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The Khali Cartel 5 Cypher

Tela Wangechi
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The Khali Cartel 5 Cypher

Since its inception, Hip Hop has always been a cut throat game. In the 1970s the middle class families in the Bronx  were experiencing  financial difficulties as sources of employment had decreased with many businesses shutting down.The city’s economic decline was due to the decline of the manufacturing industry and construction on the Bronx Expressway. Fortunately a couple of people saw opportunity in the moment, the youth turned to the streets entertaining themselves with block parties. It was from these block parties that Hip Hop grew from.

Hip Hop has since evolved from then looking for ways to be commercialised but at the heart of the genre stands an original pillar, cyphers. Often with a sense of competition, the cyphers often give rappers a chance to showcase their wit with lyricism. In Kenya, cyphers have been at the back bone with integral cyphers happening at gatherings such as WAPI which resulted to the breakout of many rap stars including Khaligraph Jones and Octopizzo. Ironically, cyphers started getting attention in 2016. Khaligraph Jones released The ‘Khaligraph Jones Presents’ cypher consisting of Scar Mkadinali, Munga Mkadinali, Ridiq, Ares66. Strategically positioned Khaligraph Jones as the torch bearer of Kenyan Hip Hop as from here on, the cypher acted as the hallmark of the ‘Khali Cartel Cypher’ franchise.

With a total of five series, each cypher has acted as a breakout platform for at least an artist as normally bridges the old school and new school hip hop. In the start of “Khali Cartel 1,” Khaligraph Jones starts off “..it’s official what we are about to do right now ain’t something they’ve never seen before..” as if to foreshadow the cultural impact the cypher would have on Kenyan HipHop. From breaking out artists such as Wakadinali,Katapilla,Breeder LW, Shekinah Karen and more to paying homage to veterans such as Chiwawa and Abbas Kubass, the cypher has played an integral role in challenging the status quo in Hip Hop. With each cypher representing a core theme, it is the “Khali Cartel 2,” cypher resonates with more Kenyans till date. Released in 2019, the cypher had a stellar line up with Steph Kapela’s cocky rap, Timmy Blanco and Twenny Eights’ trap influences  , Katapilla’s riveting cadence and Xtatic’s iconic delivery. “Khali Cartel 3” followed suit and it couldn’t come at a better time as Kenyan artists were demanding media attention and better pay from the music collecting bodies “..while the people are working hard they busy taking the cake..” The #playKe which was amplified by Khaligraph Jones was the subject matter of the cypher and the presentation took a different look.

With the concept of a courtroom, Khaligraph Jones acted as a lawyer with rappers Bey T, Breeder LW, Silverstone Barz, Rekless and Chiwawa acting as the defendants against the music collection bodies. The rap format also changed as opposed to previous cyphers with Khaligraph Jones taking the back seat in delivering full verses. For me “Khali Cartel 4” was rather a let down after much anticipation. The artists lacked connection making the verses sound random. Despite that Katapilla and Shekinah had a thrilling back and forth that brought umph to the cypher.Unlike the previous cyphers, the contestants were picked off the Odinare challenge that saw hundreds of Kenyan rappers drop a verse for contention. While the mastermind behind the previous cyphers was Motif Di Don, for “Khali Cartel 4,” the beat was orchestrated by Ares66(an alumni of the original cypher), Vinc On The Beat and Khaligraph Jones. 

Over the past week, the fifth edition of the “Khali Cartel” cypher was released. Once again Khaligraph Jones was armed with a battalion of rappers and serving a new offering for the cypher. In 2019 Khaligraph Jones won the Best Rapper In Africa category at the Soundcity Awards and in his speech he stated the East has something to say. Once again a foreshadow. In the fifth installment of the cypher, Khaligraph Jones once again proved that he is the OG gluing East African Hip Hop. Backed by Abbas Kubass, Jakk Quill and Dyana Cods from Kenya, Mex Cortez and Fresh Like Uhh from Tanzania and Ruyonga from Uganda, he formed an all rap avengers who were hungry for the microphone.

Produced by Vinz on the Beat once again, the prolific rappers put out their best lines representing themselves and their country.The catchy opener “..it’s been over two years..’ followed with the kick and snare provide the perfect start to the much anticipated cypher that had been hyped for approximately two years. Rising star Jakk Quill ushers the floodgates with a gritty flow that reflects his time in the industry. With four projects to his name Jakk Quill came in hungry and assured to show his preparation for this moment. Speaking on an X space, he describes getting the beat from Khaligraph Jones as surreal. “I was debating whether to go back to Nairobi or to chill with my folks but immediately I got the beat. I packed my bags and wrote 80% of my lyrics on the way back,” Jakk explains in his ever calm demeanour. From his verse on the cypher you can tell Jakk Quill is calculated and intentional. His lyricism is a story of hours of passion and dedication as he accepts his glory with a stern face. 

Perhaps the pearl of Khali Cartel 5 if you are not careful some of his punchlines might get past you. From “..same neegers that said they’ll rap over Quill now they liplocked..” to ‘..FL over Pro tools schooling all these neegers everyday like I am posed to..” he might come off a bit egoistic but that’s the burden that comes with harbouring great talent. The selection of the rappers was very timely. Especially for breakout stat Dyana Cods who hit mainstream with timeless hit “Set It.” The exciting aspect of cyphers is it brings new personalities from rappers and we experienced that with Dyana Cods. Toning down her aggressive lyricism and gangsta spitting, she switched over to a sultry like whisper as she delivered her lines. Once again Khaligraph Jones secured a slot for women and we love to see it. Listening to Khali’s connecting bridge to Cod’s verse you get to see the sense of respect towards rappers who are female.

You couldn’t fail to ignore the cheeky punchlines from Uganda’s Ruyonga as he egotistical pumped his chest declaring himself “…the saint atheists idolize..” The linguistic switch from English to Luganda was thrilling as he boasted his proficiency in maintaining his tone and identity even with his language. The “Khali Cartel 5,” was a mix of blended energy and as soon as Fresh Like Uhh flowed on the beat, we saw what a rap protege looked like. With divine wordplay “..neegers on my nuts like oak trees, oh gees, ladies stay falling like oak leaves..” , and a lazy flow, Fresh simultaneously camouflaged with the 808s as he glazed over the kicks.

Mex Cortez’s delivery could simply be compared  to a breath of fresh air. Immediately addressing the beef between Tanzania and Kenyan rappers, he brushed it off claiming brotherhood in the industry was too important. Something only someone with a couple of years in the game would know. He gave out a chuckling moment when he referenced turning 22 be, a betting company, into 22 BETS. Listening to Abbas Kubass you get to understand what being a veteran means. He didn’t need to do too much or say too much. His presence was already a blessing to rap fans. His boombap and laid back approach to the beat made him the perfect curtain closer of the fifth edition of the cypher.

 Big shout out to Khaligraph Jones for consistently and actively trying to uplift not only Kenyan HipHop but East African Hip Hop. Still maintaining the objective of cyphers while commercialising them, he has been able to break out a number of talents in his sprint as a rapper. All in all for you to get the beauty of “Khali Cartel 5” I would advise you to tap into it more than just once. 

Listen to Khali Cartel 5

A Night to Remember: GRIXXLY’s Exclusive Listening Session for Bear With Me

Milliswa Vilane
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A Night to Remember: GRIXXLY’s Exclusive Listening Session for Bear With Me

On the 8th of March 2025, the city of Mbabane played host to an exclusive listening session for Bear With Me—the highly anticipated mixtape by Eswatini rapper and producer GRIXXLY. This release marks a significant moment for the artist, whose last project, As the Fruits Ripen, graced our ears in 2021. The mixtape’s title, a clever play on his name inspired by grizzly bears, hinted at a blend of strength and introspection that would soon unravel.


The session took place at Yini Loku, an award-winning hub for creatives in Eswatini, renowned for its artistic ambiance. The venue was tastefully adorned with captivating artwork and photographs of GRIXXLY, alongside the cover art of the mixtape. These elements created a pathway leading to a central TV screen displaying the cover art and a QR code for the mixtape’s pre-save link ahead of its official release on the 14th of March. The room buzzed with anticipation as prominent figures in the Swazi creative scene gathered, including podcaster Mzion, model Sakhile Simelane, Upscale Music’s Sibusiso “3T” Simelane, and a lineup of artists featured on the mixtape—Amarii, Swiss, Sarnilo, Lyrikal Busta, Mzwaa, and producer Fezi Simelane.

Attendees pictured by @msime.photography


The session commenced at approximately 16:30 with the intro track, “Bear With You”. Here, GRIXXLY laid bare the emotional weight of navigating doubt and disbelief—from both himself and those around him. What initially seemed like a narrative on romantic relationships quickly unfolded into a broader reflection on his journey through the music industry and life. The track, self-produced and layered with introspective lyricism, offered a raw glimpse into the artist’s psyche.

Bear with me tracklist pictured by @msime.photography


Following this, the atmosphere deepened with “I Talk to God About It”, a boom bap-inspired collaboration with Swiss. The track echoed GRIXXLY’s steadfast faith and conviction, reminiscent of earlier works like “Musawenkhosi”. The lyrics were confessional yet triumphant, weaving spirituality into a gritty hip-hop framework.


Between tracks, GRIXXLY and the session’s host, Mainstream, shared insights into the creative process behind the mixtape . The artist candidly revealed that Bear With Me was an exercise in creative freedom rather than a conceptually driven project. Experimenting with diverse rap styles—boom bap, trap, drill—GRIXXLY embraced versatility, proving that artistry flourishes without the confines of rigid themes.

Grixxly(left) and Mainstream(right) pictured by Msime.photography


The mood lightened with a trio of tracks: “Si Kasa” featuring labelmate Mzwaa, “No Mistakes” with Amarii, the recently released “Where I’m From” with PDotO and “Musawenkhosi”. These songs, previously released between March and February 2025, invited the audience to reconnect with GRIXXLY’s evolving sound. The lively sing-alongs were punctuated by questions about his signature “Ekse it’s too much” ad-libs—a hallmark that sets him apart in Eswatini’s hip-hop scene.


The energy surged with “Sheleni” featuring Lyrikal Busta and Sarnilo—an anthem about the pursuit of money . “Sheleni,” a SiSwati term for 10 cents, transformed into a metaphor for ambition and resilience. Sarnilo’s vocals soared, adding depth to the song and solidifying the track as a crowd favorite. This momentum carried through to “Nhloko”(Head in English ) featuring Oriiginelle, a fiery collaboration reminiscent of their previous works “Brema to Rio” and “A Thou Nyana”. The audience’s demand for an encore was a testament to the duo’s undeniable chemistry.

Grixxly pictured by @msime.photography


GRIXXLY’s willingness to explore diverse sounds was epitomized in “Sweep”, a track featuring Eswatini hip-hop DJ, Bay Bash. Its infectious beat, inspired by the likes of Drake’s “Sticky”, blended Jersey club influences with deep basslines, setting the stage for what could very well become a TikTok dance challenge, as suggested by the crowd. The fast-paced rhythm and hypnotic hooks hinted at GRIXXLY’s ambitions beyond the local scene, aiming for a global audience.


The mixtape concluded with “Kuanini”, a track produced by Fezi Simelane that seamlessly melded rap with the log drum. GRIXXLY’s heartfelt verses spilled over the beat, delivering a poignant yet uplifting close to the session. The fusion of genres not only showcased his versatility but also paid homage to the dynamic soundscape of Southern Africa.


As the final notes hung in the air the room breathed in a shared silence—heavy with admiration and the promise of more. Conversations got lighter and the audience was quick to appreciate the mixtape. With one attendee praising Grixxly for his versatility and another for his growth. If there’s one thing I learnt from Grixxly is that having fun while doing what you love is rewarding.

The audience giving a round of applause. Pictures by @msime.photography


With this mixtape, Grixxly goes above and beyond ; inviting us to bear with him the weight of dreams not yet realized but fiercely pursued. Bear With Me is indeed the resurrection of the Grixxly Bear. The question is: are you ready?

Bear With Me official cover art


Presave Bear With Me here :https://paradise.ffm.to/bear_with_me_

Kwelit LUV Mixtape Is A Masterpiece of Sonic Innovation and Artistic Excellence

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Kwelit LUV Mixtape Is A Masterpiece of Sonic Innovation and Artistic Excellence

Genre bending Ghanaian artist Kwelit is making waves in the music industry with his latest self-written, self-produced, and self-mixed mixtape, LUV. More than just a collection of tracks, this masterpiece is a bold declaration of artistic innovation—blending soulful melodies, intricate storytelling, and genre-defying soundscapes across ten meticulously crafted songs.

To bring his vision to life, Kwelit has assembled a talented group of collaborators. Tyler Leigh, a gifted vocalist from the United Kingdom, infuses raw emotion into Back in Your Arms, delivering a performance that perfectly complements Kwelit’s evocative songwriting. On The World You Were Born In No Longer Exists, Døku provides an ethereal vocal finale, seamlessly blending into the track’s haunting atmosphere.

Adding another layer of depth, Kwelit introduces his alter ego, Roknodbaby, on Sellin n Dealin. The two go bar for bar, showcasing his unmatched lyrical dexterity. Meanwhile, Kel66 effortlessly rides the hypnotic waves of Pixie Dust, enhancing the project’s sonic richness.

LUV is Kwelit’s magnum opus—a testament to his masterful production, intricate lyricism, and artistic depth. More than just an album, this project is an immersive experience that will be studied and admired for years to come. With LUV, Kwelit solidifies his place as an architect of sound, a curator of emotion, and a relentless innovator in the music industry.

MONEY BADOO SET TO RELEASE NEW ALBUM M$RYLUVSCMPNY WITH BRAND NEW LIVE SET, IN COLLABORATION WITH BAD WEATHER, PARADISE SOUND SYSTEM & CONCERTS SA

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MONEY BADOO SET TO RELEASE NEW ALBUM M$RYLUVSCMPNY WITH BRAND NEW LIVE SET, IN COLLABORATION WITH BAD WEATHER, PARADISE SOUND SYSTEM & CONCERTS SA

South African genre-bending artist Money Badoo, signed under Paradise Sound System, the label renowned for fostering cross-continental collaborations, is set to launch an electrifying brand-new live set in conjunction with the release of her latest album titled M$RYLUVSCMPNY. The live set, created in collaboration with the cutting-edge creative technology house Bad Weather Productions, promises an immersive, boundary-pushing experience that will captivate audiences and showcase Money Badoo’s innovative artistry. This exciting project will debut as a two-part series, supported by Concerts SA, on March 6th in Cape Town and March 7th in Johannesburg.

The new live set represents Money Badoo’s commitment to redefining the music experience in South Africa, blending striking visuals, dynamic performance elements, and her genre-defying sound. With a reputation for being one of the most vibrant voices in South Africa’s contemporary music scene, Money Badoo has continually pushed the envelope with her music, style, and live performances. This latest endeavor further cements her position as a trailblazer in the African music landscape. Additionally, the South African tour serves as a preliminary to Money Badoo’s first international tour, supported by Africa Rising Music Conference. Set for July 2025, this upcoming international tour will see her performing across Benelux, expanding her reach to global audiences.

M$RYLUVSCMPNY, is more than a project—it’s a journey of self-discovery, transformation, and resilience. Through music, visuals, and fashion, it tells a deeply personal story of navigating heartbreak, battling inner demons, and confronting the complexities of mental health. At its core, the project is about alchemy—turning pain into power, sadness into art, and isolation into connection. Led by Money Badoo, also known as ZAAK, M$RYLUVSCMPNY blends alternative hip-hop, R&B, and experimental sounds to create a world where vulnerability meets strength. It’s an open invitation to embrace the beauty in struggle and the light that comes from within, even in the darkest moments.

Produced by the finest names in South African hip-hop, including multi-award-winning pH Raw X, award-nominated MashBeatz, platinum-certified gTbeats, and the versatile NOTBENJAMIN, M$RYLUV$CMPNY delivers genre-defying beats infused with the vibrant energy of South African culture.

Money Badoo’s recent singles have made significant waves, with her breakout track “Don’t Call Me” debuting on 5FM’s Dance Chart in its first week, gaining airplay on YFM and Jacaranda FM, and amassing over 2 million playlist streams across 29 editorial and third-party playlists. Her exclusive video for “Don’t Call Me”, hailed by Texx and the City as one of the best indie videos of 2024, premiered on TRACE and captivated audiences with its vibrant, nostalgic visuals.

Her rise continues with over 750,000 playlist listeners for her latest releases and a growing international presence. A rework of “Don’t Call Me” features global stars Boban Marjanovic (Serbia), Haftbefehl, Gringo, and Dribbla (Germany), produced by Paradise AI Kitchen. This groundbreaking track combines cutting-edge AI-driven music creation with a global reach of over 4 million fans.Bad Weather, known for their expertise in crafting avant-garde creative concepts and live experiences, has played an integral role in curating the aesthetic, creative and technical elements of the live set. Together, they have designed an experience that transcends a traditional live show, incorporating state-of-the-art stage design, lighting, and audiovisual storytelling.

Tour Details: 

Cape Town: March 6th, 2025, in collaboration with renowned streetwear brand BROKE, Klubhouse.

Johannesburg: March 7th in collaboration with Rockets Music & 8th in collaboration with SEALAND store at 44 Stanley. 

Supported by: Concerts SA

Speaking about the upcoming live set, Money Badoo shared:

This project has been a long time coming, and I’m beyond excited to finally share it with my supporters. Partnering with Bad Weather and being supported by Concerts SA has allowed me to create something truly special. This is more than just a live show—it’s a celebration of the journey I’ve been on and a taste of what’s to come.

Supporters can expect a thrilling blend of old favorites and new material, with each performance offering a unique and unforgettable experience. Money Badoo is signed under Paradise Sound System, a label renowned for fostering cross-continental collaborations and elevating African talent on a global stage. Known for their out-of-the-box thinking and ability to craft memorable experiences, they have worked with some of the biggest names in the industry to bring visionary concepts to life.

About Concerts SA: Concerts SA is an award-winning project supporting live music in South Africa. Its Mobility Subsidy 2025 programme enables a diverse range of SA’s incredible musicians to tour across the southern African region. This programme receives funding support from the South African National Treasury’s Jobs Fund and the Southern African Music Rights Organisation (SAMRO) as part of the Festival Enterprise Catalyst (FEC).

Blocka Beats & PRXNCE Deliver a Rap Masterclass in ‘Three-peat’ EP

Tela Wangechi
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Blocka Beats & PRXNCE Deliver a Rap Masterclass in ‘Three-peat’ EP

When I first came across Block Beats’ new body of work it was a month since its release. It was the ominous production of ‘Spooky’ coupled by a black and white visual featuring PRXNCE  in his most cocky persona that piqued my interest. Blocka Beats is a seasoned producer in the Kenyan music scene bursting into the scene with  “Nairobi Yetu,” released in 2021. Since then he has been on an upward trajectory working with artists across a vast soundscape. From working with Swahili Papi, Hiribae, Karun, Hendrick Sam and more, his portfolio is a sea of wealth when it comes to community. Prior to releasing his latest body of work,”Three-peat,”he has released several body of works including “R&B:Roe&Blocka,” and “No Hooks Just Bars.”

“Three-peat” is a rap project revolving around Blocks Beats and PRXNCE, with appearances from the Shrap OG Jovie Jovv, Tokyo Sauce and Mvroe. The three songs in the EP sees PRXNCE more self assured than before as he bluntly raps “…last time nlishika L sikumbuki last time walikula L ni kama  juzi// I really am the best there is right now..” in ‘Spooky.’ It is evident that Blocks Beats has an ear for talent as he selectively curated an EP for his fans and lovers of rap. His keen detail to production is heard in  ‘Ongeza’ as he seamlessly blends Tokyo Sauce and Jovie Jovv’s personalities with Prxnce. The beat drop comes at the perfect time complimenting Tokyo Sauce’s voice. 

The collaboration between Blocka Beats and PRXNCE is the perfect thing I have heard in the Hip-Hop scene. PRXNCE has been the face of uptown rap when Kenyan rap started receiving local recognition. Over the years, Prxnce has established his position in the ecosystem with rap projects “Hitstape,” and  “Comeback SZN.” His laid back raps evolve in a different flow adding on his ability to switch between Swahili and English pique most listeners. Blocka’s production complements PRXNCE’s rapping style. His cadence and confidence are top tier as he sneers at everyone who doubted him while Blocka’s keen ear for sounds create a timeless body of work. ‘Ongeza,’ sees the listeners taken on a sonic journey with the placement of the instruments. As the song starts there is gradual progression of sounds involved from finger snaps to the signature drill beats. 

‘Stay Active,’ was released as the lead single featuring Mvroe. Immediately the song starts there is a sense of nostalgia that seethes through the production. The bass drum leaves an imprint as Mvroe steadily delivers the addictive hook doubled with a party boy aesthetic “..Everyday I cook like I am serving//I got lipgloss on both cheeks from two baddies..” PRXNCE goes on double or nothing in the outro track as Mvroe already set the pace. “..One time had a fling with a single mother almost had a stepson..” he cheekily states over the recurrent 808s. ‘Stay Active,’ perfectly sums up the three part EP on an upbeat production. 

“Three-peat,” serves as an assemblage of some of the strongest voices in the rap scene. Grammatically peat is the top part of the soil and serves as the most useful part since it has nutrients. Listening to the tape makes you feel that you are interacting with the top tier in the rap industry. 

Stream “Three-peat.”

The Intentional Seed: Kilihippie & The Swamiii’s Masterpiece of Conscious Rap

Tela Wangechi
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The Intentional Seed: Kilihippie & The Swamiii’s Masterpiece of Conscious Rap

In today’s fast paced world, music is continuously existing and more artists are existing in the ecosystem. From the emergence of Shrap, to the assimilation of drill and even submergence of old songs due to TikTok and Arbantone, the music scene is slowly morphing into an exciting scene. For many music listeners the Hip Hop scene has been facing a decline in terms of artists and fans. This shift happened during the CoVid-19 pandemic in 2020 and also when Drill dominated the better part of music in 2022, other than that very few significant events have been happening in the Hip Hop scene. Despite such shocking revelations, there are a couple of Hip Hop artists still pushing the art in the underground system. Touching on deeper topics such as sobriety, the government, pan africanism, religion and more. From Boi Blacc, 2.E, nNene K, Mikeey, Musa Kiama, and more, conscious Hip Hop continuously saves face. Late last year producer KiliHippie teamed up with long time collaborator The Swamiii for “The Intentional Seed.” A true diamond in the rough. 

Kilihippie and The Swamiii’s work speaks for them. With over ten years in the industry, the two have a couple of hard knocking singles on their sleeves. Thus “The Intentional Seed,” is another addition to their cannon of cathartic projects. Released in late 2024, the project lies on interactive soundscapes. Mellow productions coupled up by boom bap beats create an authoritative yet laid back experience. The duo have a laid back relationship where their art seamlessly blends into each other. Kilihippie as a producer has his strong points with one of them showing his artistic expertise in the creation of melodies as seen in ‘Global Thinking.’ The aggressive 808s create a depth with a repetitive body. 2.E forms the perfect addition to the trio as he comes with cold bars “..naskia preacher man mathugs naskia pia poko,” which loosely translates to him listening to opinions of everyone from religious leaders and prostitutes..” The song also points out their passion to the gamme as The Swamiii says “..Hip Hop is the movement told them imma make it through…” and 2.E states “..tumekuwa tukiroga kama Machoka tuko standard 2, hii ni ile rende iko passionate mapaka iliacha chuo..”

The Swamiii’s confidence occasionally oozes out. Whether it’s consciously or subconsciously, his cockiness is perfectly parallel to the persona in his songs. He proudly thumps his chest in ‘22nd Jump Street,’ with pristine audacity doubled up with self awe as he raps “..OGs hear me and sing hallelujah// top 2 and not 2 that’s not a caption that’s statement..,” indirectly throwing a middle finger to the mainstream media. His cheeky wordplay requires attention as experienced in the title song ‘The Intentional Seed.’  The second and last collaborator on the album is Boi Blacc who is no new cat in working with the producer-rapper duo. In ‘Growth Is Pain, Never Question,’ BoiBlacc and The Swamiii express thoughts on the different phases we experience in life. They sum up their POV of life with different philosophical beliefs such as Nihilism. From working hard and making a livelihood using music, the over consumption of capitalism and the constant need of giving yourself flowers are expressed in this single. Creating a warm and safe environment, Boi Blacc connects with his fans with bedrotting comparisons that we often relate to.

“The Intentional Seed,” tackles in depth themes in a calm way as The Swamiii casually lays  cocaine infused verses in ‘Penitentiary Philosophy.’ Once again the duo create another masterpiece. The hopeful yet sombre production immediately lays foundation for The Swamiii’s introspective narration. Serving as a double entendre, the penitentiary refers to an inner battle between good and evil, “..first name angel second demon.” while also trying to be morally upright creates a spiritual encounter “..they focus on the language while I focus on the message..” symbolzing his relationship with music is a spiritual journey. Kilihippie and The Swamiii create a perfect outro to the album. Ending on a high note, The Swamiii takes over the reign in Swahili lingo backed up by the victorious cymbals, once again, Kilihippie follows the beat switch style as observed in “New Balance.”

In conclusion “The Intentional Seed,” is a diamond in the rough creating a reference for one of the best conscious rap albums of 2024. The chemistry between the producer and the artist creates the synergy resulting in a well oiled machine. It surpasses a typical rap album with cheeky lines, collaboration, and definitely intentionality to the message passed .

Stream “The Intentional Seed”

DTX’s ‘Swag So Fresh’ (SSF): A Bold Fusion of Drill and Fashion

Tela Wangechi
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DTX’s ‘Swag So Fresh’ (SSF): A Bold Fusion of Drill and Fashion

DTX’s latest single, “SSF,(Swag So Fresh)” emerges as a compelling addition to the contemporary music scene, blending innovative soundscapes with profound thematic elements. Released in early 2025, this track encapsulates the correlation between music and the fashion disciplines.

At its core, “SSF” delves into the complexities of human connection in the digital age. The title, an acronym open to interpretation, invites listeners to embark on a acknowledgement of having on point fashion sense.The song’s narrative structure is observational. It examines the allure of virtual personas and the often-blurred lines between music, being a star and fashion sense. The artists: DTX, Buruklyn Boyz and Big Yasa masterfully portray the tension between the desire for authentic connection and the convenience of curated identities.The track is a seamless fusion of dark and omnious beats, ambient synths, and nuanced vocal modulations. This combination creates an immersive auditory experience that mirrors the song’s thematic depth.

The production quality of “SSF” is noteworthy. DTX employs a layered approach, where each sonic element is meticulously crafted to contribute to the overall narrative. The use of ambient sounds and dark beats serves to enhance the theme of human darkness, with glitches and synthetic tones symbolizing the imperfections and interruptions in communication.

The collaborative process brings a fresh perspective to DTX’s sound. “SSF” stands as a testament to DTX’s artistic evolution and commitment to producing music that resonates on multiple levels. Through its intricate blend of sound, theme, and visual artistry, the single offers a rich, immersive experience that prompts reflection on the complexities of modern existence. As listeners navigate the digital labyrinths of their own lives, “SSF” serves as a drill anthem making a mark in the drill community

Stream “SSF”

Grixxly Unveils Highly Anticipated Single “Where I’m From” Featuring South African Hip Hop Lyricist P Dot O

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Grixxly Unveils Highly Anticipated Single “Where I’m From” Featuring South African Hip Hop Lyricist P Dot O

On February 21st, 2025, fast rising and renowned Eswatini hip-hop artist Grixxly released his first single of 2025, titled “Where I’m From,” featuring South African hip-hop lyricist “Pdot O”. This powerful collaboration marks a significant milestone in Grixxly’s career as he gears up for his forthcoming sophomore project. 

Listen on Spotify

Song Overview 

“Where I’m From” is a poignant reflection on the artists’ roots and experiences growing up in their respective neighborhoods. The track features somber jazz-esque piano keys and occasional saxophone melodies that create a haunting yet soulful backdrop for Grixxly and Pdot O’s storytelling. Through their verses, they paint vivid pictures of life in Eswatini and South Africa, highlighting both the challenges faced and the resilience found within their communities. 

Collaborative Effort 

The partnership between Grixxly and Pdot O brings together two distinct voices from different regions of Southern Africa. Their lyrical prowess weaves a narrative that transcends borders while celebrating cultural heritage. This collaboration not only showcases their individual talents but also underscores the unity and shared experiences across African hip-hop scenes. 

Career Milestones 

Following an exceptional year in 2024 with hits like “Musa WeNkhosi” and “No Mistakes,” Grixxly made history by becoming the first Swati artist featured on Apple Music’s prestigious The Nadeska Show and being selected as the Africa Rising: Artist of the Week, further solidifying his position as a rising star in African hip-hop. 

This new single serves as an appetizer for Grixxly’s highly anticipated sophomore project, which promises to delve deeper into themes of identity, growth, and artistic evolution. Fans can expect more innovative storytelling over gripping beats that have become synonymous with Grixxly’s style. 

Stay connected with Grixxly: 

Instagram.com/gtixxly_official 

Twitter.com/Grixxlyofficial 

Svmora Unveils ‘Red Rose’(Freestyle): A Jazz-Infused Hip-Hop Journey of Healing and Self Discovery 

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Svmora Unveils ‘Red Rose’(Freestyle): A Jazz-Infused Hip-Hop Journey of Healing and Self Discovery 

Emerging artist Svmora is set to captivate audiences with his latest single(Freestyle), Red  Rose, a harmonious blend of hip-hop, rap, and jazz. This track thoughtfully samples Queen Latifah’s classic U.N.I.T.Y. weaving a narrative that speaks to the heart. 

In Red Rose, Svmora addresses a woman who has faced numerous romantic hardships.  Through his evocative lyrics and smooth rhythms, he encourages her to embrace self-love  and remain open to new possibilities. The fusion of jazz elements with contemporary hip hop creates a refreshing soundscape that appeals to a broad audience. 

Svmora’s elite approach to storytelling in music sets him apart in the industry. His ability to  merge different genres while delivering quality messages showcases his versatility and depth  as an artist. 

Red Rose is will be available on all major streaming platforms soon.

PLUG FROM THE STREET: GIDI CYPHER – Elevating Nigerian Rap Culture

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PLUG FROM THE STREET: GIDI CYPHER – Elevating Nigerian Rap Culture

The PLUG FROM THE STREET (PFTS) CYPHER SERIES proudly presents its debut edition: GIDI CYPHER. This initiative is more than just a rap session; it is a bold movement dedicated to uncovering and amplifying the voices of Nigeria’s most promising hip-hop talents.

With the Nigerian music industry experiencing a global renaissance, hip-hop remains an essential force shaping its evolution. PFTS: GIDI CYPHER aims to carve out a space where raw lyricism, storytelling, and authentic street energy take center stage. By spotlighting elite upcoming rappers, this cypher series serves as a launchpad for artists who embody the future of Nigerian rap.

The Mission Behind PFTS: GIDI CYPHER

At its core, PLUG FROM THE STREET: GIDI CYPHER is designed to be a game-changer for Nigeria’s rap culture. Here’s what the initiative stands for:

Discovering and Showcasing Talent
By traveling across Nigeria, particularly targeting universities and underground rap communities, the cypher identifies the best lyrical gems hidden within the country.

Providing a Platform for Excellence
With professionally curated beats, high-quality production, and a well-structured format, GIDI CYPHER gives rappers a chance to prove their lyrical dexterity, versatility, and storytelling ability.

Amplifying the Voice of Nigerian Rap
Nigeria has produced some of the most successful Afrobeats artists in the world, but hip-hop remains an underrated force. PFTS: GIDI CYPHER aims to change that by creating a go-to platform for the next wave of hip-hop greatness.

Expanding Beyond Borders
While the first edition focuses on Lagos (Gidi), the vision is to take PLUG FROM THE STREET across Africa, creating cyphers that unite the continent under one voice—the voice of raw, authentic, and unapologetic hip-hop.

The Stars of PFTS: GIDI CYPHER

Meet the lyrical powerhouses taking center stage in this cypher series:


JXCK FROST – The Icy Wordsmith
With a name as cold as his bars, JXCK FROST blends Afro-infused hip-hop with masterful lyricism. Inspired by icons like J. Cole, Kendrick Lamar, Eminem, and Nigerian legends like MI, Olamide, and Falz, he delivers razor-sharp storytelling and intricate wordplay. He is here to prove that African rap belongs on the global stage.

ENZZY BOI – The Afrobeat Lyricist
Bringing a fusion of Afrobeat and rap, Enzzy Boi is redefining what it means to be an African storyteller. His powerful anthem “Far Away” touches on depression, struggles, and resilience, while his Guinness World Record achievement for longest recording marathon proves his relentless passion for music.

FOZTER – The Battle-Hardened Champion
From rap battle competitions to viral online freestyles, Fozter has dominated the underground rap scene. With a résumé that includes top placements in the Monster Challenge, TomTom Challenge, Go Nigeria Challenge, Boomplay Pass The Mic, and Hennessy VS Class, he has earned the respect of industry titans, including MI Abaga and even Tech N9ne.

MANU3L – The Storytelling Visionary
Known for weaving intricate narratives into his music, Manu3l takes listeners on a journey with every verse. His ability to paint pictures with words makes him a standout in the cypher.

VWORE – The Technical Wordsmith
A master of flow and rhyme schemes, Vwore represents the essence of lyrical dexterity. His technical ability ensures that every verse he delivers is packed with depth and meaning.

ASTRUMM – The Pen Game Goddess
Formerly known as Storm, Astrumm is a lyrical beast with a background in biochemistry and a passion for sharp, thought-provoking rhymes. Inspired by Nicki Minaj, Eminem, Kendrick Lamar, and Fela Kuti, her freestyle on Amazing Klef’s SHOWOFF made waves, and her cover of Spyro’s “Shutdown” further solidified her as a rising star.

TOMMY PIZZLE – The Fearless Voice of the Streets
Representing Ijoko, Sango Ota, Tommy Pizzle brings the raw, unfiltered energy of the streets into his music. His aggressive delivery, socially conscious lyrics, and fearless approach to hip-hop make him one of the most captivating acts to watch.

Why PFTS: GIDI CYPHER Matters

Hip-hop is the voice of the people. It tells stories, challenges norms, and brings communities together. GIDI CYPHER isn’t just about showcasing rap talent—it’s about giving a platform to the voices that deserve to be heard.

  • It brings much-needed recognition to lyricists and rappers in a music industry dominated by Afrobeats.
  • It bridges the gap between underground rap and mainstream visibility, ensuring that raw talent doesn’t go unnoticed.
  •  It celebrates authenticity, culture, and skill, creating a movement that will shape the future of Nigerian hip-hop.

The Future of PFTS CYPHER SERIES

While GIDI CYPHER is the first edition, the PLUG FROM THE STREET CYPHER SERIES has ambitious plans. Future editions will cover more states and universities, bringing cypher sessions to different parts of Nigeria before expanding to the rest of Africa.

Additionally, the movement will evolve to include more genres, reflecting the diverse musical landscape of Nigeria. Whether it’s hip-hop, Afro-fusion, or drill, PFTS will always be about unearthing raw talent and pushing it to the forefront.

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