Following his critically acclaimed Photo Album and a streak of electrifying releases so far in 2025, Ghanaian rap luminary Lyrical Joe returns with his most personal and poetic body of work yet — I AM.
More Than Music — A Journey Into the Soul
I AM isn’t just an album; it’s a statement. A 13-track expedition through identity, purpose, and transformation, the project captures Lyrical Joe at his most raw, reflective, and refined. From healing and faith to hunger and societal commentary, each track peels back a layer of who he is — not just as a rapper, but as a man. With production credits from Phredxter, E.L, Jucixxx, and ATown TSB, the sonic texture of I AM is both grounded and global — blending trap, soul, highlife influences, and lyrical dexterity into a rich, layered experience.
“Holy Sky” – A spiritually charged standout merging heavy bars with soul-stirring melodies.
“Healing” – A raw, emotional dive into trauma, growth, and the pursuit of inner peace.
“Feed My Soul” – A conscious meditation on purpose over fame, driven by hunger and higher calling.
In a game often swayed by hype, Lyrical Joe stays rooted in substance. With I AM, he cements his place not only as a lyrical heavyweight but as a cultural voice pushing Ghanaian hip-hop forward with intention and integrity.
Coming out of the Federal capital territory of Nigeria, Mannie Tseayo is amongst the next generation of female artist shaping their own sounds from the . With her first single of the year, months after her critically acclaimed 5th project ‘Grey: The Deluxe’. Main Character Syndrome is a song about believing in one’s self. She blends her angelic singing with hard bars and her co-conspirator, Kinj K.A.D.E delivers soul soothing vocals in his typical R&B style.
Hip-hop artist and lyrical truth-teller Oriiginelle just released her latest single, “Nguwe”, featuring South African rap heavyweight Jay Jody. Produced by the genre-defying sound architect thatsnotverynice, the single offers a magnetic blend of vulnerability, sensuality, and sonic innovation.
“Nguwe,” meaning ‘It’s You’ in siSwati, is a hypnotic ode to desire, deep connection, and Black love—wrapped in a beat that blurs the lines between R&B, trap, and alternative hip-hop. Oriiginelle’s poetic flair meets Jay Jody’s smooth delivery, creating a dynamic interplay between intimacy and swagger that lingers long after the final chorus.
“This track is for the lovers, the feelers, and everyone who’s ever melted into the presence of someone who makes the world stop,”
Working with Jay Jody and thatsnotverynice brought a whole new energy to what I was trying to express—raw, sexy, but honest.”
The single marks Oriiginelle’s boldest collaboration yet, and further establishes her as a voice shaping the sound of queer Black expression in hip-hop across Southern Africa.
“Nguwe” is available on all major streaming platforms now.
Paxslim is yet another testament to the fact that African continent is breeding the next generation of global Trapstars, his latest album D5NCIN is a bold statement of an artist focused on his style and craft. Paxslim is Nigerian periodt. From the streets of Lagos to the world., Paxslim is proving that African hip-hop isn’t just watching the global stage — it’s taking over it. On his latest project D5NCIN, the Nigerian-Swiss rapper brings confidence, purpose, and groove in equal measure.
The album kicks off immediately with an D5NCINintro that depicts Paxslim’s style then straight to 2WEEKS a trap banger with the video out on YouTube.
There’s only one feature on the D5NCIN project and its only guest appearance a feature from French rapper Sherrifflazone, who brings his unique brand of DMV-inspired energy laced with a Francophone twist. Much like how artists like Serane have flipped the plugg sound into something distinctly European, Sherrifflazone runs the pulse of Washington, D.C.’s crank music through a French lens, landing as a natural match for Paxslim. Their collaboration, “PAC FLIP,” is a cross-cultural exchange that feels organic rather than forced. Sherrifflazone’s raw, French-language verses cut sharply against Paxslim’s elastic English delivery — a bilingual bounce that feels like a sonic handshake between Paris and Lagos, via Zurich. It’s a perfect example of the kind of borderless creativity Paxslim thrives on.
Elsewhere on the album, Paxslim continues to push his versatility. He glides effortlessly over the triumphant horns and blown-out drums of “JUST HERE TO PARTY,” a track that wouldn’t sound out of place in a set with Ken Carson or Yeat — except with a distinctly Afroeuropean flavor. Then there’s “NO TROLLS,” where he navigates moody piano chords and heavy, dragging drums with a cool detachment. “My bad for hurting your feelings, you triggered,” he shrugs, delivering one of the album’s most nonchalantly dismissive bars before coasting into the line: “I been having a good time, I don’t see no trolls.” It’s a flex rooted not in aggression, but in peace — and it lands all the more powerfully for it.
Whether rapping in English or trading bars with French-speaking collaborators, Paxslim isn’t just experimenting — he’s building something new. D5NCIN makes it clear: this is the sound of an Afrofusion future, where street rap, club music, and continental influences collide without apology.
On tracks like “MOTIVATION”, Paxslim spits with the urgency of someone who knows he’s not going anywhere — because he’s already arrived. “Do not think I’m going somewhere, yes, I’m just ‘round here to stay,” he raps with a razor-sharp delivery over piano stabs and syncopated handclaps that feel ready-made for drill playlists but still unmistakably African in bounce.
The production on D5NCIN blurs lines between worlds — borrowing textures from Atlanta trap and Afrobeats, but never sounding like a copy of either. Paxslim fuses heavy 808s and Afrocentric drum patterns into something fresh — a sound that’s as likely to slap in Accra as it is in Atlanta.
In the ever-evolving landscape of global Hip-Hop, few artists carry both the grit and grace of a generational voice.
Enter TELMAN — the official RADARMan of RADARCharts, a creative visionary who is about to shake the scene once again with his upcoming single, “BLACK N WHITE,” dropping on June 6th, 2025.
More Than Music: The Rise of a Movement
Born Chukwuemeka Rich Ifeanyi, TELMAN is not just another rapper. He is the front runner of the RADARCharts company and union — a symbolic torchbearer for a movement rooted in creativity, confidence, and cultural authenticity. His emergence signals not just a sonic evolution, but a shift in the entire creative economy of West Africa.
His artistry is shaped by faith, family, and fierce originality. Raised in Akpugo, Enugu State, Nigeria, TELMAN channels the introspective poise of Dave, the emotional texture of Drake, and the raw spirit of Nasty C, fusing melodic trap with poetic precision.
What to Expect from “BLACK N WHITE”
From the teasers and early listening sessions, “BLACK N WHITE” already feels like a declaration of independence. Produced by the genius Tytaan, the track is an autobiographical burst of energy, addressing jealousy, self-awareness, and personal growth.
Lyrically, it’s a punchline-heavy, emotionally reflective anthem that challenges conformity — “I don’t see myself in their midst black and white,” TELMAN raps, delivering a message that’s both personal and universal. It’s the kind of record that hits immediately, but also rewards deeper listens.
Self-Belief as a Weapon
TELMAN himself describes the track as a tribute to self-confidence and respect. Sparked by a real-life moment of being doubted, “BLACK N WHITE” is a response without retaliation — a step back instead of a swing. In his words, “when you’re so aware and confident in yourself, no one can really make you feel bad for being different.”
This is not just a song—it’s a statement. One that fits perfectly within the mission of RADARCharts to amplify undiscovered gems and foster global-scale storytelling through music.
From Campus Stories to Cultural Shifts
“BLACK N WHITE” has roots in university gossip, but blooms into a worldwide narrative. TELMAN’s creative process for this record was swift, yet intentional—built from experience, charged with emotion, and packaged in a sound that speaks volumes.
He’s not just giving us music. He’s giving us therapy, motivation, and a mirror.
What’s Next: The Vision
The release of “BLACK N WHITE” will be followed by a feature on TALK TO US Magazine, where TELMAN dives deeper into his journey, his mindset, and his goals. Expect exclusive insights and behind-the-scenes looks at how the RADARMan is shaping the future of African music, fashion, and visual storytelling.
As TELMAN puts it: “I’m not just chasing greatness—I’m designing it.”
Rising South Africa Hip Hop artist Bad Milk just released her bold new single “Both Sides” a thought-provoking track that confronts the curated realities we craft online versus the truth behind the screen.
With haunting vocals and raw lyricism, Both Sides peels back the glossy filters of social media to explore the emotional disconnect between how people present themselves digitally and who they are when no one’s watching. It’s a moody, melodic confrontation with the masks we wear — honest, vulnerable, and unafraid to ask the uncomfortable questions.
“Fake in real life and they’re different on the phone,” says Bad Milk. “Both Sides is about that tension — when you start to realize the person online isn’t the same one standing in front of you.”
The track blends moody production with sharp, introspective writing, cementing Bad Milk’s voice as one that resonates with a generation navigating identity in the digital age. This release follows a string of underground successes and marks a significant evolution in her sonic and artistic journey.
“Both Sides” will be available is now available on all major streaming platforms
“Vice Versa” is a collaborative masterpiece that unfolds the compelling narrative of President Zik and Hotyce, two hip-hop artists hailing from contrasting hometowns—Zaria and Abuja, respectively. Across 11 dynamic tracks, the duo navigates the complexities of their divergent journeys, seamlessly blending their lyrical ability and undeniable chemistry.
As the album unfolds, listeners are immersed in a sonic journey that mirrors the Yin and Yang of their experiences. President Zik’s rise from the intimate embrace of Zaria to the bustling energy of Abuja echoes the profound journey of self-discovery, while Hotyce’s transition from the heart of Abuja to the vibrant tapestry of Lagos adds another layer to the narrative.
“Vice Versa” delves into the strength found in the perfect balance of opposing forces, portraying the duo’s unity as two sides of the same coin. With each track, they complete each other’s bars and choruses, painting a vivid picture of unity despite their disparate origins. The album stands as a testament to the transformative power of collaboration and the harmonious blend of diverse perspectives. Through the music, President Zik and Hotyce invite audiences to explore the dynamic interplay of opposites, making “Vice Versa” a resonant and unforgettable musical experience.
Centurion-born artist Oxii Moron is back with a brand new single titled ‘WASTE OF TIME’, featuring rising R&B talent Fentse., and it’s one for anyone who’s ever been caught up in a toxic relationship. This follows his Apple Music charting EP ‘The Decompress: Solace Edition’ which has received over 200 000 streams since its November 2024 release.
The song was first teased on Instagram in early 2024, sparking interest from fans and listeners who had anticipated a 2024 release, however due to his desire to ensure the song was delivered in the best way possible, he knew the right feature would be pivotal in regards to what the song holistically becomes, hence the duet-style with Fentse..
The track tells a two-sided story: Oxii Moron delivers his side from a male perspective, reflecting on a relationship he tried to hold onto despite knowing deep down it wasn’t real. On the other hand, Fentse. shares the female experience of heartbreak, placing blame on both sides for a love that turned sour. It’s a relatable, modern-day take on love that has gone wrong, with raw, honest lyrics that speak to today’s youth.
For every listener who ever felt like they wasted their time with a relationship or friendship, this song will feel like the artist’s are writing to them directly, the song explores the dynamics
Mogwadi Onthatile Lelake, known as Oxii Moron, is a South African singer, songwriter, producer, and qualified sound engineer from Centurion. Born in 2003, his passion for music was sparked by his father’s involvement in a choir but truly took shape in 2017 when he started producing and recording his own music.
After dropping his first tracks on SoundCloud in 2018, Oxii quickly built a loyal following. By 2020, he released three EPs during lockdown, earning over 40,000 streams per project on Apple Music and Spotify, and cementing his name in the underground scene.
In 2021, his single Animosity premiered on Channel O, followed by his EP The Fainted-Heart. His breakout came in 2022 with Lord Knows I Tried, which landed on the Apple Music South Africa Top 30. That same year, he signed to Evolving Music Group and dropped Post-Love Clarity, which charted across several African and international Apple Music charts.
Oxii closed 2022 with 423,000 Apple Music streams, 281,900 Spotify streams, and his first MTV Base interview. Known for blending R&B, soul, and alternative influences, Oxii Moron is steadily carving out his lane as one of SA’s most promising new talents.
Nigerian hip-hop is experiencing a renaissance, and at the heart of this lyrical revolution is one of the very few females Gneric, a fierce voice from Edo State whose conscious flows, poetic delivery, and fearless expression are rewriting the narrative for women in rap. On April 25, 2025, Gneric solidifies her rising star status with the release of her deeply personal new EP, I Found My Sound — a powerful four-track journey of introspection, resilience, and raw expression.
A Battle Rapper Turned Wordsmith of Emotion
Gneric’s roots lie in Nigeria’s underground battle rap circuit, where she earned her stripes exchanging bars with lyrical titans like Dabu The Gemini. But since her recorded music debut in 2023, she’s been more than just a skilled MC — she’s become a storyteller for a generation seeking truth. Her music reflects the echoes of her idols — Lauryn Hill, Erykah Badu, and Little Simz — yet it remains uniquely hers: filled with honest vulnerability, grit, and Nigerian soul.
In her own words, the making of I Found My Sound was “a rollercoaster of emotions,” a process in which each track mirrored the peaks and valleys of her personal evolution. From the effortless magic of “Road” — crafted during an impromptu studio session with Northern Nigeria’s lyrical titan ILLANOID — to the meditative, spoken-word driven “This Spot,” Gneric isn’t just making music. She’s making statements.
“Many people don’t understand why I combine spoken word with my music,” she reflects. “My background as a battle rapper has opened me up to new ways of expression. Battle rap is poetry to me.”
The project is further elevated by collaborations with two powerful artists: ILLANOID, a Northern Nigerian rap icon and battle rap veteran whose pen is as sharp as his self-awareness. His gritty cadence on “Applaud” brings balance to Gneric’s introspection — fusing street wisdom with lyrical precision.
Ànesi, the Cameroonian-born, Nigerian-raised genre-bender, brings her Trapiano magic to the mix. Known for her haunting melodies and Billie Eilish-inspired emotional depth, Ànesi adds a rich layer of soul to the project’s sonic palette.
Gneric’s Mission: Expression Without Limits
“I want people to connect with me in diverse ways,” Gneric explains — and that intention is clear. Whether it’s the empowering bounce of “Applaud,” the energizing affirmations of “Activate,” or the contemplative mood of “This Spot,” I Found My Sound feels like a body of work that refuses to be boxed in.
If 2024 was the buildup, 2025 is the breakout. Nigerian-born artist and boundary-pusher FeyoTheGenius isn’t waiting around for recognition — he’s demanding it with When It’s Time For Action, a gritty, emotionally layered two-pack that doubles as both a street manifesto and an artistic reintroduction.
Feyo’s message is clear: no more stalling, no more distractions. The time to move is now.
A TWO-SIDED COIN OF CHAOS AND CLARITY
The release opens with “Time For Action” — a relentless, drill-driven joint featuring Vr1zz and Makama. From the first few bars, the tension is thick: cinematic synths snake through bone-rattling drums, setting the stage for verses that pulse with urgency. Vr1zz attacks the beat with sharp intensity, while Makama injects a grounded, street-hardened realism. Together with Feyo, the trio delivers a track that feels like marching orders from the frontlines — militant, emotional, and unshakably focused.
Flip the coin, and you land on “I Lost My Feelings For You”, a vulnerable yet cold reflection on ambition’s emotional toll. Featuring the melodic stylings of Plvyboi Pluto, the track trades raw aggression for introspection, exploring what happens when feelings fade in the pursuit of greatness. It’s a slow burn with heavy replay value — showing that Feyo’s war isn’t just external, but internal too.
FEYOTHEGENIUS: MORE THAN A NAME, A MISSION
At a time when many artists chase trends, FeyoTheGenius is creating his own lane. Born and raised in Nigeria, and now reaching across continents, Feyo blends global influences — hip-hop, afrobeats, drill, alternative R&B — into something uniquely his. But more than just the sound, it’s the purpose that separates him.
Every bar, every beat, every drop carries intention.
“This drop is for the ones who know what it means to move with purpose. No more talking. It’s action time.” – FeyoTheGenius
With a name like “The Genius,” expectations are naturally high. But what Feyo proves with this release is that the genius lies not just in the craft — it’s in the clarity of his vision.
A CLOSER LOOK AT THE FEATURED HEAVYWEIGHTS
Vr1zz brings calculated energy and sharp lyricism, delivering verses that punch hard without wasting words. A perfect complement to Feyo’s cinematic aggression.
Makama adds depth with his storytelling. His delivery on “Time For Action” is more than a feature — it’s a voice of lived reality.
Plvyboi Pluto floats on “I Lost My Feelings For You” with a haunting vocal performance. His blend of melody and melancholy captures the emotional fallout of success with painful accuracy.
WHY THIS RELEASE MATTERS
When It’s Time For Action isn’t just two songs — it’s a line in the sand. It shows us who FeyoTheGenius is and where he’s going. It’s a project that balances the dualities many artists struggle with: strength vs. softness, grit vs. grace, survival vs. soul.
And in an era where attention is currency, Feyo is giving people something worth listening to — something that demands your attention, not just asks for it.
![[MUST LISTEN] President Zik x Hotyce- Vice Versa](https://hiphopafrica.net/wp-content/uploads/2025/05/IMG_2524-768x768.jpeg "[MUST LISTEN] President Zik x Hotyce- Vice Versa")
