In the dynamic realm of Nigerian music, where rhythms collide with narratives, one luminary stands tall for his unparalleled lyricism and conscious social commentary. Modenine, the award-winning lyricist and producer, unveils his latest masterpiece: the ten-track opus titled “Shiny Object Syndrome.”
This project isn’t just a collection of songs; it’s a journey through the corridors of Modenine’s mind, where laid-back head-nodders serve as the vessel for injecting profound knowledge and insight. Each track is a tapestry woven with intricate lyricism and soul-stirring melodies, inviting listeners to delve deep into the complexities of the human experience.
At the helm of production, Modenine showcases his prowess not only as a wordsmith but also as a sonic architect. Every beat, every rhythm, is meticulously crafted to complement the poignant narratives that unfold within each track. From the smooth grooves to the thought-provoking lyrics, “Shiny Object Syndrome” is a testament to Modenine’s multifaceted talent and unwavering commitment to his craft.
Behind the mixing and mastering of this sonic masterpiece is intel360, a maestro in his own right, whose expertise adds an extra layer of polish to the project. With his deft touch, intel360 brings Modenine’s vision to life, ensuring that every note resonates with clarity and precision.
But Modenine isn’t alone on this journey. Collaborating with him are the talented voices of Aina Morenike and Antonya David-Prince, whose contributions add depth and dimension to the project. Their soulful melodies intertwine seamlessly with Modenine’s lyrical prowess, creating moments of pure magic that linger long after the music fades.
As you immerse yourself in the sonic tapestry of “Shiny Object Syndrome,” prepare to be transported to a world where music transcends mere entertainment and becomes a catalyst for introspection and enlightenment. With Modenine as your guide, you’ll embark on a transformative journey through the realms of consciousness, where every track serves as a beacon of truth and insight.
So, let the music wash over you, let the words resonate in your soul, and allow yourself to be swept away by the soulful musings of Modenine
Mode Nine, also known as Modenine, is a highly respected Nigerian rapper known for his intricate lyricism, wordplay, and storytelling abilities. Born Babatunde Olusegun Adewale, Mode Nine emerged on the Nigerian music scene in the late 1990s and early 2000s, becoming one of the pioneers of underground hip-hop in Nigeria.
He gained prominence for his distinct rap style, which often featured complex rhyme schemes and socially conscious themes. Mode Nine’s music reflects his keen observations of society, addressing issues such as political corruption, social injustice, and the struggles of everyday life in Nigeria.
Throughout his career, Mode Nine has released several albums and mixtapes, including “Malcolm IX,” “E’ Pluribus Unum: The Pursuit of Money,” and “The Paradigm Shift.” He has collaborated with various artists both locally and internationally, showcasing his versatility and skill as a rapper.
Mode Nine’s impact on the Nigerian music industry extends beyond his music. He has been instrumental in shaping the underground hip-hop scene in Nigeria and has inspired a new generation of rappers with his talent and dedication to the craft.
While Mode Nine may not have achieved mainstream commercial success compared to some other Nigerian artists, he remains highly respected within the hip-hop community for his contributions to the genre. His legacy as one of Nigeria’s finest lyricists and storytellers continues to influence aspiring rappers and music lovers alike.
Avante Entertainment signee, Ajebo Hustlers, returns with a brand new track which is titled “Celine Dion”.
Nigerian music sensation, Ajebo Hustlers, has made a triumphant return with their highly anticipated track titled “Celine Dion”. This incredible song is a must-have addition to your playlist, showcasing the duo’s exceptional talent and unique sound. Serving as their latest single for the year 2024, Ajebo Hustlers continues to captivate audiences with their infectious melodies and captivating lyrics.
A Musical Journey of Emotion and Energy
Featuring a remarkable vocal contribution from the talented superstar Odumodublvck, “Celine Dion” takes listeners on a musical journey filled with emotion and energy.
With its catchy hooks and infectious beats, “Celine Dion” is guaranteed to leave a lasting impression on fans and music enthusiasts alike. The collaboration between Ajebo Hustlers and Odumodublvck creates a seamless blend of their styles, resulting in a truly unforgettable track.
Solidifying Their Position as Top Acts
The song showcases Ajebo Hustlers’s growth as artists, solidifying their position as one of Nigeria’s fast-rising acts.
Don’t miss out on this incredible release from Ajebo Hustlers. Be sure to listen, download, and share your thoughts on this remarkable track. Get ready to be swept away by the enchanting sounds of “Celine Dion” and witness the undeniable talent of Ajebo Hustlers and Odumodublvck.
Ajebo Hustlers & Odumodublvck – Celine Dion Lyrics
Girl she dey feel me on Girl she dey sing like Celine Dion Girl she dey lead me on Girly she go wound me She go kill me young Girl she dey feel me on Girl she dey sing like Celine Dion Girl she dey lead me on Girly she go wound me She go kill me young
Sai sai sai sai Sai gobe mama Serah Sai sai sai sai Sai gobe mama Serah Sai sai sai sai Sai gobe mama serah Sai sai sai sai Sai gobe mama serah
She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh
She no even need to suck before she soft Depend on how I feel Modu go add on top Concrete jungle flood her with akpoche my love Piego na knowledge I apply when I climb on top F**k am till she cum Finger in her b**t Modu you’re a lot Everything dey go down Kiss her in an uber forget driver Konji no dey show remorse Na my pompi dey her mind for long The bobby soft the booty much Omo na bonafide baddie Her pressure vilify brothers For her domot dem dey beg am with all their beautified flowers See my kele don hammer She tell me say they don’t matter So, it’s alright It’s okay So, it’s alright It’s okay
Sai sai sai Sai gobe mama serah Sai sai sai Sai gobe mama serah Sai sai sai Sai gobe mama serah Sai sai sai Sai gobe mama serah
She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh
Her attitude na zero but she sabi kill mosquitoe Her body dey popori e dey boost my libido My chikito I gbadun you till infinito I put am for her body as I down the kasapreko Son of father Abraham a descendant of Al Pacino No be today she don dey hear me since from her Palito Kpos daddy omo na me be her papito I carry go I ball her like chicharito
She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh She give me groundnut oh and kolanut oh I sit down for her dormot oh Nobody interrupt oh I spend a lot oh I sit down for her dormot oh
In the vibrant landscape of contemporary music, Chukwubueze Nnabundo Okolie, known professionally as KING KEAD, stands out as a dynamic force. Drawing inspiration from a diverse array of artists such as M.I Abaga, Lil Wayne, and Burna Boy, KING KEAD has carved his niche in the music scene, blending poignant storytelling with captivating beats. With his latest release, “African Man’s Therapy,” KING KEAD takes listeners on a deeply introspective journey through the complexities of mental health in the African context.
The track opens with KING KEAD declaring, “This music has been my confidant, cause problem plenty for my continent,” setting the stage for a raw exploration of alternative coping mechanisms prevalent in Nigeria. Through vivid imagery and evocative lyricism, KING KEAD paints a poignant picture of his own experiences, opting for avenues like smoking, visiting strip clubs, and engaging in intimate experiences as forms of therapy.
At the heart of “African Man’s Therapy” lies a powerful message encapsulated in the refrain, “If you no be God, don’t judge me.” This mantra challenges societal norms and urges listeners to empathize with the artist’s choices, shedding light on the unique societal pressures and stigmas surrounding mental health in the African community.
What sets KING KEAD apart is his authenticity and unapologetic expression. By seamlessly blending English and Pidgin, he adds a raw, unfiltered touch to his storytelling, inviting listeners into his world with unparalleled honesty. Through his music, KING KEAD confronts the taboo surrounding mental health in Nigeria, providing a voice to those who find solace in unconventional avenues of healing.
As listeners embark on this musical journey, they will immerse themselves in the unique soundscape crafted by KING KEAD. “African Man’s Therapy” transcends geographical boundaries, resonating with the universal struggle for mental well-being. It’s not just a song; it’s a bold statement, an anthem for breaking free from societal expectations, and a call for understanding the diverse ways individuals navigate their paths to healing.
In an industry often focused on superficiality, KING KEAD stands as a beacon of authenticity and courage, challenging norms and redefining narratives through his music. With “African Man’s Therapy,” he invites us to confront our own biases and embrace the multifaceted nature of mental health, paving the way for a more inclusive and compassionate society.
Gambia kicked off 2024 on a hard-hitting note with its releases. Following an influx of hip-hop tracks from Gambian artists in the country and diaspora, the rap stars from the West African country are set to keep the momentum this year. Here are five hip-hop tracks we loved from the +220.
ST. GAMBIAN DREAM: CAPTAINO
St Gambian Dream takes shots at other rappers in “Captaino,” released on January 28. The track sees the Gambian rapper crown himself as the Captain of Gambian Rap and refer to some folks in the industry as his recruits. St. Gambian Dream complemented the track’s message with the music video, which sees him wearing military vests.
Gambian Six9ine: Chikulirinding
PDP9IN6IX, known as The Gambian SixNine, kicked off 2024 with “Chikulirinding,” which means “The Biggest Goat.” According to a description on Audiomack, the rapper sings about his love for his homeland in his native language, Fula. Further, PDP9IN6IX also released visuals for the track, which see him rap amidst many goats.
ATTACK – Lan Ngen Buga
Almost a year after his last release, Gambian rapper Attack released “Lan Ngen Buga” on January 1, 2024. It is the first single from his upcoming album, One Man, and was produced by Papelayebeats. According to UK-based Gambian YouTuber Njies Gambia, “Lan Ngen Buga” means “What do you want?”
Bro K: Situationo
Gambian Afro-manding artist Sulayman Singhateh, known in showbiz as Bro K, unveiled Situationo, a twelve-track album. Featuring guest appearances from Attack, Xpattaz, Binbunka, and Y Dee, the album was released on January 10 with our favorite tracks “Ragal Lunu Lolu” and “Chori Maama.”
In January 2024, West African rappers brought their A-game, releasing compelling albums and EPs highlighting the region’s diverse sound. Hip-Hop Africa presents standout projects that caught our attention from Guinea, Cameroun, Senegal, Burkina Faso, and Ghana.
AMAZA-MOUCTAR
Guinean rapper Amaza delivers an autobiography on Mouctar, his eight-track EP released on January 5, 2024. The project touches on his beginnings and reasons for starting a music career. He also gets personal with stories surrounding his family’s reluctance to pursue his career and his ideology of love. The Guinean media praised the EP for its wide range of melodies on each track. Moreover, it features guest verses from Guinean artists, including Bebe Baya, Tati Tati, and Bangaly Toumoutou.
Cameroonian rappers Mic Monsta and Mihney take listeners to their new chapter on “New Era.” The six-track project, sung in English and Pidgin, was released on January 1, 2024, to signify a new beginning as the rappers embrace their new life as parents. The rappers welcomed a baby girl in August 2023, a year after Mic Monsta publicly declared his love for Mihney. Before Mic Monsta and Mihney’s collaboration, which brought forth a daughter and a joint EP, the two had worked together on “Wish.” The track was from Mic Monsta’s 2022 album, The Stars Are Watching, where they showcased their chemistry.
Senegalese rapper Mgeey celebrates the courage to step out of one’s comfort zone in Bideew, which is Wolof for “star.” The artist, born Momar Gueye, recounts his departure from Senegal, experiences, challenges, and triumphs. The impact of Mgeey’s musical influences, such as 6Lack, A Reece, J Hus, and Wizkid, is evident throughout the tape. The 11-track project in Wolof includes collaborations on the tracks “KMF,” “Dangerous,” “Roungass,” and “Ndenkaane.” It was released on January 19, 2024.
On January 5, Burkinabe rapper Suprême Nabiga gave his homeland its official first album of 2024, Donnez-Moi La Force. Consisting of 15 songs, the project sees the rapper call for integrity and good deeds for the development of Burkina Faso. He recruits renowned Burkinabe rappers such as Frère Malkom, Sa Majesté Askoy, Tosksa, and Joey le Soldat for the album. Peace, unity, and hope are the predominant themes on the album.
Kwesi Arthur dropped the third installment of his three-track tape series, “This is Not the Tape,” on January 17. The Ghanaian rapper tried something new for the project. Instead of the customary three songs, he released nine. Additionally, he exclusively released the project on EVEN, a direct-to-fan project that requires fans to pay for the project. It features British-American rapper IDK and Ghanaian rapper Joey B.
Welcome to our exclusive HipHop Africa interview, where we sit down with some of the brightest minds in the HipHop industry. In this issue, we delve deep into the world of PG Blao, a seasoned Nigerian rapper and entrepreneur, as he prepares to release his highly anticipated EP, “The New Guy.” PG Blao opens up about his journey, his evolution as an artist, and the inspiration behind his upcoming project. Join us for an exclusive conversation with the man behind a lot of activities in the Nigerian music industry, yet some people still refer to him as “The New Guy”
Tell us who PG Blao is and why that name is. What does PG stand for?
PG stands for Parental Guidance (laughs). Actually, it’s an abbreviation for the name Paragon (spelt Paragunn), which was the name that most people knew me by earlier in my career. As a kid in PH, I played with different nicknames growing up until my immediate elder brother told me to check out the name Paragon. I loved how it sounded, and when I checked the dictionary, I loved the meaning, so I stuck with it but only used the abbreviation PG as I rebranded. The Blao came as a form of a surname when we started the team Blao Family. Blao is an acronym for Brilliant Lifestyle Activates Opportunities. In the streets, I hear it means something else though (laughs), but I don’t know about that.
You’ve been making music for how long?
I like to always say since ’05 officially because that was when I made up my mind to take it more seriously. But if we’re talking about when I started freestyling, writing, and rapping, it all started back in my Junior school days at Air Force Secondary School in PH, and that’s twenty-something years ago. I recorded my first studio track in 2004 with my high school rap group friends, and since then, I have been recording and putting out tracks. Though I do go on periodic breaks, the game feels like I am always involved in it because now I am involved in a lot more than rapping; I’m in the business (smiles).
How long have you been in the industry?
(Singing) Been doing this since ’05!!!
Why do you think hip-hop music is not thriving in Nigeria?
This question, eh? Nobody has one answer to the problem, but I think we are seriously making progress. Look at the just-concluded Headies; the Hip-hop community took home about 5 awards, and it wasn’t just the usual suspects; it was a new generation, and that’s serious progress if you ask me. Don Jazzy’s newest artiste is a female rapper, Lifesize Teddy, so you can see Hip-hop is seriously growing. Everybody just speculates, so if you ask me, my speculation will be that we need to continue building it together by supporting each other’s platforms sincerely and promoting every Hip-hop-related thing, music, news, PR, business, etc. Not only big names; we should support fast-rising talents too.
What Else?
Also, we were missing out on the PR thing, but shoutouts to the likes of Nigerian Barz, Baarztv, Hip-hop Africa, Rhymes and Reasons, and new impactful Hip-hop personalities like Daygenius, who have allowed battle rappers to earn more and battle on bigger stages than the usual. BigDan and the OGs consistently putting their weight behind the community, like MI did for The Hip-hop Event, IllBliss, Ambassador Elajoe for Str8up Hip-hop, Chuka Obi for a lot, DJ Teckzilla, and many others.
Also on the radio, we have people like Raezy, Real Skills, and many others holding us down on the radio.
Aside from putting out records, I have also been involved in supporting Hip-hop with everything within my power, and I am happy to see it growing.
Memories Live 4eva (Collab EP with the Canadian-based Nigerian Producer 8ty9) – 2018
The Cover EP – 2019
Stream PG Blao’s Projects
I’ve also released lots of official videos, collab singles, and many more.
Your last Body of Work was in 2019. Why the long hiatus? What have you been doing since then?
Omo! “I had to find myself before I lose myself”, so I took some time out to put some things together. Actively, I was still involved in the music business, and event organizing; Also, I am part of the team that organized Battle of the Year Nigeria, The Hip-hop Event, Tha Throw Down Battle rap league, and many platforms focused on helping upcoming artists develop themselves. I managed studios, managed a label, partnered with an international digital distribution company, The Vault Music Group, and many, many things. If I continue to list them, we won’t finish today. (Laughs)
Can you tell us about the inspiration behind your upcoming EP “The New Guy” and the themes or messages you aim to convey through your music?
I have a lot of tracks recorded, and I have been trying to drop a body of work since 2019, but many personal things have been stretching the plan. I had thought the title of the EP should be “The Blacksheep,” but between the years I started that plan, I have seen many other tracks and bodies of work with a similar title. In 2021, I recorded a track titled “The New Guy,” inspired by my story. With how long I have been in the game, some people still call me a new guy. Also, there’s a musical part of me that is about to be unveiled with this EP and many releases that I will be putting out afterwards. So, the EP title was inspired by that track and the new styles of Blao you’re about to enjoy.
The messages and themes of the EP have me touching on different topics. It’s a 6-track EP, and I was able to tell my stories in different tracks. I also have lots of gems that will help listeners take charge of their lives and focus on what really matters.
How has your musical journey led you to the creation of “The New Guy,” and what sets this project apart from your previous work?
The musical journey has been everything (laughs), ups, downs, left, right, depressing, exciting, and many things that have led me to decide to drop this EP this year. It got to a point in my career when a friend and former business partner who used to be in the game with me said he was mad at me and disappointed in me for still continuing in the music. Though the statement didn’t come off as offensive to me, I believe his reasons for such a statement are from a good place because I am not mainstream success yet, but we are heading there.
In this project, I was more open-minded with blending my lyrical prowess with melodic vibes to give the listeners a new part of me that I newly found.
Why is the EP titled The New Guy? Is it a response to MI’s The Guy?
You sabi me before? No. So to everyone who never knew me before now, I am obviously a New Guy. It has nothing to do with MI’s “The Guy.” I recorded the “New Guy” track long before MI dropped his album “The Guy,” and even though the EP title was during the final selection process, it has nothing to do with MI’s album.
Could you share some insights into your creative process? How do you approach crafting lyrics and beats that resonate with your audience?
My creative process is very flexible. Sometimes I get the beat before creating the song, sometimes I create the song before the beat. I write some on the spot, and I write some before the session. So, I am flexible with the process while trying to balance what I really have to say and what I think the people will like to hear.
“The New Guy” suggests a fresh perspective. How are you pushing boundaries and experimenting with your sound to bring something unique to your listeners?
Considering the comments and suggestions of fans and listeners of my previous works, I tried some new things, and surprisingly, it was amazing. You should listen to the EP when it drops to find that out. I am proud of myself.
Collaboration often adds depth to the music. Can we expect any exciting features on your EP, and what do these collaborations bring to the project?
I featured amazing fast-rising artists and producers, like Janas XS and Austin Sinister aka Sinister Beats aka ChukwuChilly, who happens to be a producer everyone needs to pay attention to. He has produced tracks for Terry Tha Rapman, Lil Kesh, Ashake, Mohbad, Balloranking, and many more.
In today’s music landscape, how do you navigate between staying true to your artistic vision and adapting to evolving trends?
The reality is that “person wey never chop no fit survives this game” (laughs). So I am involved in a lot of businesses that help put food on my table while I try to blend my vision with the times to ensure I am musically relevant, not just to the Hip-hop community alone but to my variety of fans out there.
Your fans are eagerly awaiting this release. Can you tease any specific tracks or moments from the EP they can look forward to?
All of the tracks on the EP are beautifully made. The previously released singles like “You’re Lucky” and “On My Own” are teasers compared to the unreleased tracks like “Grind” and “OT.”
Visuals can enhance the impact of music. Are there any plans for music videos or other visual content that will accompany the songs from “The New Guy”?
Hmmm, plans plenty o, but I am doing all these with personal funds, and you know say we are in Tinubu times, e no too easy to “Breaf” like that. But I have a team “Blao family,” and together I believe we will make a lot happen.
Reflecting on your growth as an artist, how do you see yourself evolving with this EP, and what doors do you hope it will open for your future endeavours?
Listening to the final compilation of this EP – The New Guy – wasn’t easy to do because we had a lot of amazing works to choose from. I can say I have come a long way as an artist, and now I can guarantee success with a mainstream level of partnership because that’s the goal now. I feel like I have stayed too long as an underground artiste, and it’s time to compete on a mainstream level.
Finally, after the release of “The New Guy,” what do you aspire to achieve next in your music career? Are there any larger goals or projects on the horizon?
The release of this EP is the beginning of another phase for me. Like onions, I am multi-layered, with no intention to make you cry sha o, but if you mess around, you go sure find out. I hope to attract the attention of more audiences with this body of work and have the opportunity to partner with more people on a bigger level. Aside from being a great rapper, I am also good with managing and grooming artists for the company Blao Family Entertainment Group. We have released bodies of works and singles for them, and we will continue to do our best to make things easier for talents who have talent, and passion, and are ready to put in work.
I am also part of major Hip-hop events and many more, and I intend to keep supporting the culture in any way I can to give opportunities to more upcoming talent. If you know me, you will know everywhere my name comes up in Hip-hop; it’s mostly for the right reasons (smiles).
If you enjoyed the captivating ‘See You Soon II,’ explore the emotional depths of President Zik’s musical persona in ‘See You Soon III.’ This series features tracks like “Bout It,” “HMU ft. Suranu”, “99,” and “Decisions,” marking a stylistic departure with a focus on R&B sensibilities.
Bout It: A Mellower Gateway
The opening track, “Bout It,” unveils a mellower side of President Zik’s artistry. With melodic bars taking center stage, the song serves as a gateway to the emotional dimensions of Zik’s musical persona. The sing-along approach in the hook and bridge showcases Zik’s unwavering devotion to both music and love, drawing intriguing parallels between the two.
HMU (Hit Me Up) ft. Suranu: Dreamy R&B Communication
“HMU,” an acronym for ‘Hit Me Up,’ is a dreamy R&B record featuring frequent collaborator Suranu. Emphasizing the importance of communication in relationships, the track invites love interests to reach out whenever companionship is needed. The addition of vocals from Sassy adds a unique dimension to the record, introducing a compelling female perspective.
99: Reimagining 90s Vibes
“99” artfully reimagines the spirit of a 90s party anthem, building on the narrative of the previous track. President Zik explores themes of relationships, communication, and dedication against a backdrop inspired by his musical influences from the 90s. The track takes listeners on a nostalgic journey through the vibrant sounds of that era.
Decisions: A Moody and Contemplative Finale/
The concluding chapter, “Decisions,” serves as a moody and contemplative finale to Zik’s emotional journey. A duet with the talented Elinala, the song urges Zik’s lover to make a crucial decision about their future. The somber tone resonates perfectly, allowing Zik to reflect on the implications that come with making a commitment.
Experience the Full Spectrum: ‘See You Soon III’ As a whole, ‘See You Soon III’ takes listeners on a journey through the complexities of President Zik’s mind, offering an exploration of emotions and feelings. Don’t miss out on this captivating musical experience that seamlessly weaves together love, communication, and the nostalgic vibes of the 90s.
President Zik, the dynamic force in the music scene, has recently dropped the latest installment of his ‘See You Soon’ series, a captivating musical capsule that follows the success of the first two releases. The series unfolds with two distinct tracks, each showcasing President Zik’s versatility and storytelling prowess.
AM 2 PM: A Fusion of Energy and Dedication
AM 2 PM, the first track in the series, emerges as a mid-tempo (95bpm) fusion of hip hop and afro swing. This musical masterpiece radiates energy, rhythm, and encapsulates the spirit of hard work and dedication. The composition features a rich interplay of percussions, stringed violins, synth lead, sub bass, and ambient sounds, creating a vibrant production that lays the groundwork for a song with exceptional replay value. President Zik’s meticulous craftsmanship shines through, providing listeners with a sonic experience that transcends genres.
Lights: Illuminating the Path to Triumph
The journey continues with the second track, Lights, a triumphant blend of hip hop, R&B, and soul set at a mid-tempo (90bpm). Celebrating victory laps and delving into the artist’s personal history and the trials faced by his BHP crew, “Lights” stands out with its bright and uplifting essence. President Zik seamlessly weaves soulful melodies and infectious rhythms into the fabric of the song. The retro, triumphant production complements Zik’s powerful storytelling, painting an unforgettable picture. “Lights” becomes more than just a track; it transforms into an empowering anthem that resonates with listeners, inspiring them to believe in the power of resilience and change.
Crafting Excellence: The Artistry Behind ‘See You Soon’
President Zik’s ‘See You Soon’ series is not just a musical endeavor; it’s a journey through soundscapes that reflect the artist’s commitment to excellence. With each track, he invites the audience to join him on a musical odyssey that transcends boundaries and leaves a lasting impact. The series stands as a testament to President Zik’s ability to craft music that not only entertains but also resonates on a deeper level, connecting with the hearts and minds of his listeners.
A Breath of Fresh Air: President Zik’s Trailblazing Role in Contemporary Music
In a world saturated with music, President Zik’s ‘See You Soon’ series emerges as a breath of fresh air, offering a unique blend of genres, storytelling, and sonic innovation. As the series continues to unfold, it undoubtedly cements President Zik’s position as a trailblazer in the contemporary music scene. So, buckle up and embark on a musical journey with President Zik as he paints his stories through the evocative strokes of ‘See You Soon.’
Kenyan hailed internet personality turned artist Lil Maina just released his highly coveted debut studio album, ‘Maisha Ya Stunna’, on Wednesday 13th of December, 2023, led by the already-released smash singles “Ma G Kwenye Klabu”, “ZOZA” and “Alert”,
Lil Maina’s lofty spell as one of the top acts in Kenya’s vibrant entertainment scene will continue as his transition into a music savant now allows fans and music lovers to connect with him following the release of his first official LP.
Listen to Maisha Ya Stunna on Spotify
In between juggling life abroad with studies and being social media’s funny man, Lil Maina springs to life with his debut LP spawning takes of his personal life, romance and outright club hits.
It’s all about showing my growth as an artist. I’ve done some evolving, have worked on this album tirelessly, and want to show my fans that I’m ready to keep offering them quality music. This is also my way of fulfilling a promise I made to my late grandfather
Lil Mania
Tapping drill collaborators, BURUKLYN BOYZ on fan-favorite “ZOZA”, to the sultry NJERI on the R&B-infused cut “Company”, to Gengetone stalwart Trio Mio on “Doba Imewai” and rap hitman Scar Mkadinali on “Ma G Kwenye Klabu”, the LP is a tightly sewn project reflecting Maina’s hit-making prowess and his vulnerable frame, the latter, a side he has rarely showcased publicly.
On production, perhaps this is the most glaring and ambitious aspect of the release. Having built a reputation for breaking out with cover singles, each cut on the album is an original composition – again highlighting his unbridled will to muster artistic integrity and dexterity. Producers from the vivacious chart-topper Ndovu Kuu, to fast risers Odzz, Luigi, LM, KB and Afamefuna all make sterling appearances. Visually, Maina also opts for the virtuosic Visuals By BO and Briann Kinywa to produce his cover art. The tape’s art is a glossy, poppy and colorful motif showcasing Maina’s witty grin and grilled mouth jewelry inviting the listener for a flashy but hedonistic experience into the ‘Stunna lifestyle’.
Having amassed incredible success as an artist and internet sensation, the runway for glory for Lil Maina is rolled out and he takes center stage in seizing fashion on the new LP.
Prolific Kenyan rap maven, herbalist, and entrepreneur King Kerby releases his third studio album and his first under the Zama Sessions distributions imprint dubbed, ‘Saba’
Saba was recorded in Cape Town, and partially Nairobi, highlighting the range of sound tapestry and culture infused into the body of work.
For King Kerby’s third studio effort, production from ZINO D, LD Beats and more juice the project with their ambient Hip Hop beats, mixing inflections of Alt R&B on “Flow So Cold” featuring mesmeric Cape Town helmed songbird O’Hara, melodic trap on the triumphant “Out The Way” alongside up and comer Ta’Eish, and the energetic “Wengi” that boasts of clean cut visuals.
The record is called Saba because that is the number of divine alignment and purpose. This is my superstar era and I want to hug it as tightly as possible. The music, business, and all my actions reflect this because the inner work has been done and now the music can thrive off that
King Kerby
King Kerby’s other solo studio offerings include 2016’s ‘Metro Empathy’ and 2018’s ‘Mapenzi Sio Dini’.
Currently, the recently Unkut Hip Hop Awards-nominated King Kerby walks into this project on the back of a stellar year having released multiple singles with collaborators Mura, an Accra-influenced EP ‘Accra Nights’ and plenty of drops in anticipation of his Zama Sessions debut, Saba.
In realization of his unparalleled power of self emitting electric tracks such as “Wengi”, “Hapa Kule” just to name a few – King Kerby evokes emotions of self-belief, impassioned will, and feel-good tracks all throughout the record.
Hailing from the same peninsula as one of Kenya’s most refined artists, E-Sir, in Nairobi’s South C area, Kerby’s lyricism and wordsmithery interweaves in effortless fashion having feeling this strong sense of alignment with his purpose of making music.
