There’s music for the charts—and then there’s music that punches through your chest. Catholic Boys is the latter.
Nigerian artist, rapper and all round creative Latino Perrico steps to the mic like a man on a mission with scriptures in his DNA, pain in his cadence, and a pen baptized by fire. This isn’t gospel rap. This isn’t holy hip hop. This is doctrine delivered through boom-bap and conviction. He’s not rapping for applause. He’s speaking from the pulpit.
This is for the ones baptized in struggle, confirmed by bars, and crowned by purpose, I didn’t come to blend in. I came to remind you what rap with a backbone sounds like.
Latino Perrico
Strictly for the True Believers
Catholic Boys is Latino Perrico’s most stripped-down and fully realized effort to date, a narrative-rich body of work that walks the line between liturgy and life. No smoke. No mirrors, No A&Rs steering the sound, just real bars, raw faith, and storytelling that hits like a confession booth with surround sound.
From the high-stakes opener Christ the King to the militant Crusade, Perrico builds a world where verses are sacred and the streets still echo with scripture, and then there’s the heat check: Bank of Faith (Remix) featuring African hip-hop royalty Modenine, a surgical trade of bars that bridges eras and continents with lyrical firepower. It’s not a feature. It’s a **co-sermon.**
This Is Legacy Work, Not Playlist Filler
The production reads like a stained-glass window shattered by 808s: solemn melodies, bass lines dragging like a censer through cathedral halls, and subtle echoes of Nigerian soil beneath every word.
You hear the sermons. You hear the sacrifice. You hear Perrico owning his space with purpose and clarity.
“This one’s for those who still believe music should mean something,” he says. “*Every line’s lived. Every cut’s intentional.”
Latino Perrico
