South African Platinum-selling rapper Sastii and member of the fast rising South African collective Qwellers kicks off 2025 with undeniable heat. Coming through with a double music video drop off his latest 3-pack intimate EP. Sastii delivers the official visuals for “SupaSenorita” and “QWHIMSKII” This attests to the hard work of Sastii and the hardwork the Qwellers has been putting in since their inception.
These two videos showcase Sastii’s sharp versatility and his unique style—balancing romantic smoothness with off-kilter flair. “Supa Senorita” is a wavy love anthem wrapped in silky melodies and Latin charm, while “QWHIMSKII” taps into the surreal, left-field energy that made fans fall in love with The Qwellers’ mystique in the first place.
“QWHIMSKII” now on YouTube.
Visually, both drops are cinematic, stylish, and soaked in character—further cementing Sastii’s rep as one of the most creative minds in the game right now.
This back-to-back visual rollout sets the tone for what’s shaping up to be a massive year for Kakapani. First quarter pressure applied. Hard.
Fast-rising rapper Jozzy2pf is set to make a powerful entrance into the music scene with the release of his debut single, “No Fakes,” which was released just yesterday April 10. The track sees the emerging artist take a bold stance on loyalty, authenticity, and cutting ties with anything fake. “No Fakes” is more than just a song—it’s a declaration. Over a gritty, hard-hitting trap beat, Jozzy2pf lays down sharp verses that reflect his commitment to staying true to himself and his circle. He’s joined by fellow Nigerian rapper Zilla Oaks, who brings his own fire, making for a dynamic and punchy collaboration.
Born in Ebonyi State, Nigeria, and now established in South Africa, Jozzy2pf is carving out his lane in the hip-hop world. With a sound rooted in raw lyricism and a global hustle mentality, he blends African grit with universal themes. His music speaks to dreamers, underdogs, and anyone chasing something real.
“No Fakes” marks the beginning of an exciting journey for Jozzy2pf as he sets his sights on making a lasting impact. With this debut, he’s not just stepping onto the scene—he’s making, Listen to the track below
State of Emergency” is an energetic and powerful hip-hop anthem featuring two of Nigeria’s most impactful rap voices amongst the youth. EESKAY from the Federal Capital city, Abuja and DanDizzy from the oil rich Port Harcourt backed by an electrifying beat produced by Jiggyyb, the track showcases both artists at their lyrical best, trading sharp, thought-provoking verses with unmatched intensity and flow.
This collaboration speaks directly to the everyday struggles faced by Nigerians, touching on themes of perseverance, societal pressure, and the relentless pursuit of success in a system built to challenge dreamers. EESKAY and DanDizzy reject the polished, politically correct approach often seen in mainstream rap, opting instead for raw honesty and a fearless voice for the people.
“State of Emergency” is more than a track—it’s a statement. A call to action. A reminder that real hip-hop still lives in the heart of Africa.
ABOUT THE ARTIST Ishaq Baba Bello, better known by his stage name EESKAY, is a Nigerian rapper, singer, and songwriter who has been making waves in the hip-hop scene since 2016. Known for viral tracks like “The Matter” and “Don’t Touch My Shit”, EESKAY quickly gained a cult following in Abuja—widely regarded as the hip-hop capital of Nigeria.
Drawing influence from UK and US drill music, EESKAY fuses Afrocentric melodies and Nigerian street lingo to craft a sound that is uniquely his own. He is recognized as a pioneer of the Afro-Drill genre and rose to national acclaim with his 2020 hit single “Agbalaga” featuring Odumodublvck.
Ghanaian rapper Lyrical Joe is on a roll this year and unleashes another single “Holy Sky”—the official intro to his highly anticipated album, I AM. Renowned for his sharp wordplay, deep lyricism, and unstoppable flow, Lyrical Joe unveils yet another masterpiece, setting the stage for what promises to be his most personal and impactful project yet.
“Holy Sky” is more than just an introduction—it’s a statement. The track encapsulates Lyrical Joe’s journey, resilience, and unwavering belief in his craft. With a blend of hard-hitting bars, deep introspection, and cinematic production, the song paints a vivid picture of his evolution in the rap game. Fans can expect nothing short of raw authenticity as Lyrical Joe takes them on a lyrical pilgrimage through his world.
Speaking about the new release, Lyrical Joe stated:
“This song is my way of setting the foundation for the I AM album. It’s about self-awareness, purpose, and the hunger to leave a legacy. ‘Holy Sky’ is the opening of a new chapter, and I can’t wait for the world to experience it.”
Produced by some of the finest talents in the industry, “Holy Sky” combines rich instrumentation with a soul-stirring delivery that reaffirms Lyrical Joe’s place at the pinnacle of African rap. As the intro to I AM, the song offers a glimpse into the depth and intensity that fans can expect from the full project.
Listen on Spotify
With a reputation for setting the bar high, Lyrical Joe’s I AM album is already generating immense buzz. Holy Sky is just the beginning of what promises to be a groundbreaking era.
The wait is finally over—The Machine Is Coming has officially landed. Odumodublvck, the trailblazing Nigerian rapper, has delivered his highly anticipated project, silencing speculation that it was merely an April Fool’s prank. What seemed like a joke quickly transformed into one of the most explosive releases of the year, igniting the hip-hop scene.
A Strategic Rollout That Defied Expectations
For months, The Machine Is Coming has been one of the most anticipated projects in Nigeria, with fans eager to see how Odumodublvck would follow up his previous successes. The rapper, known for his bold style and energetic delivery, built up excitement by teasing the project’s release on April 1st. Some doubted its legitimacy, but when the album dropped, it was clear that Odumodublvck had once again executed a masterclass in hype-building.
Adding to its significance, The Machine Is Coming is a mixtape released ahead of his official debut album, Industry Machine. This marks his 12th body of work, including EPs, joint projects, and mixtapes. It also stands as a milestone for Odumodublvck, as it is the first project released under his own imprint, Kalacious Entertainment—a major move in his career.
A Powerhouse of Collaborations
One of the defining elements of The Machine Is Coming is its stacked feature list. The project boasts an impressive lineup of artists across different genres and regions, including:
Victony – PITY THIS BOY
Juno & Valentino Rose – TOY GIRL
Rondodasosa – ISAKABA MAN
Ajebo Hustlers & DanDizzy – AJEBO HUSTLERS
Fatboy E & Falz – BARRISTER TOFO
Bobby Ibo, Sabinus & Afroselecta-Bbk – BTC
Smur Lee & Shallipopi – JUJU
Tolibian & Boj – RAMADAN KAREEM
Vector – GASOLINE
This eclectic mix of rap, afro-fusion, and street-hop crafts a dynamic soundscape, further solidifying Odumodublvck’s reputation as a genre-bending artist.
A Statement for Nigerian Hip-Hop
Odumodublvck has long been vocal about pushing Nigerian hip-hop to greater heights, and The Machine Is Coming is a testament to that mission. The project blends hard-hitting rap with cultural influences, witty lyricism, and high-energy beats. Tracks like WAGE WAR, BALLON D’OR, and GO REPORT showcase his signature style, while collaborations with both mainstream and underground acts demonstrate his ability to bridge different audiences.
With this release, Odumodublvck cements his place at the forefront of Nigeria’s new-school rap movement, proving that hip-hop in the country is not only alive but thriving.
Final Thoughts: The Machine Has Arrived
For anyone who doubted Odumodublvck’s ability to shake up the industry, The Machine Is Coming serves as the perfect response. The energy, the features, and the carefully curated rollout all highlight an artist in complete control of his craft.
The Nigerian music space has officially been disrupted, and hip-hop enthusiasts now have an anthem-packed project to keep on repeat. The Machine isn’t just coming—it’s already here.
Born and raised in the Eastern Cape, rising singer, songwriter, and rapper FEKEMA has officially released his self-titled debut EP, FEKEMA. The project serves as his formal introduction to the South African hiphop and music scene, highlighting his unique storytelling, lyrics, and melodic versatility.
Discovered on the DJ Switch Project last year, FEKEMA has quickly emerged as a promising talent. His ability to seamlessly blend rap and soulful melodies sets him apart, and with this debut EP, he is ready to solidify his place in the industry.
FEKEMA features collaborations with Tae Africa, Kid Kapa, Drogba Beatz, and Txrynivarna, adding dynamic energy to the project. Each track offers a glimpse into his personal experiences and artistic vision, making the EP a compelling listen for hip-hop and R&B fans alike.
With this release, FEKEMA is making a bold statement—he is here to stay. The EP is now available on all major streaming platforms.
Renowned producer Ghanaian Stallion just released his highly anticipated album, Bridges, a groundbreaking fusion of Afrodrill, Afrobeats, and Hip-Hop that connects continents, cultures, and emerging talents. With a tracklist featuring some of Ghana’s hottest rising stars and key players from Germany’s music scene, Bridges marks a new chapter in Stallion’s career—both as a sonic innovator and as a bridge between African and European music.
From Afrodrill Pioneer to Global Producer
Ghanaian Stallion, widely recognized for his role in shaping Afrodrill, first gained international recognition for producing First Sermon and Second Sermon by Black Sherif, tracks that propelled the Ghanaian rapper to global fame and attracted the attention of Burna Boy. Having worked with stars like Patrice, Peter Fox, and Megaloh, Stallion has built a reputation for crafting unique soundscapes that blend UK drill, Ghanaian highlife, ‘90s hip-hop energy, and futuristic Afrobeats.
A Star-Studded Collaborative Album
Bridges is more than an album—it’s a statement. It brings together some of Ghana’s most exciting new voices, including Kwame Yesu, Reggie, O’Kenneth, Kweku Flick, G-West, and Arathejay, alongside German artists Patrice, Albi X, Anny, Willy Will, Chima Ede, and members of BSMG.
The album’s first single, “Pelé” feat. Albi X, is a hard-hitting Afrodrill anthem, while tracks like “Bus Station” and “1:0” showcase Stallion’s evolving Afrobeats production style. The album also ventures into experimental territory with “Qoqoqo” feat. Awa Khiwe, blending African rap with a futuristic twist.
Beyond Borders: A Movement, Not Just Music
With Bridges, Ghanaian Stallion is not just pushing sonic boundaries—he’s creating a movement. By mentoring new talents and curating authentic collaborations, he is ensuring that Ghana’s new wave of artists is heard on a global stage. The project is deeply personal, as Stallion has always lived between Germany and Ghana, using music as a bridge between his two worlds.With its infectious energy, bold collaborations, and fresh perspective, Bridges is set to be one of the most influential African hip-hop releases of the year.
Listen to Bridges on Spotify
ABOUT GHANAIAN STALLION Alan Mensah grew up in Berlin as the son of a German mother and a Ghanaian father. As a teenager, he spent several years in school in Ghana before moving to Freiburg to live with his grandparents, where he started DJing and making beats. Eventually, as a young adult, he returned to Berlin. The one constant throughout all these moves? Music. It acted as a bridge between the different phases of his life. In Berlin, it was his parents’ record collection and the African musicians who often stayed with them while passing through. In Ghana, it was the mixtape full of the latest hip-hop from New York that a friend of a friend handed him. And finally, back in Germany, it was his own music, his own identity: Ghanaian Stallion. In Germany, Ghanaian Stallion has worked with superstars like Patrice and Peter Fox, underground kings like Chima Ede and Amewu, and, of course, his longtime collaborator Megaloh. Together, they’ve created some of the most defining, musical, and emotional moments in German rap, from albums like Endlich Unendlich and Regenmacher to BSMG, their joint project with Musa. In 2016, this Black Super Men Group traveled to Uganda for a project, where Stallion’s mobile studio became the creative hub of the trip. Songs were recorded with various artists, but more importantly, a feeling emerged—an idea, a belief in his power as a bridge-builder. Bridges between continents, of course. But also bridges between genres and cultures. Between his industry experience and the raw, boundless creativity that thrives in West Africa—especially in Accra, where everything just feels a little warmer, more inspiring, more
Danski’s debut EP, In The Beginning, marks a significant entry into the Kenyan hip-hop scene, showcasing his lyrical prowess and ability to collaborate effectively with diverse artists. This five-track project offers listeners a glimpse into Danski’s artistic vision and sets the stage for his future endeavors.For those unfamiliar with Danski, In The Beginning serves as an excellent introduction to his artistry. His ability to fuse traditional Kenyan sounds with modern hip-hop elements sets him apart in the music scene.
This debut project not only showcases his talent but also his potential to make a significant impact in the industry“In The Beginning” serves as a strong introduction to Danski’s artistry. The EP’s diversity in themes and sounds demonstrates his versatility and potential within the music industry. The collaborations with artists like Lilmaina and YVNG WAVE add depth to the project, showcasing a sense of community and mutual support among emerging musicians. The production quality is notable, with each track offering a unique listening experience that keeps the audience engaged from the bass 808s to the genre-defying singles.
The project opens up with “Baddie.” It is a collaborative track by Kenyan artists danski, YVNG WAVE, and Silverstone Barz. This song exemplifies the dynamic nature of Nairobi’s contemporary music scene, blending diverse styles and showcasing the unique talents of each artist.The track opens with a catchy beat that immediately grabs the listener’s attention. The production is polished, featuring a blend of traditional African rhythms with modern hip-hop elements. The fusion of these styles creates a fresh sound that is both danceable and reflective of Nairobi’s urban culture.
Following up, Danski teams up with Savinnah on “Bamba.With his signature horns, the single kicks off with a triumphant start. Each artist brings their distinct flavor to the track. danski’s smooth delivery sets the tone, while Savinnah’s melodic vocals add a dynamic layer. The collaboration results in a seamless blend of their unique styles, enhancing the overall impact of the song. What is exciting is the blend of artists Danski chooses to work on his debut EP.Choosing a risky route, he works with underground artists (except Lil Maina).
While to most it might look risky, I see it as an opportunity to explore his artistic freedom as seen in “Miss Independent” featuring YBW Smith and Lil Maina and “Tutamake It” featuring 4Mr Frank White. Each rapper comes armoured with a level of cockiness that is only achieved when you know your trajectory is on the rise. The suavish lines by YBW Smith “mlisema bila collabo sina hit,” spitting on his haters while brushing his shoulders with the best in the game and 4Mr Frank White wordplay “Ninarap naughty I hope noti zitaflow”
All through the EP you are able to translate Danski’s strong points in production. His dedication into tapping into the average Kenyan listener is adamant as the project Is infiltrated by strong Dancehall beats, a sound that stands strong with Kenyan youth.
For a debut EP, I would strongly vouch that Danski’s talent is exceptional. From his production to his keen ear and even perfectly curating the artists for his project, Danski is keen on elevating his peers through his art. “In The Beginning,” is a solid first step for this rising artist
“Utansiga” is a single by Rwandan rapper B-Threy, released on March 21, 2025. The track showcases B-Threy’s distinctive style, blending Rwandan and English lyrics over a hard-hitting beat that reflects the vibrant Rwandan hip-hop scene.The title “Utansiga” translates to “You Can’t Reach Me,” a theme that resonates throughout the song as B-Threy asserts his dominance and resilience in the music industry.
The lyrics convey a message of self-confidence and determination, with B-Threy addressing his critics and affirming his position in the rap game.Musically, “Utansiga” features a fusion of traditional Rwandan rhythms with contemporary hip-hop elements. The production incorporates traditional instruments alongside modern beats, creating a unique sound that pays homage to B-Threy’s cultural roots while appealing to a global audience. This blend of styles is indicative of the growing trend in African hip-hop, where artists are embracing their heritage and infusing it into mainstream genres.
B-Threy’s delivery on the track is both aggressive and charismatic, showcasing his lyrical prowess and versatility. His flow seamlessly transitions between Rwandan and English, reflecting the bilingual nature of Rwanda and adding depth to his storytelling. This code-switching not only highlights his linguistic skills but also broadens the song’s appeal to both local and international listeners.The chorus of “Utansiga” is particularly catchy, with a repetitive hook that reinforces the song’s theme of untouchability. This, combined with the energetic beat, makes it a track that is likely to resonate on dance floors and radio stations alike. The song’s structure follows a traditional hip-hop format, with verses and choruses that build momentum and keep the listener engaged throughout.In the verses, B-Threy addresses various challenges he has faced in his career, from naysayers to industry obstacles.
He uses clever wordplay and metaphors to convey his journey, painting a picture of an artist who has overcome adversity through talent and perseverance. Lines like “Nze ndi mukambwe, tebansobola” (“I am tough, they can’t defeat me”) exemplify his resilient attitude and serve as an inspiration to aspiring artists facing similar struggles.The production quality of “Utansiga” is top-notch, with crisp beats and well-balanced instrumentation. The mixing and mastering ensure that B-Threy’s vocals are at the forefront, allowing his message to come through clearly. The use of traditional instruments adds a layer of authenticity to the track, grounding it in Rwandan culture while still maintaining a contemporary feel.”Utansiga” also features a visually compelling music video that complements the song’s themes.
Set in various locations around the cinematography captures the energy of B-Threy, and his dynamic performance adds to the video’s appeal. The release of “Utansiga” comes at a time when African hip-hop is gaining significant traction worldwide. Artists like B-Threy are at the forefront of this movement, bringing unique sounds and perspectives to the global music scene. By blending traditional elements with modern hip-hop, they are creating a new wave of music that resonates with diverse audiences.
In conclusion, “Utansiga” is a testament to B-Threy’s talent and his ability to fuse cultural heritage with contemporary music styles. The track’s compelling lyrics, innovative production, and captivating visuals make it a standout release in the Rwandan hip-hop scene. As B-Threy continues to push boundaries and challenge norms, he is solidifying his place as a prominent figure in African music.
By now, if you’re not Qwelling it on the highest level, you’re certainly living under a rock and entirely out of touch with reality. Founded in 2023 in the heart of Braamfontein, The Qwellers are one of the most electrifying hip hop collectives in South Africa consisting of Hip Hop Artists and producers, are reshaping the culture in South Africa. Their roster reads like a powerhouse lineup: Lowfeye (artist ), LaCabra (artist ), Sastii (artist ), Blue Pappi (artist ), C Side Boys (Jepedoh and DaHoodHope—both artists ), YoungBoyVegeta (artists ), GVNT (producer), SKATLE (producer), and Fanaticalbeing (artist ). Together, they’ve created a movement.
In Picture: The Qwellers (Source-X)
The Qwellers are widely known for their own lingo, with phrases such as “What’s The Qoh”, “Qwel It”, comprising the distinctive click sound “Q”, derived from Nguni languages such as Xhosa and Zulu. This lingo has not only resonated with audiences in Mzansi but has also extended its reach beyond borders.
In Picture: The Qwellers (Source-X)
In 2023, they introduced the world to their signature Isqinsi sound, a bold fusion of Zulu and trap through their debut tape, SUPA BHEXEZA. The project was a statement piece that set them apart, with standout songs such as Broke, Crooks and Isphihli. A masterclass in striking while the iron is hot, this E.P arrived in perfect timing, dropping just as Dangerous, the track by members LaCabra, BluePappi, and YoungboyVegeta, was setting social media on fire. With momentum on their side, this release felt like a carefully orchestrated next move.
In 2024, the collective kept the momentum going with standout features. From YoungBoyVegeta’s unforgettable hook on DJ Sliqe’sIMashile to Sastii’s brilliance on Mashbeatz and Wordz’ Halloween from their collaborative work Only the Brave, and even a heartfelt appearance on Sjava’s platinum-certified ballad Typhoon, the collective continues to showcase their versatility. They’ve also dropped fan-favorites like What’s The Qoh and Toyota, cementing their place as hitmakers.
031 Choppa & The Qwellers- What’s The Qoh (featuring Okmalumkoolkat) Official Visualizer
But the momentum did not end there. The camp also hit the streets with their own curated event, Qwelfontein, held across different venues in South Africa such as in Braamfontein, Newtown, and Studio 031 in Durban. The events highlighted their cultural influence, which reached new heights when SABC 1 tapped them for their festive “QwelIt on a Summer Levol” campaign. With over 247k monthly listeners on Spotify and a steadily growing fanbase, the Qwellers are clearly in their prime.
Qwelfontein Third Edition After Movie
In February 2025, TheQwellers signaled the dawn of a new era, an artistic metamorphosis cloaked in mystery. Their Instagram feed was wiped clean, a digital reset ,hinting at the alchemy brewing behind the scenes. The collective also declared to be on album mode on a series of tweets.
Now, on the 21st of March, they unveil Minciza, a single featuring the magnetic Blxckie and sculpted by the sonic architect Herc Cut The Lights. One can only hope this offering will not only set the stage for their long-awaited debut album but also remain tethered to their signature ISqinsi sound ; a fusion both intricate and unshakably authentic. These are thrilling times for The Qwellers, a collective whose synergy mirrors that of a pantheon of Marvel superheroes, each wielding their own distinct artistry, converging to create something extraordinary. A debut album is no joke. Are you ready to witness a squad of superheroes assembling for their biggest mission yet? I for one, certainly am.
