, and unmistakably hip hop. Clen understands something fundamental about music: it’s not just about who’s hot right now but it’s about who’s got something to say. He delivered collaborations that raised eyebrows, imagine seeing A-Reece and Moozlie on a record together? I wouldn’t have pictured that but their collaboration on “Tiffany Blue” was nothing short of amazing. And that’s what DJs do, they open our ears to collaborations we thought weren’t possible.

Listen to “Too Viral” here


Why DJ Albums Matter More Than Ever?


This revival of DJ albums couldn’t have come at a better time. South African hip hop is at a crossroads, battling for airtime against AmaPiano while working to redefine its commercial identity. But this is also a moment of opportunity—a moment when the genre’s resilience and creativity are shining through.
New voices like KindlyNxsh, Kane Keid, Slim Dumpie and K-Rev are breaking through, and the return of DJ albums gives them a platform to be heard. These projects create space for experimentation and collaboration, bridging gaps between regions, styles, and generations. They remind us that hip hop, at its core, is about unity.


There is a deeper cultural significance that comes with DJ albums. For years, DJs have faced criticism for becoming too complacent, sticking to formulaic sets, and fading into the background. But with albums like Injayami Vol. 3 and Too Viral, DJs are reclaiming their place as cultural leaders. They’re proving that they’re not just selectors : they’re creators, curators, and connectors.


Looking Ahead


With DJs like Sliqe and Clen leading the charge, the future of South African hip hop feels exciting again. And they’re not alone. New wave DJs like AudioMarc and LesediTheDJ are stepping up, releasing their own music and proving that the DJ album format is here to stay. This influence is beyond just music. It’s about identity. It’s about giving hip hop the space to evolve while staying true to its roots. The DJs aren’t only curating playlists, but curating culture, telling stories that need to be heard, and making sure the voices of tomorrow get their chance to shine. South African hip hop has always been about resilience. And with this new wave of DJ albums, it’s clear: the culture is alive, and it’s only getting stronger. This just proves that DJs have a bigger role to play in Hip Hop, they are more than background figures, they are the nucleus around which an entire culture spin.

“Blxckie, Lowfeye, and LaCabra Unite to Open the Sunroof”

“Why do girls like you? It must be the personality, ’cause it’s definitely not the looks,Blxckie joked in a throwback video. But here’s the twist: he wasn’t lying. Blxckie, also known as Somnyama or King Bhuxuza, has parlayed his magnetic, funny, and down-to-earth persona into a brand that resonates far beyond music. From voice clips on TikTok to his engaging Instagram Lives, he’s proven that personality isn’t just a bonus, it’s a secret weapon. His humility and drama-free vibe have unlocked countless doors, leading to powerhouse collaborations like the latest with Durban’s rising stars, the two brothers from the Qwellers collective: Lowfeye and LaCabra , on Sunroof.

Sunroof Cover Art

In hip-hop, beef may grab headlines, but collaborations build empires. Durban’s hip-hop scene thrives on this ethos. Artists like the Qwellers are redefining the game with partnerships that showcase the region’s creative force. Their work with Sjava set a high bar, and now their collaboration with Blxckie on Sunroof raises it even higher. Sunroof, a track that’s been buzzing since its October teaser is a defining moment for Durban trap. This highly anticipated single leads the charge for Blxckie’s See U Soon deluxe edition, set to drop on November 29th.

See U Soon Deluxe cover art


Sunroof is a straight-up trap masterpiece, built on a foundation of hard-hitting 808s and ethereal, bell-like percussion courtesy of Brotherkupa’s production. Blxckie: Durban’s golden boy steps into the spotlight with his signature finesse, delivering both the hook and verse in Zulu. The infectious hook, “Vul’iSunroof bang’bone,” is a melodic earworm that translates to “open the sunroof so they can see me.” The imagery is effortlessly cool; a flex we’ve seen on international stages, but here, it’s steeped in Durban’s unique flavor.


Lowfeye and LaCabra, enter with verses that amplify the song’s unapologetic braggadocio. They rap about the being fly and their drip all delivered with an irresistible Zulu flair. Their dynamic flow and chemistry bring Sunroof to life, making it impossible not to nod your head or tap your feet. Sunroof is the kind of song that moves you both physically and emotionally, leaving no room for indifference.“Nobody fly cause they know I’m Bermuda”, Lowfeye ends the verse with dominance that suggests that his energy and style is unparalleled and he’s a force of nature like the Bermuda Triangle.

Somnyama closes the song with a verse that is a masterclass in bilingual lyrical finesse, a skill he’s honed on tracks like Popolile by LeoDaLeo and ANGIDLALI NANI by MSI. He starts off his verse by contrasting the pursuit of financial success with the futility of idle chatter, grounding the verse in a message that’s both aspirational and relatable. As always, his signature “Ye, Ye, Ye” ad-lib punctuates his delivery, adding a layer of charisma, while the Qwellers’ distinct “Qwel It” ad-lib weaves seamlessly into the background as he describes the camaraderie of chilling with the Qwellers. The verse paints a vivid scene of a high-energy night: a mix of performances and indulgence in fine liquor and meeting women. 

Sunroof stays true to the signature Durban trap style while carving a path into the broader South African and possibly global hip-hop landscape. This is the kind of song that births TikTok challenges, sparks dance floors, and cements its place on year-end playlists. Durban has been making waves this year, and Sunroof makes a contribution to Durban’s hip-hop renaissance. With Blxckie leading the charge and the Qwellers adding their fire, it’s clear Durban is making its way into becoming the hub for South African Hip Hop. The song is a conflation of Blxckie’s star power and the Qwellers’ undeniable talent and proves that collaboration truly is the secret sauce. Together, they’re putting Durban on the map as a hub for creativity and unity.

So, roll down the windows, open up that sunroof, and let Sunroof blast on repeat. The world is watching Durban, and they’re doing it in style.


Presave “See U Soon Deluxe” here: https://t.co/nt3WHCGD3X


Ima Crystals Invites Us Into Her Cinematic Universe With Her Latest E.P “Playing Games with Crystals”

Soundcloud has long been a treasure trove for unearthing raw, unfiltered talent: a digital oasis for discovering artists whose voices echo across the globe. Among its underappreciated riches lies a rising star from Eswatini: rapper and hip-hop artist Ima Crystals, born Lulama Nkosi. Rightfully dubbed a “268 gem,” Ima Crystals is carving her name into the ever-evolving tapestry of alternative African rap.

In Picture: Ima Crystals


A self-proclaimed movie and gaming enthusiast, Ima Crystals is crafting immersive experiences. Her debut extended play (EP), Playing Games With Crystals, dropped on November 11th and is a love letter to her cinematic and gaming passions. This five-track project follows a slew of unofficial Soundcloud releases such as I C, Star Signs, and Venus, each offering glimpses into her eclectic artistic mind.


A Cinematic Soundscape


At its core, Playing Games With Crystals feels like a high-octane video game with a Hollywood-worthy plot. The EP draws heavily from iconic inspirations like the 1983 cult classic Scarface and the nostalgic chaos of Grand Theft Auto: Vice City. Crystals explained, “It was easy to incorporate the video game theme since Scarface influenced so much of GTA: Vice City, which I spent countless hours playing on the family PC. Fun fact: there’s even a Scarface video game!”

In Picture: Ima Crystals


The EP blends alternative, trap, and hip-hop elements into a hypnotic, animatic experience. “I wanted listeners to feel like they’re in a video game or even a character in one,” she shared. Her admiration for Scarface’s Tony Montana shines through: “Everyone who loves Scarface sees a part of themselves in Tony. That’s what I wanted—to channel his ambition and tell my own story.”

Playing Games With Crystals Artwork designed by Trent Nicks & shot by Spen.Visuals.


Clocking in at just 13 minutes, this cinematic adventure features dynamic production from collaborators such as Trent Nicks, Trevor Triz, and BVDAP3ST, each track exploring a distinct emotional and musical terrain.


Track by Track: A Deep Dive into Ima Crystals’ Cinematic Universe


Starface with Trent Nicks


Opening the EP with a bang, Starface is a gritty nod to Scarface. Inspired by Brian De Palma’s Scarface, the song is a high-octane blend of trap beats, punchy 808s, and Ima’s razor-sharp lyricism. With rapid-fire delivery, she likens her business acumen and unrelenting ambition to that of Tony Montana, the ruthless yet charismatic anti-hero played by Al Pacino. Over punchy 808s and trap-infused beats, Ima delivers machine-gun flows that showcase her hustle and ambition. She channels Tony Montana’s iconic line, “The eyes, chico. They never lie,” reflecting her belief in authenticity and sharp instincts, this makes Starface as cerebral as it is cinematic.


Mapped


Mapped slows things down for a moment of raw introspection. Originally crafted for fellow Eswatini artist Ayandah, the track offers a glimpse into Ima’s personal journey. The minimalist beat, punctuated by subtle trap flourishes, serves as a reflective canvas for her narrative. Crystals declares her relentless pursuit of global success with lines that drip with both vulnerability and determination: “I’m after the whole world and everything in it.” The track’s restrained production highlights her lyrics, allowing her storytelling to shine as she maps out her trials, triumphs, and unyielding ambition. It’s the kind of song that resonates deeply, pulling listeners into her world one contemplative bar at a time.


Girl Character


Enter the Leo energy! On Girl Character, Ima Crystals unapologetically flexes her magnetic charisma and creative brilliance. She crafts a fiery anthem celebrating self-worth, confidence, and the art of manifestation, laid over a beat that commands attention with its understated confidence. Ima Crystals boldly flexes her creative prowess and magnetic aura. With a swagger that leaps off the track, she details the unstoppable force of a woman in her element. Lines like “I’m one of one. No one is like me” radiate unapologetic self-assurance, making this track a rallying cry for anyone who needs a boost of confidence. Crystals balances playful braggadocio with heartfelt affirmations, creating a song that uplifts while exuding undeniable star power.




Bodies


On Bodies, Ima Crystals steps into a reflective yet confident mode, delivering a track that is as self-assured as it is deeply personal. The song rides a seamless blend of trap and melodic rap, featuring lush production that accentuates her versatile flow. Ima explores themes of self-worth and resilience, recounting industry struggles with lines about unpaid gigs and missed opportunities. Yet, rather than lament, she transforms these experiences into fuel for her ambition. She weaves in aspirational dreams of working with Kid Cudi, while drawing bold comparisons between herself and iconic figures like Tony Montana and Superman. “I’m a boss,” she declares, reclaiming her narrative while confronting the challenges of being a woman in the game.Her lyricism exudes power, revealing layers of vulnerability and grit that make Bodies a multi-dimensional confidence booster.


Halloween Homocide with Trent Nicks


Closing the EP on a hauntingly cinematic note, Halloween Homocide feels like the climactic act of an epic movie. The track’s dark, delicate melody sets an eerie tone, with Ima delivering fiery bars that drip with venom and precision. Inspired by a real-life “sneak diss,” Ima turns anger into art, channeling her frustrations into this sinister and spine tingling masterpiece. The opening lyrics “Hol Up, Let Me talk my sh*t, f*ck that b*tch”, prove this anger even more. With her sharp delivery, she transforms into an anti-hero audiences love to root for—a woman unafraid to confront her demons head-on. As the drums slow toward the end, the production mimics a slow-motion sequence, amplifying the track’s cinematic quality. Trent’s cameo adds an extra layer of intrigue, solidifying Halloween Homocide as an unforgettable finale that feels like the climactic scene of a blockbuster and leaves listeners on the edge of their seats. The song is the perfect cliffhanger that leaves listeners wanting more of Ima Crystals.


A Quest for Identity


Playing Games With Crystals is a creative exploration of Ima Crystals’ identity and sound. By intertwining her personal passions with her artistry, she’s created a body of work that’s as fun as it is introspective. “This project was my way of figuring out my sound—and that’s the most beautiful part of it,” she said.


Each song on Playing Games With Crystals is a chapter in a story that’s as complex and captivating as Ima Crystals herself. From the audacious energy of Starface to the reflective depth of Mapped, the fiery confidence of Girl Character, the raw introspection of Bodies, and the cinematic drama of Halloween Homocide , this EP takes listeners on a journey that feels personal, profound, and yet unapologetically fun.


Whether you’re a hip-hop enthusiast, a movie buff, or a gaming junkie, Playing Games With Crystals invites you into Ima Crystals’ vibrant universe. One thing’s for sure: this 268 gem is one to watch, and she’s only getting started.


Ready to press play? Dive into Playing Games With Crystals and step into the world of Ima Crystals: a world where music, gaming, and cinema collide in dazzling fashion:

https://ditto.fm/playing-games-with-crystals