EEZZ, a rising force in the music industry, has dropped his electrifying new single, “Zinedine Zidane.” This isn’t just another track; it’s a battle cry, echoing with EEZZ’s signature streetwise swagger and infectious energy.
“Zinedine Zidane” is the product of a historic world record attempt by renowned Nigerian producer Hitsound. Hitsound embarked on a monumental 72-hour marathon of music creation, and EEZZ was among the select few artists chosen to participate in this groundbreaking endeavor.
Champion Don Land! From the opening line, EEZZ declares the arrival of a new contender. “Who be that boardman?” – the lyrics challenge established figures with raw confidence, making a bold statement of dominance. Inspired by the legendary footballer’s skill and composure, the song pulsates with raw confidence. EEZZ’s razor-sharp flow seamlessly blends braggadocio and streetwise wisdom, perfectly captured by infectious beats and driving basslines.
Following the momentum of his hit “Kalambolo,” “Zinedine Zidane” showcases EEZZ’s undeniable talent and unique blend of streetwise authenticity. This new single cements his place as a force to be reckoned with, ready to take the music scene by storm.
Ossai Israel, known to fans as EEZZ, is a rising Nigerian rapper redefining street anthems. His music weaves the intensity of drill with the raw energy of his Nigerian background, lacing his rhymes with street lingo and references that resonate deeply with his audience. “Kalambolo” exemplifies this potent blend, showcasing his ability to connect and tell captivating stories.
EEZZ isn’t just a rapper; he’s a voice for his generation. He captures the struggles and triumphs of everyday life in a way that’s both relatable and energizing. Drawing inspiration from global hip-hop giants while staying true to his Nigerian roots, EEZZ creates a sound that transcends geographical limitations.
Rodnee Okafor, popularly known as Zilla Oaks, is a Nigerian emcee making significant strides in the hip hop music scene in Abuja. Zilla’s journey began in 2011 during his second year of senior high school, driven by a sheer love for music. He released his first mixtape, Yours Sincerely, which set the stage for his first album, N.E.G.R.O, an acronym for “NEW EAST GOD RODNEE OKAFOR.”
In 2018, Zilla Oaks launched his official debut album, introducing his brand tagline “NO ZZZZ.” This was a defining moment in his career, followed by NO ZZZZ 2, released on May 21, 2021. These projects solidified his presence in the Nigerian music industry and showcased his unique blend of old and new hip hop elements, characterized by his evolved lyricism, cadence, and flow.
Zilla Oaks has since released several hit singles that have resonated with Nigerian music fans. Tracks like No Conversate (feat. PrettyBoy D-O, Marv OTM, and MOJO), Ogini, Mutumina x Alobam, More More, Bank Alert, Fresh Like Z, and GUN DOWN have demonstrated his musical versatility and lyrical prowess. Each song reflects his skill in storytelling and narration, painting melodious murals of the world around him.
Hip hop, a genre known for its unique storytelling, finds a true artist in Zilla Oaks. His conversations reveal a drive and ambition of someone who not only considers himself the best but also works tirelessly to prove it. His dedication to his craft is evident in every project he undertakes.
In 2024, Zilla Oaks is set to elevate his career even further with teased collaborations featuring prominent artists such as Tomi Obanure, KVV, President Zik, Reeplay, ODUMODUBLVCK, Anti World Gangstars, and Yin The Hermit. These collaborations are highly anticipated and are expected to bring fresh and exciting dimensions to his music.
As Zilla Oaks continues to soar higher in Abuja’s hip hop scene, his journey is a testament to the power of passion, hard work, and an unwavering belief in one’s talent. Keep an eye on this rising star as he continues to redefine the Nigerian hip hop landscape with his innovative sounds and compelling narratives.
For decades, music and fashion have been inexorably intertwined, each serving as a potent form of self-expression and converging into a beautiful art form. The connection between these two domains is irrefutable. Icons like Kanye West have significantly influenced hip hop fashion and culture, extending their reach beyond music to collaborate with esteemed brands such as Adidas and Balenciaga, founding Yeezy, and curating his own fashion shows. Closer to home, Riky Rick has similarly dominated both the music and fashion landscapes in South Africa. As a true fashion trailblazer, he created COTTONFEST, an event celebrating the fusion of music and local fashion, and collaborated with brands like PUMA and Maxhosa, demonstrating his unwavering passion for fashion.
The symbiotic relationship between music and fashion transcends mere collaborations; artists often celebrate their fashion sense within their lyrics. Riky Rick, in the “Whole Thing” remix by Frank Casino, boasted, “Who you know could run the city in Gucci slippers and still show up at the daycare, your night clothes is my day wear,” underscoring his sartorial confidence. Similarly, Kanye West declared in “Champion,” “You don’t see just how fly my style is? I don’t see why I need a stylist when I shop so much I can speak Italian,” emphasizing his unique fashion prowess.
Returning to the motherland, Africa, while there remains a need for more creatives to shape the fashion landscape, it is encouraging to witness projects like Hippy Bambino’s Republic of Karma, a harmonious blend of music and fashion. This initiative is not unprecedented in Southern Africa; LUND (Love Under No Demand) made significant strides in Eswatini with the “LUND FM 82.6” compilation project, featuring top local acts like Amarii, Yung Tmpo, LiveLoveLxnce, Sadboy DLR, and ILOVEMADDONA, showcasing the seamless integration of music and fashion.
Botswana is doing the same with “The Republic of KARMA” , a groundbreaking Fashion x Hip Hop collaboration album by the local luxury streetwear brand KARMA by Hippy Bambino. It marks the first instance of a clothing brand in Botswana partnering with a collective of local musicians to create a comprehensive body of work that unites culture through fashion and music. The project’s production, led by award-winning producer Fella, and creative direction by Hippy Bambino, aims to capture the vibrant energy of Botswana’s creative scene.
Hippy Bambino envisioned an album that not only stands out culturally but also makes history by bridging gaps within the industry. The project seeks to dismantle cliques and foster collaboration between emerging and veteran artists, aiming for a competitive sound capable of breaking international barriers. Featuring contributions from six local producers and 21 local artists, the album’s tracklist and promotional imagery have already generated significant anticipation.
Set to release on August 2nd, “The Republic of KARMA” is poised to make a significant impact on the music scene. In the lead-up to this launch, Hippy Bambino released the lead single “Summer Breeze,” featuring Lissie Rob, Chubbito, and Apollo D, produced by Quxncy and engineered by Fella, on June 28th, providing a tantalizing preview of what’s to come.
“The Republic of KARMA” stands as a testament to the vibrant synergy between music and fashion in Africa. By uniting local talent and fostering collaboration across creative disciplines, Hippy Bambino and his team are not only setting a new standard for artistic expression but also paving the way for a more integrated and dynamic cultural landscape. As the project prepares to make its debut, it promises to leave an indelible mark on the industry, inspiring future generations of artists to explore and celebrate the powerful connection between music and fashion.
Born Sphamadla Iyakhanya Nhleko in Stanger, Kwa-Zulu Natal, Sain is an artist whose career is growing. Two years ago, Sain released his most successful song to date titled “Champion” on 21 March 2024. The artist’s single has garnered over 400 000 streams across digital platforms including Apple Music, Spotify and Audio Mack. Additionally, Sain has recently captured the attention of fellow South African rapper Touchline and has hinted at the possibility of them working together. Following in Touchline’s footsteps, Sain is well known for addressing issues like poverty, ambition, daily black struggles resonating with audiences in South Africa. He has a knack for blending in social commentary with personal narratives in both Zulu and English.
“Champion” is an optimistic and introspective rap song that profoundly explores the complex experience of manhood in the context of the African culture , characterized by silent endurance, the pressure of responsibilities and the pursuit of financial stability and legacy. The song highlights the importance of being a “Champion” by staying resilient even in the face of adversity. On the song, Sain delves into the challenges of internal and external struggles faced by men, and the profound influence of role models and aspirations on a man’s journey all delivered across three verses and a strikingly written chorus.
The chorus of the song addresses how men often internalize their emotions, feeling the need to be the pillars of strength for their families. Sain discusses how men sometimes turn to alcohol as an escape, revealing their vulnerabilities only when drinking with friends. He explores the detrimental effects of toxic masculinity, which leaves men without a safe space to express their struggles. The chorus concludes with a message of resilience, reminding listeners that pain is temporary and life goes on.
The three verses collectively depict the complexities of manhood, highlighting the pressures of providing for a family, pursuing personal goals, and building a legacy. The song serves as a plea for greater awareness of men’s mental health issues, particularly in a time when such concerns are increasingly prevalent.
The success of “Champion” solidifies Sain’s position as a rising talent in the music industry and underscores his ability to inspire positive change through his music. I eagerly anticipate what the young talent from KwaZulu-Natal will offer next.
Lesotho-born artist AJFawdySeven is poised to release his latest single, “Mamba,” featuring Eswatini-born hip hop artist Amarii, on August 2, 2024. The track is anticipated to showcase a compelling display of dominance, stellar storytelling and lyrical finesse between the two rappers, who originate from Africa’s only remaining kingdoms.
The single’s title, “Mamba,” is derived from the late basketball icon KobeBryant, who used the name as his moniker and alter ego on the basketball field. For Kobe , the nickname symbolized fierce competitiveness , determination and unwavering diligence even despite facing challenges. For AJFawdySeven, this song takes him back to a time in his life where his love interest broke his heart but even in the midst of this challenge, he learnt so many lessons and stayed strong.
The song, filled with numerous basketball references, explores the relationship between love (AJFawdySeven’s heartbreak story) and basketball through its title and lyrics. AJFawdySeven uses this narrative to convey a message of hope, ambition, and determination, resonating deeply with all aspiring dreamers.
Following the release of his June EP, “Time and Place for Everything,” AJFawdySeven’s new single continues his creative momentum. Produced by Sizwe Mbuli , co-produced by Thor Björgvinsson , and mastered by Tyson ‘Jam’ Ramela , the song integrates a captivating 80s sample with pulsating 808s, crafting a soundscape that pays homage to the era while retaining a contemporary edge.
Here’s a brief conversation I had with AJFawdySeven about his upcoming single Mamba:
Conversation between Milliswa & AJFawdySeven:
Q: What inspired you to drop a new single shortly after dropping a project in June ?
A: I think the fact that I didn’t stop recording music, after uploading and submitting the EP. It was sorta a way for me to celebrate dropping, I think recording music and playing chess has been my favorite way of celebrating milestones this year. Releasing it so soon was to sorta give people a glimpse of exactly how I am feeling lately, in real time.
Q: What inspired the song “Mamba”, tell us more about what it means to you?
A: The producer Sizwe Mbuli was the biggest inspiration actually, he always reminds me of my time back in Joburg (2017) when I experienced a very dramatic heartbreak lol, so when he sent this beat it really took me back to that time, that’s why I intro the verse with “2017, Bunting Road” which is the road to the UJ Campus where we used to study together in 2017. The song is not necessarily about just the love story, but more about what it inspired, the domino effect. The lessons I learned from my time there and how it led to me being the person I am today.
Q: Are you an avid fan of basketball since the song carries so many basketball references?
A: I’m really not, hey, I gave the song a basketball theme because of the hook I wrote, “Feel like Kobe, cause you’re my number 24” which is Kobe Bryant’s number that the Lakers retired. So basically numbers in sports are retired only for the greats as to say you’re irreplaceable, as like tribute to how legendary a person is, and for a long time that’s how I felt about said person who dribbled me in 2017 lol. The skit as the bridge of the song is from “Love and Basketball” which is basically another artform portraying a love story through basketball. The movie also happens to be one of my favorite movies of all time.
Q: You’re from Lesotho, how did the collaboration with Eswatini’s very own Amarii come about ?
A: I honestly owe this one to Mmasechaba who is an amazing music tastemaker who is very well known in SA Hip Hop, notably on twitter. She playlisted my song “RAGNARÖK” and Amarii’s “this thing of ours” on her “TBB: Lucky Packet II” Playlist. Amarii immediately stood out for me and we followed each other on social media from then, the rest is history.
Q: What is the hip hop landscape like in Lesotho? Given the fact that you’re quite a small country, just like The Kingdom of Eswatini?
A: Currently I’d say we’re on an upward trajectory, although we’ve just experienced a huge loss due to the sad passing of Malome Vector who is one of the trailblazers of our industry in terms of putting more eyes on Basotho music.
We definitely have the talent (Ntatao, Ntate Stunna, T.U.R.K,Circus Recipe,Origin Musiq,Morena Leraba etc) but unfortunately we’re still heavily reliant on the infrastructure of South Africa to have any chance at a sustainable career in entertainment.
The future is definitely bright for Lesotho, lotta people making strides, from fashion with JoachimGarments, Bonono, Waves, Sqo etc to industry professionals such as Itumeleng Letsapo,DrizzMedia etc. There are so many people I can mention who are all doing big things all over the world so the landscape is definitely getting more fertile day by day.
It just wouldn’t be right to speak on Lesotho Hip Hop without paying our condolences to Malome Vector who has done so much for Lesotho and African hip hop. As Hip Hop Africa, we recognize his efforts in putting Lesotho on the map. Rest In Peace, Malome Vector.
On Friday, July 26th, 2024, South African artist Ivy Leeg released a new single titled “Linger On,” featuring Fentse, Barry Staxx, Carter IV, DoouShi, and NovaTron. This song can only be described as three minutes of pure bliss.
Ivy Leeg, a Pretoria-born artist, refuses to be confined to a single genre. From hip hop to the smooth melodies of R&B, house, and electronic music, he effortlessly navigates diverse soundscapes, establishing himself as a unique talent in the music industry.
It wouldn’t be right to talk about Ivy Leeg without mentioning where I first discovered him. My introduction to his music was on Nino Fresco’s “Fly For Magriza” project, particularly on the opening track, “Pilot.” Interestingly, I also encountered Fentse through “Fly For Magriza ” on two occasions, “Kasi Girl” and “Sensitive” .
To me, “Linger On” evokes a sense of warmth and joy, making it feel like the perfect soundtrack for a summer road trip with a loved one. Its smooth, soulful melodies evoke a sense of lightness and joy, as if I am basking in the warmth of the sun. To top it off, Fentse’s beautiful voice on the hook and Ivy Leeg’s smooth , captivating verse create a dreamy, almost ethereal atmosphere that leaves me feeling uplifted and deeply connected to the music. It’s the kind of song that brings a smile to my face and a flutter to my heart, making me feel alive and in love with life.
This song is a seamless fusion of electronic music, hip hop, and R&B, characterized by smooth, soulful, and jazzy intricate rhythms. Its infectious nature leaves a vibrant, groovy vibe that feels both nostalgic and fresh. Fentse’s beautiful voice on the hook perfectly complements Ivy Leeg’s smooth yet swoony verse, delivered in his signature flow. From just one listen , I felt fully present and connected to the moment, leaving me with a feeling of pure bliss.
If you would like to feel the same way, stream “Linger On” here:
It’s safe to assert that Durban is currently the epicenter of South African Trap culture and music. With Blxckie constantly releasing new tracks, the Qwellers keeping the streets vibrant, and Usimamane and Tony Dayimane making waves, 2024 is the perfect year to focus on the Durban rap scene.
One emerging artist catching my attention is AYON, a female rapper hailing from Durban, KwaZulu-Natal, who is making significant strides in South African Hip Hop. Today (28 July 2024), she released her third single of the year , titled “Choice Assorted.”
I first discovered AYON( born Ayanda Mfeka) through one of my favorite Twitter music tastemakers and Durban hip hop producer, SiphoMjita, who hinted that a collaboration between AYON and Oriiginelle would be legendary. After listening to AYON, I couldn’t agree more.
My favorite song by the artist, by far, is “The 07th,” released on May 17th. I have always been drawn to boom bap raps combined with lyrical finesse and storytelling—elements that AYON executes exceptionally well in this track.
Listen to choice assorted on Spotify
Her latest release, “Choice Assorted,” however is different from “The 07th”, as it is a trap anthem with heavy, upbeat production. Her braggadocio, style, and flair make this a standout hip hop track that captures the distinctive sound and vibrancy of Durban Hip Hop. In the song, she celebrates her exceptional talent and ability to dominate the music scene with her unique style.
The cover art features the iconic Choice Assorted biscuits, a festive treat for black families across Southern Africa. This choice by AYON likely aims to culturally resonate with audiences across South Africa and beyond.
I look forward to hearing more from AYON in the coming months, as I believe she has the potential to become one of Durban Hip Hop’s most influential and powerful voices. Her versatility in blending the anthropology of old school western hip hop and traditional elements of African Tribal music will set her as a cut above the rest.
Evolve.Co is proud to announce the release of Teddy James III’s latest project, a double-track EP featuring “18” and “BLEEEEEEED.” The EP is available today on all digital platforms.
Teddy James III, formerly known as James Teddy Chemaly-Parker, is an 18-year-old musician born in Beirut, Lebanon. Teddy discovered his love for music at a young age, dancing to “Gangnam Style” at his father’s Mozambican bar. This experience ignited a lifelong passion for music, further fueled by his multicultural upbringing. Teddy attended a prestigious music academy in London at the age of six, where he achieved a Level 3 in piano. Now settled in Johannesburg, South Africa, his music carries a unique blend of cultural influences.
Although born in Beirut, Teddy was primarily raised in Sandton, South Africa, enjoying an excellent education at prestigious schools such as St David’s Marist Inanda, De La Salle Holy Cross College Junior School, Abbotts College, and Radley School for Business. His diverse educational background and early exposure to various musical styles have significantly shaped his artistic vision.
Turning 18 is a milestone that many look forward to with joy and anticipation. For Teddy, it marks the end of a painful chapter—years of taunting and bullying that left deep scars. Yet, through it all, he found strength and resilience, thanks to the unwavering support of his family and the relentless dedication of his team.
This EP is more than just a collection of songs; it is a testament to survival, strength, and the power of perseverance, Each track is infused with the raw emotion and dark realities I faced, and it is with the help of my exceptional team that these stories have been brought to life in such a poignant and powerful way.
Teddy James III
Teddy extends his heartfelt gratitude to everyone who contributed to the creation of this EP. “To my producers, engineers, writers, and everyone who has had a hand in this project: your talent, hard work, and belief in my vision have turned my personal struggles into an artistic triumph. You helped me channel my pain into something beautiful, something that I hope will resonate with and inspire others who face similar battles.”
He also acknowledges the profound influence of his parents. “My parents always encouraged me to be strong, to rise above the challenges, and to never lose hope. Their words have been a guiding light, and with the support of my team, I have been able to transform my darkest moments into a message of hope and freedom.”
Teddy is filled with aspirations for the future, aiming to secure more gigs, expand his horizons, and leave his mark on the global music scene. He enjoys collaborating on brand alliances and artistic partnerships with other musicians. When not making music, Teddy runs a successful modelling agency, a testament to his diverse talents and ambitions.
Akanuibiam Ogbonna Promise, known by his stage name Laxxy OGB, is a rising star in the Nigerian music scene. Hailing from Ebonyi State, Laxxy OGB officially kicked off his music career in 2018 and has since captivated audiences with his unique sound and compelling lyrics.
Early Life and Career Beginnings
Laxxy OGB’s journey into music began in the vibrant cultural landscape of Ebonyi State. His early exposure to various musical influences inspired him to develop his own style, blending elements of Afrobeat, hip-hop, and contemporary Nigerian sounds. This eclectic mix has become a hallmark of his music, setting him apart in a competitive industry.
Breakthrough and Popular Tracks
Since his official debut in 2018, Laxxy OGB has released several tracks that have resonated with fans and critics alike. His hit single “Trench Men” brought him into the limelight, showcasing his lyrical prowess and distinctive voice. The remix of “Trench Men,” featuring renowned artist Zoro, further cemented his reputation as a formidable talent in the music industry.
Other popular tracks by Laxxy OGB include “Wuness,” “Popo,” and “Groove.” Each of these songs highlights his versatility and ability to connect with listeners through relatable themes and infectious rhythms.
Style and Influence
Laxxy OGB’s music is characterized by its rich storytelling, energetic beats, and a seamless blend of traditional and modern elements. His ability to weave personal experiences into his lyrics has endeared him to a broad audience. Influenced by both local and international artists, Laxxy OGB continues to innovate, pushing the boundaries of his genre and exploring new musical horizons.
Looking Ahead
As Laxxy OGB continues to rise in the music industry, he remains committed to his craft, constantly evolving and refining his sound. With a growing fan base and a string of successful releases, Laxxy OGB is poised to make an even greater impact on the global music stage.
Conclusion
Laxxy OGB’s journey from Ebonyi State to the forefront of the Nigerian music scene is a testament to his talent, hard work, and dedication. His compelling music and authentic style ensure that he remains a significant figure in the industry, with a bright future ahead.
Lesedi The DJ has unveiled his long-awaited single, “Top of the Money,” featuring Kiddo CSA, Loatinover Pounds, and Flow Jones Jr. This electrifying track is masterfully produced by WXVEAMBIENT & CRXIGCREATES, with cover art crafted by Loatinover Pounds, who continues to showcase his multifaceted talents as a producer, rapper, and graphic designer.
“Top of the Money” stands out as a trap anthem, driven by an infectious hook performed by Kiddo CSA, who artfully blends Zulu and English to capture the essence of the track: a celebratory ode to pursuing financial gain unwaveringly regardless of obstacles or opposition . The chorus repeatedly underscores the song’s central theme of diligent effort and the spirit of hustling.
“Oh yea, I’m dropping some pressure Mina ngisayosebenza Bese ngibuya ngihlanganisa iphepha Mawudelela ngizok’faka insilane Ngizokushaya ubhuquze uculeke I don’t care about none of these niggas Mabengbuza ukuthi ngikuphi mina I’m on top of the money ”
The instrumental features a sophisticated synth-like melody, which introduces a dark, immersive atmosphere. What I found particularly impressive about the production is how the primary melody maintains its potency throughout the track, while subtly allowing the vibrant 808s to drive the rhythm and energize the listener. Kudos are well-deserved for WXVEAMBIENT & CRXIGCREATES for their outstanding production work.
“Ke file mzansi hip hop hope o kare KFC ka boys (2 RAND). Ke gafisa bana, coco melon, nou o nyako dlala ka toys”, Loatinover Pounds begins his verse with a clever allusion to the KFC Add Hope initiative, likening his contribution to South African Hip Hop to the charitable effort, and juxtaposes it with a playful reference to the popular Coco Melon cartoon.
His initial lines elicited a chuckle and an appreciation for his wit and lyrical cleverness. Throughout his verse, delivered predominantly in Pretorian vernacular and slang, he displays a remarkable cadence. He concludes with a relatable line about enjoying freebies despite his wealth, drawing a comparison to ANC promotional items. ” Top of the money but getting Hennessy for free nkare skipa Sa ANC”, he raps.
Flow Jones Jr. brings the track to a powerful close with his distinctive high-pitched, raspy tone, infusing the song with a raw intensity that perfectly complements its crisp and hard-hitting production. In his verse, he reflects on his position within South African hip hop and his reputation for delivering top-notch verses.
