Latino Perrico’s not whispering his arrival—he’s kicking the door open.
In a surgical move right out of the playbook of rap rollouts, Latino Perrico connects with Africa’s rhyme Godfather, Modenine, for the Bank of Faith remix. This isn’t just a collab—it’s a generational cipher. Two emcees from different eras of hip-hop, locked in, trading precision flows and lyrical depth like it’s a war of truth.
The original cut was already flame packed with soul, soaked in survival, and wrapped in sacred metaphors. But the remix? That’s guerrilla gospel. And when Modenine enters the booth, it’s not a guest verse—it’s a lyrical sermon.
“Modenine didn’t just spit bars,” Perrico told us. “He echoed the vision, pushed it further. We weren’t just rappin’—we were testifyin’.”
This Ain’t a Detour—It’s an Omen
Perrico isn’t teasing. He’s warning. The remix sets the stage for The Catholic Boys Album, dropping June 20th—a project that doesn’t chase clout or algorithms. It builds a kingdom on belief, bars, and grit.
Track titles like Christ the King, The Crusade, Ghetto Angels, and Judgement Day, say it all—this ain’t no playlist filler. Perrico’s carving out his space in the culture, unshaken by trends and unapologetically rooted in purpose.
“I’m not dropping songs,” he says. “I’m dropping *statements*. If you’re not tuned in, you’re missing the message.”
